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Posts tagged ‘Nightcrawler’

Marion Cotillard Gets Surprise Best Actress Nomination! Eddie Redmayne Nominated for Best Actor!

Two Days 2Eddie & GlobeOscar Nomination Day! And the biggest most delightful surprise, for me, was my darling Marion Cotillard getting nominated for Best Actress for “Two Days, One Night” the powerful Dardennes Brothers movie from Belgian. Acting superbly in French, Marion once again breaks your heart and getting a nomination that effectively knocked out Jennifer Aniston for “Cake” is no mean feat. Bravo Marion! Felicitations! Marion of course also won an Oscar in this category already for “La Vie En Rose” in 2007.

Also, I’m so happy that Eddie Redmayne did also score a Best Actor bid in a super crowded field. One of the most jammed categories ever, competition-wise! Congratulations too to him and to all from “The Theory of Everything” that also got nominated for Best Picture, Best Actress Felicity Jones, Best Adapted Screenplay and Best Score for Iceland’s Johan Johansson. He also won a Golden Globe on Sunday as did Eddie.

“The Grand Budapest Hotel” tied for the most nomination with “Birdman” and this year the Academy only decided to nominate eight films not nine or ten as in year’s past.

“Nightcrawler” was left out completely except for a screenplay nomination. And the controversial “Selma” only got two nominations, Best Picture and Best Song, which it won at the Golden Globes.

For a complete list see http://www.awardsdaily.com

I got all eight Best Picture nominees right. Only I thought it would be nine, adding in “Nightcrawler.” Neither Renee Russo nor Jake Gyllenhaal made it in.

And I saw Jake G. last night being great on Broadway in “Constellations”. More on that soon!Oscar & tiles

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Oscar Nomination Predictions~ The Supporting Actors & Actresses

Oscars 2015It’s really much harder predicting the Oscar NOMINATIONS which are coming out tomorrow morning before the dawn breaks over Hollywood 5AM PST. They are announcing ALLLL 25 categories tomorrow so they may start even earlier. But right now I’m going to predict the way that the four Acting categories are going to go.

Believe it or not, my feeling for biggest surprise may be from Renee Russo, who, due to the ever-increasing popularity of “Nightcrawler” may just snatch that fifth slot in Best Supporting Actress away from Jessica Chastain, who may have unfortunately split her own vote three ways by having three exemplary examples of her stellar work in “The Disappearance of Eleanor Rigby”, “The Most Violent Year,” and “Interstellar.”

The other more or less agreed upon four ladies, front-runner Patricia Arquette (“Boyhood”), Emma Stone (“Birdman”), Meryl Streep (“Into the Woods”) and Keira Knightley (“Imitation Game”).

Supporting Actor has five men who have dominated this category since the beginning, but again, that pesky fifth slot I think is going to contain a surprise. Like for instance Steve Carrell(“Foxcatcher”) being dropped down to from Best Actor, as he was by the BAFTAS.

The 84-year-old Robert Duvall is the shakiest IMHO, because his film “The Judge” was not as much seen by audiences, i.e,  it was NOT perceived as successful. So if there were one too many screeners to see in an extremely limited amount of time “The Judge”, even though it opened the Toronto Film Festival, may very well be the one they skip.

Edward Norton was  terrific as the most over-acting actor of all time in “Birdman” and is a sure slam-dunk. Also many are gathering around Mark Ruffalo’s character in “Foxcatcher.” He’s playing a family man, and he gets tragic come-uppance which he doesn’t deserve. IOW, people are finding him the only sympathetic character in this dark, jerky movie.

Ruling the roost of The FIVE is J. K. Simmons for his blistering portrayal of a seemingly sadistic teacher, who then has also a tragic arc of sorts in the terrific “Whiplash”, a film I feel will get nominated, too, for Best Picture. But more about that category later!

Also, the Academy all did get the controversial “Selma” screeners, so they all got a chance to watch how good it is, and you just might find Tom Wilkinson’s portrait of LBJ turning up here. He’s got the only other significant, sizeable part, and Wilkinson has had two previous nominations, so they all know him and respect him.

All this “Selma” back-and-forth-ing may pay off in this category. But perhaps not with the directors branch.

If there is indeed an attempt to rally ’round “Selma” by the Actor’s Branch Carmen Ejogo who plays Coretta Scott King so beautifully might surprise here, too, and knock out – wait for it – Meryl Streep!

They may not want to give her her 19th(!) nomination. Then, again, they always nominate her for just about getting up in the morning. And she always turns up, and smiles, and laughs. But will Meryl be laughing on Oscar Nomination morning? Her terrific performance as the Witch was aided by many, many dazzling special effects…the Actor’s Branch doesn’t like special effects. They like ACTING! With a capital “A”, which Meryl WAS doing and singing as well.

Keira Knightley has the Weinstein Co. behind her. So she’s in. They still wield a mighty awards sword, despite their weak showing Sunday night with the Golden Globes. Only Amy Adams won, from TWC’s film slate. Best Actress for “Big Eyes” a nomination that is probably NOT going to be repeated on Thursday morning. But more on that category later!

Emma Stone is the Girl-Of-The-Year in “Birdman” as Michael Keaton’s mouthy teenaged daughter. She was very good in this, as she wasn’t in Woody Allen’s “Magic in the Moonlight,” but she got acclaimed for even THAT weak portrayal but not by me.

So in conclusion I think we have for Supporting Actress, Patricia Arquette, Emma Stone, Keira Knightley, Renee Russo and MAYbe Meryl Streep. MAYbe.

And for Supp. Actor ~ J.K. Simmons, Edward Norton, Mark Ruffalo,

Ethan Hawke(for “Boyhood”) and the surprise ~ Tom Wilkinson for “Selma.”

The Academy does not shy away from the kind of press that “Selma” has been getting of late, which, as I said, may hurt its’ chances in the Best Director category but not Best Picture, and perhaps not here.

Wilkinson is a controversial LBJ? What the H! Let’s nominate to show how tough we really are, and he’s very good in the film.

We shall see.

What Happened to “Selma”? “Nightcrawler” continues to rise…

Nightcrawler 3Selma Poster 1WHAT HAPPENED TO “SELMA”?!?! This is the question the blogosphere and Oscarologists in particular are asking across the online universe this day of the Producer’s Guild Annoucement of its’ ten Nominations for Best Picture. The list is below in the last post.

There’s a one word answer “Screeners.” Paramount, the major film company, did the incredibly lamentable thing in not sending screeners to this group. Or any of the guild groups. Which explains in a tweet, why this wonderful, timely film that I just loved, is being ignored every where.

Well,they did evidently send the All-Important-These-Days Screeners of “Selma” to the Academy members. Which is 6,000 or so right there. But if they wanted to build momentum for “Selma” (and also by the way for “Interstellar”) they SHOULD’VE sent out the screeners! It’s 2015 now ladies and gentlemen, and that’s how you win an Oscar. You’ve GOT to send out screeners to the guilds as well as  to the aged Academy membership, who just simply DON’T get out to see all the movies they SHOULD, in a theater, but who SEEM to watch them at home. On their DVD players. Which is usually how and where they make their Oh-So-Important Decisions. In the comfort, and privacy, of their Bellair/Aspen/etc. homes.

I can’t believe this egregious oversight on Paramount’s part. It’s not as though it’s an INDIE after all. I mean, Paramount is a major studio, for cripe’s sake. It’s like they want their films to fail this year.

Or they think they don’t have a chance anyway. But it damages “Selma” particularly in that a film that SEEMED to be on its’ way to making history with the nomination of the first African-American female director, is now probably NOT going to happen for Ava DuVernay. And this makes David Oyelewo, the rising Black British star who plays Dr. Martin Luther King, also extremely vulnerable in the over-crowded Best Actor race, and leave room for Jake Gyllenhaal of “Nightcrawler” to creep in. Once you lose the Zeitgeist, it’s very hard to put the lightning back in the bottle.

“Nightcrawler” surprised everyone, in a good way today. It’s good news for Indie distributor Open Road films and for Jake Gyllenhaal and maybe also for Renee Russo in the Best Supporting Actress race. Perception is everything. If a film is PERCEIVED to have awards heat, as “Nightcrawler” and also Clint Eastwood’s “American Sniper” which seems to be killing it at the box-office, too, well then everyone involved in those films prospers. What is the phrase “A high tide raises all boats”?

But there is a glimmer of hope in that the PGA nom list has in the recent past NOT MATCHED perfectly with the Academy’s list of Ten. Or more accurately, nine. There’s usually one film different. At least.

So I’m hoping the Academy does the right thing, as Spike Lee once opined, and votes in “Selma” for Best Picture. I wonder if though the Director’s Branch and the DGA will include Du Vernay after this. The DGA, BTW, ALSO did not get sent screeners of “Selma” so probably not.

Sad for DuVernay’s chances. The Director’s Guild and the Director’s Branch are VERY quirky and idionsyncratic. VERY hard to predict. Like for instance, I think Damien Chazelle’s the VERY young director of “Whiplash” could pull at Behn Zeitlin (“Beasts of the Southern Wild”s 20-something director) and get an Oscar nod. And Ava DuVernay doesn’t. Oprah, you’re the producer of “Selma”, weren’t you paying ATTENTION?!?

A.C.E. announce! The Importance of Editing to Oscar

Nightcrawler 2The A.C.E. or the Eddies, the Editing organization that the public may not know about, but the industry sure does, just announced their nominees and this year in their two film categories there were 11(!) nominations.  Six in Drama and Five in Musical/Comedy, like the Golden Globes. There was a tie in the Drama category, but they’re not saying who or which film. Including “Nightcrawler”, they were “Gone Girl,” “Boyhood”, “Imitation Game” and “Whiplash.” And the also surprising last minute, late comer to the race,  Clint Eastwood’s “American Sniper.”

The importance of editing as the central or key aspect in film-making today and in the awards season race, can not be underestimated. And also, no Best Picture has won without at least an Eddie nomination, Which is bad news for “Selma”.

If I had it to do over again, I’d study film-editing myself. Sometimes you feel like you’ve missed your calling and I think about trying to start to learn how to edit everyday. But I digress…

The guilds are the first REAL sample of how the industry is feeling this year about the Oscars. All the other awards so far are mainly voted on by CRITICS! And there are NO critics or press in the Academy.

There ARE press agents, but they only are allowed to nominate five pictures for Best Film, as one small for instance. When the nominations are announced they THEN get to vote in all the categories, but this is Phase I, the nomination phase. In fact, Academy members are nominating right now as we speak.

And next to the VAST Actor’s Branch, the second branch that really has a say, I think, is the Editor’s Branch. Not all the members of A.C.E. are IN the editors branch, by the way, but it’s a pretty good indicator.

And what’s surprising about today’s announcements, is what was left in that wasn’t expected, like for instance “Nightcrawler” (on my year’s 10 Best List for sure) and also the late opening Clint Eastwood “American Sniper” starring Bradley Cooper.

Nobody expected either of them to make it and that means they may make it into the Best Picture race at the Oscars. Left out was “Selma”. Which is kind of shocking, with all the supposed momentum that is building for it. But maybe it’s not. Also left out, I’m sorry to say was my fave “The Theory of Everything.” Watch for the Oscar nominations to correct that in two weeks.

But Jake Gyllenhaal has started really picking up nomination speed with nods from the Golden Globes, SAG, and the Broadcast Film Critics. And now this.”Nightcrawler” has LEGS! As many legs as a centipede, it seems.

http://www.hitfix.com has the rest with spirited analysis by their great Kris Tapley and Gregory Ellwood. The complete list is there.

And on Monday, the Producer’s Guild is set to announced its’ list of ten nominees for Best Picture. The PGA as it’s called was the first group to vote for “The King’s Speech,” when they voted for their winner that year when everyone else up to that point was going “The Social Network,” a film that I STILL intensely dislike. I still think of it as “The Joy of Typing.”

The PGA even more than the A.C.E. Eddies are ALLLL mostly Academy Members. They have ten slots and use a preferential ballot, like the Oscars do.

So films that are on the edge of the Oscar bubble, like for instance “Gone Girl,” “Nightcrawler”, “American Sniper,” “Unbroken,” “Into the Woods”, “A Most Violent Year” or “Whiplash” will find their hopes either raised or dashed on Monday.

I think frontrunners like “Boyhood”, “Birdman”, “Imitation Game” and “The Theory of Everything” will all be on the Producer’s List. And “Selma”, too, even though it was left off the A.C.E. Eddie’s today.

Never underestimate the importance of film editors. They silently run the show, and year after year do great unsung work that is respected and admired by the industry. These are the first voters we’ve heard from who REALLY count.

So who do these Eddie Nods help? For sure, Jake Gyllenhaal’s bid to get in to the extremely tight Best Actor Oscar race. It could help give “Nightcrawler” Best Picture cred, too. And don’t forget the wonderful 60-year-old-but-still-glamourous Rene Russo, who could get swept into the Supporting Actress race. Why not? She certainly deserves it.

And what of Bradley Cooper and “American Sniper”? Well, we shall see what we shall see.

 

 

 

SAG Award Nominations Announced! Aniston & Jake G. in, Oyelowo Out. No “Selma” or “Unbroken” anywhere.

Into the Woods 1Julianne Moore 2Nightcrawler 2Well, the SAG Awards nominations are out, and I’m so happy to sey that Eddie Redmayne was nominated for Best Actor and so was Jake Gyllenhaal for “The Theory of Everything” and “Nightcrawler” respectively. Patricia Arquette was put BACK in the Supporting Actress category after being bumped up to lead for “Boyhood.” And Marion Cotillard was left out completely for “Two Days, One Night.”

So it’s bittersweet. I’m sooo glad for Eddie and Felicity Jones for “Theory” which was also nominated for Best Ensemble, which is the SAG equivalent award for Best Picture. Also left out were David Oyelowo for “Selma.” In fact “Selma” was not mentioned anywhere!

Jennifer Aniston FINALLY got some serious acting  cred for the first time in her career this morning, from THE ACTORS of SAG, who nominated her for Best Actress in the little-seen indie “Cake’, landing her in that fifth hotly contested slot, bumping out Maid Marion and Hilary Swank, who  was up for “The Homesman.” The others in Best Actress, besides Aniston and Jones were Julianne Moore for “Still Alice”, natch, Rosamund Pike for “Gone Girl” and Reese Witherspoon for “Wild.”

And the National Board of Review Award for Best Supporting Actress did NOT help Jessica Chastain with the actors of SAG. She did NOT receive a nomination here. Perhaps her THREE films, “The Disappeance of Eleanor Rigby”, “Interstellar” and “The Most Violent Year” cancelled each other out and allowed for the REALLY OFF THE WALL out of NOwhere nomination for Naomi Watts as  a Russian prostitute in “St. Vincent” to get in. Other nominees in Supp. Actress besides Arquette and Watts were the deserving Keira Knightley for “Imitation Game,” Emma Stone for “Birdman,” and of course, Meryl Streep for “Into the Woods.”

The Oscar Nominations,which aren’t due til January, are hopefully going to include Marion Cotillard and probably Jessica Chastain, too.

This is a whiter than white list of nominations. Perhaps the Golden Globe nominations tomorrow will color correct this. For a complete list of the nominees check out http://www.awardsdaily.com

Independent Spirit Awards Announced, No “Imitation Game,”No “Wild”, No Reese

Tilda 2Marion Oscar1Birdman 1The Independent Spirit Awards were announced this morning in L.A. No surprise that “Birdman” & “Boyhood” did very well, but “Selma” which STILL is in post-production broke through in several categories. However, the TWC’s big awards player “The Imitation Game” was nowhere to be seen!

Some faves of mine did pop up. Tilda Swinton, who is being honored at the Gothams here in NYC on Monday and Marion Cotillard. Both were nominated for Best Actress for “Only Lovers Left Alive” and “The Immigrant.” Would that Mlle. Marion could crack the OSCAR best actress race for ANOTHER incredible performance in the Belgian film “Two Days, One Night” which was another of her incredible performances in French. C’est la Vie! C’est la Guerre!

However, I was NOT surprised to see that neither “Wild” nor its’ leading lady, Reese Witherspoon turned up. It was a VERY tedious film. I watched the whole damn thing and STILL didn’t know why she was doing all that hiking. No Laura Dern in Supporting either for “Wild.” So not only was “Imitiation Game” shut out, “Wild” was, too!

Shut in, IOW, nominated also in as many categories as “Boyhood” was Jake Gyllenhaal’s marvelously creepy “Nightcrawler.” Yay!

THx to Hitfix for the list!

See the full list of nominations below:

Best Feature
“Birdman or (The Unexpected Virtue of Ignorance)”
“Boyhood”
“Love is Strange”
“Selma”
“Whiplash”

Best Director
Damien Chazelle, “Whiplash”
Ava DuVernay, “Selma”
Alejandro G. Iñárritu, “Birdman or (The Unexpected Virtue of Ignorance)”
Richard Linklater, “Boyhood”
David Zellner, “Kumiko, The Treasure Hunter”

Best Screenplay
Scott Alexander & Larry Karaszewski, “Big Eyes”
J.C. Chandor, “A Most Violent Year”
Dan Gilroy, “Nightcrawler”
Jim Jarmusch, “Only Lovers Left Alive”
Ira Sachs & Mauricio Zacharias, “Love is Strange”

Best First Feature
Ana Lily Amirpour, “A Girl Walks Home Alone at Night”
Justin Simien, “Dear White People”
Dan Gilroy, “Nightcrawler”
Gillian Robespierre, “Obvious Child”
Anja Marquardt, “She’s Lost Control”

Best First Screenplay
Desiree Akhavan, “Appropriate Behavior”
Sara Colangelo, “Little Accidents”
Justin Lader, “The One I Love”
Anja Marquardt, “She’s Lost Control”
Justin Simien, “Dear White People”

John Cassavetes Award
Jeremy Saulnier, “Blue Ruin”
Eliza Hittman, “It Felt Like Love”
Aaron Katz & Martha Stephens, “Land Ho!”
Dave Boyle, “Man From Reno”
Chris Mason Johnson, “Test”

Best Female Lead
Marion Cotillard, “The Immigrant”
Rinko Kikuchi, “Kumiko, The Treasure Hunter”
Julianne Moore, “Still Alice”
Jenny Slate, “Obvious Child”
Tilda Swinton, “Only Lovers Left Alive”

Best Male Lead
André Benjamin, “Jimi: All Is By My Side”
Jake Gyllenhaal, “Nightcrawler”
Michael Keaton, “Birdman or (The Unexpected Virtue of Ignorance)”
John Lithgow, “Love is Strange”
David Oyelowo, “Selma”

Best Supporting Female
Patricia Arquette, “Boyhood”
Jessica Chastain, “A Most Violent Year”
Carmen Ejogo, “Selma”
Andrea Suarez Paz, “Stand Clear of the Closing Doors”
Emma Stone, “Birdman or (The Unexpected Virtue of Ignorance)”

Best Supporting Male
Riz Ahmed, “Nightcrawler”
Ethan Hawke, “Boyhood”
Alfred Molina, “Love is Strange”
Edward Norton, “Birdman or (The Unexpected Virtue of Ignorance)”
J.K. Simmons, “Whiplash”

Best Cinematography
Darius Khondji, “The Immigrant”
Emmanuel Lubezki, “Birdman or (The Unexpected Virtue of Ignorance)”
Sean Porter, “It Felt Like Love”
Lyle Vincent, “A Girl Walks Home Alone at Night”
Bradford Young, “Selma”

Best Editing  
Sandra Adair, “Boyhood”
Tom Cross, “Whiplash”
John Gilroy, “Nightcrawler”
Ron Patane, “A Most Violent Year”
Adam Wingard, “The Guest”

Best Documentary
Iain Forsyth & Jane Pollard, “20,000 Days on Earth”
Laura Poitras, “CITIZENFOUR”
Debra Granik, “Stray Dog”
Juliano Ribeiro Salgado and Wim Wenders, “The Salt of the Earth”
Orlando von Einsiedel, “Virunga”

Best International Film
Ruben Östlund, “Force Majeure”
Pawel Pawlikowski, “Ida”
Andrey Zvyagintsev, “Leviathan”
Xavier Dolan, “Mommy”
Lav Diaz, “Norte, the End of History”
Jonathan Glazer, “Under the Skin”

Robert Altman Award
“Inherent Vice”

Special Distinction Award
“Foxcatcher”

Piaget Producers Award
Chad Burris
Elisabeth Holm
Chris Ohlson

Someone to Watch Award
Ana Lily Amirpour, “A Girl Walks Home Alone at Night”
Rania Attieh & Daniel Garcia  , “H.”
Chris Eska, “The Retrieval”

Truer Than Fiction Award
Amanda Rose Wilder, “Approaching the Elephant”
Darius Clark Monroe, “Evolution of a Criminal”
Dan Krauss, The Kill Team”
Sara Dosa, “The Last Season”
Read more at http://www.hitfix.com/in-contention/birdman-boyhood-selma-lead-the-2015-independent-spirit-awards-nominations#v4s51biGLUv5lUet.99

Disappointing Oscar hopeful “Foxcatcher”

Foxcatcher 2

I was soooo disappointed in "Foxcatcher", a film that has been touted as an Oscar hopeful since its debut at Cannes, and followed by TIFF, and the NYFF. But I was just not on board with this film. Bennett Miller, who directed "Capote" to great acclaim and netted an Oscar for the late Phillip Seymour Hoffman, is a director I admire. And though he directed the baseball saga "Moneyball", he has a penchant for tackling gay themed projects.

Which he is doing once again here with "Foxcatcher." Except that he isn't. He's totally de-gay-ed a VERY gay story, ripped from yesterday's headlines about Henry E. Dupont, the very rich and very weird scion of the Dupont family. They had so much money, Henry basically felt he could buy anyone or anything.

And he was gay, although you'd never know it from this incredibly closeted movie. I mean, how can you take the homo-eroticism and also the homosexuality out of this, what should have been a Big Gay movie? Except that it's not.

If you think wrestling in and off itself is exciting, which I don't, you might like this movie. But Henry DuPont was clearly a predator, creating this camp of muscle-bound young men, who he was purportedly training for Olympic wrestling.

Everyone thinks that comedian Steve Carell is going to get an Oscar nomination for his cold, rabbity portrayal of DuPont. It's true he's almost unrecognizable with this humonguous fake nose. He also attempts a monotonal speaking voice for DuPont, which is irritating. OK. So he's not relying on his comic chops. So?

So what do we get?

What he gives us is just a two-dimensional creep. Not the three dimensional one that Jake Gyllenhaal is currently essaying so well in "Nightcrawler." Gyllenhaal's Nightcrawler is obsessed with things that actually are depicted in the film. Money, power, violence, fame,tabloid television.

Dupont is obsessed with men and what's missing is the gayness. It's so toned down, repressed, if you will, that it seems that DuPont is totally in the closet, which he wasn't.

You think wrestlers are hot? In this film, they are cold.And so is the whole film.

"Foxcatcher" is the most unsexy movie imaginable. You can't do what is essentially a gay movie and leave the gayness out of it. I mean, c'mon! It's 2014 already!

And as the plot reveals, or rather, doesn't reveal that DuPont is super obsessed with one wrestling hopeful Channing Tatum( who BTW is turning in the really stellar performance here ), to the point that he moves him on to his estate which is called Foxcatcher. And yes, they do have horses and presumably hunt foxes. His domineering mother, Vanessa Redgrave, who is totally wasted here, with one mere scene of dialogue, is a formidable presence clearly. And Mrs. DuPont does NOT approve of her son's zealous pursuit of the sport of wrestling. She calls it "a low sport" and wishes Henry would stop importing all these young wrestlers to the grounds of their estate. She wishes we would, well, catch foxes at Foxcatcher, and not healthy young male wrestlers, everyone a beauty.

I guess we’re supposed to draw the parallel that he collects handsome athletic young men, the way that his mother collects horses.

Of course, this doesn't end well. And based on a true story, the events, when they at last unfold AFTER TWO HOURS, are baffling rather than revealing. Or tragic. As they should've been.

The only scene that approximates what may have been an homosexual affair is where DuPont and Channing's character snort cocaine together on DuPont's private plane.

The violence that in the end ensues is totally shocking in that it makes no sense with what we have seen before.

Mark Ruffalo, as Tatum's smarter, married brother is also wasted pretty much here. Which is a shame. But then so is Redgrave.

So what we are left with is a very cold, remote film about this weird rich guy that makes no sense.

Miller tried this de-gay-ing thing, too, with "Capote" but in that case it worked, because Truman Capote was sooooo gay, no matter how toned down you made him, he was still VERY gay.

Do we need another portrait of a gay psychotic? Well, I for one was looking forward to this film, given its' festival hype. But I was severely disappointed. It shed light on nothing. It's a gay film for straight people in that case. Maybe straight people will think that SUGGESTING DuPoint's sexuality was enough. To me it was just a big cop-out. I expected more from the talented Bennett Miller than a lot of tense, conversational scenes that illuminate NOTHING.

Gay people are going to be very disappointed with this closet of a movie.

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