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National Society of Film Critics Names “Spotlight” Best Film

Spotlight 4The National Society of Film Critics perhaps the most esoteric of the awards-giving critics groups have named “Spotlight” the Best Film of the Year. It also won Best Screenplay. Already way out ahead of every other film this year, “Spotlight” just solidifies its’ lead and is making this year’s Best Picture race seem more like the year “Slumdog Millionaire” trounced everything in its’ path and won every award heading up the ultimate, the Oscars.

Surprisingly, the overlooked Michael P. Jordan won Best Actor for “Creed”.Michael P. Jordon 1

It’s also interesting to note that Geza Rohrig came in second place for “The Son of Saul.” I still think he’s going to get nominated by the Academy for Best Actor. Only Leonardo Di Caprio and Eddie Redmayne are the locks in that category. Anything can happen. Especially with the critical and box-office strength “The Big Short” is showing. Although the National Society didn’t give it anything. Although it came in third for Screenplay behind the winner “Spotlight” and the stop-action animated film by Charlie Kaufman.

Best Actress went to Charlotte Rampling who really needed this boost for “45 Years.”Charlotte Rampling 1 Best Supporting Actress  Kristen Stewart for “The Clouds of Sils Maria.” Second place went to Alicia Vikander for “Ex Machina” solidifying her march to TWO possible nominations as I’ve noted in the previous post.Ex Machina 2 Supporting for “Ex Machina” sexy, manipulative robot Eva and in Lead for “The Danish Girl.” The Awards Coronation of Vikander is well underway.

And Best Supporting Actor is once again Mark Rylance for “The Bridge of Spies” for his comical/sad/shifty Russian spy, who also doubles as a painter. Rylance a four-time Tony Award winner is beginning to be the assumed front-runner for the Steven Spielberg Cold War spy thriller.

Best Director was also surprisingly Todd Haynes for “Carol.” It also won Best Cinematography for the great Ed Lachman beautiful 16 mm. lensing of this Patricia Highsmith lesbian love story.Carol 3

Oscars, Critics awards get closer

Well, it’s still pretty early but no sooner than next week, both the New York Film Critics and the National Board of Review will announce, one day after the other.

I think both these organizations, who are vastly influential, will go for “12 Years a Slave” as Best Picture. Both organizations are here in NYC, natch. And think they are both going to go also for Chiwetal Ejiafor for Best Actor for “Twelve Years a Slave” and Cate Blanchett for Best Actress for Woody Allen’s “Blue Jasmine.” Let’s face it, Woody Allen is the essence of New York, so I think they won’t be swayed by the Hollywood Star Power that the Golden Globes represent.

I don’t see any of the Hwood centric films scoring here…No All Is Wet. I mean “All is Lost” for Robert Redford, or the ship-wreck(and train wreck of lawsuits)of “Captain Phillips”. Maybe the National Board of Review will go for Bruce Dern’s space cadet in “Nebraska.” That would be a table for Paramount, and one for Sony Pictures Classics for “Blue Jasmine” and several table for Fox Searchlight.

And they are announcing so early, both groups may not see AT ALL, the late breaking “American Hustle” or the even later breaking “Wolf of Wall Street.” So don’t expect either of those films to show up UNLESS they get seen. The NBR has a Top Ten list that “Hustle” could crack IF it’s all that.

Also expect the overwhelmingly Jewish National Board to give something to “The Book Thief.” Even if it’s just a mention on its’ Top Ten List.

And they always give something to George Clooney so he shows up, which this year the only thing would be “August:Osage County” as a producer.

Think back two years ago when “Extremely Loud and Incredibly Close” wasn’t seen by either of these groups in time, but did end up snagging one of the Oscar ten slots for Best Picture….

Supporting I also think is going to go “12 Years” way. Although the NBR is famous for spreading its’ wealth(so it can sell as many tables at its’ event as it can) so there may be other films represented by them, that aren’t represented at the New York Film Critics.

So they won’t match exactly, but I think Best Picture will be the same for both groups. They know the world is watching.

Also look for the National Board to include a Weinstein co. actor or actress in its’ largesse. Most likely Oprah Winfrey. For Best Supporting Actress. For “Lee Daniels’ The Butler.”

Michael Fassbender is someone who the NYFCC will honor, but who might the NBR give it to? Is this were the ubiquitous Tom Hanks’ scores this year for Disney, playing Disney, in “Saving Mr. Banks”? Think of all those tables they have to sell.

The NBR has also awards for Best Male and Female Newcomer and expect Lupita Nyong’O to end up there. And perhaps Michael B.Jordan from “Fruitvale Station”? Although he’s not THAT new. But being as this is the Year of Years for African-American performers and films, you just might find Jordan showing up here.

Last year, if anyone remembers, this is where the disgracefully under-rewarded Ann Dowd of “Compliance” got Best Supporting Actress.

But they won’t give Lupita TWO major awards (though she deserves them) so PERHAPS this is where they become the HFPA and give Best Supporting Actress to Oprah! That will sell a lot of tables. And turn them from an also-ran, announcing ONE DAY after the NYFCC, into an EVENT!

Oscar Shocker? White Stars Knock Black Stars Out of Best Actor Race

Sad, but true. In what is being touted as the best year ever for the recognition of Black film making, with “12 Years A Slave” steam-rolling every Oscar category in its’ path, the Best Actor race may sadly be the same old same old-as in The Same Old White Faces.

There were FOUR possible Black Best Actor candidates. I’m using the word Black because two of them are British and therefore the term African-American is not totally apt here. Chiwetel Ejiafor for “12 Years a Slave” is British, and so is Idris Elba “Mandela:Long Walk to Freedom.” The other two being Forest Whittaker (already an Academy Award winner in this category) for “Lee Daniels’ The Butler‘”and Michael B. Jordan for “Fruitvale Station.”

I’m afraid when the nominations are announced in January only Chiwetel Ejiafor is going to be the last one standing. And the hue and cry resulting from this happenstance, may very well secure his win. WHICH HE TOTALLY DESERVES!!! “12 Years a Slave” is a masterpiece!

I have no trouble saying that “12 Years a Slave” won the Oscar in September. In Toronto, to be exact. At TIFF’13. I know. I was there. I saw it.I felt it.  It was seismic. The ground was trembling. It was like an Academy Award earthquake!

And the words on everyone’s lips formed a mantra “’12 Years a Slave’ has already won the Oscar in September!”

And lo and behold, it did go on to win the Toronto Film Festival Audience Choice Award for Best Picture. One of the only awards that non-award-giving TIFF gives out. And it’s the audience at TIFF that voted for this.

And I think it’s going to dominate in every category that it’s nominated for. Particularly Best Director(Steve McQueen), Best Supporting Actor (Michael Fassbender) and Best Supporting Actress ( dazzling newcomer) Lupita N’yong’o. Yes, I think Jeff Wells http://www.hollywood-elswhere.com is right in saying she could beat Oprah Winfrey in this category. Oprah being in the running for “Lee Daniels’ The Butler.”

But back to the lead in this story. The SWORM which IS the Academy (Straight White Old Rich Men) are going to make sure that Robert Redford, Tom Hanks and Bruce Dern all end up nominated in this category.

Hanks certainly landed with a big splash on Friday night, opening the New York Film Festival with “Captain Phillips.” Everyone, critics and audiences alike were ecstatic in their praise. Also of Barkhad Habdi as the main Somali pirate. There could be a surprise nomination there. No one saw that coming. But there it is.

Robert Redford’s solo performance in “All Is Lost” is a career-capper, too, by all acounts, and so is Bruce Dern’s in “Nebraska.” Up against these Hollwyood legends, I fear Whittaker, (“He already has an Oscar “) and Idris Elba( his film did not wow the critics or audiences at TIFF) and newcomer Jordon(“He’s young. He can wait.”) will all cancel each other out and leave Chiwetel as the last Black man standing.

And he could win. Satisfying EVERYONE. I hope.

I’m figuring the #5 slot is going to go to the long-overdue, career-changing Matthew McConaughey, who, yes, scored mightily, yes, at TIFF, for “Dallas Buyers Club.”

So much was decided at TIFF this year, I just couldn’t believe it.

When “Mandela” bombed, as did “The Fifth Estate,” those two films were quickly taken off the Oscar table.

It doesn’t bother me that “12 Years a Slave” is the presumptive winner. It deserves it.  It’s one of the greatest films ever made and deserves to be acknowledged as the masterpiece it is.. The injustices and horror of slavery that it depicts, just SCREAM “AWARD THIS!” All the other films coming up this year simply in terms of subject matter seem picayune by comparison.

The fact that in the Best Supporting Actress category, which some refer to as “The Booby Prize” of the Oscars,” there could very well be a historic TRIO of African American nominees, Oprah Winfrey, N’yong’o( She’s an American. She went to the Yale School of Drama! Yes, she did!) And past winner Octavia Spenser for “Fruitvale Station”. That would be terrific precedent-breaking situation. But in the Best Actor category, sadly, no. The status quo will, I fear,prevail.

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