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Posts tagged ‘New York Film Critics’

Nat’l Soc. of Film Critics Vote Marion Best Actress, Timothy Spall Best Actor

The Immigrant 1The very contrarian, very esoteric National Society of Film Critics, which is based in New York and always votes AFTER all the other critics’ groups have chimed in, went the astonishing way of naming Jean-Luc Godard’s 3-D, but art house flick “Good-bye to Language” as Best Picture. But then duplicated the New York Film Critics almost exactly by naming Marion Cotillard Best Actress for both of her acclaimed, but little-seen films, “The Immigrant” (pictured above^) and “Two Days, One Night” and Timothy Spall as the titular “Mr. Turner” as Best Actor.

Best Supporting Actor was J. K. Simmons, of course, who can stop him for “Whiplash”? And Best Supporting Actress was “Boyhood”s Patricia Arquette, both continuing their seemingly  unbreakable sprints to  Oscar gold in those categories.

It’s also interesting to note that “Farewell…” won by only one vote over “Boyhood.”

If you remember last year the National Society was the only group to award “Inside Llewyn Davis” anything! It gave it best picture and best actor for the stalwart Oscar Isaac.

A complete breakdown by the great Anne Thompson at Indiewire is here ~

http://blogs.indiewire.com/thompsononhollywood/the-national-society-of-film-critics-love-language-20150103?utm_source=tohDaily_newsletter&utm_medium=sailthru_

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Sasha Stone & Jeff Wells Champion Marion Cotillard’s Oscar Chances!

Marion 2Sasha Stone, the beyond brilliant chronicler of all things Oscar, has written ANOTHER one of her most impassioned pieces at http://www.awardsdaily.com called “Are the Oscar Pundits Dropping the Ball on Marion Cotillard?” And of course, yes, they are! But this pundit is not! Dear Readers, Dear Cineastes…The Immigrant 1

Jeff Wells is all het up about it, too, at http://www.hollywood-elsewhere.com Jeff writes on and on about Marion’s plight in the positioning her, or the lack of it for two great performances this year, “The Immigrant” and “Two Days, One Night” and right now as Jeff points out “She is HAPPENING!” which is something wonderful to hear about this year’s Oscar race for Best Actress.

I mean, face it. There’s really been almost no heat happening at all. Until now. It’s all just been Julianne Moore’s to lose. And now I love Julianne Moore. Everyone in Hollywood AND Elsewhere does. And she’s never won an Oscar and this year it seemed finally to be HER MOMENT. Until Marion Cotillard started winning like FOUR Best Actress Awards across the country in the past week, and Julianne, well, she came in second to Patricia Arquette in the L.A. Film Critics Best Actress race.

Jeff Wells has started hilariously calling them, the LA Film Critics, “The Lunch-breakers” and he’s going  to make that name stick.

Of course, of course, “Deux Jours, Une Nuit” is a Belgian film in French. But it’s SUPERB! It’s going to be high up on my Year’s Ten Best List that I’m now working on.

Madame Marion already has an Oscar already, for “La Vie En Rose.” But it’s been seven years since that wonderful, historic event happened. No actress had ever WON an Oscar for acting in French. Could she do it again this year for “Deux Jour…”? I know it sound impossible, but if people like Sasha Stone and Jeff Wells keep writing about her chances so excitingly, maybe she will.

“Boyhood” Wins Big at Both Gotham Awards & NY Film Critics

Boyhood 2It’s December 1, and the awards have started raining down on Richard Linklater’s “Boyhood.” This afternoon it won Best Picture(and Best Director and Best Supporting Actress) from the prestigious New York Film Critics, and this evening it continued its’ winning streak with the Gotham Audience Award where it again won Best Picture.”Birdman” however won Best Feature.

This, in these categories, may be repeated and repeated endlessly for the rest of Awards Season, which is now totally upon us.It will be interesting to see what the L.A. Film Critics vote for next week.

At the Gothams, Michael Keaton for “Birdman” snatched his mojo for Best Actor back from British giant Timothy Spall, who usurped his place this afternoon by winning Best Actor in a delightful surprise for “Mr. Turner.” Julianne Moore did the same by triumphing at the Gothams for “Still Alice” whereas Marion Cotillard won this morning for Best Actress at the NYFCC for “The Immigrant” and “Two Days, One Night,” the later a Belgian film in French.

Gregory Ellwood has a very funny blog on the Gothams at http://www.hitfix.com along with a list of all the happenings and all the rest of the winners.

And the Academy, who doles out the Oscars, may not wish to participate in rubber-stamping “Boyhood,” a film it may not relate to(as I myself didn’t). But it sure looks and feels like an awards juggernaut starting today.

And tomorrow the National Board of Review chimes in.

Fasten your seatbelts!

Timothy Spall Wins Best Actor for “Mr. Turner” from NY Critics!

Timothy Spall 1In a totally surprising move, British actor Timothy Spall has just won Best Actor for “Mr. Turner” at the New York Film Critics Circle!

And I just had the great honor and privilege of interviewing him myself this morning for “The Stephen Holt Show”! I’m thrilled! He’s a great natural story-teller, and we both shared a common Cockney background. He’s a real one. I LIVED in London’s East End for years back in my salad days when I was struggling to be a playwright and an actor, and supporting myself by being a char. (a house-cleaner) No. Really! It’s true. If any one experience in my life made me tough, it was that. Being a house-cleaner in a foreign country for over three years. It was one of the formative phases of my youth.

Other New York Film Critics winners are : Best Cinematography:”The Immigrant” & Best Original Screenplay “The Grand Budapest Hotel”

Timothy Spall won Best Actor at Cannes this year. I congratulated him at the start of my interview with him and he said, “Nobody was more surprised than me!”

This historic interview will be on-line shortly.

 

“American Hustle” by David O. Russel~Hustle & Bustle without much Muscle

As Shakespeare said, “Full of sound and fury signifying nothing.” That about sums up my reaction to the late-opening “American Hustle” by  David O. Russell, which hustles and bustles without much muscle. It’s ANOTHER Mob movie. ANOTHER one that is trying to out-Scorsese Scorsese, and THANK GOD they’ve got Jennifer Lawrence in this!

In a spectacularly showy Supporting role as one of the dumbest blondes of all time, she absolutely steals the picture. THANK GOODNESS! Or otherwise it would be a very dull sit indeed. It would have been unwatchable, but Jennifer Lawrence makes it a very, funny charming experience. She very much reminded me of that other great dumb blonde Oscar winner Judy Holliday in this.

Lawrence is so appealing as Christian Bale‘s old-fashioned housewife- with-a-kid, who is obsessed with her finger-nail polish. She lights up the screen like a bonfire, never missing one laugh line, or funny moment, and every time she’s absent, you can’t wait for her to come back on again. And writer/director O.Russell uses her sparingly, so you never get tired of her. But you do get tired of the other characters, I’m sorry to say. Real tired.

Having just suffered through “Out of the Furnace” with Bale again in the lead, I was expecting the worst. But at least in this one, he was playing a comic character, a Jewish con-man with pretensions. He owns dry cleaning stores but he wants to own the world. And Lawrence is his trophy wife, who blows up microwaves and enacts her comic role like a poodle in heat.

I didn’t buy Bale’s Yiddish-ness. And he’s pitted against Bradley Cooper who has his hair tightly curled here. Why? To look more Jewish? And  he is seen in curlers A LOT, as are all the leading characters, as a matter of fact, except Bale, who has an elaborate comb-over and who put on quite a bit of  weight of this role. We see a close-up of his bulging stomach, shirtless, just to prove that yes, he’s not in a fat suit. We see him painstakingly creating his comb-over, which takes up the entire first scene of the movie, finishing it off with hair-spray, like he was a super-model…

But to what avail? Con man movies. Mob movies. I just am kind sick of that done-to-death genre, and this involves ABSCAM and a faux-Arab. A FBI plant played stoically by Michael Pena. Robert De Niro pops up, too, as what else? A Mafia chieftain. And Amy Adams, poor thing, who has the female lead, Bale’s con partner and “whore” except next to Jennifer Lawrence, who is just blooming with youth(22) and vital sexuality here, Adams looks old and cold. Worn out. And she should look and seem more alluring than Lawrence. And she doesn’t. She the most miscast she’s ever been. I kept seeing her as the young nun in “Doubt” in my mind.

Mothers or nuns or even intrepid girl reporters like Lois Lane. She was better in the recent  “Superman” re-boot, than she is in this. Sad to say. She deserved better.

But this is what O.Russell hands her.

And I can’t understand the New York Film Critics giving this Best Picture over “12 Years a Slave” It’s criminal. Yes, they did. Unbelievably,. It’s a funny little movie. But Best Picture? New York Film Critics seriously disgraced themselves this year. And Best Screenplay, too??? Seriously??? They gave Best Supporting Actress to Jennifer Lawrence, and I would nominate her for an Oscar, were I voting, but I wouldn’t nominate this semi-funny movie for anything else. Except maybe the zippy ’70s hairstyles. You can skip it and live.

Give me the real thing. Give me Scorsese. Or better yet, “Born Yesterday” with Lawrence as Billie Dawn. Directed by Scorsese.

I can’t wait to see the last opening film of the year “Wolf of Wall Street” by Martin Scorsese.

L. A.Film Critics also ignore “12 Years” but Award Lupita Nyong’O Best Supp.Actress

Once again. “12 Years A Slave” has been dealt a body blow in this awards’ season. The VERY influential Los Angeles Film Critics only awarded the brilliant Lupita Nyong’O, which is great news for Hollywood’s newest star, but bad news for “12 Years a Slave.” I am shocked, SHOCKED that the usually cutting-edge LA Film Crix went for “Gravity” and “Her”! In a tie! Yes! A tie!. In fact, there were three ties!

Best Picture – “Gravity” tied with “Her”.

Best Actress – Cate Blanchett tied with Adele Exarchopoulos of “Blue is the Warmest Color”

And Best Supporting actor tied :Jared Leto and James Franco for “Spring Breakers”!!!

A motley crew.

But this is a very important win for Lupita Nyong’O and congratulations to her.

But very bad news for “12 Years A Slave.” It is now officially NOT the front-runner for Best Picture anymore. I’d say “Gravity” is, if anything.

The Boston Film Critics and the New York Online Film Critics both awarded “12 Years” heavily in many categories…

Though strangely Michael Fassbender is ending up NOwhere. That’s not a good sign. And though the NYFCO and the BFC are nice to have and all that, it’s the LA Film Critics that are a one-two punch of “12 Years”, I’m sorry to say.

But looking at the all these critics awards you can see that this year’s Oscars are all over the place. Literally.

Also not turning up is Martin Scorcese’s just finished three hour “Wolf of Wall Street”. It’s still so new Jeff Wells is reporting at http://www.hollywood-elsewhere.com that many in Boston did not get a screener in time. Or couldn’t make a very last minute screening.

I feel just awful for “12 Years…” It’s a masterpiece and I can’t believe that it’s anything but racism animating its” exclusion. If that’s the case and even CRITICS are shying away from advocating for it. Then the award it’s likely to win is indeed Best Supporting Actress for Lupito Nyong’O. As I’ve said before, it’s the Booby Prize of the Oscars. They look at the Best Supporting Actress award rightly or wrongly as a throw away. As a less than important category and if they are not giving “12YAS” anything else, they KNOW they have to give it something and Best Supp. Actress is a place where they will feel most comfortable awarding it.

An equivalent situation occured two years, when African-American-themed box-office winner “The Help” won ONLY Best Supporting Actress for Octavia Spenser.

So I do think the LA Film Critics is indicative in that case.

They also importantly gave Best Director to Alphonso Cuaron for “Gravity.” Steve McQueen, thank god, won the New York Film Critics Award for Best Director, but that was it.

Also notably absent from all of this was Tom Hanks and “Captain Phillips”. Nowhere to be seen. Sunk without a trace. Leaving that fifth Best Actor slot now open for maybe Oscar Isaac in “Inside Llewyn Davis” or Michael B. Jordan in “Fruitvale Station” or most likely Leonard DiCaprio for “Wolf of Wall Street.” I can’t believe I’m typing these words, but I am. “Llewyn Davis” has opened this week to doing tremendous box-office and Leo has never won an Oscar, unbelivably.

If you read Jeff Wells and Tom O’Neil over at http://www.goldderby.com , they BOTH LOVED “Wolf of Wall Street”to the max.

Cate Blanchett seems to be storming across all awards-giving bodies in Best Actress for “Blue Jasmine.” And also not registering anywhere is “Saving Mr. Banks” which I’m seeing tomorrow night.

I suffered through “Out of the Furnace” because it SEEMED Christian Bale might turn in a possibly nominatable perforrmance. But he didn’t. I didn’t see much hope for any awards for this hard-scrabble violent film.

But Emma Thompson WAS nominated for Best Actress for “Saving Mr. Banks” by the National Board of Review.

Both the NBOR AND the LA film critics gave Best Actor to Bruce Dern! For “Nebraska” And the NYFCC gave that other spry 77-year-old in the race, Robert Redford Best Actor for “All Is Lost.”

The only across the board unity seems to be Cate Blanchett in Best Actress and also, surprisingly Jared Leto in “Dallas Buyers Club” for Best Supporting Transvestite.

And Sandra Bullock has floated into outer space with nary a mention.

Racist NY Film Critics Ignore “12 Years a Slave” Well, almost

Black director Steve McQueen won Best Director from the New York Film Critics, but otherwise “12 Years a Slave” a masterpiece IMHO was ignored by the NYFCC, the Gotham Awards and the National Board of Review. It’s official. There’s a “12 Years a Slave” racist backlash in full swing. And it makes me very angry.

The beneficiaries of this most racist slate of awards voting I’ve ever seen in my adult life of covering entertainment are strangely( but good for them), Ryan Coogler and the actors of “Fruitvale Station”. “Fruitvale Station” is goodness knows about racism and its tragic effects and I’m the first one to cheer for Octavia Spenser, Melonie Diaz and Michael B.Jordan. Coogler scored with all three critics groups, much to his astonishment as I described in the previous post.

If you were handicapping the Oscars (Like Tom O’Neil does on http://www.goldderby.com), you’d have to take note that young Coogler has scored ACROSS THE BOARD.

And the lacerating “12 Years a Slave” did not. “12 Years a Slave” has the disadvantage of being the early front-runner, which as Oscar Goddess Sasha Stone says historically is the worst place any deserving film can be. http://www.awardsdaily.com And unfortunately, she’s absolutely right. A pushback, a take-down seemed impossible. But three days of dealing with this VERY bad news for “12YAS” it now seems inevitable.

So word got out that “12 Years a Slave” was a difficult sit. It’s challenging, frightening, electrifying and horribly historically accurate. Which is what makes it great. And I’m ashamed that these cowardly critics turned their faces away from the reality of slavery depicted in this majestic movie. Sasha had a feeling this was going to happen, but I thought if it happened at all it would be in insular L.A. not knowledgeable New York. DISGRACE!

Steve McQueen getting Best Director from the NYFCC is to be applauded of course, but it almost seems like a boobie prize when Best Actor goes to Robert Redford for “All’s in the Wash” And the brilliant, painful performance of Chiwetel Ejiafor is left out!?!? REALLY, New York Film Critics!?!? REALLLLLY?!?!?

And the searing supporting performance of Lupita Nyong’o is ignored by them in favor JENNIFER LAWRENCE?!?!? This is for “American Hustle” the David O. Russell film which I haven’t seen yet. I’m sure she’s fine. But REALLY, New York Film Critics?!?!? Really?!?! For SHAME!!!! A BIMBO over an abused slave?!?!? And to ad insult to injury, they named “American Hustle” best picture!?!??!?

And while Jeff Wells at Hollywood Elsewhere has a source that says voting for Best Actor and Best Supporting Actress were THAT CLOSE. I mean, Michael Fassbender’s choice to go film in New Zealand and ignore the whole thing seems a wise one.

I thought we lived in an enlightened age. But I guess not, Chiwetel and Lupita losing to TWO BLONDS?!? Robert Redford and Jennifer Lawrence is just unconscionable.

I protest!

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