If you’re REALLY into Steig Larson, and who, if you’re reading this blog, ISN’T, I guess I do have to recommend the 18 hour marathon I just experienced with the Audio Books version of “The Girl Who Played with Fire.” It’s the second book in his monumental Millenium Trilogy. A world-wide publishing success with film versions in Swedish and in English, and more on the way. We HOPE.
But in the meantime there’s this massive, and I mean MASSIVE 18 hour immersion into Larson and Sweden and most of all Lisbeth Salander available on Audio Books, read by one man and one man alone, the vocally versatile(he has to be) Simon Vance.He voices something like 100 different characters in the modern Swedish noir “War and Peace.”
Vance, a British actor who clearly speaks Swedish, pronounces the many, many location names in Larson’s fictional Sweden very lovingly. He’s British, so he choses to give Lisbeth Salander, a Cockney accent. Mikael Blomkvist,Larson’s hero,the intrepid, indefatigable Vance choose to speak with a British voice closer to his own.
His the Cockney Salander really floored me. Then I grew to like her, which is crucial for staying tuned for the full 18 hour version, which I unbelievably did.
It’s begun to be another frighteningly hot summer in New York and I have to think twice, if not three times about venturing out in this heat. It was better today, but by that time I’d finished the whole damn thing. It IS an endurance test for the reader, to be sure. It’s a dense book, and it’s an intense listen.
Noomi Rapace’s indelible Salander is impossible to put out of your mind when listening to this. She, of course, starred in of all three films of the Swedish cinema trilogy-to-end-all-trilogies, launching an international career in the process. Thank god! I was worried that she was going to get stuck with Lisbeth for the rest of her life, but she seems to have successfully dodged that bullet. She did get a BAFTA nomination for Best Actress, for the last of the three films, “The Girl Who Kicked the Hornet’s Nest.” But she didn’t win.
Rooney Mara got an Oscar nomination to prove that she was just as good if not better in David Fincher’s film version of “The Girl With the Dragon Tattoo” two years ago.But she didn’t win either. So the Americans not having filmed the second book, one still pictures Noomi Rapace going through Lisbeth’s harrowing paces in listening to “The Girl Who Played With Fire.”
But a lot of the book is very different from the movie, and this is the book that is the best of the three, IMHO. Because Salander is in it the most. In fact, she’s front and center in the story of “The Girl Who Played with Fire.’
Listening to the bare bones of it, just as an audio experience, I was very conscious of parts of the book that I didn’t remember. In fact, the whole opening section in the Caribbean, where we find Lisbeth hiding out for chapters and chapters, ending in a climatic hurricane/tornado named Matilda, is not in the film at all.
Enough time had gone by so that I didn’t remember it clearly.But it’s there, and it grips you. Then there is a whole chapter section given almost entirely over to Furman’s theory of algebra, which I also didn’t remember, and clearly must’ve skipped over, as I had skipped over it on the disc.
But it does begin to build and it keeps you listening through all the dull police procedural details, and there are many. Mostly of course, as always, you care about Salander and want her to vanquish her various dastardly villains, like lawyer Nils Bjurman, who she was famously rapes and tattoos in Book One.
Well, he’s back, but not for long. Larsson had a real, solid, slimy villain in Advocat Bjurrman, the ultimate repulsive civil servant, who is really, as Salander tattoos on his quivering abdomen in Book,” I Am a Sadistic Pig and a Rapist.”
“The Girl Who Played with Fire”is concerned with an expose of the Russian sex/slave trade in young Slavic girls. Some of it is so sickening in its’ details that you do just want to turn off the DVD player. But I didn’t. And I had no intention of writing about it, but here I am telling all this to you.
It picks up tremendously in the second part. And of course the semi-tiresome Erika Berger, Salander’s rival for Blomkvist’s affections, and the editor of Millennium magazine, has so much more to do in book, it’s ridiculous.
In the American film, she was played by Robin Wright, and in the Swedish version by the great Lena Endre. Her flirtation with another publishing job in the middle of the whole Salander case remains a weird sub-plot.
It’s Larson straining to make that character of Erika Berger interesting, I suspect.
But she isn’t, much. Lisbeth Salander just towers over all the other characters. And try as he might, Larson couldn’t stop writing about her, and writing about her SO WELL that she jumps off the discs, as she jumped off the page and the films, into history.
I bet Larson, when he was writing the first book, did not expect or plan, for Lisbeth to so engulf him, and all his writing. She seems like a character that just took on a life of her own. She overwhelmed him, and us, and there was nothing he could do to stop her fascination to the reader and so he just went with it. Mikael Blomkvist was clearly meant to be the central character when the first book “The Girl With the Dragon Tattoo” started, but that soon changed. And the world is so glad it did. Mikael Blomkvist is a bit of a bore.
And I had forgotten details like her interest in micro-wave pizzas. And did not remember McDonald’s popping up so frequently in Stockholm.
And Blomkvist’s not having a car and relying on public transportation in Stockholm and in Sweden in general is an endearing trait.
And Larson’s having to introduce EVERY SINGLE ONE of Millenia magazine’s staff AND Dragan Armansky’s office staff, as well as all the police investigators is almost Tolstoyian in its’ mound of character details. But not many of them pop out as clearly defined.
The reader, the amazing Simon Vance, does very well with Dragan Armansky, Lisbeth’s loyal employer and also Office Bubble, or Bublansky, the Jewish cop who is heading the police here. Though admittedly they do sound similar. And when he gets to the aged Palmer Holgren, the former guardian of Salander, who is now in a nursing home and a recovering stroke victim, Vance really outdoes himself. Having to be intelligible and unintelligible at the same time.
My unexpected favorite scene in the Audio Book, was the fight between “The Blond Giant” Ronald Neiderman, the Brazilian celebrity/prize-fighter Paulo Roberto(who is evidently a real person!) and Miriam Wu, Salander’s half-Asian girl friend, who gets drawn into the police web, and ends up being kidnapped and mistaken for Salander. That chapter(or disc, in this case) seemed to me to contain Larson’s best, most gripping non-stop writing. I was frozen in place as I listened to it, and to Simon Vance’s terrific vocal acting out of all the parts.
It’s quite a time intensive endeavor. And I think the 18 hours I spent on listening to all 15 of the discs is longer than it took me to read the book in the first place. But it’s worth it.
It’s staying with me. And I can recommend to all you Steig/Salander-o-philes out there. Make the time and you’ll be surprised how intense and compelling it is all over again.
Posts tagged ‘Mikael Bloomkvist’
It looks like a lovely fall day outside in New York…Ah, Autumn in New York…Supposedly the best season…When I was living in London, I always used to fly back to New York in Sept./Oct, missing the heat and humidity of the summers and leaving before the blistering cold of the winters…
Just finished reading “The Girl With the Snake Tattoo”! Phew! My first complete Steig Larson novel experience, and yes, it’s a terrific read. “Unput-downable” as a colleague of the late Larson says in the upcoming FOURTH volume. And it certainly is…
So tragic that this brilliant writer is dead. He could’ve gone on and on giving us more Lisbeth Salander/Mikael Bloomkvist thrillers…but at least we have the three he lived to complete…
According to a mention in the upcoming FOURTH volume, which is a collection of articles about him and essays AND HIS EMAILS! That there was an uncompleted three-quarters of a FOURTH volume and an outline for a fifth in his computer…when he died of heart attack at 50. And the tragedy of his early death just overwhelms me…He never lived to see this all happen. So sad…And the emails between him and his editor Eva Gedin are frustratingly few and brief and end sooo abruptly…He sounded like he was working himself to death before these books came out…
Why is this all so gripping?
Well, Lisbeth Salander is just this GRRRRRRREAT literary creation and her outrageous, rage-filled character is dropped right into the middle of a VERY traditional formula= the crime or suspense novel. Or for mystery fiction She’s a great detective. Which is what this really is and why this really works so well. It’s a whodunnit in the great Agatha Christie style. Miss Marple is now a punk rock hacker.
the eccentric,brilliant bisexual biker/hacker, Lisbeth, with her nose and eyebrow piercings and her spiky hair, COULDN’T be more unique in this type of genre. Or any genre really. She just JUMPS off the page at you and GRABS your attention and holds it for the duration. Just as the equally brilliant and intense Swedish/Icelandic/Spanish actress Noomi Rapace does in the movies.
And she’s balanced by her Sherlock Holmes, the banal, middle-aged investigative reporter Mikael Bloomkvist, who is the stolid, plodding alter ego of the late Larson himself, I’m guessing.
So the audience has HIM to identify with, if they can’t wrap their heads around the quirky, surly Lisbeth, whose personality is as spiky as her hair-do. She’s a punk Dr. Watson, who keeps stealing the stage from Mikael Bloomkvist, her unlikely partner-in-crime solving…
Having seen the THIRD movie FIRST(I do everything backwards) this is beginning to make much more sense.
There’s a vast cast of supporting players and that did confuse me for a bit in the “Hornet’s Nest” movie. I didn’t “get” Bloomkvist and his relationship with his ex-wife, his teen-aged daughter and also the married co-publisher of the magazine he writes for who is named Erika Berger, who he has this very Scandinavian on-again, off-again sexual relationship with.
In the movie, she’s played by the great Bergmann actress Lena Anders, and I thought it odd that she took such a supporting role, but now I see why. She’s a major character in “Snake Tattoo” and obviously continues that way through all the films and all the books. So it’s the middle one that I still have to try to finish before I interview Noomi Rapace on Wed.
But I’m doing my homework!
And being gripped by “Snake” which is in the end quite quite sick and shocking….I just COULDN’T STOP reading it!
Well, Steig Larson was re-inventing and expanding a very tried and true formula, the detective murder mystery and putting a very mod, Swedish gloss on it. And Sweden itself is a delightful, major character here. In the third movie “Hornet’s Nest”, Stockholm looks like an amazingly new, refreshing romantic locale, and nothing at all the like Stockholm of Ingmar Bergmann’s movies. It’s like some place we’ve never seen before. It’s enchanting…and also frightening.
Mikael Bloomkvist, when we first met, in the first several chapters, is actually quite boring. I almost didn’t make it any further – then BLAM! Lisbeth Salander enters the scene and she just TAKES over the book, as she does the movie, in her intense, fascinating way.
So I look forward to reading Book 2 “The Girl Who Played with Fire” and to interviewing Noomi Rapace herself on Wed.! I’m having a Stieg Larson week, for sure! It’s like a trip to today’s Sweden, and I can’t wait to go back!