Posts tagged ‘Octavia Spenser’
Following on from my earlier Oscar Nominations Predictions here are my Best Supporting Actress nominations.
This is the wacky category which is always unstable and where ALWAYS surprises turn up. Even to me. Like for instance last year Jackie Weaver getting nominated for “Silver Linings Playbook.” Even SHE didn’t expect it, she has said.
Why, in a rather weak performance, did she get in? Well simply put she was in a film every Academy voter was watching, to look at the other eventual nominees Bradley Cooper, Robert DiNiro and eventual winner Jennifer Lawrence, and they saw Weaver playing mother hen to all of them, and so out of sheer laziness, I feel, they just wrote her name down as well. Instead of looking at a separate DVD screener (even if they were sent one) on Magnolia Films Indie starring Ann Dowd.
Weaver replaced Dowd in the final Nomination line-up. Even though she was NOMINATED for a Broadcast Film Critics Award for Best Supporting Actress and WON the National Board of Review.
Weaver was also in a film the Weinstein Co. were pushing. As always, DON’T UNDERESTIMATE HARVEY!
So who does Harvey have in his Supporting Actress stable this year? Well, Julia Roberts, in the best performance of her career in “August:Osage County” so I think she’s in. And so are his other ladies, Opran Winfrey in “Lee Daniels The Butler” and also Octavia Spenser in “Fruitvale Station.”
Adding in Lupita Nyong’O’s breakout debut performance in “12 Years a Slave” and Golden Globe winner and last year’s Best Actress winner Jennifer Lawrence in “American Hustle.”
And 84-year-old June Squibb gets in for “Nebraska.”
Also, I don’t think the Academy can resist making history this year by nominating THREE African American actresses in the same category! That would be Oprah, Lupita Nyong’O, and former winner in this category Octavia Spenser.
ETA: I just realized I predicted SIX nominees! Well, that can’t be right!
Sorry! So who gets left out. Unfortunatley, it’s either Octavia Spenser, but because she’s got Harvey behind her, and he’s ALSO got to do some heavy lifting for Julia Roberts in this category AND Oprah, too, who surprisingly is not a slam dank(She didn’t get a Golden Globe nomination! SHOCK!). He may split his infinity here. And “Fruitvale Station” as worthy as it is, is NOT “Beasts of the Southern Wild.”Or Octavia gets in and June Squibb does not. Last year, Ann Dowd didn’t.
The Phase I of Oscar Season, as it’s called closed today with the due date of the nomination ballots this afternoon at 3pm.
So it’s done. It’s over. And while everything seems like it’s set in Stone(as in Sasha Stone), is it really? There’s always surprises. Like for instance “Dallas Buyer’s Club” and its’ performers being totally shut out from BAFTA. Ditto Meryl Streep for “Best OverActressing” for “August: Osage County.” And Robert Redford for “Best Non-Actoring” in “All Is Lost.”
I remember soooo well my thinking that the notorious Melissa Leo was dead-in-the-Oscar-water, when SHE wasn’t nominated for a BAFTA for “The Fighter,” but guess what? She WON! So those rules don’t necessarily apply. However, someone like Jonah Hill’s being nominated NOwhere, means that’s where he’ll probably stay.
And it forecasts not very easy waters ahead for veterans Streep or Redford. Today it feels like someone. Probably Leonardo Di Caprio is going to take Redford’s place in THE FIVE.(in the tighttightight Best Actor race.)
The DGA nominated the directors of “12 Years a Slave”(Steve McQueen), “Capt.Phillips” (Paul Greengrass), “Wolf of Wall Street”(Martin Scorsese), “Gravity” Alfonso Cuaron and “American Hustle” (David O. Russell). I think we can safely say that all those five films WILL be nominated for Best Picture Oscar, when the nominations are handed out Tuesday morning. 8:45AM EST.
But what about the actors in those films? Well, they’ll all have an easier ride than those that aren’t in a DGA film.
So that’s good news for Chiwetel Ejiofor, Lupita Nyong’O, and Michael Fassbender, Tom Hanks and Barkhad Abdi, Leo, but not Jonah Hill, Sandra Bullock, and only perhaps Jennifer Lawrence from “American Hustle.”
Everyone else, except the winning frontrunner Cate Blanchett for “Blue Jasmine” is in doubt. Not serious doubt, but doubt nonetheless. I wonder if this hurts Bruce Dern’s chances, although he surely will get a nomination for “Nebraska” and also I wonder now about June Squibb…
And then in another universe entirely are the Weinstein films, all orbiting around their own sun, Harvey, who knows better than anyone in any world, how to bend the Academy to his will and the will of his FIVE films, or six, if you count “Ten Feet From Stardom.” I loved that movie and I bet that’s his big winner this year. It’s the wing-ding of a doc about back-up singers.
But he’s also got “Philomena”, “August:Osage County”, “Lee Daniel’s The Butler”, “Long Walk to Freedom” and “Fruitvale Station.” A workaholic (and who isn’t in the Oscar race?)Dame Judi Dench is probably in like flint for the grieving mother in “Philomena” and didn’t Harvey surprise us all by getting JACKIE WEAVER nominated for Best Supporting Actress for a non-performance of epic non-magnitude in “Silver Linings Playbook”? NOOOOOObody expected THAT.
And why, when she certainly didn’t deserve it, did she get nominated? Well, the Voters SAW her, when they went to look at “Silver Linings Playbook”. There she was playing Bradley Cooper’s mom and Robert De Niro’s wife, and lazy voters that they are, they wrote her name down(probably at Harvey’s suggestion) and a clearly not-winning performance, it was nevertheless a nominated one.
Who of those movies is no one talking about at all, esp. in Supporting, always a flibbertijibet of categories? Well, there’s Naomi Harris who is just terrific as Winnie Mandela, in what is clearly a leading role, in “Long Walk to Freedom.” But will enough people have watched that? There’s Margo Martindale, whose role in “August:Osage…” has been all but eviscerated but she has made an impact and is on many radars. And an obvious choice previous Supporting Actress winner Octavia Spenser for “Fruitvale Station” who was just awarded her Best Supporting Actress trophy tonight by the National Board of Review. So she’s not exactly obscure. Melonie Diaz for “Fruitvale” would be a VERY big surprise. She was just as good as the grieving girl-friend of the slain lead character…
And poor “Inside Llewyn Davis” left out in the cold…just like it’s leading character…and the break-out star of this year, Oscar Isaac…I think it could very well get a Best Picture, Best Original Screenplay and Best Cinematography and maybe Best Score and Song”Please Mr. Kennedy” or another song from “Llewyn.”
I loved Scarlett Johansson’s magnificent voice work in “Her” but aren’t there Academy rules against parts that are just voice-work? Maybe there are and maybe there aren’t. She’s never been nominated so THAT would be the surprise of surprises…And of course, Joaquin Phoenix would be a total surprise if he broke in Best Actor. But he did just that last year for “The Master” when everyone was counting him out(including me). So would the aforementioned Oscar Isaac and/or Michael B. Jordan for “Fruitvale” in Best Actor…And don’t forget Sally Field as Cate Blanchett’s lovable sis in “Blue Jasmine.” The Golden Globes included her in, and not Oprah. Could happen again.
We’ll just have to wait and see! But I can’t wait any longer!!!! I WANT TO KNOW NOW!!!
Sad, but true. In what is being touted as the best year ever for the recognition of Black film making, with “12 Years A Slave” steam-rolling every Oscar category in its’ path, the Best Actor race may sadly be the same old same old-as in The Same Old White Faces.
There were FOUR possible Black Best Actor candidates. I’m using the word Black because two of them are British and therefore the term African-American is not totally apt here. Chiwetel Ejiafor for “12 Years a Slave” is British, and so is Idris Elba “Mandela:Long Walk to Freedom.” The other two being Forest Whittaker (already an Academy Award winner in this category) for “Lee Daniels’ The Butler‘”and Michael B. Jordan for “Fruitvale Station.”
I’m afraid when the nominations are announced in January only Chiwetel Ejiafor is going to be the last one standing. And the hue and cry resulting from this happenstance, may very well secure his win. WHICH HE TOTALLY DESERVES!!! “12 Years a Slave” is a masterpiece!
I have no trouble saying that “12 Years a Slave” won the Oscar in September. In Toronto, to be exact. At TIFF’13. I know. I was there. I saw it.I felt it. It was seismic. The ground was trembling. It was like an Academy Award earthquake!
And the words on everyone’s lips formed a mantra “’12 Years a Slave’ has already won the Oscar in September!”
And lo and behold, it did go on to win the Toronto Film Festival Audience Choice Award for Best Picture. One of the only awards that non-award-giving TIFF gives out. And it’s the audience at TIFF that voted for this.
And I think it’s going to dominate in every category that it’s nominated for. Particularly Best Director(Steve McQueen), Best Supporting Actor (Michael Fassbender) and Best Supporting Actress ( dazzling newcomer) Lupita N’yong’o. Yes, I think Jeff Wells http://www.hollywood-elswhere.com is right in saying she could beat Oprah Winfrey in this category. Oprah being in the running for “Lee Daniels’ The Butler.”
But back to the lead in this story. The SWORM which IS the Academy (Straight White Old Rich Men) are going to make sure that Robert Redford, Tom Hanks and Bruce Dern all end up nominated in this category.
Hanks certainly landed with a big splash on Friday night, opening the New York Film Festival with “Captain Phillips.” Everyone, critics and audiences alike were ecstatic in their praise. Also of Barkhad Habdi as the main Somali pirate. There could be a surprise nomination there. No one saw that coming. But there it is.
Robert Redford’s solo performance in “All Is Lost” is a career-capper, too, by all acounts, and so is Bruce Dern’s in “Nebraska.” Up against these Hollwyood legends, I fear Whittaker, (“He already has an Oscar “) and Idris Elba( his film did not wow the critics or audiences at TIFF) and newcomer Jordon(“He’s young. He can wait.”) will all cancel each other out and leave Chiwetel as the last Black man standing.
And he could win. Satisfying EVERYONE. I hope.
I’m figuring the #5 slot is going to go to the long-overdue, career-changing Matthew McConaughey, who, yes, scored mightily, yes, at TIFF, for “Dallas Buyers Club.”
So much was decided at TIFF this year, I just couldn’t believe it.
When “Mandela” bombed, as did “The Fifth Estate,” those two films were quickly taken off the Oscar table.
It doesn’t bother me that “12 Years a Slave” is the presumptive winner. It deserves it. It’s one of the greatest films ever made and deserves to be acknowledged as the masterpiece it is.. The injustices and horror of slavery that it depicts, just SCREAM “AWARD THIS!” All the other films coming up this year simply in terms of subject matter seem picayune by comparison.
The fact that in the Best Supporting Actress category, which some refer to as “The Booby Prize” of the Oscars,” there could very well be a historic TRIO of African American nominees, Oprah Winfrey, N’yong’o( She’s an American. She went to the Yale School of Drama! Yes, she did!) And past winner Octavia Spenser for “Fruitvale Station”. That would be terrific precedent-breaking situation. But in the Best Actor category, sadly, no. The status quo will, I fear,prevail.
The lovely and charming Melonie Diaz of the much Oscar-buzzed “Fruitvale Station” a Sundance and Cannes sensation that couldn’t be more timely. Melonie reveals that she studied directing at NYU Film School! And discusses her relationship with Oscar Winner Octavia Spencer who plays her mother-in-law in the ripped-from-the-headlines movie.
PROVINCETOWN FILM FESTIVAL 15th ANNIVERSARY Wrap-Up
Epstein/Friedman Triumph TWICE with Double Whammy of “Lovelace” &”The Battle of AMFAR” ~ Almodovar, “Fruitvale” and Divine also score
Oscar-winning documentary filmmakers Rob Epstein & Jeffrey Friedman did the seemingly impossible at the 15th Anniversary of the Provincetown International Film Festival, which just wrapped. They opened this smart, exciting, essential & growing film festival with their first narrative feature film “Lovelace” about the ’70’s porn star Linda Lovelace of “Deep Throat” fame and followed it up with a terrific doc about the AIDS organization “The Battle of AMFAR.” Both were superb.
“Lovelace” was my favorite film of PIFF, boasting a surprising trio of Oscar-worthy performances from Amanda Seyfried (“Les Miz,””Mama Mia”) as Linda Lovelace herself,and Peter Sarsgaard (“An Education”) is incredibly believable in his tough-to-take role as Lovelace’s porn producer/husband Chuck Traynor. The triumvirate of great star turns is completed by an unrecognizable Sharon Stone as Lovelace’s hard-nosed Catholic mother. I never thought Seyfried had the dramatic chops, and I, like Harvey Weinstein I was told, did not realize that it was Sharon Stone as the mother, until the end credits rolled, and I nearly jumped out of my skin!
Stone has been nominated once before for “Casino”, but didn’t win, and now I think she will have another strong shot for sure, as Seyfried and Sarsgaard will, too, be up for Oscar consideration again. And this time, as a Best Supporting Actress, she could actually win. And neither Seyfried nor the worthy-as-hell, overdue Sarsgaard has ever been nominated either. Also, Radius the new Weinstein Co. off-shoot is repping this terrific film.
A biopic of a porn star? I didn’t think I’d like it, but “Lovelace” and Seyfried and Sarsgaard and filmmakers Epstein and Friedman draw you in utterly and make you CARE. And it’s funny, too, when it needs to be, and tragic as Lovelace’s story gets darker and darker. And with Harvey Weinstein in the mix behind them, look out!
“The Battle of AMFAR” is about the founders, the unlikely duo of research scientist Dr. Mathilde Krim and superstar-turned-activist Elizabeth Taylor. who joined forces to bring about a critical change in the perception of the HIV/AIDS epidemic in 1985. This terrific doc that sped by at a lightening pace was ALSO directed by Epstein and Friedman, who also directed “Lovelace”! Is there anything these two titans of cinema can’t do? It was definitely their time to shine at this year’s charming sea-side Festival.
The Weinstein Co. was also behind the laceratingly powerful racial drama “Fruitvale Station”, a true story about an innocent African American youth, 22-year-old Oscar Grant, who is wrongly slain by police on New Year’s Eve 2008. Unknown actor Michael B. Jordan has to carry virtually every scene of the film, and he does, but it is Oscar Winner Octavia Spenser(“The Help”) who outdoes herself here as Grant’s mother.
Grant is no plaster saint and his mother knows it. We are shown flashback scenes of Grant in prison, when his mother comes to visit and tells him she won’t be coming to see him anymore and refuses to hug him. We see her try to control her wild, pothead son, when he gets out, and she tries to keep him on the straight and narrow, and most monumentally, we see her grieving when he is shot-to-death by police. Octavia Spenser meets every challenge of this bravura, heart-breaking role that pulls out all the stops, and then some.
Having won both the Grand Jury Prize for dramatic feature and the Audience Award for U.S. Dramatic film at 2013’s Sundance Film Festival, “Fruitvale Station”, the subway station where the tragedy occurs, seems primed to compete across the categories as last year’s Sundance favorite “Beasts of the Southern Wild” did. And with Harvey as its’ producer, you know it will be a significant player this awards season.
An enchanting Film Festival by the sea, picturesque Provincetown is surrounded on three sides by water, and boasted a particularly strong slate of docs this year, with “Casting By” about the late, great, legendary casting director Marion Dougherty. Who at one time, as Tom Donahue’s film amply illustrates, seemed to be running the film industry in the ’70s. Dougherty speaks for herself fortunately in many insightful interviews, where it is revealed that she single-handedly talked directors Peter Friedkin into casting Gene Hackman in “The French Connection” and also persuaded John Schlesinger to cast Jon Voight in “Midnight Cowboy”! Try to imagine those two films without those two great performances, both of which won Best Actor & Best Film. Dougherty became so powerful that she turned Casting which was a male-dominated field, into the female-centric one it is today, as she constantly hired women as her assistants. But Casting Director don’t get Oscars. They don’t even have their own category, even as Dougherty and others fought for accreditation. The all-powerful DGA wants to make sure the power stays with The Director and not The CASTING Director. If the public only knew! And “Casting By” at least shines a bright, benevolent light on this tricky situation.
Another doc that knocked my socks off was “I Am Divine” about the late drag performer and cult icon of John Waters’ films “Pink Flamingos”, “Female Trouble” and “Hairspray” among many others. Filmmaker Jeffrey Schwarz emphasizes what a good actor Divine was underneath all the make-up and gowns and that he was poised to have a substantial character as a male character actor when he died of a massive heart attack at age 40. Too young. Too soon. And like with the unlikely heroine of “Lovelace”, Schwarz makes you care about his too-chubby protagonist, who just couldn’t stop eating. Or acting. Or acting out.
Waters was there to speak about the film and his late star. Noting that when people said that they often saw Divine walking around Provincetown in kaftans back in the Day, Waters said, “That’s a lie! Divine took cabs!”
And last but not least there is Pedro Almodovar’s HILARIOUS new comedy “I’m So Excited!” which is already one of my favorite Almodovar films. The hottest ticket in one of the smallest theaters (The Art House 2), I had to line up in a Rush Line for AN HOUR before the film started! But I got in! And what a delight it was!
I don’t remember Almodovar doing such an out-and-out comedy since “Woman on the Verge…” or “Tie Me Up! Tie Me Down”. Pedro, always a scamp as well as a camp, lets the bobby pins fall where they may as he lets his hair down in the wildest situation imaginable. A plane is stalled flying over Toledo, where it circles and circle and circles. The three tres gay male flight attendants have drugged all the passengers in coach and are left to entertain the first class passengers with campy numbers like “I’m So Excited”, which is a music video-like gem. Pedro could direct musicals, too, if he wanted. I couldn’t stop laughing!
Penelope Cruz and Antonia Banderas make hilarious brief cameo appearances at the beginning of the film. And I was particularly fond of returning Almodovar regular Lola Duenas, “Sole” Penelope’s illegal hair-dresser sister in “Volver”, as a wacky psychic who predicts that she’ll lose her virginity on this flight. What do you think? Hilarity ensues! Don’t miss it!
Oscar Goddess Sasha Stone over at www.awardsdaily.com
brings up the interesting question regarding Angelina Jolie’s nomination for Best Foreign Film for “In the Land of Blood and Honey.” Are they going to want to see her on that stage with a Golden Globe award in her hotness’ hands? OF COURSE THEY ARE! That picture will be on magazine covers all over the world, as will Madonna’s when she wins for “Best Song” for HER DIRECTORIAL DEBUT W/E. The song is called “Masterpiece.” The irony is gettin’ a little heavy in here.
“In the Land of Blood and Honey” is also Angelina’s directorial feature film debut, and though not eligible for Best Foreign Film Oscar nomination, she could win here. Her film has been very well reviewed believe it or not.
And the rest? Sasha says it’s “like Tiger Woods playing minature golf.” Which is the B.E.S.T. description I’ve ever heard of the Globs…
The rest, since they’ve nominated Gorgeous George(Clooney) for FOUR Globs, they are certainly going to give him AT LEAST one. Which is mostly like for Best Actor, Drama, for “Descendants.” GLACK. I’d rather see Brad Pitt win for “Moneyball” in that category. And if he DOES, it’s because they’re thinking “How nice would it be for BOTH Brad and Angie to win Double Globs?” If they really are thinking in terms of Photo Ops (and when are they not?) then Brad will win. If Angie with a Glob is enough, then he won’t. And it’ll be George.
Best Picture Drama? Most likely “The Descendants”. Best Dramatic Actress? If Meryl wins here, and she might, they LIKE giving her gobs of Globs. I think she’s already won SIX, at the very least. And recently for “Adaptation,” “The Devil Wears Prada” and “Julie and Julia.”Then Meryl may very well win this and make this a real race.
If however, Viola Davis wins here, she’s gonna be VERY hard to beat for the Oscar for Best Actress. In this scenario, I find myself actually ROOTING for Meryl!
“The Help” is like a see-saw. If Viola wins, then perhaps Octavia won’t. Since, I’m told, the HFPA votes in the end with a “select blue ribbon committee,” which is a FEW a VERY FEW people, maybe only the President (this year a woman) making the decision. A woman would very likely give Streep the Best Actress award since “The Iron Lady” is a solid feminist film.
And since it’s the Hollywood FOREIGN Press, guess what they are going to pick for Best Picture Comedy/Musical ?OF COURSE, it’s “The Artist” and Jean Dujardin for Best Actor and Michelle Williams for Best Actress Comedy/Musical. This is what prompted Sasha to say that it was like “Tiger Woods playing Minature Golf”!!! ROTLMAO!
Christopher Plummer will win Best Supporting Actor. We all KNOW this. Hope he varies his acceptance speeches.
It’s Supporting Actress where the real, and perhaps only surprise of the evening may come as this may be Berenice Bejo, who is Argentinian/French, for “The Artist.” And she could join her husband Michel Hazanaviscius as he is proably going to win Best Director for “The Artist.” THAT would be a great Photo Op! And that’s the way they roll.
Octavia Spencer won at the BFCA Thursday…but…her speech was less than stellar. And this is the very first award of the evening,unless it’s The Plummer Award.( Yes, it’s got his name on it.)
Woody Allen will get Best Original Screenplay, but since they and we all know he won’t show up (He NEVER does) I don’t think he’s EVER been to a Golden Globe, that will be all that “Midnight in Paris” ever gets. Which is too bad. But that’s how Woody rolls. Historically.
I really wonder if the venerable Entertainment Weekly has jumped the shark this week with its’ “Inside the Oscar Race” cover prematurely, I think, showing George Clooney in a tux (nothing new), but at his side,, resplendent in a white ball gown, is Viola Davis! THIS is new! And the cover states “Front-runners George Clooney (The Descendants) and Viola Davis (The Help).” WHAT???
I thought Meryl Streep and Michelle Williams were the two heavyweights for Best Actress! But the usually reliable Oscar God David Karger is plunking his two cents down (and EW is presumably totally backing these choices), and inside we see V.D. depicted holding what looks like an award, or a Golden Globe, or SOMEthing, when on closer look it is seen to be a hand mirror. A bejeweled one, but a HAND MIRROR!
This is the kind of thing that INFURIATES Academy Voters, who are voting or rather nominating, right now as you read this. Many of them perhaps have not even sent their ballots in yet or filled them out, and here is EW acting like IT’S ALL OVER! BAD MOVE, EW!
I would be OK with this if it was a year where this was TRUE, but George is fighting for his life in Best Actor, (He’s got one already and “The Descendants” is depressing.) against his BFF Brad Pitt, who, BTW, just won Best Actor from the prestigious National Society of Film Critics. Take THAT, EW! They seem to be saying. And the Best Actress race is all over the place, between those three ladies. Williams, Streep & Davis.
And Viola Davis, as talented as she is, has not yet won ONE major award yet for “The Help”! A cover like this and a lay-out and an interview like that, may infuriate Academy types into NOT voting for her, when the time comes. And it IS a Supporting Performance in most peoples’ books…including mine.
But to photograph her looking so RADIANT and BEAUTIFUL and AIR-BRUSHED to death, well, we’ve never seen her like this before. And acting like she’s already won! But she hasn’t!
I fear this cover is going to make AMPAS voters feel like “Wait a minute! Don’t tell US who’s won!” or who to vote for. MISTAKE! This is what the Board of Governors was actually warning people about this year. See Scott Feinberg’s excellent analysis of this at www.hollywoodreporter.com where Scott now is writing “The Race.”
And Jean Dujardin of “The Artist” is the one who most Oscar experts are picking for Best Actor. But not to EW.
I totally agree with Dave Karger with his choice that “The Artist” has already won Best Picture and is waaay out in front in that category. He’s right about that. But I would not be a very good Oscarologist myself, if I didn’t feel it incumbent on me to say “WAIT A MINUTE! Hold your (War) horses, EW!”
What they are doing is championing or campaigning for Clooney/Davis with this glossy cover and the even glossier interview inside. Acting like it’s a done deal. That is SOOOO BAD in Oscar campaigning terms.
And I know Dave Karger is familiar with Oscar 101.
I’ve NEVER seen EW so blatantly Up a Duo from two different films, yet, who may not be pictured together ever again this awards season. How embarrassing! But EW is nothing if not BOLD.
However, their first Oscar cover of the season isn’t a NEWS issue. It never is.
Didn’t they depict “Finding Neverland” once upon a time? Oy vay.
And there was once an Oscar issue like this with three actresses shown. I think it was Jennifer Connelly and Nicole Kidman and somebody else. And that third lady did not get nominated. I can’t even remember who she was. How embarrassing was that for her? And presumably for the magazine. But guess not, cuz they’re doing it again!
But some of you will remind me who that third gal was, who didn’t get nominated.
And even though Michelle Williams is splattered all over the INSIDE of the magazine in their for real predictions section on who’s going to be nominated…that story/interview on George ‘n’ Viola’s friendship was a little grating and self-serving. And yes, both of them are acting like they’ve ALREADY WON! NO! They haven’t!
THIS IS A HUGE OSCAR “No!NO!”
George has picked up a couple of critics awards, but Viola has gotten none, separately, herself, for Best Actress. Though “The Help” has gotten kudo-ed for Ensemble in several places.
This is the kind of cover that could de-rail a campaign. SERIOUSLY. Dave, what were you thinking? Well, obviously, he thinks he’s right.
I beg to differ.
And inside, though, his predictions themselves, were pretty spot-on for who was going to be nominated for Best Picture, Actor and Actress, though he’s got Michael Fassbender in there, and I think it’s Demian Bichir. Although Demian DOES receive a cute consolation prize, a “For Your Consideration” box.
But his supporting picks were all over the place, especially in Supporting Actress.
I was shocked at how wobbly his Supporting predictions were and yes, the Supp. Actress category is historically the hardest to predict. He’s got Berenice Bejo (yes, she’s nominated for a BFCA, Golden Globe and a SAG) Ditto Octavia Spenser. He’s got Janet McTeer pictured, and I think that’s right. And Jessica Chastain for “The Help” which seems to be what she’s inevitably nominated for, though, it’s the least of her EIGHT performances this season! And then he has Melissa McCarthy, who EW just had on another of their covers recently as “The Queen of Comedy”. This would be for the gross-out “Bridesmaids.”
He doesn’t mention Vanessa Redgrave AT ALL. NOWHERE. And I think she WILL TURN UP here. Especially after being snubbed by BAFTA!!! Can you believe it?
I’m sure it’s the ghost of her earlier-in-life, extreme left-wing policies from the ’60s still haunting her. But if the Academy, Anglophile Lefties all, (well, the majority anyway) will over look Redgrave’s policy and put her in where she belongs and she could win this for her ASTOUNDING performance in “Coriolanus.”
Karger also gives Carey Mulligan from “Shame” a “For Your Consideration” box. And that is valid. She was great, if not greater, than Michael Fassbender in “Shame.”
We all know Christopher Plummer is going to win his career award in Supp. for “Beginners” and Dave Karger duly notes this. The other nominees, in this category, though, except for Kenneth Branagh are all up in the air. ESPECIALLY, his pick of Max Von Sydow for “Extremely Late and Incredibly Distasteful”! I don’t think so.
He’s got Jonah Hill and Albert Brooks in there but they were overlooked by SAG, and Nick Nolte and Armie Hammer WERE SAG-nominated, which he notes, but doesn’t see them getting in.
Who could pop up here, unexpectedly, is Corey Stoll for his finely etched portrait of Ernest Hemingway in “Midnight in Paris.”
And Kathy Bates and/or Marion Cotillard could be two last-minute pop-ups from “Midnight in Paris.” They both just were named on the BAFTA long list…So they’ve been noted there.
Oh, and that BAFTA long list!…well, let’s just say it’s TOO LONG to even bother with at this point. But as always you can check out www.awardsdaily.com for a much closer look at that ENDLESS list, on which nearly everybody who made a film this year, is on. Wait for the BAFTA nominations themselves. But Beth Stevens, at Awardsdaily does a really good job at parsing them, especially in the comment section.
Yes, David Poland finally put his first, big Oscar chart of the season up at www.moviecitynews.com
And I felt a bit of relaxation to see that David and I were mostly on the same page. He’s got Woody Allen’s masterpiece “Midnight in Paris” in the #1 position for Best Picture. He’s got Michelle Williams for Best Actress for “My Week With Marilyn”. He’s got BOTH Jean DuJardin and Berenice Bejos in the top spots for Best Actor and Best Supporting Actress in “The Artist” and he’s got Christopher Plummer for Best Supporting Actor. However not for “Beginners” but for the still unseen “Girl With The Dragon Tattoo.”
But quixotically, he’s combined Plummer, also with Stellan Skarsgard for “Tattoo”, too. Plummer is playing the smallish, exposition-filled role of Herman Vanger, the old multi-millionaire who hires Mikael Blomkvist to investigate the disappearance and possible murder of the beloved neice Harriet Vanger, 14 years previously. And Skarsgard, who is also a great, great actor, plays his oldest son.
Don’t think any of THIS is going to happen, and Plummer will be awarded for “Beginners” as we’ve known from, well, the beginning of the season. May, actually.
But the others are intriguingly in sync with my P.O.V.
He doesn’t seem to be overwhelmed with Clooney in “The Descendants”. “Nothing new here” he notes.
I love David’s pithy descriptions of each persons chances! And now in Best Supp. Actress, he AND Scott Feinberg have got Berenice Bejos on top, which is really covering the waterfront in terms of two predictors from opposite ends of the Hollywood spectrum. Scott Feinberg is now at The Hollywood Reporter. But his previous web address was www.scottfeinberg.com And he was the first person to link to this humble blog. I think he still is.
I THOUGHT when I first saw “The Artist” in Montreal that Harvey Weinstein would push both Dujardin AND Bejos through for his film that really is perhaps the most lovable winner imaginable this year. Well, nominee, anyway.
Anne Thompson keeps saying at www.indiewire.com that Dujardin can’t speak English well enough to succeed on the pre-awards interview circuit. And Anne never makes this judgements lightly. I wonder if Berenice Bejos speaks it better?
I know one of the reasons that Marion Cotillard who won so famously and deservedly for “La Vie En Rose” (besides her being on my show!) was that she assiduously STUDIED English very hard during the pre-Oscar months, when she literally MOVED to L.A. and camped out there and went to every party imaginable and that dear readers, dear cineastes is what you have to do.
Poland also thinks Ryan Gosling’s chances are as dead as a doornail this year for “Drive” and for “Ides of March” which everyone is now discounting. And I think that’s right, too…
Berenice Bejos really COULD win. The other most talked about lady in waiting in the Supporting Category is Octavia Spenser for “The Help.” And as David points out regarding “The Bridesmaids” Melissa McCarthy that Oscar does not reward you for shitting in a sink, which evidently she does in this movie. That same maxim can be applied to Spenser, who although she doesn’t do it in the sink, she famously does it somewhere else, which I’m not going to spoil here. But let’s just say, you don’t get an Oscar for doing the brazen, outrageous act that makes her character of the outspoken Minny in “The Help” so memorable. I rest my Octavia Spenser case…
And Poland gives no traction whatsoever to Jeff Wells crusade for “Tyrannosaur” which, BTW, he barely mentions it, except in his Comments section where someone does bring Olivia Coleman’s name up. And Poland quickly brings it down.
And I just finally made myself watch the trailer for “War Horse”. Yes, no one seen it, but EVERYONE has seen the play and the trailer nearly made me cry. My heart just went out to that poor horse! And it’s a gorgeous horse, too! It’s acting its’ heart out. No really. It has Oscar Winner written all over that one.
And a strong supporting cast of un-Oscar-ed British actors, including the great Emily Watson in the pivotal role of the mother. And also Tom Hiddleston, a guest on my TV show, as the noble British captain who buys The Horse. You can see me interview Tom about this in a rather splendid chat we had at TIFF’11 that is now up on my channel at www.youtube.com/StephenHoltShow He talks about “War Horse” in Pt.2.
Only problem I see on the horizon for “War Horse” is that it may be too sentimental, but y’know, that’s never stopped any one from winning an Oscar!