a.k.a. "The Oscar Messenger"

Posts tagged ‘Michael Fassbender’

Golden Globe Nominations Full List

Danish Eddie 1Here’s the complete list of Golden Globe nominations that were announced today. Above is Best Actor Nominee Eddie Redmayne in “The Danish Girl.”

Best Picture (Drama)

  • Carol
  • Mad Max: Fury Road
  • The Revenant
  • Room
  • Spotlight

Best Picture (Musical or Comedy)

  • The Big Short
  • Joy
  • The Martian
  • Spy
  • Trainwreck

Best Director – Motion Picture

  • Todd Haynes – Carol
  • Alejandro G. Inarritu – The Revenant
  • George Miller – Mad Max: Fury Road
  • Ridley Scott – The Martian
  • Tom McCarthy – Spotlight

Best Actor (Drama)

  • Bryan Cranston – Trumbo
  • Leonardo DiCaprio – The Revenant
  • Michael Fassbender – Steve Jobs
  • Eddie Redmayne – The Danish Girl
  • Will Smith – Concussion

Best Actress (Drama)

  • Cate Blanchett – Carol
  • Brie Larson – Room
  • Rooney Mara – Carol
  • Saoirse Ronan – Brooklyn
  • Alicia Vikander – The Danish Girl

Best Actor (Musical or Comedy)

  • Christian Bale – The Big Short
  • Steve Carell – The Big Short
  • Matt Damon – The Martian
  • Al Pacino – Danny Collins
  • Mark Ruffalo – Infinitely Polar Bear

Best Actress (Musical or Comedy)

  • Jennifer Lawrence – Joy
  • Amy Schumer – Trainwreck
  • Melissa McCarthy – Spy
  • Maggie Smith – The Lady in the Van
  • Lily Tomlin – Grandma

Best Supporting Actor in a Motion Picture

  • Paul Dano – Love & Mercy
  • Idris Elba – Beasts of No Nation
  • Mark Rylance – Bridge of Spies
  • Michael Shannon – 99 Homes
  • Sylvester Stallone – Creed

Best Supporting Actress in a Motion Picture

  • Jane Fonda – Youth
  • Jennifer Jason Leigh – The Hateful Eight
  • Helen Mirren – Trumbo
  • Alicia Vikander – Ex Machina
  • Kate Winslet – Steve Jobs

Best Screenplay

  • Room – Emma Donaghue
  • Spotlight – Tom McCarthy, Josh Singer
  • The Big Short – Adam McKay
  • Steve Jobs – Aaron Sorkin
  • The Hateful Eight – Quentin Tarantino

Best Original Score

  • The Revenant – Bryce Dessner, Carsten Nicolai, Ryuichi Sakamoto
  • The Hateful Eight  – Ennio Morricone
  • Steve Jobs – Daniel Pemberton
  • Carol  – Carter Burwell
  • The Danish Girl – Alexandre Desplat

 

Best Original Song

  • Fifty Shades of Grey – “Love Me Like You Do”
  • Love & Mercy – “One Kind of Love”
  • Furious 7 – “See You Again”
  • Youth – “Simple Song #3”
  • Spectre – “Writings on the Wall”

Best Foreign Language Film

  • The Brand New Testament (Belgium)
  • The Club (Chile)
  • The Fencer (Finland)
  • Mustang (France)
  • Son of Saul (Hungary)

Best Animated Feature

  • Anomalisa
  • The Good Dinosaur
  • Inside Out
  • The Peanuts Movie
  • Shaun the Sheep

 

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“Steve Jobs” is a Mess, Except for Kate Winslet, Who Will Get Its’ Sole Oscar Nomination

Kate Winselt Stave J. 1Ok. So I finally did it. I went to see “Steve Jobs,” a film I have been resisting since TIFF. And I have to say, that except for Kate Winslet’s surprising, dowdy turn as  Jobs’ dogged, dedicated,  Slavic Gal Friday, I really pretty much hated it. It was the mess I thought it would be, and if it hadn’t been for Winslet, I would’ve walked out.

How many times in the first third of this epic landslide of verbiage did I fall asleep? At least, three, and I woke up only to find them STILL TALKING!!! And they talk and they talk and they walk and they walk. I thought I was watching a re-run of “West Wing.” This was so flat, and so dull, and so confusing, it made me nostalgic for “The Joy of Typing.” (Look it up) I never thought I would type this sentence, but I missed David Fincher.

At least, HE made a film about the Internet look interesting. This is just flat, flat, flat. And poor Kate Winslet has to hold the whole film together, by running on every five minutes and saying “We’ve got FIVE MINUTES!”

You see, her boss Steve Jobs is always running late, and it’s her job as his right arm to keep things moving and Brave Kate does so, and nearly saves this cod-fish of a movie.

It’s everything I thought it would be. And less.

And poor Michael Fassbender is just mis-cast in this career-ending role. I predict he will NOT get a Best Actor nomination for playing this majorly unsympathetic asshole geek.Nor will this film break into the Best Picture race. Aaron Snoreking, I mean Sorkin, has given Fassbender REAMS of dialogue, or should I say monologue? to just endlessly spout in a monotone so deadly, I couldn’t believe it was the same actor I’ve esteemed so much in so many other movies.Like “12 Years a Slave,” “Shame,””Hunger” and many, many others.

You can’t make an interesting movie about the Internet! It’s impossible.

And as far as the Academy is concerned, they hate the internet, and resist it in every form it takes as an intrusion and distortion of their lives. Some the Voting Members don’t even HAVE a computer, but are too embarrassed to admit it.

And the first third of the movie, when Steve Jobs was young, well, young-ish, is so convoluted and abstruse, that I can’t imagine the AMPAS-ers watching much more than fifteen minutes of it, if that.

That’s unfortunate, because it does get better, a little. And Kate W. does get her big Oscar-y breakdown scene, but it’s past the half-way mark, when she finally tells Steve Jobs what she really thinks of him. Winslet loses it in grand style, and who doesn’t like a scene where the secretary FINALLY tells her boss to go to jump in a lake.(I’m understating it.)

This “Steve Jobs”  is flopping majorly at the box-office and being yanked off screens right, left and center. There was ALREADY ANOTHER Steve Jobs movie called just “Jobs” starring Ashton Kucher, and that bombed, too.

Who was the genius who thought that two bombs are better than one?

But Kate is great as she always is. And she’ll be the token nomination that this mistake of a film gets.

Why did I pay to see it when I knew going in it might be as bad as it was(I was warned), well, I’m an Oscarologist and like it or not this film has been talked and talked and bandied about as an Oscar contender. It’s been part of the Oscar conversation since TIFF. But the talk stops right here.

 

 

Oscar, Oscar, Who’s Got the Oscar(Buzz)? Geza Rohrig, anyone? Don’t laugh! It could happen!

son of saulArmy of OscarsI can’t remember a year when Oscar was so upside down and backwards. And maybe that’s a good thing. Since when has Best Actor been skimpy and Best Actress so jammed?!? I can’t remember when, if ever, this hMatt Damon 1as not happened before. Simply. Something new under the Hollywood sun and how rare is that?

What the Tom Toms are beating is that Michael Fassbender and “Steve Jobs” are currently dying the Oscar death, being yanked mid-run from so many theaters across the country that it’s almost uncountable. Just go and and try to find that movie tonight at a theater near you. Nobody’s going. Where are they? They’re all having a grand ole time at “The Martian” which even in Imax and 3-D is still playing everywhere, and Matt Damon is going to be nominated for Best Actor and director Ridley Scott could win Best Director.

Matt has never won Best Actor, although he did win way back when he was a mere slip of a lad for co-writing the Best Screenplay with best bud Ben Affleck for “Good Will Hunting.”

But Matt has some stiff competition from Eddie Redmayne in “The Danish Girl” which is just about to explode into cinemas as “Steve Jobs” hastily departs. Also Michael Fassbender will NOT campaign. And Matt Damon and Eddie Redmayne are EVERYWHERE. Or soon will be. At every Hwood party and gathering that they can possibly get into, charming everyone, everywhere.Eddieandlilli

And then there’s the darkest of dark horses in one of the Best Films of All Time, never mind this year.It’s Geza Rohrig, the unknown Hungarian actor. who is playing the title role in the just-about-to-be-released masterpiece “The Son of Saul.” Don’t laugh! It COULD happen!

The Academy has a thing about nominating unknown foreigners. Hell, they even sometimes WIN, like Jean DuJardin in “The Artist.” Or Luise Rainer in “The Great Ziegfeld” way back when. It’s an Academy tradition.

I’ve heard that Sony Pictures Classics, who has the magnificent, smart honor of releasing “Son of Saul,” is going to throw everything including the kitchen sink at it, Rohrig, Best Picture and Best Director, too for Laszlo Nemes. It’s his first feature. He’s got a great story to tell, and so do his cinematographer Matyas Erdely and particularly his sound editor and sound mixing team. It was in post-production for something like five years!.

And this is also Rohrig’s first film. He’s a 39-year-old poet, of all things, who lives in Manhattan.

Did I say it’s set in the middle of the Halocaust at the Auschwitz-Birkenau concentration camp? Since this incredibly tight close-up is ALWAYS (or almost always) focused on Rohrig’s desperate face, he’s front and center EVERY second of this darkest of dark films. It may be considered the best film ever made on the Holocaust.And Rohrig carries it.

Rohrig’s painful, gut-wrenching performance will be hard for Academy members to ignore. His ravaged. savaged face IS the whole fllm. And since we never see much outside of his peripheral vision, we HEAR it! And it’s blood-curdling. As he, Saul, a Sodocammadant, a Jew, who has to do all the dirty work that no one else will do. He has to herd the Jewish victims to their deaths, slamming the gas chambers doors on them,listening to their screams, then quickly taking all “the pieces” as they call the bodies out, and scrubbing the floors clean so the next group won’t see any of their blood.

It’s going to score in soooo many categories its’ going to make pundits heads spin, who’ve left him, and it, off most of their current lists. It won the Grand Jury Prize at Cannes, the Vulcan award for sound design, the Francois Chalais prize, and the Fipresci. How can the Academy ignore these distinctions?

Watch out of “Son of Saul” is all I can say. To ignore it’s profound achievement is to ignore what is going to soon be considered an un-disputed masterpiece.

I’m the Oscar Messenger. I’m telling you the Oscar Message. I’ve read it already and this year it was written in Hungarian and said “Son of Saul”

Oscar Hallowe’en!BOO! It’s Scary Out There for a Contender

Joy1EddieandlilliIt’s Oscar Hallowe’en! Boo! Did I scare you? Not as much as some of the box-office news is scary for some of the Oscar Wannabee Contenders. “Steve Jobs” has just about died at the Box-Office. Michael Fassbender in the title role might not even get nominated! As I said before about “The Joy of Typing”(my title for “The Social Network”) who in the Academy wants to see a movie about the Internet? NO ONE.

Some Academy members don’t even HAVE a computer. You have to call them on the antiquated machine known as the telephone. Or worse, WRITE THEM A LETTER. Some don’t even have email.

They hate the Internet with a vengeance. It’s changed their world in too many ways, none of which they understand, or like (Don’t believe me? Look back at few years at “The Joy of Typing”)

Also sinking like a stone at the B.O. is, sadly, “Suffragette.” Women will love this movie. Men will hate it and the Academy as I’ve always said is made up of the SWORM. The Straight White Old Rich Men, who dominate Hollywood(and the Oscars) since the dawn of time. They’re gonna hate it, since there is NOT ONE sympathetic male in the entire movie.

And “Suffragette”s lack of relatability (to men) will sink it at the Oscars and Carrie Mulligan’s very good performance, too. Perhaps…Sad for Carrie. But good news for Saoirse Ronan in “Brooklyn.” “Suffragette’s lose, may be the charming, small period film’s gain. “Brooklyn” I mean. As Brit Carrie goes down with her ship, Irish Saorise will rise with hers as the token femme Celt.

A film that is also going to scare all the other contenders is the upcoming “Joy”. With Jennifer Lawrence once again being up for Best Actress for her role as a house-wife who turns into a mega-businesswoman. A single mom, at that. And if you can find it(it’s not hard. It’s everywhere now.)on the Internet, the trailer REALLY looks great for Jennifer to perhaps do it again and win a SECOND Best Actress Oscar.  She’s a star. She’s under 25. She’s box-office. It’s David O. Russell-directed(again) and it’s going to be her v. Brie Larson in “Room.” You mark my words.And strangely Brie Larson’s character is ALSO named Joy. So it’ll be Joy v. Joy at the Oscars this year in the first time in AGES since we’ve really had a race going on in that category.And that IS a joy!

Cate Blanchett’s excellent “Truth” is also tanking at the box-office so she’ll probably be nominated for her other upcoming film “Carol.” But having won so recently for “Blue Jasmine,” I don’t think they’ll give her a third Oscar this year, though Jennifer Lawrence very well may be looking at her second.

Also looking straight at a second Oscar is Eddie Redmayne in “The Danish Girl”. Based on a true story(see above^) and featured magnificently in VOGUE with Lupita N’yongo on the cover with a spread that shows his remarkable transition. Lili Elbe one of the first, if not THEE first transgender pioneer, is such a tragic figure. It may also tug at the Academy’s hard heart. I think it will. Eddie makes a beautiful girl. His performance as Lili is nothing short of incredible. He’s even better than he was in “The Theory of Everything” which he won Best Actor for last year.

NOT scaring anyone is Johnny Depp’s “Black Mass” another mis-fire. People admire his performance as Whitey Bulger, a mob informant/killer (Haven’t we seen him in this role before?Wasn’t it called “Donny Brasco”?) Critics like HIM, but not the movie and It’s not scaring up much $ either. Though “The Martian” is! And that could be our Best Picture winner, BTW. And could garner Matt Damon a nomination as Best Actor.THAT is the red elephant in the room.

Also, everyone is afraid that it just may be Leonardo DiCaprio’s Oscar year FINALLY. But “The Revenant” is still to be seen. I didn’t think it would be ready in time, but it looks like it is. Will the public embrace it more than “The Martian”? Hard to say. And Ridley Scott, “The Martian”s director has never won an Oscar, though his film “Gladiator” did.

So BOO! And Happy Hallowe’en, dear readers, dear cineastes! I’m BAAAAAAAAAAAAAAAAACK!!!!

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BAFTA oddsmakers Split between “12 Years a Slave” and “Gravity

New York Magazine

Just checked the Oddsmakers website in England. The British are a betting nation. And therefore, you have to take their betting there seriously. As they do.
With the BAFTAS coming up this weekend, it’s instructive to find out that “Gravity” is the odds on favorite to win for “Best British Film” a category that pertains to it being shot mainly there. And for which “12 Years a Slave” not nominated. I guess it means films that are made in England. Mainly London.
“12 Years a Slave” IS however the favorite for Best Picture. And then they split again, and have Alfonso Cuaron, a Mexican, winning over Brit Steve McQueen! Well that’s how all the awards have been coming down. Cuaron won the DGA. And we could see that split at the Oscar, too. That “12 Years…” wins Best Picture, but Cuaron wins Best Director.

The acting categories are interesting to me because they are always more influential than you’d think they’d be. Wavering voters in a close race like this year’s Best Actor certainly is And the oddsmakers are betting on Brit Chiwetel Ejiofor for “12 Years”! This it has to be noted is a competition where “Dallas Buyer’s Club” and Matthew McConaghey and Jared Leto, the presumed front-runners here in the States, it is thought by many, did not make the cut and were nominated nowhere.

So Chiwetel may get his chance to really sway voters with an emotioanl speech that will be seen around the world, just two days after the AMPAS ballots go out. This could have a HUGE impact at the Oscars. The same could be said for the Oddsmakers.com front-runner in Best Supporting Actor Michael Fassbender!

I’ve always been predicting those two towering performances. And of course, like everywhere else, Lupita Nyong’o(pictured above on New York Magazine’s cover this week) is the leading to win Best Supporting Actress.

Keep your eyes on http://www.awardsdaily.com who always have the BAFTA results FIRST.

This makes me feel happy for Chiwetel and Michael and Lupita, of course, but sad for McQueen. Whose work I feel is far superior to Cuaron’s…

And last but not least Cate Blanchett is favored to win Best Actress for “Blue Jasmine” despite recent events that I won’ even mention here.

This will make Cate and Lupita even more locked than they have been, and maybe help Chiwetel and Michael Fassbender win! Michael will make a very emotional speech. They all will. Keep your eyes on BAFTA Oscar Watchers!

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“Gravity”s Cuaron wins DGA

I hoped it wouldn’t happen, but it did.Alphonso Cuaron, the director of “Gravity,” won the very important DGA award last night in Hollywood. Over Steve McQueen’s greater achievement IMHO “12 Years a Slave.” Usually that means a lot but in this split, competitive Year of Years, it may mean that the effects-laden Sci Fi thriller MAY win best director at the Oscars, more than a month away in March. But still not win Best Picture, which would go to “12 Years a Slave.” I have to note that these two titans of filmdom have been duking it out since Toronto, which I find ironic. It’s like if you don’t open at TIFF, fawgedabawdit. And that’s also where I first saw the both of them, in unforgettable screenings at TIFF’13.

Those are five VERY long weeks from now, and the ballots don’t go out to the AMPAS voters for quite a while yet, in Oscar terms, that’s dog years away. And it gives the Academy time to THINK. No. It really does. There’s no impulse, knee-jerk voting going to happen this year, with the Sochi Olympics taking up more TV time than ever. Between this last big gasp from the Industry’s usually all-important guilds, and the receiving of their ballots in the mail and now online, too around President’s Day Weekend. That’s a long, cold Oscar March until March when the Awards are actually handed out.

Now granted “Gravity” is an astounding technical feat, and will probably win all the technical awards, maybe even as many as seven from the below-the-line categories. But maybe it won’t. And instead of rewarding the one woman in this astounding visual tour-de-force, Sandra Bullock, award after award has been going to the amiable Mexican director Cuaron. And now this.

That’s a lot of Oscars right there. But not one for Sandra it seems. Best Actress is going to Cate Blanchett who is the lock of locks in that category for Woody Allen’s “Blue Jasmine.”

So even if Cuaron DOES win Best Director, voters may feel that “Gravity” has had enough already and give the top prize to “12 Years a Slave.” So there’s that SPLIT again. Which certainly looks like it could happen.

It happened at the Golden Globes where “12 YAS” won Best Picture and “Gravity” got Best Director. Ditto the Broadcast Film Critics awards. Then the TIE vote from the usually authoritative PGA, the Producer’s Guild, between “Gravity” and “12 Years a Slave.”

But “Gravity” for all it’s technical wonders is an actors nightmare. If this is the future, “Gravity” shows them that there is only ONE actor in it.

Huge epic blockbusters may get close, but they don’t usually win. See “E.T.” v “Gandhi” back in the day. I was always plunking for “Gandhi” even then.(Yes, I’ve been doing Oscar prognosticating THAT long!) or more recently the tiny “Hurt Locker” defeating the huge mega-millions jackpot that was “Avatar” although “THL” won Best Director AND Best Film, for the first time ever woman director winner Kathryn Bigelow over her big bully of an ex, who nobody liked anyway, James Cameron.

This year, I’m still betting that this proLONGed break between now and the voting gives people time to think “Which is REALLY the more important film?” which is in their parlance “An Academy film?” And you’ve got to admit, “Gravity has NO gravitas.

But “12 Years a Slave” does, in spades. Serious social history writ large, taking on the most challenging issue in American history, race, in terms of the worst atrocity Americans have ever perpetuated on other Americans = slavery. And doing it brilliantly on every level.

And oh yes, BAFTA happens in the middle of this prolonged Month of Oscar Silence, where, I predict “12 Years” will win EVERYTHING it’s nominated for, including Best Director, Steve McQueen, whom we must not forget is British.

And a respected fine artist there in the U.K. before he turned into a master film-maker.

Also, nominated there are Chiwetel Ejiofor for Best Actor and Michael Fassbender for Best Supporting Actor, and last but not least, Lupita Nyong’O who is now the front-runner for Best Supporting Actress.

So basically my take is the “Gravity”s Big Win is not going to change things much at all. In the end.

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Lupita wins at the SAG awards! Again!!!!

Lupita wins at the SAG awards! Again!!!!

Last night, I had a double-header, double-booked, my mistake and I chose to go to Broadway to see the “Carol King Musical” which is called “Beautiful” and it WAS beautiful. But more beautiful still was coming home to see Lupita Nyong’Os smiling face plastered all over the internet! The hot news being from the SAG Awards that she in ANOTHER surprise upset had won Best Supporting Actress for her heart-rending performance as the tradgic Patsie in “12 Years a Slave.” I also have finally figured out how to post pictures here! Yay!

It’s taken long enough dead readers, dear cineastes, but I’m tech-tarded, as you know and totally Old School in these new techo matters. But at last I think I’ve figured it out.I’m embarrassed to admit it but it’s true. The Internet is an EFFORT for me.

And also I have to be frank I just couldn’t bare to spend ANOTHER night in where “American Hustle” and Jennifer Lawrence were going to be applauded, and I was right. They were. She wasn’t. But Broadway beckoned and boyoboyo am I glad I went!

A+++ for “Beautiful”. The music! The performance by Jessie Mueller, a recent guest on my show for her Drama Desk Award nomination for Best Supporting Actress in a Musical for “The Mystery of Edwin Drood” in which she played an Indian princess named Lawless,Jessie was pitch perfect in both, and may very well win the Tony this year. She also played her own piano music! As Carole King did! Yes! She did!

They are portraying Carol King as the ultimate hausfrau schlep I’m sure she wasn’t in real life. But here the Ugly-Duckling-who-becomes-a-swan narrative worked liked gangbusters for the typical Broadway crowd,

Lupita is also living out that Ugly Duckling scenario in real life, it just occurs to me. Could her unwashed, scarred and scared Queen of the Fields, be further removed from Vogue’s “It” Girl which she has just morphed into. Her acceptance speeches are touching, beautiful, thoughtful and eloquent as she is. She looks SOOOO happy in this picture!

And for those who must know, this is a VERY strong step closer to Oscar. Next for Lupita is the BAFTA awards in London, and I’m sure she’ll win there, too.

Matthew McConaughey, Cate Blanchett and Jared Leto also repeated their Broadcast Film Critics wins. Seemingly all three locked for Oscar now. But HOLT ON!

Neither McConaughey nor Leto will win at the BAFTAS because neither were nominated nor was their film”Dallas Buyers Club”, although all were eligible. Which paves the way, and leaves the door wide open for “12 Years a Slave” to win Best Picture, Best Director, Best Actor Chiwetel Ejiofor(He’s Britsh, and so’s McQueen) , Michael Fassbender for Supporting Actor (he’s Irish) and of course Lupita who’s lovely Kenyan accent sounds British and African and American all at the same time. And for ALLLL of them to make speeches that may thrill Oscar voters right in the middle of the critical voting period. Cate Blanchett will also win at the BAFTA. As expected.

I chose to go to “Beautiful” because I just couldn’t face “AH” that tiny, weasly, little comedy win “Best Ensemble” which it did. But it’s awards glory may stop there. Remember “The Help” winning two years ago? Well….

This year it really ain’t over til it’s over.

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