a.k.a. "The Oscar Messenger"

Posts tagged ‘Movieline.com’

Oscar Index at Movieline Keeps the Quality(& Enjoyment) Level at 100%!

All season long, Oscar season, I mean, of COURSE, I look forward every Wednesday evening to Stu Van Airsdale’s erudite, witty analysis of the preceding weeks Oscar madness on his unfailingly fun Oscar Index at www.movieline.com  It’s ACCURATE, too. Even if he doesn’t agree with MY thoughts on The Race. But that’s OK, because he is always persuasive, showing me the error of my Oscar-y ways.

And yes, he’s right on the money again with the idea that it’s “The Artist” but also, “The Help” that is on everyone’s minds. Whether I like to admit it or not.

Me? Moi? You KNOW I love “The Artist” and its’ nominated stars. And I TOLD Jean Dujardin that he was going to win The Oscar and he laughed and smiled and CHARMED his way into the 38,000 (and counting) You Tube viewers who’s enjoyed me, the Oscar Messenger, giving Jean and Berenice Bejo and Michel Hazanaviscius the Oscar News here at ~ www.youtube.com/StephenHoltShow

I haven’t been able to top that highpoint yet all season, so I’m leaving it in the main frame. The two of them, Jean and Berenice were an utterly winning couple, just as they are in the film, and no, not in real life. The beautiful Berenice is married to Michel Hazanaviscius. So her real name is Berenice Hazanaviscius. Glad she kept the Bejo. And yes, she, too was nominated for an Oscar for Best Supporting Actress, as I foretold her she would be.

So, non, it’s not “The Artist” I have issues with I just love it to pieces. And so I agree with Stu V.A. who has “The Artist”, Jean, and Michel all in their number one slots in their respective categories. It’s that I just couldn’t wrap my head around all this “Help” love.

To give Oscars to African-American women for playing MAIDS, I just think is the highest form of racial ineptitude. I think  with a black President, it’s just downright insulting, but Stu V.A. has had Octavia Spencer in his #1 position as Best Supporting Actress all season long. And I just couldn’t buy it. But now with Spencer’s wins at the BFCA, the Globes AND SAG, she seems almost a DONE deal.

I just don’t think she was THAT good in the movie. That it was not an “Academy performance” but evidently everybody except Kris Tapley, disagrees with me.

I mean, give the “Help” ONE SAG award, but not ALL THREE!!! However, that’s what’s going down.

And Viola Davis, who IS a great actress, certainly gives great speeches, too. And if there ever was one single article that may win an actress a Best Actress Oscar, it’s the poetic, persuasive, insightful, almost panegyric piece that Mark Harris just wrote in www.grantland.com this week, in his Oscarmetric section.

Viola Davis should thank HIM, because he makes the case that there was no SUBTEXT in this year’s Oscar race and that “The Help” and especially, the performance of Viola Davis COUPLED with her great speechs have created a narrative that the Academy, guilt-ridden white people all, may just indeed buy.

And it’s NOT a great picture. It’s good, at best. And yes, “The Artist” is much better…

But TWO Best Actress (lead and supporting) wins for “The Help”??? I was not convinced, but now I’m beginning to think so.

Though I still hope Michelle Williams upsets this at the BAFTAs….

Viola Davis is a great actress and she deserves all the acclaim she’s getting. But I still think it’s a Supporting performance and that Michelle Williams is better in a more difficult role in a better movie.

We’ll see what the BAFTAS have to say…

P.S. I turned on my television set this AM and who should be onscreen at “The View” but Viola Davis!!?! I thought I was seeing things. I think she’s been on “The View” AT LEAST three times previously this season! Or maybe FOUR! Somebody’s pushing this to the max. That would be Disney/Dreamworks. Also means they are REALLY sweating Harvey Weinstein’s campaigns for Meryl Streep for “The Iron Lady” and Michelle Williams for “My Week with Marilyn.”

Does this mean V. Davis is being OVER-exposed? And god forbid, pushy? I am the first to say that she’s a great American actress and deserves her time in the sun, and she certainly seemed to be enjoying it. What did she have to say? Well, I just caught my major role model Barbara Walters saying “It’s always great to have you here on the ‘The View’, Viola.” And then they signed out!

I think this cuts both ways. It’s good to keep her in the public(and the Academy’s) eye. And yes, I’m sure they watch “The View” or at least the female members do. Which means that Disney/Dreamworks is targeting the female Academy voters. Of whom, as you all know, there aren’t very many! So they are fighting over the Streep-aged demographic. But this shows they are really sweating a Streep win? But who are THE MEN, the bulk of the Academy membership voting for?? That’s what I’d like to know. And again, my guess is the beauteous Michelle Williams as Marilyn Monroe. The Babe Factor still rules Hollywood, I’m so sure. Will the Academy’s left-y social conscience trump the Beautiful Young Nude Girl syndrome. We shall see.

Only the Actor’s Branch overlaps with the SAGS. And that by not much. It’s two different groups of people. SAG and AMPAS. One is female-filled. That would be SAG and one is male dominated and that would be AMPAS.

Kim Novak – Raped by ‘The Artist’! Ad claim ~ Idiotic!

Kim Novak, a big star once upon time, was always classified as a “dumb blonde,” and now we can see why. Reported more fully by Nikki Finke & crew  at www.deadlinehollywood.com Kim took out a full-page ad in one of the trade papers, saying, provocatively, “I want to report a rape.” And now that she’s got the readers’ attention, she goes on to explain why. There was music from her Best Film (and her first) “Vertigo” used at the end of “The Artist.”

And Novak claims this constituted a “violation of her body(of work).” I beg to differ. Somebody supporting one of the “Artist”s rivals for the Oscar, where it is STILL, miraculously, the front-runner, may have put Ms. Novak up to this. Those ads in the trade papers are VERY expensive. Does she at this late stage of her life have the money for something as pricey as AN AD?!? Makes you wonder.

It’s ridiculous. Many quotes from famous movie scores are used all the time. And of course, in this semi-recent one, well, er, 1958, there are licensing fees involved being paid to the late composer Bernard Herrman’s estate for its’ use. And they are probably hefty.

Kim Novak didn’t WRITE the music. She didn’t DIRECT the movie. That was Alfred Hitchcock, who must be rolling over in his grave, with laughter, at this.

And “Artist” director Michel Hazanaviscius, who just won a nomination from the prestigious Directors’ Guild, today issued a very dignified response. And you can read this in either Deadline Hollywood, or www.hollywoodreporter.com or www.movieline.com

Over at www.awardsdaily.com, Oscar Goddess Sasha Stone, has chosen to ignore this tempest in a teacup. At least last time I looked. Sasha is more excited, TRULY excited by her favorite director David Fincher’s getting the surprise nomination from the DGA. Add to this his CINEMATOGRAPHER getting recognized by the ASC nominators this morning, Sasha must be having a VERY good day.

And yes, the cinematography of “The Girl with the Dragon Tattoo” was sumptuous, in its’ own frozen ice-scape way.

And the Broadcast Film Critics’ Awards are TOMORROW night. Yes, dear readers, dear cineastes, it’s the beginning of the end. Of awards season. Last year, the BFCA were very predictive of the Actors’ races, but I think not so much with Best Picture.

And I’ll also add kudos to Sasha for her trumpeting of “Dragon Tattoo.” I think she really did help Fincher get that out-of-the-blue nomination from the DGA. Replacing Steven Spielberg. And now the ASC (American Society of Cinematographers), ignored “War Horse” AGAIN! “Dragon Tattoo” seems to be effectively replacing it.

And some people,myself included, thought the cinematography of “War Horse” was one of its’ strongest suits.

Guess not.

But also don’t forget the Guilds aren’t THE ACADEMY. The largish, younger DGA is not at all like the super-small, very elite, mostly male and VERY old and somewhat conservative director’s branch of the Academy, who may turn around and put Spielberg right back in the race.

Last year’s BFCA started the four-strong lock step to the Oscars that mirrored the Golden Globes acting winners and the eventual Oscar winners exactly. They got the Best Picture wrong last year. And the year before Meryl Streep TIED with Sandra Bullock, lest not forget. For “Julie and Julia” and “The Blind Side” respectively. And the year before that didn’t the same Ms. Streep tie with Anne Hathaway for “Rachel Getting Married”? Is it wrong to not predict MS might tie AGAIN this year with a younger competitor like Michelle Williams? Since the BFCA does historically seem to be all tied up with its’ Best Actresses?

This year all the categories, except Best Supporting Actor, Christopher Plummer, are up in the air. Which is going to make for a VERY interesting evening!

Oscar’s Thanksgiving Wishes for Michelle’s Marilyn Pour In!

A Happy, Happy Thanksgiving to all of you, my dear readers, dear cineastes! And on this Thanksgiving Day I have one great big movie movie to be Thankful for, which is, you guessed it, you who have been reading this humble blog since Day One, it’s Michelle Williams and all the rest of the wonderful cast in the Best Film of the Year, “My Week with Marilyn.”

Oscar Goddess Sasha Stone has compiled a list of wonderful rave reviews from the likes of Rex Reed to David Denby of the “New Yorker” to Roger Ebert. You can read them all at www.awardsdaily.com

Add to them Stephanie Zacharek at www.movieline.com as well as Oscar, the Grouch Jeff Wells at www.hollywood-elsewhere.com and yes, by George it’s a consensus! Jeff saved his review until today. Wild. But I’m happy it’s at last there.

Only it’s not a race between Meryl Streep in “The Iron Lady” and Michelle’s Marilyn.

I don’t think Meryl stands a ghost of a chance with the Academy. She will no doubt get a 17th Oscar nomination, which is PHENOMENAL, record-breaking and an award in itself. I don’t think the Academy will ever give her a third Oscar. She already has two.

And yes, they were earned at the beginning of her career a LONNNNNG time ago. And I really doubt that her Margaret Thatcher turn(I haven’t seen it yet. But soon, I hope) will melt the Academy’s icy heart.

Why? Well, she’s got, well, too much. She’s rich. She’s happily married for over 20 years or more actually. She has four happy and healthy children, two of them, Mamie and Grace are also actresses, and her son Hank is a musician.

No discernible tragedy in her life. Just success, success, success and more money.

Oscar? Well, lately his eye has been on the young’uns in the Best Actress category. Last year’s match between Natalie Portman in “Black Swan” and Annette Bening in “The Kid’s Are All Right” I think is going to be indicative of what happens again this year. The young, cute, NAKED girl wins! And Michelle is pretty nude, pretty often in “Marilyn.” It’s a very sexy performance.

One that turns on every male who sees it and many of the women, too. Like Zacharek and also Claudia Puig in USA Today. And on and on…Not however Manola Dargis in the NYTimes…

If the Nominees turn out to be Meryl, Glenn Close in “Albert Nobbs”, Williams, Tilda Swinton(or Charlize Theron) both of whom have Oscars already, and Viola Davis….I see only Viola Davis as perhaps Williams’ competition. For “The Help”.

But with stellar, glittering reviews like Michelle is getting most of the time…I don’t think she can be beat.

Harvey Weinstein HIMSELF is even doing a Satellite Interview Tour – ON BEHALF OF “MARILYN”. This is unprecedented! And I’m guessing he’s going the whole nine yards on behalf of this beautiful, sexy, lovely, funny, moving movie movie because he thinks it has a shot at a Best Picture nomination, too. As well as the obvious nominations of Michelle and Kenneth Branagh as Sir Laurence Olivier.

And I think he’s right.

Excellent “Oscar Index” at Movieline asks “Is it February yet?” Lol…

Do I love that Oscar Index, penned by the redoubtable Stu Van Airsdale over at the increasingly necessary www.movieline.com ? Yes! I do! I highly recommend it for its’ humor is as good as anything in the New Yorker. Yes, I have now mentioned the words “Oscar” and “The New Yorker” in the same sentence! I admit it!

I have no ads. So I can say anything. And I do. On my blog. On my TV show.

And Stu’s Oscar Index constantly surprises me! Like for instance the major surprise this week was French actress Berenice Bejos, who I just ADORED in “The Artist,” and was always championing since I saw the movie in Montreal- well, Berenice has now bounced right into the center of the Oscar Index’ Best Supporting Actress chart! And fittingly enough, she’s pictured as a Black and White bobble-head, and like the film, she’s not in color.

“The Artist” won the Hamptons Film Festival Audience choice award this past week, so Harvey W. is once again, a happy Hamptons-goer. Last year, “The King’s Speech” won this award.

Besides the Toronto Film Festival audience award, it was the only other award it won on its’ surprising Oscar journey. “The King’s Speech” I mean. Last year, it didn’t start its’ OSCAR winning streak til that famous night at the PGA awards in Hollywood where it won, unexpectedly. Not unexpected by me, though.

But whether it’s “The Artist” or “My Week with Marilyn” the Oscar this year also seems to have Harvey’s name on it. Just like last year. Will the Academy become sick of his dominance? No. I don’t think so. They LOVE it! It’s a throw back to the days of the REAL Old Time Hollywood mogols of yore. Louis B. Mayer, David O. Selznick. Daryl Zanack. Sam Goldwyn, etc. etc. etc.

It’s a Weinstein world and we just live in it! I guess you could replace that noun with George Clooney and you’d be equally right.

Every where I turn in New York right now, George Clooney is coming at me. Off billboards, off BUS ADS, and this is just for “The Ides of March”! Which is sinking link a stone according to Oscar Index,  but is maintaining a low watt Box-Office, but holding steady. The upcoming “The Descendants” is the one who will win George his second Oscar this year. If he is to win it for anything.

And then, on that momentous day at the end of November, “The Descendants,” “My Week with Marilyn,” “The Artist,” and “Hugo” ALLLLL OPEN ON THE SAME DAY! I still can’t get over that confluence of circumstances! And release dates!

And Stu has the brilliant Viola Davis in second place this week. And he drops Michelle Williams down to third, for “The Help” and “My Weekend with Marilyn” respectively.

Now my main prob with Viola Davis is where EXACTLY Disney is gonna place her. In lead? Or Supporting? If she’s in Supporting, she’s a slam dunk. If she’s in lead, it’s iffy. And Category Confusion could lead her to end up where the equally brilliant Lesley Manville ended up last year for “Another Year.”Which is NOWHERE. It COULD happen.

Note to Disney/Dreamworks – MAKE VIOLA’S CATEGORY CRYSTAL CLEAR or else it’s Lesley Manville time…again.*sound of crickets chripping*

Oscar Index still has Meryl Streep’s unseen “Iron Lady” at No. 1 And Gorgeous George is STILL topping Best Actor, naturally. For “The Descendants” which I agree with.

But Meryl? Still? As Margaret Thatcher? One of the most unsympathetic female figures of our times? And rumored to be about her at the end of her life as an Alzheimer’s patient? Didn’t we see this movie before? With Judi Dench? And it was called “Iris”? And James Broadbent was playing her understanding care-giver of a husband? And he won a Supporting Actor Oscar for it? And isn’t James Broadbent playing that same role in “The Iron Lady”? And isn’t it directed by the woman who directed “Mamma Mia”?(which I LOVED by the way.) But the “Iron Lady” doesn’t sound like a light-hearted musical frolic. At least not on paper. Nobody’s seen it, so nobody knows. Yet Oscar Index AND the Gurus o’ Gold are putting Meryl on top of their lists. Me. I’ll wait to see it.

And yes, that’s Harvey’s movie, too…

Just to make everything even more confusing, for us. Never mind him or the entire staff of the Weinstein Co. Who are TOTALLY ready for this challenge of challenges by the way. They can handle anything. Including multiple Oscar campaigns.

Which some people, like Strand Releasing’s Marcus Hu, doesn’t seem to be able to do. At least not according to Jeffrey Wells, the untamed blogger extraordinaire who has now fallen so hard for low-budget, British Indie “Tyrannosaur” that he’s starting to try to raise money through his website www.hollywood-elsewhere.com for Olivia Colman’s lead performance.

Not having seen it, I haven’t a clue how misguided or guided this latest scream of a scheme Jeffrey, an Internet legend to put it mildly, has come up with. You can follow this critic-takes-on-the-role-of-press-agent-to-the-Oscars story blow by hilarious blow at Hollywood-Elsewhere.

It sounds just nuts. Jeffrey thinks his readers will contribute to HIS pay pal account to fund this $2000 evening screening in Hollywood. That’s what it costs, evidently per very nice screening room in L.A. Who knew?

And then, suppose he raises it? Does that mean anyone will come to the screening? First rank critics? AMPAS members? Suppose no one comes? Suppose this rash and unprecedented action turns off more Academy Members than it turns on? To “Tyrannosaur”? To Olivia Coleman? An unknown middle-aged British actress playing an abused wife in a council flat somewhere in Northern England?

I think this is all because Jeffrey was unable to switch his flight back to L.A. from NYC when the NYFF switched the press screening of “My Weekend with Marilyn” to a week ago Sunday. Causing Jeff to miss it completely. On both coasts. If he had seen it, he wouldn’t be going off the deep end like this, I can assure you. Over Olivia Coleman? Really?

Seems he doesn’t like the screenings in L.A. Strand Releasing is (not) setting up for “Tyrannosaur.” What next? And I didn’t know Jeffrey was SUCH an Anglo-phile.

Bottom line, he’s getting a lot of attention(read hits, read Internet traffic) for this. And is this helping Olivia Coleman? And her teeny tiny distributor Strand? I’ve admired Strand for years, but it’s no secret that they don’t have the big bucks. And Oscar campaigns cost MONEY. Maybe you didn’t know that, but now you do.

Is Jeffrey hurting more than he’s helping? Stay tuned. Meanwhile, enjoy Oscar Index at Movieline. THAT’S on the money.

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