a.k.a. "The Oscar Messenger"

Posts tagged ‘Movie City News’

Eddie Redmayne Now #1 on Gurus o’ Gold chart!

Theory 3Theory 1I’m happy to say that Eddie Redmayne is now #1 on the Gurus o’ Gold pre-Thanksgiving chart! For Best Actor for “Theory of Everything”!Guess that’s my Thanksgiving Day present.

Here’s the rest over at Movie City News ~

http://moviecitynews.com/2014/11/gurus-o-gold-a-week-from-thanksgiving-aka-screener-time/#comment-1136242

They strangely didn’t do Best Supporting Actor, but now that I’ve seen and loved “Whiplash” J.K. Simmons has got that all locked up. Unless someone from the late opening movies “Into the Woods” and “Unbroken” knocks him out, but nobody in the Supporting Male Category for “Into the Woods” seems to be making an impression. NObody’s raving about Johnny Depp’s Big Bad Wolf.

They ARE however raving about many femmes from that movie which just starting screening yesterday for press et alia. Meryl Streep’s Witch, Emily Blunt’s Baker’s Wife and Anna Kendrick’s Cinderella are all now in play seems to me. But NOT on the Gurus radar yet.

Can’t wait to see it. There’s an embargo on writing about it, I understand, but since I haven’t seen it, doesn’t apply to me. At least not yet. I hopeit’s as good as I hope it to be. We’ll see.

Roger Ebert, a Legend Passes. The World Mourns.

It is inconceivable to me that the Pulitzer-Prize winning Film Critic Roger Ebert, who was a guest on my show, and who I had interactions with over the many years that I knew him, has passed at age 70. I thought he would always be there. His courage, his fight against his many disabling illnesses was heroic. And he had a wonderful wife, Chazz, to help him.

The world is mourning his loss, but the impact he made on all our screen-going lives is incalculable.

He and Gene Siskel were always ever-present presences in my living room as a Bronx teenager growing up. On my TV. In the newspapers. They informed a generation. They changed film criticism, if not filmgoing forever. And then Siskel was gone, too soon. And now Roger is gone, too.

To the many accolades & elegies & tributes, I feel I should just add my own personal reminiscences.

I met Roger for the first time at the Toronto Film Festival something like fourteen or fifteen years ago. He was lumbering down the street, heading off to yet another screening, as was I, and I couldn’t believe whom I had just run into! He was wearing a long, green-ish grey trenchcoat and carrying a brief case. He could’ve been just another harried businessman in a rush to get to work, but no, it was the Legend Even Then, Roger Ebert!

I said “Hello!” and introduced myself, and told him how much I admired his work. And he was not dismissive or aloof. He was immediately approachable. He was interested in what I thought. As a fellow film critic who also had a television show, I was instantly a friend. We were in the trenches together. I think he loved all reporters. He was first, last and always a journalist at heart.
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As the years went by at TIFF, he was a constant presence. He always arrived on a Friday, the day after the film festival started, always on a Thursday. And I would encounter him over and over in the Press Room, collecting his credentials, and on the streets of Toronto. He always had time to stop and say “Hi.”

Once I asked him how he had managed to lose so much weight, something I’ve always struggled with, too, and he happily showed me his ped-o-meter, which was a new device at the time.

“It’s all due to this,” he claimed. “I walk.That’s all I do. I walk. You should get one of these. They’re great.”

And once I was lucky enough to have one of my cameramen in action in the press area and got a brief hello from him on camera.

How did he feel about this year’s Festival? What was he looking forward to seeing?

I remember him saying, looking at the gigantic, telephone-sized TIFF catalogue, which has not reduced with time, by the way, only gotten heavier.

And he said, “Once I figure out how to get through this MAZE, ” indicating the catalogue.

There was more, but I guess I’m so upset about his passing and Richard Griffiths, too, occurring within days of each other that my mind is a blank, a confusion of griefs.

My cameraman was from Montreal that year, and he called himself “The Gnome.” That much I remember. And he had a very small camera, sort of the forerunner of today’s flip-cam and Roger asked The Gnome to look at it.

He seemed delighted by anything and everything filmic, even this small camera. “Oh, I have one of those just like it!” he exclaimed. “They’re very good.”

Positive.Positive.Positive. The man just radiated warmth and kindness and I knew, I always knew I was in the presence of a great man.

When I mentioned that Roger was on my TV show http://www.youtube.com/StephenHoltShow, albeit briefly to David Poland, also at TIFF, whom I recognized from HIM being such a frequent regular on Roger’s show, after Gene passed. David said something like “I’m impressed. He’s very hard to pin down.”

I can say my Internet career began from that moment of David’s interest in me.

So in a sense, Roger Ebert changed my life. Or my career, which is my life.

THEN I was one of the probably many, many film critcs, who was being considered for sitting opposite him, as he stealth-auditioned many reviewers, like David, to fill Gene’s chair. This was before the onset of Richard Roeper, who finally got the job.

I had conversations with his staff secretary, a cheery woman. I had to send her tapes. Yes, my show was on VHS tapes at the time. So I sent several of my best shows to “At the Movies” offices in Chicago. I spoke on the phone. I corresponded with them, but no, I never got to go on TV, never got to go to Chicago.

I remember his gal saying that “Young people are always disappointed when they get here and see that there are no movie stars around. Just Roger. And lots of film clips.”

For the record, he never had an Out gay man on the show with him. The closest he got to an LGBT personage was the great B. Ruby Rich, from San Francisco, who coined the phrase “Queer Cinema.” And she and Roger were great together. As was David Poland and Roger.

David was the closest I think to Gene Siskel’s chemistry with Roger. David has never been one to mince words or call a spade a spade and he gave as good as he got. And Roger liked that.

And David was urban, a former New Yorker, now living in L.A. and Jewish. Roger liked all those things too. And sadly Richard Roeper prevailed. I always thought David would’ve been great on that show.

But it was because of my connection with Roger that led me to David and to becoming a Guru o’ Gold at http://www.moviecitynews.com

And the rest as they say is history.

And oh, yes, Sasha Stone http://www.awardsdaily. helped immensely, too. And still does, to this day. One of my best friends of all time.

It was the year of “Brokeback Mountain” and the impact of that movie catapulted me out of the Gay Ghetto, into writing for straight people and their heterosexual audiences about the movies.I.E. David and Sasha. And I can trace all that, I feel, back to Roger’s good will towards me.

Thank you, Roger Ebert. You were doing good even when you weren’t trying. R.I.P.

Oscar’s Eyes glimmering and gleaming at Cannes at Corey Stall & Tilda Swinton!

The new Oscar season starts at Cannes. Yes. It does. It’s earlier every year, but this year Cannes seems particularly poised to kick off a few, or more than a few Oscar hopefuls, LONNNNNNNNNNNNNNNG race, or stroll, I guess at this distance, to the 2012 podium.

First off, I’m starting with the film that opened Cannes to such tumultuous acclaim, Woody Allen’s new film, yes, ANOTHER one, set and shot entirely in Paris, called, of course “Midnight in Paris.” And Woody, who avoids all such hype, usually, in the US, does turn up in personi and walks the red carpet in Cannes whenever he’s got a film in competition.

And the French are going crazy for “Midnight in Paris” picked up for distribution by Sony Pictures Classics already and on its way to a theater NEAR YOU! Maybe as soon as next week in major cities.

Now I haven’t seen it yet, but people are acclaiming it as one of his best. Although some bloggers like David Poland of www.moviecitynews.com thought it was just “Okay.” Which is it?

Well, one thing is ALWAYS true of a Woody Allen film…it’s a VERY Oscar friendly cinematic situation, especially in the Supporting categories. And the ONE person coming out of Cannes with a bucketful of kudos is unknown Corey Stall, who plays Ernest Hemingway. EVERY review singled him out. And so did Oscar Goddess Sasha Stone, who, yes, is there in person, covering every thing on and off La Croisette in fine form at www.awardsdaily.com and also at Steve Pond’s www.thewrap.com

I’m not surprised because I know Corey from his days at NYU Grad Acting, where I saw him ace a WIDE variety of roles, including Big Daddy in a memorable “Cat on a Hot Tin Roof”. He must’ve been 24 or 25, and he’s not fat. Maybe he was in a fat suit, but he shaved his head and was virtually unrecognizable to me as one of Tennessee Williams most indelibe characters, and Corey made it HIS OWN.  He was transformative, mature-for-his-age and memorable. I can still see him to this day, grumbling out that key word to Big Daddy’s character “MENDACITY!” And you could swear that it was a man in his ’50s or ’60s doing it! And it was young Corey Stall! No wonder his Ernest Hemingway as a young man in “Midnight in Paris” is resonating so strongly with critics at Cannes. It sounds like a perfect meeting of actor and character to me.

C0rey may not win, but he is the one who is being singled out in a star-studded cast that includes Owen Wilson, Kathy Bates and Marion Cotillard, and that usually means OSCAR NOMINATION! I’m calling it now!

There may be many more nominations coming this scrumptious-sounding film’s way, and I’ll let you know when I see it ASAP.

And then there’s Tilda Swinton, evidently, by all reports, doing her career best in a film called “We’ve Got to Talk About Kevin.” Actually, we’ve got to talk about Tilda…Who just doesn’t stop topping herself. I can’t wait to see this film, too.

And coming up at Cannes, or winding up to the Big Finish,  the Grand Finale is Pedro Almodovar’s new film, “El Piel Que Habito” (The Skin I Live In) which is the Closing Night Film. His first film in ages without Penelope Cruz ,but WITH his first break-out International Star, Antonio Banderas.

Lots of Oscar potential here.

But will they go the distance or fade, unfortunately, as the year wears on, like Mike Leigh’s “Another Year” did last year and “Bright Star” did the year before?

But it seems like Woody and Tilda have started their Oscar ball rolling in fine French fettle. Let the games begin!

Gurus o’ Gold change in one chaaaangeable category!

As the Gurus o’ Gold( I used to be one, once! Yes! It’s true!) put up their near-to-final picks for Oscar, there’s ONLY one change ini ONE major category. “The King’s Speech”, Colin Firth, Natalie Portman and Christian Bale are all the same #1’s they were before, but HAILEE STEINFELD of “True Grit” has move up to # 1 in the Best Supporting Actress category! That race, I swear, is going to be decided by one vote!

We’ll never know of course, because Oscar NEVER prints totals, but it’s gonna be close! A photo finish! I’m still saying “The King’s Speech” will sweep, however.

The Gurus can be found at David Poland’s www.moviecitynews.com

Oscar Upset Update. Oscar Goddess Sasha Stone @mcn

 

Newsflash!

Just caught up with this at the Gurus o’ Gold(and yes, I used to be one myself) at David Poland’s Movie City News. www.moviecitynews.com

When David Poland asked the Gurus if anything had changed since last week. They all replied NO.

And Oscar Goddess Sasha Stone elaborated in a mini-article that concluded that she expects “The King’s Speech” to sweep. ( We knew she thought this and reported it) Even the Supporting Categories – Geoffrey Rush(We reported this in the past few posts) AND Helena Bonham-Carter.”(!?!?!)

THIS is News! But it’s what I’ve been saying all along Helena Bonham-Carter for the win!

And now Sasha is saying this on DAVID POLAND’S site.

She admits that the Gurus o’ Gold had been right all along. In saying that “The King’s Speech” was the front-runner since it was first shown(at Toronto).
“And it still is.”

Brava! Divas!

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