a.k.a. "The Oscar Messenger"

Posts tagged ‘Mark Rylance’

Live-Blogging SAG(Screen Actors Guild) Awards tonite.

SAG 1The Screen Actors Guild Awards are tonight, and I’m going to be live-blogging them, dear readers, dear cineastes.  In NYC, they are on the TBS or TNT channels at 8pm EST. Check your local listings.

There should be MANY surprises tonight. We’ll see if the #Oscarssowhite controversy is going to impact the awards.

Black British Actor Idris Elba is the man of the hour tonight. He’s nominated for Best Supporting Actor on the film side for “Beasts of No Nation.” And on the TV side he’s nominated for “Luther”. He’s against Mark Rylance in both categories and I feel he is going to take home at least ONE “actor” as they call their awards. If “Beasts of No Nation” wins Best Ensemble, then Elba might be taking home three!

Mark Rylance 1
Rylance, a stage legend in Britain and multiple Tony winner on Broadway, is his main competition tonight for “Bridge of Spies” for Best Supporting Actor Film, and for “Wolf Hall” TV series.

Unfortunately, Elba was NOT nominated for an Oscar. (He’s a magnificent actor. He should have been.) None of this awful Oscarssowhite scandal would’ve happened if he had been nomminated. It’s rumored that he may be the first Black James Bond.

Here’s an interview I did with Idris a few years back at the Toronto Film Festival.

As for Best Picture Film, it’s back and forth and forth and back between “Spotlight” and late riser “The Big Short.” Which is what it was like last year with “Birdman” and “Boyhood.” Up til the last second. And then “Birdman” won by a beak at the Oscars. I still can’t believe that happened.

Me? I’d vote for “Spotlight” if I was a voting member of SAG. But I’m not, so we’ll see. Unlike the Academy, SAG voters DO have a sense of humor. So “The Big Short”s cutting edge wit would not be held against it tonight. We’ll see.

And if Leonardo wins Best Actor here tonight, he’ll win the Oscar, too. Ditto Brie Larson.

But if it’s Bryan Cranston for “Trumbo” LOOK OUT! All bets are off. And Leo could kiss his Oscar good-bye. At least for “The Revenant”Revenant 3

And I think Alicia Vikander will triumph here in Supporting Actress for “The Danish Girl.”Alicia 6

 

 

 

 

 

e

National Society of Film Critics Names “Spotlight” Best Film

Spotlight 4The National Society of Film Critics perhaps the most esoteric of the awards-giving critics groups have named “Spotlight” the Best Film of the Year. It also won Best Screenplay. Already way out ahead of every other film this year, “Spotlight” just solidifies its’ lead and is making this year’s Best Picture race seem more like the year “Slumdog Millionaire” trounced everything in its’ path and won every award heading up the ultimate, the Oscars.

Surprisingly, the overlooked Michael P. Jordan won Best Actor for “Creed”.Michael P. Jordon 1

It’s also interesting to note that Geza Rohrig came in second place for “The Son of Saul.” I still think he’s going to get nominated by the Academy for Best Actor. Only Leonardo Di Caprio and Eddie Redmayne are the locks in that category. Anything can happen. Especially with the critical and box-office strength “The Big Short” is showing. Although the National Society didn’t give it anything. Although it came in third for Screenplay behind the winner “Spotlight” and the stop-action animated film by Charlie Kaufman.

Best Actress went to Charlotte Rampling who really needed this boost for “45 Years.”Charlotte Rampling 1 Best Supporting Actress  Kristen Stewart for “The Clouds of Sils Maria.” Second place went to Alicia Vikander for “Ex Machina” solidifying her march to TWO possible nominations as I’ve noted in the previous post.Ex Machina 2 Supporting for “Ex Machina” sexy, manipulative robot Eva and in Lead for “The Danish Girl.” The Awards Coronation of Vikander is well underway.

And Best Supporting Actor is once again Mark Rylance for “The Bridge of Spies” for his comical/sad/shifty Russian spy, who also doubles as a painter. Rylance a four-time Tony Award winner is beginning to be the assumed front-runner for the Steven Spielberg Cold War spy thriller.

Best Director was also surprisingly Todd Haynes for “Carol.” It also won Best Cinematography for the great Ed Lachman beautiful 16 mm. lensing of this Patricia Highsmith lesbian love story.Carol 3

Could “Wolf Hall Pts 1 & 2” Win All the Tonys???

Could the astoundingly popular British six-hour smash hit “Wolf Hall Pts. 1 & 2” win all the Tonys it’s sure to be nominated for in less than two weeks? It certainly could. It’s massive length, and its massive cast of nearly two dozen imported Royal Shakespearean actors is based on the equally massively successful and acclaimed novels by Dame Hilary Mantel.Wolf Hall 1 TONY 2015 1“Wolf Hall” and its’ successor “Bring In the Bodies” BOTH won the prestigious Mann Booker awards in Britain. And though you would think the six-hour long marathon length would daunt theater-goers, it was a success in Stratford-Upon-Avon, where it appropriately started, then in the West End, when it transferred, and now on Broadway,

Anglophiles seem to be coming out of the wood-work lapping it up as a day well-spent time-travelling to the uttterly corrupt court of King Henry VIII. It has already been adapted into a critically acclaimed hit by Mike Poulton at London’s Royal Shakespeare Company, and its current Broadway transfer has grossed almost $2 million in previews since March 20; it opened April 9. And the novels themselves have sold over three million copies world-wide

It’s also currently airing on PBS starring Mark Rylance as Thomas Cromwell, here the protagonist. With overwhelming stats like these, I think it’s going to get nominated for every Tony Award in the book. Including and especially  Best New Play, Best Actor (Ben Miles ~ Thomas Cromwell), Best Supporting Actress (Lydia Leonard ~ Anne Boleyn) and Best Supporting Actor (Nathaniel Parker ~ King Henry VIII) and you can throw in Best Director, and all the technical awards, too.

I wasn’t sure about this  TONY sweep happening, although all my critical colleagues were throwing their hats very high into the air with the best reviews of the season, until I saw a 90 minute Q&A at the New School’s auditorium in Greenwich Village.

Hosted by the jovial and expert Richard Ridge, Parker, Miles and Ms. Leonard utterly charmed and beguiled me, as they participated in this, one of the best symposiums I’ve ever attended. Hosted by SAG and Broadwayworld.com, the Tudor trio & Ridge created what was one of the most delightful afternoons chats I’ve ever been witness to.

Also invited were Drama Desk members, and all were thrilled by what they were hearing as Parker, Miles and Ms. Leonard regalled us with a totally complete picture of just how “Wolf Hall” transformed into  two stage plays from those very thick British novels.

And all three were unstinting in their generosity in their replies to Ridge’s apt questions. They were three actors talking from their hearts to an audience full of actors(The Screen Actors Guild) and they couldn’t’ve been more charming, intelligent, completely forthcoming and utterly winning.

Ben Miles, Lydia Leonard and Nathaniel Parker may have arrived here as virtual strangers on our shores, but they are going to leave nominated for every acting award they’ll be eligible for. The Drama Desk and the Tonys all announce their choices within the next two weeks. I can’t wait!

“Ruddigore” Delights w/star turns of David Macaluso & Caitlin Burke

Ruddigore

I’ve really becoming enamoured of the enterprising New York Gilbert & Sullivan players. Esp. when they delight by bringing back (from the dead in this case, literally) one of the more obscure operettas like “Ruddigore.” This was scheduled as a special Hallowe’en Trick or Treat, and it was!

In this case I was only scared that the sets would fall down again. Like they did so charmingly when I caught their also-little-seen gem “Patience” last winter. But there was no fear of gaffes like that in their new home at NYU’s sparkling Skirball Center.

They only do three performances each so you have to catch them quick. And I do. And you’ll never see these lesser known works of the G&S canon anywhere but with the NYGasp as they like to abbreviate themselves. I think they can be found at NYGasp.com on the Internet. They also regularly do their ever-popular classics, “The Mikado”,”H.M.S.Pinafore”& “Pirates of Penzance” which alternate with the “Patience”s and the “Ruddigore”s.I love it!

The Skirball Center has a wide stage and a deep pit for the orchestra, and the seats were comfortable too! I hope they stay there for awhile. And it’s their 40th season! Imagine that!

And do they make those old ghostly ditties of “Ruddigore” dance! The plot is too complicated and silly to even reiterate here. But I have to say, the book by my idol William Schrenk Gilbert actually had me laughing up a storm in Act One! When do you encounter a BOOK, 19th century BOOK of a musical, that’s actually that witty. And well delivered by the excellent David Macaluso, who is as adept with slinging one-liners and physical comedy as he is with singing the vocally demanding, tongue-twisting score. He strikes 19th century acting poses with the command of a Booth.

I was also delighted to see their buxom Brunnilde, Caitlin Burke return in the low comedy part of Mad Margaret. There’s also a Mad Margaret in Shakespeare’s “Richard III” but she’s almost always cut out of it. Olivier didn’t have Mad Margaret in his famous film, and neither did Mark Rylance in his recent “Richard III” on Bway. But you can’t cut THIS Mad Margaret out of “Ruddigore”. She’s the whole bloody show!

Ms. Burke blew me out of the water last year in a fat suit with a cello in last season’s “Patience”. Here she’s chewing up the scenery literally as a woman driven mad (and homeless) by love.as she wails “Cheerily Carols the Lark,” a recitative that is also an aria. Long may she wail!

And in the Second Act, Macaluso and she are teamed(pictured above) for a rather unbelievably peppy rendition of “My Eyes Are Fully Opened”, a trio( veteran Richard Alan Holmes joins them) as their patter song gets faster and faster and faster until they can no longer speak the copious, tricky lines.And are basically spouting gibberish. Hilarious! Gilbert is saying here that even his own lyrics are nonsense! And in this case, he’s right!

And the comic punch line in this dizzying fandango is the word “Basingstoke”. Which I was told was Gilbert’s sly dig at the residence of D’Oyly Carte(G&S legendary manager/maestro)’s mistress.

Basingstoke was always seemed one of those accidentally comical-sounding British locations, like Chipping Sudbury. But it was never funnier than it was last night at “Ruddigore.” Hats off to the hysteria that Macaluso and Burke create!And to their resounding back-up troup of Bucks, Blades,Ancesters, Professional Bridesmaids and Villagers. I’m still giggling.

Image

Tony Predictions Part Four

Tony Predictions Part Four

And continuing on and hopefully concluding, my four-part Tony Predictions, we now come to another hotly contended category, Best Actor in a Musical.

I think although he tied in a surprise at the Drama Desk Awards, with Jefferson Mays, who does 8 or 9 different roles in “A Gentleman’s Guide to Love and Murder” I think former host of the Tonys, Neil Patrick Harris is going to get the ultimate tribute and thank you from the Tony Voters here for his box-office busting drag turn as Hedwig in “Hedwig and the Angry Inch” which I also think is going to get Best Revival of a Musical.Neil Patrick Harris is everywhere on TV, too, talking, talking, talking. He’s campaigning. He wants it. He lost 20 pounds for this role. He’s got the momentum. He’ll get it.

“Beautiful” is going to garner its’ beautiful leading lady Jessie Mueller, who sings almost non-stop, and is hardly ever off-stage playing a marvelously understated Carole King, it’s going to garner Jessie her first Tony as Best Actress in a Musical as well it should. Subtlety and under-playing are not usually awards bait, but in this case, Jessie Mueller is the complete package.

Best Actor in a Play is going to be the its-his-time-to-shine Bryan Cranston, almost as much for his unforgettable Walter White in “Breaking Bad.” And “All the Way” the three-hour political play about LBJ will win Best Play. It also won both these awards at the Drama Desks. This is the year when everybody just wants to THROW as many awards willy nilly at Bryan Cranston as they possibly can. Lucky duck.

Best Actress in a Play will be Audra McDonald for her impeccable “Lady Day at Emerson’s Bar and Grille” in which though she sings a dozen or more of Billie Holiday’s greatest hits, although she is in the Best Actress in a PLAY category. It’s more than a little unfair to the dramatic actresses who are nominated in this category who just got there by their acting chops. Tyne Daly it’s a shame that you’re up against the unstoppable Awards magnet Audra McD. who will break all kinds of records by winning her SIXTH Tony award tomorrow night.

Audra was nominated in the CORRECT category for the Outer Critics Circle, Best Actress in a Musical, and she won that, too! Like Cranston, there’s no stopping her.

In the Supporting Actors, or Featured as they are called by the Tonys, only James Munroe Inglehart, as the larger-than-life Genie in “Aladdin”, is the only sure thing here in all four categories.

It’s really tricky predicting the other awards here. For Best Featured Actress in a Play it COULD be Celia Keenan-Bolger, for the long-closed revival of “A Glass Menagerie.” Celia has been nominated for a Tony three times and she’s beloved, but she’s up against first time nominee British actress Sophie Okenado making her Broadway debut for “A Raisin in the Sun.”

Sophie’s main problem is her competition is not just Celia Keenan-Bolger, but also her cast-mate Anika Noni Rose as her sister-in-law in “Raisin.” One of these two, probably Sophie, could take this and be the only award that “Raisin” is apt to win. The Tony voters notoriously snubbed Denzel Washington, who let’s face it, is why this great play is being revived so soon after it was just on the Great White Way with P. Diddy. And Felecia Rashad, who won in the Best Actress Category.

Also, in contention, is Mare Winningham for “Casa Valentina” as the real-woman house-mother to a hotel-full of straight transvestites in the Catskills in the 1960s. Any of these women are worthy. And could win. But there’s no clear front-runner here. If “degree of difficulty” comes into play as it often does at the Oscars, the crippled Laura of Celia Keenan-Bolger “Glass Menagerie” might take it. It’s really hard to call this one. But it also should be noted that Mare Winningham WON in this category for the Outer Critics Circle Awards. She tied with Andrea Martin for “Act One” who is not nominated for a Tony. And Celia Keenan-Bolger was not nominated for the OCC. And Celia has picked up some other precursor awards, too, it must be noted, which gives her the edge.

And Sophie Okenado and Anika Noni Rose might cancel each other out, being from the same show, “Raisin”, and “Raisin” wasn’t as acclaimed as “A Glass Menagerie” was.

It’s also hard to call the other Featured Actress in a Musical category winner. It was so close at the Drama Desk it was ANOTHER tie between Lauren Worsham and Anika Larsen for “Gentleman’s Guide…” and “Beautiful” respectively. It could either of these two, who were also profiled together in the New York Times. I’m going to do a coin toss and say it’s Anika.

She plays Carole King’s wise-cracking best friend and co-composer and rival song-writer. It’s a more substantial, and layered role. So I think Ms. Larsen takes this one.This most competitive category is rounded out by Linda Emond in “Cabaret” playing the Lotte Lenya role. And Lena Hall, playing a transgender MAN (who turns back into a woman!) in “Hedwig:And the Angry Inch.” And the stealth candidate is Adriane Lenox, who sings two sizzling songs in “After Midnight” and just steals the whole show. Full disclosure, she was my vote for the Drama Desk in this category.ANYbody could win and surprise in both these Featured Actress categories, really.

And then there’s Best Featured Actor in a Play, where we have the irresistible (to Tony Voters) Mark Rylance as Lady Olivia in the unforgettably delightful Elizabethan mounting of “Twelfth Night.” Even though this show is long closed and Rylance already has already won Tonys aplenty, I think he’s going to win again, against Reed Birney’s terrific, but evil transvestite Charlotte in “Casa Valentina.”

Rylance, who will inevitably recite an obscure poem when he wins, even if he’s there to accept(he may be in London), and bore the audience to death, also has the added bonus of being nominated in the Best Actor in a Play category for his “Richard III” which was performed in rep, with the glittering “Twelfth Night.”

In conclusion, I’d like to point out that though “A Gentleman’s Guide…” seems poised to win the most Tonys, its’ creative team are the ones that are going to carry the day, but none of its’ supremely talented performers look like they are going to win. The competition is THAT tough this year.

Jefferson Mays won the Outer Critics Circle and tied with Neil Patrick Harris for Best Actor in a Musical. And the terrific Bryce Pinkham as Monte Navarro, our hero,or anti-hero, as the most lovable serial killer ever is going to split the “A Gentleman’s Guide..” votes with Mays and they are both going to get steam-rolled by the Neil Patrick Harris juggernaut. Lauren Worsham, in the all-over-the-place, Best Featured Actress in a Musical category,tied with Anika Larsen in this category. Is her adorable, innocent, coloratura ingenue going to surprise and trounce Larsen. She might. She is cuteness and purity and good girl personified.

So don’t miss the Tonys tonight on CBS at 8pm. Hosted by the always watchable Hugh Jackman it will feature production numbers from all the the nominated musicals and a few more extra-special bits, too.

Image

Drama Desk Award Predictions

Drama Desk Award Predicitons

Yes, the Drama Desk Awards are coming up fast! They are handed out on June 1 next Sunday at Town Hall.

And here are my intrepid predictions! I think critic’s fave “A Gentlemen’s Guide to Love and Valor” (pictured above ^) Will sweep and get the Best Musical Award and all the others in that musical category. Best Music, Best Lyrics, Best Book, Best Orchestrations(the great Jonathan Tunick, natch.)

And in the hardest fought battle Best Actor in a Musical, I think the Drama Desk-ers being all critics are going to also choose actor’s actor Jefferson Mays for his eight(or nine) roles in “A Gentlemen’s Guide…” over the much more famous Neil Patrick Harris in “Hedwig and the Angry Inch.” Though when the Tonys come up the following week, we could see this reversed.

“Hedwig” will get Best Revival of a Musical. And I think “All the Way” though I LOATHED it myself will get Best Play. THREE HOURS OF HAM! I mean, I like ham. But THREE HOURS!?!?

However, I think the Drama Desk-ers will vote for it. Though something less known might surprise here. It could be anything, if it’s not the obvious Tony front-runner.

Best Actor in a Play will PROBABLY be Bryan Cranston in “All the Way” as LBJ. Another Tony front-runner. Chris O’Dowd in “Of Mice and Men” could be the surprise upset here. And this would REALLY be a surprise.

Best Actress in a Play may very well go to Tyne Daly for “Mothers and Sons”. Though with Audra McDonald in this category, too, it could be Audra. Though the Drama Desk-ers, being all critics through and through. and sticklers for detail, may balk at the Five-Time Tony Winner being put in this category though she sings an endless amount of memorable period songs. Audra won the Outer Critics Circle but she was in Best Actress in A Musical there, not Best Actress in a Play.

Best Actress in a Musical will also be Tony front-runner Jessie Mueller for “Beautiful:The Carole King Musical” where she’s amazingly effective as the ugly ducking who becomes a swan/superstar.

Best Revival of a Play will be “Twelfth Night.” It’s no longer running, but that won’t bother the Drama Desk-ers, who don’t take that into consideration, the way the Tony voters do.

Best Revue will be “After Midnight.”

The Drama Desk Awards are the only awards in all of theater, let it be said, that honor Broadway, Off-Broadway and Off-Off Broadway equally, on an even playing field.

And the prestige of these awards has increased since the press are no long allowed to vote for the Tony Awards!

“Twelfth Night” on Bway ~ One of the Best I’ve Ever Seen!

How can I begin to describe the joys of the impossibly wonderful “Twelfth Night” now on Broadway? It’s simply one of the best productions I’ve ever seen IN MY LIFE!

The two-time Tony Award winning genius Mark Rylance is probably on his way to another award (or awards) for his astounding performance as Olivia in “Twelfth Night.” Not usually considered a memorable role in Shakespeare’s comedy, which is usually played, as always by a woman, and as a sort of wan, sad, elegant lady,who is mourning the death of her brother. Olivia is usually the straight person in a cast of characters who are off-the-charts loony.

And here the masterstroke is Rylance plays Olivia as the looniest toon of the lot. He seemed to be channeling Margaret Dumont of the Marx Brothers movies. His  love-struck Olivia becomes the absolute center of this production, and the play, too, and it seems absolutely right. AND HILAROUSLY so.

The audience, some of whom were seated on the stage, was absolutely getting EVERY SINGLE Elizabethan joke and laughing so much, it made this marvelous “Twelfth Night” the longest “Twelfth Night” I’ve ever sat through.

With a half-hour pre-show added, wherein you get to see the actors get into their costumes and make-up right on stage and the musicians tune up their authentic, period instruments, this un-cut version was heading to the four-hour mark. But I didn’t mind one bit. I was in theatrical heaven!

One always wishes, if  one is a bardolator, that one could travel back in time to Elizabethan England, and see just what it was that made Shakespeare so great. And the brilliant thing that Rylance and his director of many productions, Tim Carroll have done is that they are so exact in a replication of how this comedy of Shakespeare’s was probably done, you absolutely believe you are in Elizabeth’s England, and that you’re discovering this great play for the first time and finding it  to be one of Shakespeare’s most enjoyable. In the hands of Rylance and co., all of whom are on their Elizabethan A-Game, “Twelfth Night” really ranks among one of Shakespeare’s greatest.

It’s an absolute delight from start to finish. All four hours of it.

And we, the press, were warned off coming to see it last night, because the light-board failed, and so we were not going to see it as it was meant to be performed, I was told, by the worried press agent. I decided to go anyway. And we discovered, when we entered, the stage was flooded with candle-light!

And that just made it magical! We were time-traveling!

There did seem as the play went on to be more and more stage lights focused on it, so perhaps the lighting board was being repaired as the show went on, but they were all white or a very pale blue lights

But of course, Shakespeare’s King’s Players DID perform by candle light.

And the stage at the Belasco was full of candles. There were six or eight chandeliers that were dropping candle wax on the actors, and an upstage set piece with more and more candles on it. sort of in the shape of a Christmas tree. So the stage was ablaze with honey-colored light. Which had a warming, charming, and totally disarming effect, which was just right.

And all the female parts are played, as they were in Shakespeare’s time, by men. Rylance’s Olivia dominating every scene, as we watch the character go from a very demure, lady-like, mournful royal in widow’s weeds atop a small tiara,  to a hyped-up matron who is hiking up her skirts and losing her beads, as she falls head-over-heels in love with the young Cesario, who is really a girl Viola, dressed, in disguise as a page-boy. Rylance,who usually blows everyone off the stage, he is such a strong performer, but here he is matched quite evenly by the great Samuel Barnett as Viola, equally convincing as a man or a woman. Tony Nominee and Drama Desk Winner, Barnett will be familiar to Broadway audiences from “The History Boys” a few years back.

I knew he had greatness in him, and the promise he showed in “History Boys” comes to full fruition as this glorious beautiful Viola/Cesario, who matches Rylance’s antic, love-crazed Lady Olivia, beat for comic beat.

And he’s not blowing the great Stephen Fry off the stage as Malvolio. Oh no! Making his American and Broadway stage debut, Fry a major stage, film and television star in England is simply magnificent as Lady Olivia’s simpering steward.

Fry is a towering figure. He’s a huge man, and he makes Rylance’s Lady Olivia seem dainty by comparison.

Also, the large and bosomy Maria of Paul Chahidi, a maid servant of Olivia’s, who is also daintiness personified, as well as the mischievous mischief-maker, who sets much of the plays comic stratagems in motion. Chahidi and Rylance, who are both wearing floor-length gowns, move with such humorously mincing small steps they seem to be floating across the stage, or on roller skates! Hysterical!

The men, who actually play men in this cross-dressed production are at a kind of comic disadvantage, you’d think, against Rylance’s Olivia, Barnett’s Viola, and Chahidi’s Maria(or Mariah or Mary as she’s variously called), but Rylance has wisely peopled the supporting cast with very strong character actors who are as funny as the “women.”

Colin Hurley is a pint-sized Falstaff as Sir Toby Belch, who has to play all manner of drunkeness throughout, and his extremely tall co-hort Sir Andrew Aguecheek is perfectly matched by Angus Wright. Sir Toby, Sir Andrew and Maria form the toxic trio of tormentors who want to bring down  the supercilious steward Malvolio, leaving a letter supposedly from Lady Olivia that tells him “Some are born great, Some achieve greatness, and some have greatness thrust upon them.”

Well, “Twelfth Night” itself is having greatness thrust upon it by this astonishing, laugh-riot of a production. Sub-titled “Or What You Will,” which is the Shakespearen equivalent of saying “Whatever”, or “This play is just a trifle. Don’t pay any attention to it. Don’t take it seriously.” And “Twelfth Night,” or as the bill-boards are spelling it “Twelfe Night,” was a name just tacked on to it at the time, because it was performed for Queen Elizabeth I as part of the twelfth night after Christmas celebrations. As if Shakespeare didn’t know what to call it.

The words “Twelfth Night” are never mentioned throughout the play. But I did catch, I think it was Viola saying “What You Will”.

This historic production is a dream come true, and is thrusting a greatness upon “Twelfth Night” as one of the best comedies ever written. It will now always be referred to by all who attempt to match this magic. It’s an impossiblity.

Tag Cloud

%d bloggers like this: