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“Steve Jobs” is a Mess, Except for Kate Winslet, Who Will Get Its’ Sole Oscar Nomination

Kate Winselt Stave J. 1Ok. So I finally did it. I went to see “Steve Jobs,” a film I have been resisting since TIFF. And I have to say, that except for Kate Winslet’s surprising, dowdy turn as  Jobs’ dogged, dedicated,  Slavic Gal Friday, I really pretty much hated it. It was the mess I thought it would be, and if it hadn’t been for Winslet, I would’ve walked out.

How many times in the first third of this epic landslide of verbiage did I fall asleep? At least, three, and I woke up only to find them STILL TALKING!!! And they talk and they talk and they walk and they walk. I thought I was watching a re-run of “West Wing.” This was so flat, and so dull, and so confusing, it made me nostalgic for “The Joy of Typing.” (Look it up) I never thought I would type this sentence, but I missed David Fincher.

At least, HE made a film about the Internet look interesting. This is just flat, flat, flat. And poor Kate Winslet has to hold the whole film together, by running on every five minutes and saying “We’ve got FIVE MINUTES!”

You see, her boss Steve Jobs is always running late, and it’s her job as his right arm to keep things moving and Brave Kate does so, and nearly saves this cod-fish of a movie.

It’s everything I thought it would be. And less.

And poor Michael Fassbender is just mis-cast in this career-ending role. I predict he will NOT get a Best Actor nomination for playing this majorly unsympathetic asshole geek.Nor will this film break into the Best Picture race. Aaron Snoreking, I mean Sorkin, has given Fassbender REAMS of dialogue, or should I say monologue? to just endlessly spout in a monotone so deadly, I couldn’t believe it was the same actor I’ve esteemed so much in so many other movies.Like “12 Years a Slave,” “Shame,””Hunger” and many, many others.

You can’t make an interesting movie about the Internet! It’s impossible.

And as far as the Academy is concerned, they hate the internet, and resist it in every form it takes as an intrusion and distortion of their lives. Some the Voting Members don’t even HAVE a computer, but are too embarrassed to admit it.

And the first third of the movie, when Steve Jobs was young, well, young-ish, is so convoluted and abstruse, that I can’t imagine the AMPAS-ers watching much more than fifteen minutes of it, if that.

That’s unfortunate, because it does get better, a little. And Kate W. does get her big Oscar-y breakdown scene, but it’s past the half-way mark, when she finally tells Steve Jobs what she really thinks of him. Winslet loses it in grand style, and who doesn’t like a scene where the secretary FINALLY tells her boss to go to jump in a lake.(I’m understating it.)

This “Steve Jobs”  is flopping majorly at the box-office and being yanked off screens right, left and center. There was ALREADY ANOTHER Steve Jobs movie called just “Jobs” starring Ashton Kucher, and that bombed, too.

Who was the genius who thought that two bombs are better than one?

But Kate is great as she always is. And she’ll be the token nomination that this mistake of a film gets.

Why did I pay to see it when I knew going in it might be as bad as it was(I was warned), well, I’m an Oscarologist and like it or not this film has been talked and talked and bandied about as an Oscar contender. It’s been part of the Oscar conversation since TIFF. But the talk stops right here.

 

 

Oscar Nomination Predictions 2011

Best Picture

The Artist

The Descendants

Midnight in Paris

Hugo

The Help

The Girl With the Dragon Tattoo

Moneyball

My Week With Marilyn

In a year where there could be as little as five and as many as 10 Best Pictures, I’m going to split the difference and say 8.

Best Actor

JEAN DU JARDIN “The Artist”

GEORGE CLOONEY “The Descendants”

BRAD PITT “Moneyball”

LEONARDO DI CAPRIO “J.Edgar”

DAMIAN BECHIR “A Better Life”

I think the S.W.O.R.M. the Straight White Old Rich Men who are let’s face it, the majority of the AMPAS voters are not gonna be OK with Michael Fassbender’s full frontal EXTENSIVE nudity through “Shame”, but WILL be OK with Mexican actor Damien Bichir’s heart-wrenching portryal of a good father/gardener working in the Palm Trees of L.A.

Best Actress

MICHELLE WILLIAMS “My Week With Marilyn”

MERYL STREEP “The Iron Lady”

GLENN CLOSE “Albert Nobbs”

VIOLA DAVIS “The Help”

ROONEY MARA “The Girl With the Dragon Tattoo”

I think that late opener “The Girl With the Dragon Tattoo” which is nearing the $100 million mark domestic is going to be on a lot of voters’ minds. And this will be a kind of pay back to David Fincher & crew for NOT winning last year and the biggest beneficiary of this will be leading actress Rooney Mara, for her bravura turn as Lisbeth Salander. And the person she’ll knock out is not the revered Glenn Close, who has been struggling to get “Albert Nobbs” made for over 20 years, or more, but Tilda Swinton, who HAS an Oscar already.

Best Suporting Actor

CHRISTOPHER PLUMMER “Beginners”

KENNETH BRANAGH “My Week with Marilyn”

ARMIE HAMMER “J.Edgar”

COREY STOLL “Midnight in Paris”

JONAH HILL “Moneyball”

This is the hardest category to predict this year with the prospective nominees jumping all over the place, like Mexican Jumping Beans throughout the precursor awards. And no, Damien Bichir is NOT in this category. I think SAG nominee Armie Hammer will pop up here as he did in SAG, and knock out Albert Brooks who was snubbed by SAG AND BAFTA. And also they’re going to nominate SOMEBODY from “Midnight in Paris” besides Woody and Corey Stoll’s Ernest Hemingway made the strongest impression in that gigantic ensemble.

I hate to say it, but I’m putting Jonah Hill in because he was in the movie, “Moneyball” that the most voters will probably have seen and because by the same token they WON’T have watched Nick Nolte in “Warriors.”

Best Supporting Actress

VANESSA REDGRAVE “Coriolanus”

OCTAVIA SPENCER “The Help”

JESSICA CHASTAIN “The Help”

BERENICE BEJO “The Artist”

JANET McTEER “Albert Nobbs”

I think Vanessa Redgrave’s towering performance in “Coriolanus” will FINALLY turn up here, as it hasn’t so far anywhere else. The Harvey factor is in play here and yes, it’s a Weinstein Co. movie. As is “The Artist” as is “The Iron Lady” as is “My Week with Marilyn.”

Best Director

Michel Hazanaviscius “The Artist”

Alexander Payne “The Descendants”

Martin Scorcese “Hugo”

Woody Allen “Midnight in Paris”

David Fincher “The Girl With the Dragon Tattoo”

I think this will match the DGA nominees(the Directors’ Guild) five for five.

And on Tuesday morning we’ll see. I predict the steamroller of “The Artist” will continue with its’ getting the most nominations of any other film. And for a 90 min. Black and White SILENT film made for only $12million, it’s a phenomenal run that is STILL just getting started!

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