a.k.a. "The Oscar Messenger"

Posts tagged ‘Marilyn’

Excellent “Oscar Index” at Movieline asks “Is it February yet?” Lol…

Do I love that Oscar Index, penned by the redoubtable Stu Van Airsdale over at the increasingly necessary www.movieline.com ? Yes! I do! I highly recommend it for its’ humor is as good as anything in the New Yorker. Yes, I have now mentioned the words “Oscar” and “The New Yorker” in the same sentence! I admit it!

I have no ads. So I can say anything. And I do. On my blog. On my TV show.

And Stu’s Oscar Index constantly surprises me! Like for instance the major surprise this week was French actress Berenice Bejos, who I just ADORED in “The Artist,” and was always championing since I saw the movie in Montreal- well, Berenice has now bounced right into the center of the Oscar Index’ Best Supporting Actress chart! And fittingly enough, she’s pictured as a Black and White bobble-head, and like the film, she’s not in color.

“The Artist” won the Hamptons Film Festival Audience choice award this past week, so Harvey W. is once again, a happy Hamptons-goer. Last year, “The King’s Speech” won this award.

Besides the Toronto Film Festival audience award, it was the only other award it won on its’ surprising Oscar journey. “The King’s Speech” I mean. Last year, it didn’t start its’ OSCAR winning streak til that famous night at the PGA awards in Hollywood where it won, unexpectedly. Not unexpected by me, though.

But whether it’s “The Artist” or “My Week with Marilyn” the Oscar this year also seems to have Harvey’s name on it. Just like last year. Will the Academy become sick of his dominance? No. I don’t think so. They LOVE it! It’s a throw back to the days of the REAL Old Time Hollywood mogols of yore. Louis B. Mayer, David O. Selznick. Daryl Zanack. Sam Goldwyn, etc. etc. etc.

It’s a Weinstein world and we just live in it! I guess you could replace that noun with George Clooney and you’d be equally right.

Every where I turn in New York right now, George Clooney is coming at me. Off billboards, off BUS ADS, and this is just for “The Ides of March”! Which is sinking link a stone according to Oscar Index,  but is maintaining a low watt Box-Office, but holding steady. The upcoming “The Descendants” is the one who will win George his second Oscar this year. If he is to win it for anything.

And then, on that momentous day at the end of November, “The Descendants,” “My Week with Marilyn,” “The Artist,” and “Hugo” ALLLLL OPEN ON THE SAME DAY! I still can’t get over that confluence of circumstances! And release dates!

And Stu has the brilliant Viola Davis in second place this week. And he drops Michelle Williams down to third, for “The Help” and “My Weekend with Marilyn” respectively.

Now my main prob with Viola Davis is where EXACTLY Disney is gonna place her. In lead? Or Supporting? If she’s in Supporting, she’s a slam dunk. If she’s in lead, it’s iffy. And Category Confusion could lead her to end up where the equally brilliant Lesley Manville ended up last year for “Another Year.”Which is NOWHERE. It COULD happen.

Note to Disney/Dreamworks – MAKE VIOLA’S CATEGORY CRYSTAL CLEAR or else it’s Lesley Manville time…again.*sound of crickets chripping*

Oscar Index still has Meryl Streep’s unseen “Iron Lady” at No. 1 And Gorgeous George is STILL topping Best Actor, naturally. For “The Descendants” which I agree with.

But Meryl? Still? As Margaret Thatcher? One of the most unsympathetic female figures of our times? And rumored to be about her at the end of her life as an Alzheimer’s patient? Didn’t we see this movie before? With Judi Dench? And it was called “Iris”? And James Broadbent was playing her understanding care-giver of a husband? And he won a Supporting Actor Oscar for it? And isn’t James Broadbent playing that same role in “The Iron Lady”? And isn’t it directed by the woman who directed “Mamma Mia”?(which I LOVED by the way.) But the “Iron Lady” doesn’t sound like a light-hearted musical frolic. At least not on paper. Nobody’s seen it, so nobody knows. Yet Oscar Index AND the Gurus o’ Gold are putting Meryl on top of their lists. Me. I’ll wait to see it.

And yes, that’s Harvey’s movie, too…

Just to make everything even more confusing, for us. Never mind him or the entire staff of the Weinstein Co. Who are TOTALLY ready for this challenge of challenges by the way. They can handle anything. Including multiple Oscar campaigns.

Which some people, like Strand Releasing’s Marcus Hu, doesn’t seem to be able to do. At least not according to Jeffrey Wells, the untamed blogger extraordinaire who has now fallen so hard for low-budget, British Indie “Tyrannosaur” that he’s starting to try to raise money through his website www.hollywood-elsewhere.com for Olivia Colman’s lead performance.

Not having seen it, I haven’t a clue how misguided or guided this latest scream of a scheme Jeffrey, an Internet legend to put it mildly, has come up with. You can follow this critic-takes-on-the-role-of-press-agent-to-the-Oscars story blow by hilarious blow at Hollywood-Elsewhere.

It sounds just nuts. Jeffrey thinks his readers will contribute to HIS pay pal account to fund this $2000 evening screening in Hollywood. That’s what it costs, evidently per very nice screening room in L.A. Who knew?

And then, suppose he raises it? Does that mean anyone will come to the screening? First rank critics? AMPAS members? Suppose no one comes? Suppose this rash and unprecedented action turns off more Academy Members than it turns on? To “Tyrannosaur”? To Olivia Coleman? An unknown middle-aged British actress playing an abused wife in a council flat somewhere in Northern England?

I think this is all because Jeffrey was unable to switch his flight back to L.A. from NYC when the NYFF switched the press screening of “My Weekend with Marilyn” to a week ago Sunday. Causing Jeff to miss it completely. On both coasts. If he had seen it, he wouldn’t be going off the deep end like this, I can assure you. Over Olivia Coleman? Really?

Seems he doesn’t like the screenings in L.A. Strand Releasing is (not) setting up for “Tyrannosaur.” What next? And I didn’t know Jeffrey was SUCH an Anglo-phile.

Bottom line, he’s getting a lot of attention(read hits, read Internet traffic) for this. And is this helping Olivia Coleman? And her teeny tiny distributor Strand? I’ve admired Strand for years, but it’s no secret that they don’t have the big bucks. And Oscar campaigns cost MONEY. Maybe you didn’t know that, but now you do.

Is Jeffrey hurting more than he’s helping? Stay tuned. Meanwhile, enjoy Oscar Index at Movieline. THAT’S on the money.

NYFF ends…with a Sneak Peak at Martin Scorsese’s “Hugo”

Yes, it’s finally over! The Best-It’s-Ever-Been 49th Edition of the New York Film Festival! The high points were really high – Centerpiece “My Week with Marilyn” totally blew me away & is probably going to net star Michelle Williams her first Oscar &  Closing Night’s Alexander Payne’s “The Descendants” is probably going to get George Clooney his second. They are both launched, in any case. Ditto “The Artist” also playing here. And Pedro Almodovar’s super superb “The Skin I Live In.”

Yes, if you’re looking to see Oscar fare FIRST from the comfort of your NY-adjacent home, then the NYFF is your cup of tea. And apart from Oscar seekers, there are also films that you get to see in the exciting, glamorous, cinema-loving situation that seem just that more special because you’re viewing them in this unique setting on a big screen, my favorite way to see films. Period.

Like for instance, you could see TWO brand new films, in two entirely different genres, by one grand master of cinema, Martin Scorsese’s 4 hour documentary on George Harrison “Living in the Material World” which is one of the best films he’s ever made. Totally joyous, celebratory, informative, transportive.It’s length not a problem, and coming soon to HBO., where it will be seen in two parts, Beatles and post-Beatles.

Also, there was the thrill of seeing a sneak peek of his new full length feature film “Hugo” which is in 3-D. We, the press, were warned it was still a “work in progress” and not for review. So I will say no more at this point, but that is was very exciting to be allowed to be there. And Scorsese was there himself, in person, to introduce the film.

Sometimes this Business of Show makes me feel outside of things, sometimes, but that night I felt as “In”as In could be, and thank you for including me, NYFF.

I, a Native New Yorker, finally felt like I was being given the keys to the city, albeit for just one brief night.

And the addition,  the two brand spanking shiny new smaller screens across the street from the Walter Reader Theater, the Beale and the Bunin, and the intimate new restaurant between them all, provided  much-needed new spaces that were just a delight to eat in, to watch films in or to just hang out with other festival-goers.

And then there’s the amazing things that happen at the NYFF  – apart from the films, if you can imagine such a thing. Like for instance, “My Weekend with Marilyn” being so tumultuously received that its’ distributor the Weinstein Co. MOVED its’ opening date back three weeks to THE SAME DAY in late November as its’ other Oscar-bait-y film “The Artist”!?!? Now, THAT was stunning development. And not only that. It’s the same day in November that “The Descendants” and also “Hugo” are opening!!?!?!! OMG!

What does all that mean????? Yikes!

Well, it will be a very busy day for the newspapers, the few newspapers, that are left to cover the movies in their movie sections. That are losing readers and advertising EVERY DAY in the Internet. But as you may have noticed not to this particular section of the Internet “The Stephen Holt Show”s blog, which is still AD FREE.

And It’s going to make for a  very, VERY interesting weekend, Thanksgiving weekend, BTW, at the box-office! Yikes!

But “The My Week with Marilyn” reaction was so overwhelming and so positive, this move gives The Weinstein Co. three more weeks to mount a MAJOR Oscar campaign in all categories, something it may or may not have been planning before. IOW, not only for Michelle Williams, brilliant as ever, but also for Kenneth Branagh as Sir Laurence Olivier(a slam-dunk, methinks), Dame Judi Dench as Dame Sybil Thorndike and Eddie Redmayne as the beguiling “My” of the title. Ditto the director Simon Curtis, the screenwriter Adrian Hodges, the cinematographer Ben Smithard, production designer Donal Woods, the costume designer Jill Taylor, the score(Conrad Pope & Alexandre  Desplat) and everything else you, and Harvey Weinstein can think of.

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