a.k.a. "The Oscar Messenger"

Posts tagged ‘Milk’

“J.Egdar” Clint Eastwood’s New Masterwork. Leo Will win the Oscar!.

Clint Eastwood has done it again! At age 81, he has created yet ANOTHER career-capping masterwork. And Leonard DiCaprio will FINALLY win an Oscar. And it will be his first but not his last. He’s a great American actor who has finally been challenged by this, his greatest role of all time, and he gives his greatest performance ever.

Wow!

I could hardly believe my eyes and ears! Eastwood & DiCaprio were making us sympathize with this most unsympathetic of men. And making us care about him. In the end I was crying. I’ve been totally bowled over by this amazing, powerful movie.

I saw it in the same screening room, in almost the same exact seat where I saw “Million Dollar Baby” not so long ago, and it had the same kind of impact. Stunning.

Desaturated is the color of the day and the few times we do see a trace of a bright red it’s either in the flags flying gaily at the race track, where he sits in stands with his closeted homosexual lover, Clyde  Tolson (played greatly here by the astonishing Armie Hammer, who will also get nominated for his great performance! I predict!)  finally relaxing a little. Or it’s red as the color of blood. And this film has plenty of that, too. Being as violent as a ’30s gansta flick itself.  And in one incredibly powerful scene, Tolson actually bloodies Hoover. Don’t want to say too much more about that, because it’s probably one of the greatest scenes in the movie and one of the greatest scenes ever filmed.

Dustin Lance Black, the Academy Award Winning screenwriter of “Milk” has also done it again and given us a heartfelt, incredibly moving story about two men who can only express their love for each other by holding hands.

Everything is hidden. But that’s the way homosexuals had to live in those days. And thank god, that those days are gone! But thank god this movie is here! I never thought I would ever be raving about a movie about J.Edgar Hoover, but I am!

Leonard Di Caprio, I’ve always felt was one of the greatest of the great actors who are alive today, and he seems more alive in this movie than he’s ever been, even though his face is often buried beneath TONS of disfiguring age make-up.Best Make-Up. That category is now closed, too. Along with Best Actor. Di Caprio has just beat George Clooney AND Brad Pitt good and proper. The Oscar is now totally his. Category closed!

It’s a bold, brave performance in a bold, brave movie about a man whom many thought that he was the opposite of that. He was feared more than liked.And hated by many.

But liked by, it seems from “J.Edgar”, only three people, his devoted secretary (Naomi Watts, with too little to do), his mother, the great Dame Judi Dench, who will be surely going to the Oscars again nominated for this film, and her polar opposite performance as the gracious, generous, giving grand dame, Dame Sybil Thorndike’ Her Dame Sybil in “My Week with Marilyn” helps her nomination for the evil Mrs. Hoover, who is certainly up there with the greatest of screen villanesses. It was is she were animating the corpse of Norman Bate’s mother in “Pyscho.” She’s cut from the same cloth and seems to be wearing the same dresses that Norman’s mother, and Norman wore.

And yes, there is cross-dressing here, too, but it’s used to VERY powerful effect, and in such a PROFOUND way, it made even me understand my own homosexuality a bit more clearly. I just couldn’t believe that scene. It will be talked about as long as they talk about movies!

This film is going to be nominated for slews of Oscars. They all love Clint anyway, and whatever ambivalent feelings they’ve ever felt about Leonardo will be all erased by his magnificent performance in this monumental movie.

Best Picture, Best Director,  Best Actor, Best supporting Actress, Best Supporting Actor(Armie Hammer), Best Original(or is it adapted?) screenplay, best cinematography, best editing, BEST MAKE-UP! And more. It will get the whole Oscar kit and kaboodle thrown at it and everyone should be tossing their hats in the air! I know I am! A great  American master Clint Eastwood has created ANOTHER great American Masterpiece. And it’s about a love story that’s never been told, and is so, so heart-rending, you’ll never forget it.

If J. Egdar Hoover was an evil man who abused his power and did evil things in unlawful ways, it was because he could not, as his mother could not, accept his homosexuality. Thank god he had a Clyde Tolson in his life! We all should. The world would be a better place.

In homophobic Hollywood, “J.Edgar” could be heading to another “Brokeback” heart break at the Oscars. For Best Pic, I mean. I think it will be nominated(they all over Clint) but it won’t win. Again. Like “Brokeback”, but this time Leo will.
When a straight icon like Leo, plays a gay man/monster like “J.Edgar” who was totally ashamed of his homosexuality, the Academy will reward. George Clooney has his Oscar already. And with this monumental performance of a life-time, he doesn’t stand a chance.

The BAFTAS predict the Oscars quite often lately

Last night the BAFTAS pretty much accurately predicted who’s going to win what in the Best Picture and Actors categories.

Before I go further, let me once again, explain that the BAFTAs voting procedures are different from the Oscars in that EVERYone, every member, votes on the categories of Best Picture and all four acting categories.

HOWEVER, the British Guilds vote for each of the other categories, like Best Director. And they gave it to David Fincher for “The Joy of Typing” and not home boy Tom Hooper for “The King’s Speech.” THAT was probably the most shocking event of the evening, as “The King” ruled over seven categories! Taking home the most BAFTAS of any film, seven, including Best Picture, Best British Picture, Best Actor, Supporting Actor, Supporting Actress, Best Original Screenplay and Best Score.

I bring up the directing statistic as an example of how the Brits don’t necessarily honor their own. As for instance, Anthony Minghella (“The English Patient”) and Sam Menzies(“American Beauty”) were dissed in Limey, losing in their own country, but winning the Oscar for Best Director,when Push came to SHOW!

Since Tom Hooper has already won the DGA for “The King’s Speech”. Since the Queen of England AND Andy Rooney (just yesterday, this Sunday on 60 Minutes) both endorsed TKS, I think he’s got that in the bag too.

As well as fellow “King”sters Colin (of course) Firth and Geoffrey Rush and FINALLY my fave Helena Bonham-Carter.

Rush winning over Brit bad boy Christian Bale is particularly significant, since Rush is ostentatiously Australian.

I had the pleasure last night of attending an event in his honor last night at the DGA where Rush got multiple ovations, some of them standing, but more about that later.

I have always maintained that the BAFTAs help make up undecided minds in the Academy. If AMPAS voters wait to see what the Brits do at the BAFTAS…especially in the top Acting Categories.

Had Annette Bening upset Natalie Portman(who didn’t even show up) in Best Actress, for instance, it would indicate that their was an undercurrent surging for Annette. No such luck. Natalie’s got it, as they say, locked up. And Colin(of course) Firth does, too.  No contest in either of those two categories. The same can also be applied to David Seidler, the real stutterer who penned “King’s Speech” from his heart and who won Best Original Screenplay.

I’m willing to concede (FINALLY) that Aaron Soreking will win Best Adapted Screenplay for “The Joy of Typing.” Even his constant comparing himself to Shakespeare didn’t put off the Brits, so yes, the Academy will follow suit and this may be the only award “Typing” wins at the Oscars…You heard it here first!

And Geoffrey and Helena!

Well, the category of Supporting Actress for those of you who have been following the story (and you wouldn’t be reading THIS if you weren’t) know how badly former front-runner Melissa Leo stumbled at the last yard and basically handed the award to yes, Helena Bonham-Carter!

Best Supporting Actress is a category like none other. And these year, to me, resembles the year, a few back, when it was a five-way horse race, and at the last possible minute, Tilda Swinton was anointed at the BAFTAs for “Michael Clayton” and then surprised everyone, but me, at the Oscars ten or so days later.

This year Best Supp. Actress is all over the place with two actresses both from the fighter, Leo, who wasn’t nominated by the BAFTAs AT ALL, and Amy Adams, who was. Only Amy and Helena B-C found approval from the BAFTAs and of course, she won, and gave a wacky, rambling, memorable and moving speech just as I foretold she would.

She wore a black Vivienne Westwood. And looked less bizarre than she did at the BFCA or was it the SAGs or was it the Golden Globes, when she wore two different colored shoes? It’s all starting to blur on me. And if I’M getting a bit blurry, imagine the Awards-circuit fatigue the average viewer is going through?!?

But the Oscars are STILL the Gold Standard(pardon the pun) and I really do think Helena aced this topsy-turvy category with her BAFTA win.

Geoffrey on the other hand, really has his hands full trumping Christian Bale in “The Fighter.” As good as Bale is in this popular film( I even liked it), he lost on his home turf,(yes, he IS British, too) to Rush’s supreme, stately, magnificent Speech Therapist Lionel Logue.

Rush has got his previous Oscar win in Best Actor for “Shine” and Bale is a first-time nominee.

But Rush now has the BAFTA as well as Sasha Stone www.awardsdaily.com predicting him now. And I’ve ALWAYS been predicting him. And Helena, too.

Helena’s competition is much less intense as what Rush has to contend with in Bale’s…but…

I think the BAFTAS have spoken. Last year, it was only the Supporting Categories that matched. No Bullock, no Bridges, but Christoph Waltz and Mo’Nique won BAFTAs as well as Oscars. The year previous Mickey Rourke won, over Sean Penn. But then Mr. Rourke got up and made a really crude F=== this and F=== that acceptance speech, and pretty much handed the award to Penn with that embarrassing, graceless moment.

But in the two years previous, BAFTA was four for four with the Oscar actors.

This year, well, don’t be surprised by “The King’s Speech” being the sweep of sweeps.

And one more thing, I’d like to point out. In CONCLUSION, Academy voters in ALLLLL disciplines and branches get to vote on all the awards (except Foreign Film, Documentaries, and Shorts, where you have to sign in and actually ATTEND those screenings to vote in those categories.) So the Academy Voting Ballot is something you can go, check, check, check and TICK ALL THE BOXES, as Colin and Geoffrey are both wont to say. And just vote “The King’s Speech” ticket for everything!

And not to be outdone by the Brits, I also predict that even though “The King’s Speech” won SEVEN awards, the Oscar vote count will be higher, much higher, maybe even historic. The Oscar ballot is designed for sweeps, since in the below the line categories, the technicians are listed by their names and their films are not even listed! A lot of cross-checking has to be done filling out the AMPAS ballot to vote-split. It’s easier to just look at the “For You Consideration” screener of your favorite film and just go, tick, tick, BOOM from there. And I think most do.

Harvey Weinstein is probably fuming about the seven BAFTAS his “King” didn’t win. But not me! I’m thrilled with all the events happening around this beautiful, beautiful film!

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