a.k.a. "The Oscar Messenger"

Posts tagged ‘Nudity’

Will Brittain’s Buff Butt Stars in Gayest Play Ever (at the Roundabout)

Young Texas actor Will Brittain is pretty much entirely nude for the lengthy part he has to play in Joshua Harmon’s “Skintight” at the Roundabout. Well, he does wear a tight black jockstrap that beautifully frames his bounteous buff bubble butt. And boy does Brittain make the most of that astounding ass of his! He struts. He sways. He sashays this way and that waving his naked rear end in the face of audience, the cast and the face of Broadway. If you consider the Laura Pels Theater of the Roundabout to be Broadway. Some say it’s Off Broadway. But whatever you want off it’s Will Brittain’s clothes. We never want to see him dressed again.

Not that he will be. Much. I see A LOT of nudity in his future.And that’s a good thing. It’s a great thing! Has Broadway ever been this nude? Well, there was “Oh! Calcutta!” once upon a time. Has there ever been a play THIS gay? Well, we just had a magnificent, award-winning revival of “Angels in America.” But somehow “Skintight” seems gay-er. And Brittain’s butt just overwhelms the Pels.

And that’s a good thing. It’s a great thing. Will Brittain is having the time of his life upstaging Idina Menzel, no less, and sitting butt-ass naked on her father’s Greenwich Village sofa. The other characters objected to Brittain naked end being strategically placed at one very funny point in this very funny play on their high-end sofa. They all gasped in horror. I gasped in delight. As I’m sure the packed audience did, too.

You see, “Skintight” is very sexy in a way that “Angels” never was. Or could be. It was about the AIDS epidemic in the ’80s. “Skintight” is just about, well, skin. And the fun you could potentially have with it, if you were as un-hung about nudity and the casual display of it as Brittain’s character Trei is. He’s done porn. And he sees it as a legit career choice. Gay porn, of course.

He’s the most philosophically well-adjusted character in Harmon’s charmin’ play. Jack Wetherall, of “Queer as Folk”, has the role of his career as Trei’s 70-year-old lover. “Skintight” is his birthday, which he wants to forget, and get back into bed with Trei, and well, Brittain is so helplessly irresistible, you can’t blame Wetherall’s world-weary fashion designer one bit. Wetherall’s grand-son is gay, too, and he wants to get it on with Trei. In fact, the only straight character is the intrepid Menzel whos gets high marks for making her non-singing debut in THIS extremely gay play.

And she does very well holding her own against, well, Will Brittain’s beautiful butt and playwright Harmon’s beautiful attitude towards being gay. It’s so free. So fun. Go! It’s only on for three more weeks before Will Brittain has to put his clothes back on. Perhaps forever. But being such a perfect physical specimen, I doubt that the Show Biz Godz will have their way with him and he’ll never be able to be clothed again. And that’s a good thing. It’s a great thing!

Advertisements

A Star is Born! Ross Destiche Burns Up the Stage in DC “Equus”!

Ross Destiche 2As an avid theater-goer and critic, you hope that lightening strikes the stage you’re watching, and it certainly did in Wash.D.C.’s U Street area where Ross Destiche is burning up the stage in “Equus”. He is simply astounding in the oft-revived Tony -winning play by Peter Shaffer, Destiche is so incendiary as well as powerful as the disturbed (un)stable boy who blinds six horses, that I’m going to say that Ross Destiche, who is being valentin-ed by the local press, is the best Alan Strang I’ve ever seen. And yes, that includes Daniel Radcliffe’s recent Broadway star turn that the Drama Desk nominated for Best Actor, but the Tonys did not. But the production co-starring the late Richard Griffiths sold out anyway.

If Ross Destiche’s performance was on Broadway in this role, he’d WIN a Tony!

He is not only movie-star handsome with a chiseled cheekbones and a body like a  Greek god carved in blinding white marble, he’s got the blue-est eyes imaginable. His eyes magnetize the audience. You see, the Constellation Theatre Company’s stage is teeny-tiny and the set by A.J. Guban is a huge triangular thrust. And director Amber McGinnis Jackson (yes, a woman directed this most homo-erotic of plays), places Destiche’s tormented Alan on-stage for almost the whole proceedings. Perched on the tip of the triangle, curled up into a teenage ball of pain, Destiche is in a position where he can scrutinize every member of the audience.

He gave me such a look of blinding hostility as I took my seat, that was absolutely chilling and disturbing and absolutely right for the character. He immediately scared the living daylights out of me. A classically trained actor from Minnesota, where he graduated with a BFA from the University of Minnesota/Guthrie Theater Program, Ross Destiche just has the word “Star” stamped all over him. Every inch.

His Act Two extended nude mad scene was unforgettable. When I got to interview him after the show, he wanted to make sure I gave full credit to Emily Kester, who he plays opposite, who is also completely nude, as is Destiche for that astounding Second Act. She was effortless and utterly comfortable in what could have been a very uncomfortable situation, being that the audience was “THIS close.”

“I couldn’t have done what I do in that scene without her,” Destiche told me. Sounding kind of astounded at just how powerful that scene between them is.

Kester plays the part of the cocky stable girl who coaxes him out of his clothes as she takes off hers.

He caught my eye in a small part in Ethan McSweeney’s “The Tempest” last year at the Harmon Shakespeare Theatre, sort of a DC equivalent to Lincoln Center. He stood out even then in a nearly wordless emsemble part.

And so when I received the news that he was garnering raves in “Equus.” I made sure I made my way down-there post-haste. And Destiche didn’t disappoint. He was thrilling.

He made sense out of the psyche of a role that always seemed inexplicable to me, no small feat.Ross Destiche 2 Ross Destiche 1

I told him that I felt he was one of America’s best young actors.

And the only thing wrong with this production of “Equus” is that it’s in DC, and it’s closing on Sunday and the Broadway & Hollywood Theater Godz will likely not get to see it.

But they’ll remember the name of Ross Destiche. He’s going to be very, very famous. And soon.

 

Oscars for “Wolf of Wall Street”? Dicey

Having just sat through the WAAAAAAAAAAAAAAAAAAAAAAY too long “Wolf of Wall Street”I really wonder about its’ Oscar chances. It’s a three-hour movie that is self-indulgent and repetitive to the max. It’s budget is upwards of $100 million and it stars Leonardo DiCaprio, directed by Martin Scorsese, but I wonder…

Simply on paper alone it looks REALLY appealing to the mostly male, mostly older Academy demographic. There’s a great deal of the Voting Membership that will relish this over-the-top Old Man’s Fantasy of a young man’s wild, drug-fueled life.  So yes, on all those counts it does get in. There’s more tits and ass(including Leo’s) to float it to a nomination from that sector alone. Or maybe not.

EVERYBODY in every branch of  the Academy gets to vote or rather at this stage NOMINATE 10 films for Best Picture, so I think on that alone in a field of ten, and taking into account the “Meat Eaters” Anne Thompson is always referring to from the many tech branches, it will get in.

But only actors can nominate actors. And only five of them. Are you following me on this distinction?

And when you turn to the Actor’s Branch, who is the largest and most critical, some would say snobbish section of the Academy, I dunno. They consider themselves, and perhaps rightly so, as the guardians of the High Art (in the case of “Wolf” that is literally) in the Temple of Acting.

These are the people who will nominate Leo or Jonah Hill…Or not…

And I can tell you right now, the women in the Actor’s Branch are going to be highly offended by the extreme sexism of this Wall St. romp.

And they don’t like Leo, who is still only 39, that much any way. They’ve not given him  an Oscar ~ YET, though he has received three nominations.

He’s giving it all he’s got, and there are some brilliantly funny set pieces, like the soon-to-be infamous “Quaalude” or “Lemon” scene, where Leo takes soooo many “Old” pills of this type, he and Jonah Hill don’t have a reaction til 45 minutes later. Trust me, it’s hilarious, and Leo exhibits a highly developed skill for physical comedy that he has never shown before….but then there’s a climatic scene that is border-line pornographic…well, I don’t see that wowing the sometimes staid Actor’s Branch.

Jonah Hill executes all that he is given to do expertly, but as of yet, he has been shown NO critical love in the crucial precursor awards, and they’ve been MANY of them at this point. He’s playing a truly repulsive character, repulsively.

Leo has turned up on some nomination lists. Like the Golden Globes ~ Best Actor Comedy, most notably, and he could win there.

Although Bruce Dern is in that category, too, for “Nebraska.” Uh-oh.

Leo really HAS to win there, but the Best Actor race has been so tightly locked up with THE FIVE = Dern, Redford, Hanks, Chiwetel Ejiofor, and Matthew McConaughey(who is also in “Wolf” for one terrific scene ONLY). This race has been tied up and locked down for so long, I don’t really know if he’s going to break into it.

So we could see “Wolf of Wall Street” winding up with a Best Picture nomination in a field of ten. But not much else. Certainly not costumes, since in so much of the film, much of the cast, especially the women, aren’t wearing ANYTHING! I’ve never seen $100 million studio release that has had so much blatant onscreen nudity and sex.

“Wolf of Wall Street” is infuriating in that it’s this colossal missed opportunity. With all the talent involved, it operates between scenes of great social satire, alternated with scenes of repetitive boredom. And it’s all on Leo. It’s his movie. He’s in nearly every scene. And when he’s good he’s very, very good, and when he’s  bad, he’s just SHOUTING,And  it’s boring.

And there’s at least FIVE looonnnng monologue scenes of Leo at the mike exhorting his troops, of office workers. to sell MORE, MORE, MORE! Ugh, I wanted to yank the mike out of his hand.

And awards-wise its’ timing, so late in the season, and opening right after “American Hustle” which deals with the same subject on a much smaller canvas and with only two hours running time. With an astounding comic turn from Jennifer Lawrence, it’s a comedy about greed and con artists that is actually quite funny, in the part of the movie that Lawrence is in.

I kept thinking “Has Martin Scorcese lost his mind?” He’s never made such a lewd, nude, orgy-filled film, which of course is probably an accurate representation of the abuses of power on Wall St. which is the point of the film. But there’s too much enjoyment in the excesses and the crime and punishment of said misdoings seems not much at all. Although no one is killed, he is getting away with murder. With gleeful merriment trumping the “It’s illegal” side of the story.

And I can’t believe I’m typing these words, because I wasn’t that wowed by “American Hustle” to say the least, but “Hustle” just did this story, and better, and funnier.

Jean DuJardin pops up as a very funny Swiss bank exec. And is really marvelously comic and venal. And McConaughey’s one scene is also very  funny but pointed and BRIEF.

Martin Scorcese is known for serious films about violence and crime.This film too is about crime and the examination of a criminal mind. There’s no blood this time, just lots and lots of nudity and sex.

Didn’t anybody ever tell these people that brevity is the soul of wit? You can’t have a THREE HOUR COMEDY.

Paramount rushed Scorcese and his legendary editor Thelma Schoonmaker to finish this picture in time for this year’s Oscar Race. It WAS four hours. FOUR HOURS! And now it’s only three. And it’s run right smack dab into the awards karma of “American Hustle.” And it doesn’t gain by comparison.

Video

Early Oscar Predictions! Anthony Del Col & Stephen Holt

The latest Oscar news! Canadian Kulture Vulture of Rogers TV, the ultra-sharp Anthony Del Col, the co-creator of “Kill Shakespeare,” was in town for Comic Con ’12 and we got to talking about “Argo,” “The Master,””Les Misearbles,” the mysterious Snuggles4 at www.goldderby.com and many other Oscar dillys, dallys & doozies!! Enjoy!

SAG Nominations Out! No “War Horse”, Oldman, Brooks, Woodley or REDGRAVE!

Well, dear readers, dear cineastes, I’m back. Having major Internet issues…but I just HAVE to respond to the all-important SAG nominations which are just out this AM! For a complete list, see www.awardsdaily.com

Mainly I’m SHOCKED that “War Horse” is completely left out! This is for the SAG Ensemble Award, which is their corresponding award to “Best Picture.” Having just seen it last night at a (mainly) AMPAS screening, the audience, and myself, too, reacted VERY favorably. But the horse is the star. And the actors performances are all strangely flat. Though great actors and actresses abound. Like Emily Watson, Eddie Marsden, Peter Mullan, etc. etc.

Left IN however, is “Midnight in Paris”!!! For Best Ensemble. But also left OUT are the two main contenders from “Shame” Michael Fassbender and Carey Mulligan(for Supporting Actress). I think it’s because of their nudity. Period. Well, and the over abundant sex scenes.

The Actors don’t want to be turned into cartoons or stop motion characters, nor do they want to be seen naked and having sex on the screen. It’s retro thinking all around. I’m just responding to the way it is.

And no love whatsoever for “Girl With the Dragon Tattoo”! AND “Extremely Loud And Incredibly Close” !!! Both those films with the latest possible release dates. And the strict embargoes, and I’m guessing just too late for most of the SAG nominators to see them. Too bad. I’m still waiting on MY invites to them. BTW!!!

However, the SAG nominators DID get Damien Bechir’s film EARLY. And they saw it and liked it and nominated the Mexican actor in the Best Actor category. Effectively knocking out Michael Fassbender and Gary Oldman.

Oldman, with the large British voting block in AMPAS, may get back in when the Oscar nominations are FINALLY announced next month! Yes, we’ve still got a month to wait!

But what they did get right was the Best Actress category with Meryl Streep, Glenn Glose, Michelle Williams, Viola Davis and TILDA SWINTON! Well…great for TILDA! With the help of master Oscar strategist, Cynthia Swartz, behind “We’ve Got to Talk About Kevin” Tilda, I think is very secure in reaching their mutual goal of snagging an Oscar nomination for this dark, difficult, challenging film, too. But I want to go on record as saying I THINK SAG Has now nailed the five Best Actress candidates down. I think all five of these ladies will duplicate their SAG noms on Oscar Nomination Morning. And Glenn Close breaks her losing streak with inclusion here by the Actors.

But Cynthia Swartz also is famously backing “Tattoo” and Rooney Mara and got NO-Thing…

“The Help” got the most noms with Best Ensemble and Best Actress(Davis) and TWO Best Supporting Actresses in Octavia Spencer and Jessica Chastain. So this effectively keeps “The Help” in the race and also FINALLY narrows it down to which of Chastain’s 6 or 7 or 8 performances that the Academy will also probably nominate. So it’s Chastain for “The Help” is she’s in it at all.

The Big Winner of course is Harvey Weinstein. With his nominations for Best Ensemble for “The Artist”, Best Actor, Jean Dujardin, Best Supporting Actress, Berenice Bejo, Best Actresses Meryl Streep and Michelle Williams for “The Iron Lady” and “My Week with Marilyn” and Best Supporting Actor Kenneth Branagh also for “My Week with Marilyn.”

Both Supporting categories are the ones that are going to change the  most when Oscar is announced.  They are kind of all over the place. With wildcards Melissa McCarthy “Bridesmaids” and Armie Hammer “J. Edgar” getting in. I don’t think McCarthy is going to get in for this category with Oscar. She’s a TV actress and the “Bridesmaids” as successful as it was, is still A COMEDY.

Shailene Woodley not getting in for “The Descendants” was a shocker. Another fore-gone conclusion, well, gone. And ditto Albert Brooks in “Drive.” He could replace the execrable Jonah Hill for “Moneyball.” And if Woodley doesn’t score here, who is the BABE in this category? Well, Berenice Bejo!

Yes, my friends “The Artist” continues to sweep as “The Girl With the Dragon Tattoo” and “Extremely Loud and Incredibly Close” seem not to be registering at all.

Somewhere Harvey Weinstein is laughing.

Tag Cloud

%d bloggers like this: