a.k.a. "The Oscar Messenger"

Posts tagged ‘Naked’

“Marie’s Mind for Murder,” a Mommy & a Hottie German Detective Duo

I really did enjoy viewing ALLLL ten episodes of the German Crime series “Marie’s Mind for Murder” which is now being brought to our shores by the inimitable MHz Networks. It’s refreshing in that we see the main character of Marie Brand is a very spunky and sparky Mom. Played by Meriele Millowitsch, who was born in 1955, she is dynamically paired with the hot young German star, Hinnerk Schoenmann, who is decades younger than she is.

The December/May age difference gives the series its’ pzazz. Shot as a series of TV movies for German television over a number of years, the first set available here has ten 90 minute episodes. Police procedurals all. But with the twist that Marie Brand (as the series is known in Germany) is a semi-dowdy, but in shape, intelligent policewoman who can write simultaneously with both hands. She is none to happy at first to return to police work and be paired with air-head ladies. man, Jurgen Simmel (Schoenmann), who she only refers to quite formally as Herr Simmel.

The strawberry-blond hunk is treated as something of a boy-toy, whose manly physique is given as much exposure, sometimes more, than most ingenues are called upon to do, in Series TV. In fact, for those who MUST know, he goes full-frontal in Episode 3 “Marie and the Night of Retribution” getting out of a large marble bath-tub, where he is romancing one of the episode’s hot chick suspects, who is also nude in the bath with him. We then are treated to him crossing to pick up his clothes on the far side of the bathroom, so coming and going Hinnerk Schoenmann cuts a fine figure. And he’s a karate expert, too.

He’s also very funny, and the back and forth between the two detectives is quirky and entertaining and keeps the viewer interested, if things get bogged down plot-wise. They are decidedly an odd couple, the oddest I’ve ever seen as a cop duo. And the singularity of a mature, smart woman paired with the less-than-intellectual younger man is something we’d never see dealt with States-side on TV. And may never. But “Marie’s Mind for Murder” is certainly worth seeking out and checking out. Because the sexual role reversal makes everything quite refreshing.

As the series wore on, it got better and better and really hit its’ stride with the last two episodes, “Marie & the Wrong Woman” and “Marie & the Song of Love & Death.” And there are more to come.

It’s still in production in Cologne, Germany, the most uninteresting locale imaginable. But the duet of detectives Brand und Simmel keep things hopping and popping.
Marie's Mind 2

Oscar’s Pesky Supporting Categories. Mucho loco.

Oh, those pesky Oscar Supporting Categories! They are sooo hard to pin down, always, but this year’s there’s so much movement it makes the potential nominees look like Mexican jumping beans!

And no SAG didn’t match the Golden Globes, and they both didn’t match the  (Broadcast Film Critics Assoc.) But look who these groups REALLY represent. Look closely. And the first thing you may notice is that the Broadcast Film Critics, is made up, of mostly, well, film critics.

And there are NO film critics in the Academy. Repeat after me. THERE ARE NO FILM CRITICS IN THE ACADEMY.

And Stu Vanairsdale’s www.movieline.com excellent depiction of the Hollywood Foreign Press as “swag monkeys” is sooo apposite I want to adopt it just for my own, but yes, that defines them. ABSOLUTELY. And also, they are PRESS. And yes, repeat after me…no don’t bother. There’s no press in the Academy either….

So the fact that Michael Fassbender didn’t get a SAG nom is much more significant than it may at first seem. AND he’s urinating on-screen. Literally pissing his nomination away. And that’s how Demian Bichir got HIS SAG nom, playing a heroic Hispanic gardener. Yeah, this category this year . It’s a pisser.

But also not nominated for SAG was Albert Brooks from “Drive” and that make me wonder. He was nominated for Supporting Actor by both the BFCA and the GG, but to be left out of SAG may be fatal.

Why was Brooks not nominated for “Drive”? Maybe because THEY DIDN’T WATCH “DRIVE.” SAG gave nothing to “Drive” whereas the BFCA nominated it A LOT.

Who was nominated in Brooks’ place? Armie Hammer for “J. Edgar!” Stupendous in “The Joy of Typing” as BOTH Winklevoss twins, he’s riding a crest of good will. And Academy members keep exclaiming “I loved J.Edgar!” Which is something obviously Stu V. isn’t hearing.

And Hammer benefits by being in Leo DiCaprio’s shadow. He gets to kiss him, after all (Degree of difficulty!) And even though “J. Edgar” was left off the PGA list, it made MY Ten Best, and I STILL think it’s another Clint Eastwood masterpiece. THAT could be a surprise BP pop-up on Oscar Nomination Day, which is Tuesday Jan.24.

AMPAS members are voting right now on their choices of nominations. Yes, they are. And so what’s on their minds? Well, “The Artist” for one, which is going to get more nominations than any other film this year. And Berenice Bejo is on her way to a for sure Best Supporting Actress nomination and possibly even a win, in my book.

The Argentinian/French beauty carries as much of the film as the stalwart Jean Dujardin, who did win the Best Actor prize in Cannes this year. And she got a BFCA, a SAG nod, and also a Golden Globe nomination. So she was the triple crown of nods as it were.

And she also just won BEST ACTRESS in the Rome Film Festival which just wrapped last week.

So she’s definitely on a roll, and she’s also married IRL to “The Artist” s front-runner for Best Director Michel Hazanaviscius. And HE’S probably going to win Best Director across the board, and if she won, too, that would be the first time in Oscar history that a husband and wife team won double Oscars, a quaint touch that the Academy may very likely find too charming to resist, too. Just like their movie!

They’re French, and SOOOO in love! And so happy!

Berenice’s main competition is Octavia Spenser for “The Help.” Spencer, an unknown up until this season, also was a recipient of a SAG, BFCA & a GG nod. So she’s almost assured of a nomination. But she’s an Academy newbie. Her memorable performance as the foul-mouthed Minnie is the kind of role that gets nominated but doesn’t necessarily WIN awards.

And there was that shitting in the pie scene. Unlike Michael Fassbender, we don’t SEE her doing it, thank god, but she does do it, and then serves it to Bryce Dallas Howard, RON HOWARD’S daughter! in real life, who plays the villainess Hilly so well here in “The Help.”

Stu V. and Tom O’Neil at www.GoldDerby.com and many others have her as a frontrunner in Supporting Actress, but I wonder….

I do NOT think the Academy is open-minded enough to award TWO African-American actresses in ONE year. One of them, maybe, but not both. And Viola Davis is pictured and named as “The Frontrunner” on this week’s Entertainment Weekly annual Oscar issue. She’s pictured with George Clooney, which actually could be the kiss of death. They could BOTH not win.

And the two “Help” women, may split the “Help” vote. And neither wins.

It’s a very interesting year in that the actress categories are so up-in-the-air.

And it just goes to show that Meryl Streep’s reviews for “The Iron Lady” were sooooo bad that they vaulted Viola Davis on to the cover of EW!

And Shailene Woodley of “The Descendants” was not nominated for a SAG award either.  Too young, merely a teenager. But Janet McTeer of “Albert Nobbs” was…and Stu V. has Glenn Close of “Albert” slipping out of the locked five in Best Actress, being replaced by Rooney Mara. I don’t see that happening. But Janet McTeer has ALSO scored the trifecta of BFCA, SAG & GG.

And then there’s Jessica Chastain & her 5000 films she was in this year’s problem. What to nominate her for? Well, if it’s for “The Help” (a good perf, but not great) she’d also be splitting the “Help” vote with Spencer and then…and then…Berenice Bejo wins!

And Vanessa Redgrave could win in this category, but she’s been nominated nowhere so far and it seems like NO body is watching “Coriolanus.”

And then there’s sweet Carrie Mulligan who shows HER nether regions in “Shame.” But oh yes, since she’s a young girl, that could help her…but so far…No nominations…which is a REAL shame.

And Christopher Plummer? He won this race, Supporting Actor, the minute his marvelous film “Beginners” opened in May. The question that plagues us Oscar-ers and Oscar-ettes, is who’s going to be nominated in that category and lose to him. Plummer has never seen so, well, plummy. And he’s experiencing the most attention and love he’s perhaps ever gotten in his long and very chequered career. He’s very grand, too, as Herbert Wanger in “Girl with the Dragon Tattoo.” It’s his year. He’s everywhere!

Daniel Radcliffe Delights Bway! In “How To Succeed…”

Daniel Radcliffe is absolutely a delight and a revelation in the latest revival of Bway vintage musical “How to Succeed in Business Without Really Trying.” He is so successful from his Harry Potter decade of family film franchise stardom that he never has to do anything for the rest of his professional life. Unless he wants to. And he certainly didn’t have to take on the singing and dancing challenge that J. Pierpont Finch represents in “How To…” But he did! And he triumphs!

Surprisingly. When the tiny Radcliffe busts a movie(or rather) move in the “Groundhog” football dance number the teenage girls in the audience (yes! teenage girls in a Bway audience!) started squeeeeealing with delight. That’s just the first act! And by the “Brotherhood of Man” finale number that concludes this rousing revival,the diminutive Radcliffe has utterly proven himself as a bona fide Broadway singing and dancing sensation!

And his “I Believe In You” the famous Men’s Washroom song sung to an invisible mirror — Fawgeddabowit!

 “How To…”, a creaky curio at best, really needs that star power and charisma in the central role that Radcliffe dazzlingly provides, or it really is pretty much a bunch of nothing. And very sexist too boot. Its’ heroine Rosemary’s singing of the delights of “I’ll be happy to keep his dinner warm. Waiting for him to wearily come home from Downtown” as the other girls in the steno pool sing ” Don’t Cinderella! Don’t give up the Prince!” and the glories of the “New Rochelle PTA!”

Feminists in the audience will be cringing. But not so the teenage girls who were SCREAMING their way through one Radcliffe number after the other after the other. They were in Harry Potter cult heaven! I’ve never seen anything like this reaction on Ole Broadway before…It reminded me of what it must have been like when Frank Sinatra sang to the swooning bobby-soxers at the Paramount. Not that I was there, mind you. But I’m just saying…it’s VERY unlike OLDE Broadway to have this much young blood pumping wildy through its’ veins. But why not? It works! In spades!

“How to…” harks back, way back,  to the days when stars were expected to sing seven or eight numbers (at least!) all night long. And dance, too! And Radcliffe does all that to a fare-thee-well.

He has a very nice, serviceable singing voice, too, and an undeniable charm that makes his supposedly Machiavellian rise to the top be be absolutely and utterly believable. His character,  J. Pierpont Finch simply by reading this “How to Succeed in Business Without Really Trying” book rises to the top of the World Wide Wicket Corporation by simply following the book’s simply laid out rules. Unctously read as an off-stage voice by narrator Anderson Cooper. Yes, THAT Anderson Cooper! It seems every body wants in on this successful boy’s new next act. Singing, and dancing and with a perfect American accent, too! I loved it!

This plot strangely mirrors Radcliffe’s charmed life in a marvelous way. The boy is so utterly disarming, as the book says, “without really trying”, he succeeds and succeeds again, as Radcliffe as Harry Potter has done in the decades-long franchise now about to reach its’ cinematic conclusion this summer. It’s been the most financially successful franchise series in cinema history.

 And when the last movie “Harry Potter and the Deathly Hollows, Pt.2” is released and Daniel Radcliffe will  still be singing and dancing his way into America’s hearts in this charming revival which will run and run as long as Radcliffe wants it to be in it.

 With, I’m predicting a “Best Actor in a Musical” Tony Award to boot!

Having seen Radcliffe naked and acting his heart out to the tune of a Drama Desk Award Nomination for Best Actor in a Play for “Equus” couple of seasons back, one knew he had the dramatic chops to sustain this startling career transition to serious stage actor and now morphing even further into a singing and dancing Bway phenom.

Justin Bieber, Look Out!

Daniel Radcliffe is now crooning and swooning in a Big Phat Bway Musical Hit!

I’m beginning to think that Radcliffe can do just about anything! Of course, he is fully supported by one great show tune from the pen of the late great Frank Loesser after the other.

This show won the Pulitzer Prize it was considered so timely, so edgy, when it first came out 50 years ago, but without the spiffy stealth updating by director Rob Ashford and an able supporting cast, including TV Vet John(“Night Court”) Larroquette in the Rudy Vallee part of J. B. Biggley, the boss of World Wide Wickets and the beauteous, ample heaving bosoms of the headiest of  Hedy La Rue’s of Tammy Blanchard, one wonders just how pertinent this dated story could possibly be today. In a post-Enron world, a mild satire of corporate shenanigans could go over like the lead balloon it proved to be when Matthew Broderick and Megan Mullaly (pre-“Will and Grace”) essayed it back in the ’90s. He and it were so boring and she was so grating, I walked out at intermission. But he won a Tony anyway.

But the rise and surprise of Daniel Radcliffe made me stay and stand and applaud! Aren’t we lucky to have him on Broadway delightfully re-inventing this war-horse and his own career at the same time! As far as I’m concerned Broadway has a new star! Daniel Radcliffe! Long may he shine!

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