a.k.a. "The Oscar Messenger"

Posts tagged ‘Marion Cotillard’

2014 in review

The WordPress.com stats helper monkeys prepared a 2014 annual report for this blog.

Here’s an excerpt:

The concert hall at the Sydney Opera House holds 2,700 people. This blog was viewed about 16,000 times in 2014. If it were a concert at Sydney Opera House, it would take about 6 sold-out performances for that many people to see it.

Click here to see the complete report.

Broadcast Film Critics Nominations Announced

 

The Broadcast Film Critics, sometimes known as the Critics Choice Awards announced this AM and “Birdman”(13 nominations),Budapest 1 then “The Grand Budapest Hotel”(11) led the pack followed by, of course, “Boyhood”(8).

The most interesting thing is that Steve Carrell was snubbed for Best Actor for “Foxcatcher” in a field of six actors! As I prediceted BTW. And “Foxcatcher” also did not make it in to the Best Picture category in a field of ten…very big blow to its’ Oscar chances, which now seem limited to Mark Ruffalo in Supporting Actor, who did nominated.

However, Marion Cotillard DID make it into Best Actress and Tilda Swinton was in in Supporting Actress for “Snowpiercer.” Again both in a field of six.

Also left out of Best Picture was “Into the Woods” but Meryl Streep was IN in Supporting Actress. I’m seeing tonight and will give a full report back.

Also “Gone Girl” was in as was “Nightcrawler.” The Broadcast Film Critics are considered the MOST predictive of the Oscar precursors, but they’re muddying the waters a bit with their fields of six nominees in many categories where they Oscars, of course only have five

BEST PICTURE
Birdman
Boyhood
Gone Girl
The Grand Budapest Hotel
The Imitation Game
Nightcrawler
Selma
The Theory of Everything
Unbroken
Whiplash

BEST ACTOR
Benedict Cumberbatch – The Imitation Game
Ralph Fiennes – The Grand Budapest Hotel
Jake Gyllenhaal – Nightcrawler
Michael Keaton – Birdman
David Oyelowo – Selma
Eddie Redmayne – The Theory of Everything

BEST ACTRESS
Jennifer Aniston – Cake
Marion Cotillard – Two Days, One Night
Felicity Jones – The Theory of Everything
Julianne Moore – Still Alice
Rosamund Pike – Gone Girl
Reese Witherspoon – Wild

BEST SUPPORTING ACTOR
Josh Brolin – Inherent Vice
Robert Duvall – The Judge
Ethan Hawke – Boyhood
Edward Norton – Birdman
Mark Ruffalo – Foxcatcher
J.K. Simmons – Whiplash

BEST SUPPORTING ACTRESS
Patricia Arquette – Boyhood
Jessica Chastain – A Most Violent Year
Keira Knightley – The Imitation Game
Emma Stone – Birdman
Meryl Streep – Into the Woods
Tilda Swinton – Snowpiercer

For complete list see http://www.awardsdaily.com

SAG Award Nominations Announced! Aniston & Jake G. in, Oyelowo Out. No “Selma” or “Unbroken” anywhere.

Into the Woods 1Julianne Moore 2Nightcrawler 2Well, the SAG Awards nominations are out, and I’m so happy to sey that Eddie Redmayne was nominated for Best Actor and so was Jake Gyllenhaal for “The Theory of Everything” and “Nightcrawler” respectively. Patricia Arquette was put BACK in the Supporting Actress category after being bumped up to lead for “Boyhood.” And Marion Cotillard was left out completely for “Two Days, One Night.”

So it’s bittersweet. I’m sooo glad for Eddie and Felicity Jones for “Theory” which was also nominated for Best Ensemble, which is the SAG equivalent award for Best Picture. Also left out were David Oyelowo for “Selma.” In fact “Selma” was not mentioned anywhere!

Jennifer Aniston FINALLY got some serious acting  cred for the first time in her career this morning, from THE ACTORS of SAG, who nominated her for Best Actress in the little-seen indie “Cake’, landing her in that fifth hotly contested slot, bumping out Maid Marion and Hilary Swank, who  was up for “The Homesman.” The others in Best Actress, besides Aniston and Jones were Julianne Moore for “Still Alice”, natch, Rosamund Pike for “Gone Girl” and Reese Witherspoon for “Wild.”

And the National Board of Review Award for Best Supporting Actress did NOT help Jessica Chastain with the actors of SAG. She did NOT receive a nomination here. Perhaps her THREE films, “The Disappeance of Eleanor Rigby”, “Interstellar” and “The Most Violent Year” cancelled each other out and allowed for the REALLY OFF THE WALL out of NOwhere nomination for Naomi Watts as  a Russian prostitute in “St. Vincent” to get in. Other nominees in Supp. Actress besides Arquette and Watts were the deserving Keira Knightley for “Imitation Game,” Emma Stone for “Birdman,” and of course, Meryl Streep for “Into the Woods.”

The Oscar Nominations,which aren’t due til January, are hopefully going to include Marion Cotillard and probably Jessica Chastain, too.

This is a whiter than white list of nominations. Perhaps the Golden Globe nominations tomorrow will color correct this. For a complete list of the nominees check out http://www.awardsdaily.com

Sasha Stone & Jeff Wells Champion Marion Cotillard’s Oscar Chances!

Marion 2Sasha Stone, the beyond brilliant chronicler of all things Oscar, has written ANOTHER one of her most impassioned pieces at http://www.awardsdaily.com called “Are the Oscar Pundits Dropping the Ball on Marion Cotillard?” And of course, yes, they are! But this pundit is not! Dear Readers, Dear Cineastes…The Immigrant 1

Jeff Wells is all het up about it, too, at http://www.hollywood-elsewhere.com Jeff writes on and on about Marion’s plight in the positioning her, or the lack of it for two great performances this year, “The Immigrant” and “Two Days, One Night” and right now as Jeff points out “She is HAPPENING!” which is something wonderful to hear about this year’s Oscar race for Best Actress.

I mean, face it. There’s really been almost no heat happening at all. Until now. It’s all just been Julianne Moore’s to lose. And now I love Julianne Moore. Everyone in Hollywood AND Elsewhere does. And she’s never won an Oscar and this year it seemed finally to be HER MOMENT. Until Marion Cotillard started winning like FOUR Best Actress Awards across the country in the past week, and Julianne, well, she came in second to Patricia Arquette in the L.A. Film Critics Best Actress race.

Jeff Wells has started hilariously calling them, the LA Film Critics, “The Lunch-breakers” and he’s going  to make that name stick.

Of course, of course, “Deux Jours, Une Nuit” is a Belgian film in French. But it’s SUPERB! It’s going to be high up on my Year’s Ten Best List that I’m now working on.

Madame Marion already has an Oscar already, for “La Vie En Rose.” But it’s been seven years since that wonderful, historic event happened. No actress had ever WON an Oscar for acting in French. Could she do it again this year for “Deux Jour…”? I know it sound impossible, but if people like Sasha Stone and Jeff Wells keep writing about her chances so excitingly, maybe she will.

Independent Spirit Awards Announced, No “Imitation Game,”No “Wild”, No Reese

Tilda 2Marion Oscar1Birdman 1The Independent Spirit Awards were announced this morning in L.A. No surprise that “Birdman” & “Boyhood” did very well, but “Selma” which STILL is in post-production broke through in several categories. However, the TWC’s big awards player “The Imitation Game” was nowhere to be seen!

Some faves of mine did pop up. Tilda Swinton, who is being honored at the Gothams here in NYC on Monday and Marion Cotillard. Both were nominated for Best Actress for “Only Lovers Left Alive” and “The Immigrant.” Would that Mlle. Marion could crack the OSCAR best actress race for ANOTHER incredible performance in the Belgian film “Two Days, One Night” which was another of her incredible performances in French. C’est la Vie! C’est la Guerre!

However, I was NOT surprised to see that neither “Wild” nor its’ leading lady, Reese Witherspoon turned up. It was a VERY tedious film. I watched the whole damn thing and STILL didn’t know why she was doing all that hiking. No Laura Dern in Supporting either for “Wild.” So not only was “Imitiation Game” shut out, “Wild” was, too!

Shut in, IOW, nominated also in as many categories as “Boyhood” was Jake Gyllenhaal’s marvelously creepy “Nightcrawler.” Yay!

THx to Hitfix for the list!

See the full list of nominations below:

Best Feature
“Birdman or (The Unexpected Virtue of Ignorance)”
“Boyhood”
“Love is Strange”
“Selma”
“Whiplash”

Best Director
Damien Chazelle, “Whiplash”
Ava DuVernay, “Selma”
Alejandro G. Iñárritu, “Birdman or (The Unexpected Virtue of Ignorance)”
Richard Linklater, “Boyhood”
David Zellner, “Kumiko, The Treasure Hunter”

Best Screenplay
Scott Alexander & Larry Karaszewski, “Big Eyes”
J.C. Chandor, “A Most Violent Year”
Dan Gilroy, “Nightcrawler”
Jim Jarmusch, “Only Lovers Left Alive”
Ira Sachs & Mauricio Zacharias, “Love is Strange”

Best First Feature
Ana Lily Amirpour, “A Girl Walks Home Alone at Night”
Justin Simien, “Dear White People”
Dan Gilroy, “Nightcrawler”
Gillian Robespierre, “Obvious Child”
Anja Marquardt, “She’s Lost Control”

Best First Screenplay
Desiree Akhavan, “Appropriate Behavior”
Sara Colangelo, “Little Accidents”
Justin Lader, “The One I Love”
Anja Marquardt, “She’s Lost Control”
Justin Simien, “Dear White People”

John Cassavetes Award
Jeremy Saulnier, “Blue Ruin”
Eliza Hittman, “It Felt Like Love”
Aaron Katz & Martha Stephens, “Land Ho!”
Dave Boyle, “Man From Reno”
Chris Mason Johnson, “Test”

Best Female Lead
Marion Cotillard, “The Immigrant”
Rinko Kikuchi, “Kumiko, The Treasure Hunter”
Julianne Moore, “Still Alice”
Jenny Slate, “Obvious Child”
Tilda Swinton, “Only Lovers Left Alive”

Best Male Lead
André Benjamin, “Jimi: All Is By My Side”
Jake Gyllenhaal, “Nightcrawler”
Michael Keaton, “Birdman or (The Unexpected Virtue of Ignorance)”
John Lithgow, “Love is Strange”
David Oyelowo, “Selma”

Best Supporting Female
Patricia Arquette, “Boyhood”
Jessica Chastain, “A Most Violent Year”
Carmen Ejogo, “Selma”
Andrea Suarez Paz, “Stand Clear of the Closing Doors”
Emma Stone, “Birdman or (The Unexpected Virtue of Ignorance)”

Best Supporting Male
Riz Ahmed, “Nightcrawler”
Ethan Hawke, “Boyhood”
Alfred Molina, “Love is Strange”
Edward Norton, “Birdman or (The Unexpected Virtue of Ignorance)”
J.K. Simmons, “Whiplash”

Best Cinematography
Darius Khondji, “The Immigrant”
Emmanuel Lubezki, “Birdman or (The Unexpected Virtue of Ignorance)”
Sean Porter, “It Felt Like Love”
Lyle Vincent, “A Girl Walks Home Alone at Night”
Bradford Young, “Selma”

Best Editing  
Sandra Adair, “Boyhood”
Tom Cross, “Whiplash”
John Gilroy, “Nightcrawler”
Ron Patane, “A Most Violent Year”
Adam Wingard, “The Guest”

Best Documentary
Iain Forsyth & Jane Pollard, “20,000 Days on Earth”
Laura Poitras, “CITIZENFOUR”
Debra Granik, “Stray Dog”
Juliano Ribeiro Salgado and Wim Wenders, “The Salt of the Earth”
Orlando von Einsiedel, “Virunga”

Best International Film
Ruben Östlund, “Force Majeure”
Pawel Pawlikowski, “Ida”
Andrey Zvyagintsev, “Leviathan”
Xavier Dolan, “Mommy”
Lav Diaz, “Norte, the End of History”
Jonathan Glazer, “Under the Skin”

Robert Altman Award
“Inherent Vice”

Special Distinction Award
“Foxcatcher”

Piaget Producers Award
Chad Burris
Elisabeth Holm
Chris Ohlson

Someone to Watch Award
Ana Lily Amirpour, “A Girl Walks Home Alone at Night”
Rania Attieh & Daniel Garcia  , “H.”
Chris Eska, “The Retrieval”

Truer Than Fiction Award
Amanda Rose Wilder, “Approaching the Elephant”
Darius Clark Monroe, “Evolution of a Criminal”
Dan Krauss, The Kill Team”
Sara Dosa, “The Last Season”
Read more at http://www.hitfix.com/in-contention/birdman-boyhood-selma-lead-the-2015-independent-spirit-awards-nominations#v4s51biGLUv5lUet.99

Jeff Wells Applauds Scott Feinberg’s AFI Panel

Tilda Marion OscarTilda 2Marion Oscar1Jeff Wells does it again! He hits the Oscar bulls-eye on almost a daily basis, but he really out-did himself today putting up an ENTIRE mind-blowing AFI panel which he called Scott Feinberg’s Incredible 8.

And on that panel, on the same stage(!) were not only Jake Gyllenhaal, but also Oscar winners Tilda Swinton and Marion Cotillard(!!!) as well as Kristen Stewart(whom I actually liked here for the first time) all of them talking about Independent Films and how much they love them and how devoted they are to making them. And how difficult it is. And how there is no money for it almost always, but they press on anyway.

Tilda gave a rousing speech about the late gay filmmaking legend Derek Jarman, who died of AIDS, and was a major figure in England, but is still relatively unknown outside cinephile audiences in the United States.

It really blew my mind to see her, and Marion, and Jake, all of whom I’ve interacted with many times and interviewed and known for many years now all on the same stage at once.

Scott Feinberg(STILL the only Oscarologist who links to this blog) really was in his glory and his finest hour to date hosting this at the AFI fest in LA, which is hotter than it’s ever been.

Here’s the link ~ It’s over an hour but I was spell-

bound.http://www.hollywood-elsewhere.com/2014/11/feinbergs-admirable-eight/

He calls it Feinberg’s Admirable Eight and I was surprised and delighted to see former winners Tilda and Marion working it, as it were for their films this year. “Snowpiercer” and “Two Days, One Night.” Especially when I was told by the film’s peeps that they weren’t going to do an Oscar campaign for Marion, though certainly her performance is one of the best of the year. And is definitely going to be on my Ten Best List.

And I kept wondering where I had ever seen them together before and then I remembered! They both won their Oscars in the same year!

Marion for “La Vie En Rose” for Best Actress and Tilda for “Michael Clayton” for Best Supporting Actress! THAT BLEW MY MIND!

 

Colin Firth Strong, Emma Stone Weak in Woody’s (NO) “Magic in the Moonlight”

“I want MAGIC” screams Blanche du Bois in Tennessee Williams classic “Streetcar Named Desire”. And I was screaming “I want magic, too!” As Woody Allen’s latest “Magic in the Moonlight” unspooled before me and I didn’t laugh once.

It LOOKS Magical. The cinematography of Darius Khondji is simply swoon-worthy. The Riviera never looked so lovely! Truly! But aside from a very, very strong performance by Colin Firth, it’s not much fun. Although Eileen Atkins as his sensible aunt (they’re both British of course) is also very good. But this film that looks like it should be a comedy, is simply not funny at all.

Firth has the challenge of getting up in yellow-face and being a stage magician  named Wei Ling-Soo, who makes elephants disappear and saws ladies in half, and is an extremely pessimistic curmudgeon. He spews venom constantly throughout the film in all directions, which is arresting, but not funny. Unlike the other recent magician in an Allen film, the great Splendini, in “Scoop” who Allen played himself. “Scoop” was set in London with Scarlett Johansonn in the female lead, a role Emma Stone essays so poorly here. “Scoop” was funny and good-natured as “Magic in the Moonlight” is bitter and grim. Good qualities in a drama, like “Blue Jasmine” but not is a half-baked pseudo-farce.

How can this much heightened sarcasm be not funny in a Woody Allen film? Well, for one thing his character seems an utter realist, if not a downright atheistic. Yes, that’s right. This is a film that is about atheism. Or a comedy about atheism. WTF? It’s seems like it should be by Ayn Rand and black and white and set in the ’40s.

Not the glamorous 1920s, a period Allen returns to again and again. And he’s done it better. I just watched “Midnight in Paris” for the umpteenth time last night and it delighted and chilled me all over again. I actually got goose bumps from it and from Mlle. Marion Cotillard’s superb performance.

And there were actually French people in it. And they spoke French! Imagine that! In “Magic in the Moonlight” we have the beautiful French countryside, but no French people are in it. At All.

And Emma Stone is very, very weak in this. As a supposed psychic, she’s a little spacey, a little kookie. Her red-hair flies beautifully in the wind. She has lovely large eyes, but Woody seems to have a problem with her overly large forehead which is covered up throughout much of the movie by her own bangs, which is fine and series of tam o’shanters, head-bands and hats with extremely low brows, which would look fine on Marion Cotillard, but on Stone they make her look odd. She is photographed soooo well in fact, she looked liked she’s acting, but she isn’t. The cinematography and costumes were acting FOR her.

I didn’t ever think I would miss Scarlett Johansonn, but in this film, I did. Stone is really out of her depth here, and she shouldn’t be.

I just attended a press conference for this film with Emma Stone notably absent. And Colin Firth when asked about working with her, just skipped the question entirely. “My Best Day?” he was asked, ” I guess the scene in the planetarium at night. I was wet. And I felt wet, so that was good.”

Unfortunately, it’s (no) “Magic in the Moonlight” that is all wet. Sadly.

Every OTHER film of Woody’s recently has been terrific. “Midnight in Paris” was a masterpiece. “To Rome, with Love” was a dud. “Blue Jasmine” won Cate Blanchett an Oscar for Best Actress, and so we were due for another disappointment, and unfortunately, we got it.

I can’t wait for the next one, however. That’ll be good again.

Woody did a press conference in New York today. He NEVER does that. I sensed Flop Sweat and I was right. But Colin saved the day, and Jacqui Weaver was buoyant, too.

Woody said “Life is meaningless.” And he meant it. And then added “Now that I’ve depressed you thoroughly, have a nice weekend.”Magic in the Moonlight 1Magic in the Moonlight 2

 

 

 

 

 

 

 

 

 

 

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