a.k.a. "The Oscar Messenger"

Posts tagged ‘Life of Pi’

Oscars! “Argo” wins Best Picture, Jennifer Lawrence wins Best Actress & falls down!

I really enjoyed this year’s Oscars. I ADORED Seth MacFarlane as the host and hope he’ll be back for more! He was funny, and insulting, but not tooooo insulting. Since when did it become a pre-requisite for all Oscar hosts to act like Ricky Gervais?
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This above ^ introductory paragraph was written before the anti-Seth MacFarlane outcry began today and before MacFarlane himself nixed the idea on Twitter.

I must tell you dear cineastes, dear readers, that I am late in responding to the Oscars because a) I was at a wonderful Oscar party with friends on Sunday and b) on Monday I had to start physical therapy for a back and neck injury and it knocked me sideways. But I was feeling, and walking, much better today. I felt a real spring in my step. Was it the Oscars? I think so. Also, Spring is coming. Right? Isn’t it?

But I’m back up tonight and shocked, SHOCKED by everyone in the media world dumping on the stupendous Seth. He can sing. He can dance. He’s got a dazzling kind of Donny Osmond-like charisma, that he undercuts totally with his wicked sense of humor. And I guess it was just too wicked for some. But he’s got a big career ahead of him whether he ever hosts the Oscars again, but since the ratings were WAY UP, he just might be back. He said “Tina and Amy will be doing this next year.” But I wonder…

Everyone at my party enjoyed it and so I am saddened that there was all this back-lash. Seth, I love you! And I thought you did a magnificent, hysterical job!

Quick-witted Seth sort of sank himself at the beginning of the show by doing 17 minutes with the barely endurable William Shatner, who was “beamed in” on a screen above the stage, in all his Star-Trek paraphernalia, and proved just why HE was never a movie star himself.

I know he’s from Montreal, but he was flat-out boring in that flat-lining opening gambit. And it went on far too long, ending, however, in the hilarious set-up of the Gay Men’s Chorus of L.A. singing “We Saw Your Boobs,” which is a number that will go down in Oscar history as love it or hate it, but me, I thought it was the essence of great comedy.

Not unlike his screamingly funny, and money-making film “Ted.” The potty-mouthed Teddy Bear, who MacFarlane voiced in the hit movie, also made an appearance with Mark Wahlberg to announce the Best Sound Categories. Which was an unprecedented tie for Sound Editing between “Zero Dark Thirty” (the only award it got) and “Skyfall” which also got Best Song for Adele.

The hue and cry against MacFarlane has all but dwarfed the actual awards and movies themselves as Oscar Goddess Sasha Stone points out at http://www.awardsdaily.com , but I’m happy to say that “Argo” won three. and Ben Affleck had his great moment in the sun, winning as a producer of the hit film, along with fellow producers,Grant Heslov, who hogged the microphone, and George Clooney, who stood by totally silent, and in a beard, clutching his hard-earned second Oscar like it was pure gold. Which it sort of is. But only gold-plated, really.But his firm grip was noticeable. I thought he was gonna break it in two. But then remember just last year, when he lost out on Best Actor to Jean DuJardin for “The Artist.”

Affleck was incredibly moving as he told everyone everywhere in the world to “never give up.” I took that very much to heart. He also said “Never hold grudges” in Hollywood. And to “always get back up when the world knocks you down.” Words of wisdom all…

“Argo” won Best Adapted Screenplay which I correctly predicted and also Best Editing for William Goldenberger, which I predicted, too. It lost out on Best Score. I thought they would acknowledge Alexandre Desplat, subtle, Middle-Eastern flavored work, but no, they instead gave to “Life of Pi”, which was Indian-flavored.

Affeck’s words about when the world knocks you down, get up, were illustrated minutes earlier, in a Forever in Oscar History Moment when Best Actress winner Jennifer Lawrence tripped on her massive Dior gown and face-planted right on the stairs up to the Oscar stage! For the rest of her career everyone is going to remember her like that! And then she got a standing ovation! Everyone loved her for it! And I did, too!

A great screen comedienne, as well as a talented actress, who is being rewarded at 22. And probably will be again, in a career that is looking by the minute. to be of LEGENDARY PROPORTIONS.

Her fall made the front pages of newspapers around the world! The New York Post headlined her prone picture with the words “Fallen Star”! Lolol..

That fall all but knocked Anne Hathaway’s win for Best Supporting Actress for her stunning, unforgettable turn as the doomed prostitute Fantine in “Les Miserables” out of everyone’s memories.

Hathaway’s unfortunate change of dress from Valentino to Prada, resulted in emphasizing her nipples to a ridiculous, impossible to ignore degree. I know. I know. It was only two seams hitting the wrong places, or perhaps the right places, because this made her pale, pale pink Prado famous around the world for all the wrong reasons. Joan Rivers cracked “Anne Hathaway was with the Pointer Sisters. And they were all very excited to be there.” I think, Anne Hathaway’s Nipples have their own Twitter account.

She’s a great, great young actress, who is just turning 30 and is at the height of her career, and I couldn’t be more happy for her! Congratulations, Annie! You had Oscar at “Hello”! The minute they released the “Les Miserables” trailer in June, I predicted she would win this! And I also predict this will not be her last Oscar. Only her FIRST!

There was a very rousing medley of “Les Miz” sung live by the entire cast, including Russell Crowe(!) and Annie. Another standing ovation! “Les Miz” got three Oscars, the same number as “Argo.” It also won Best Hair and Make-Up, as I predicted, and Best Sound Mixing, for its’ incredible blend of the live singing with a 60(!) piece orchestra that was added later! It’s a stunning achievement, my favorite film of the year and I wish it had won more.

The Academy really OWED Anne Hathaway an Oscar I.O.U. to quote Tom O’Neil, who was in Oscar heaven hyper-drive over at http://www.goldderby.com. After what she went through with James Franco! And their co-hosting a couple of years ago. That was ANOTHER one of Annie’s great performances as she kept trying to keep the show going at all costs despite Franco’s complete, er, disinterest…

And I can’t help but think that Ang Lee’s winning Best Director for “Life of Pi” and Annie’s win for “Les Miz” on Sunday night, were a kind of karmic pay-back from the “Oscar Gods” as Ang called it in his acceptance speech, for that awful night when “Crash” beat “Brokeback Mountain.” And the late Heath Ledger got his Oscar, too, although it was posthumously for “The Dark Knight.”

I was very happy for all of them.

A great, great, memorable show overall,too. I’ll never forget it! And I’ll have plenty more to say about it soon.

Oscar to Spread the Wealth! Final Predictions in All Categories!

I think Oscar is going to spread his love all over many movies on Sunday night at the Dolby pavillion, and there’s going to be at least one major upset. Read below.

This is NOT who I WANT to win, but who I think will win. Never did ALLLLL the categories before, but FINALLY this year, I think I can.

Best Picture ~  Argo ~ Slam Dunk. It even just won Best Foreign Film at the Cesars, France’s Oscars. Does any one else even have a chance? Would be the ultimate shock if that happened.

Best Actor – Daniel Day Lewis. Does anyone else have a chance? No. Wish it was Hugh Jackman, but…

Best Actress- Jennifer Lewis ~ She’s Hollywood’s future. Young, beautiful, shapely, funny. She’s got it all. A last-minute surge of Emmanuelle Riva for “Amour” is not gonna be enough. I think not enough people saw it. Believe it or not. But they ALLLL saw “Silver Linings Playbook.”

Best Supporting Actress ~Anne Hathaway. “Les Miz” Slam dunk. See Daniel Day-Lewis.

Best Supporting Actor ~ Robert De Niro “Silver Linings Playbook” He’s got the Weinstein Co. behind him full force. If for some unforseeable upset in Best Actress, meaning Riva OR Qu’venzhane Wallis(my pick. I would vote for her. I WOULD!) getting R. De Niro his third Oscar is where “Silver Linings Playbook” will prevail. It just went of $100 million just this past week.
But if ALAN ARKIN wins here for “Argo” you KNOW that “Argo” is going to win everything it’s nominated for, which it might. It’s not just gonna win Best Picture.

<p>Best Director ~ Ang Li “Life of Pi” Beautiful film, best use ever of 3D, and degree of difficulty make this a second Best Director win for the much loved director of “Brokeback Mountain”. That terrible night when “Brokeback” lost to “Crash” may make Ang Li winning again, a KIND of Karmic pay-back. Same thing happened to the late Heath Ledger, but he was gone, tragically, when he won for “The Dark Knight.” I just feel Heath steering Ang’s boat to shore here.

Best Original Screenplay ~ Michael Hanke “Amour” I think this is the big win for “Amour” like it was for Pedro Almodovar for “Talk to Her” a few years back.

Best Adapted Screenplay -Chris Terrio for “Argo”.Again. It’s going to be an “Argo” kind of night.

Best Cinematography – Claudio Mirando for his beautiful work in “Life of Pi”

Best Visual Effects- Again, “Life of Pi”

Best Costumes -Jacqueline Duran “Anna Karenina” Wish it was going to win more. Another beautiful, beautiful film that wasn’t appreciated as much as it should’ve been.

Best Production Design ~ “Les Miserables” ANOTHER Beautiful film that didn’t get its’ due. I’ve seen it FOUR times! It’s nominated for Best Picture, so I think it will win this category, which used to be called Best Art Direction. They like them big and dressy and period in this category.

Best Film Editing ~ William Goldenberger  for “Argo”. He also edited much of “Zero Dark Thirty” which I don’t think it going to get anything, unfortunately. Too much controversy.

Best Song ~ “Skyfalll” and Adele will blow the roof off the play. Especially if this loses to “Suddenly” from “Les Miz.

Best Score – Alexandre Desplat “Argo” AGAIN.

Best Sound Editing ~ “Argo” AGAIN.

Best Sound Mixing-“Les Miserables” No contest. The live singing was brilliantly mixed!That’s Sound Editing at its best. And how it was blended, later with a 60 piece orchestra! Incredible!

Best Animated Short – “Paperman” Disney’s first black-and-white cartoon since when? “Steamboat Willy”?

Best Live Action Short – “Buzkahshi Boys” The actual Afghan locations and child actors are breathtaking and heartbreaking. Revelatory. And director Sam French is a director/Rock-Star in the making. Alternately, it could be the only film in English, “Curfew” set in New York City. Which is the light-er funny one here. Sometimes that wins this. But who has heard the Afghan language actually as spoken dialogue in a film?

Best Documentary – SHOULD be “Invisible War” but probably will be the very popular “Searching for Sugar Man.”

Best Doc Short “Open Heart”

Best Animated Feature ~ “Wreck It Raplph”

And the biggest surprise upset? Could be if “Amour” does NOT win Best Foreign Film, yes! It could happen! And it goes instead to the feel-good high-seas adventure, Norway’s “Kon-Tiki>” How can that happen when “Amour” seems so locked and so acclaimed and awarded? It’s,as they say, a difficult sit. For “Amour” details in stark, sterile clarity the step-by-step deterioration of a Parisian married woman, Emmanuelle Riva’s acclaimed Ann, after a series of strokes. It’s NOT for the faint-of-heart, which the small, the VERY small and elderly group of Academy voters, who vote on Best Foreign Film, are noted to be.
Anyone who’s a member can vote, but they have to sign in at the screenings of ALL FIVE FOREIGN FILMS, to make sure they’ve seen them all. This also applies to Doc Shorts.

It used to be applicable to Animated and Live Action Shorts and Feature Docs, too, but for the first time this year, they’ve opened up the voting to all 6,000 Academy members and deluged them with screeners. So now, a new rule must be applied. The most popular film like “Searching for Sugar Man” is the likely win over the VERY serious “Invisible War.” Unfortunately.

That’s at least four or is it five for “Argo”? Four for “Les Miserables”,Three for “Life of Pi”,Two for “Silver Linings Playbook”,One for “Amour” and One for “Lincoln” 

 

Check back on Monday and see how right, or WRONG, I was! Have fun watching the Oscars!With “Les Miserables”, “Argo”, “Lincoln”, “Silver Linings Playbook”, “Django Unchained And “Life of Pi” alllll having past the $100 million mark at the box-office, this may be the most-watched Oscars in a very, very long time.

Who Will Harvey Pick? He’s Got THREE Best Supp. Actors

It’s raining/sleeting/snowing in NYC, but to continue with my train of thought since the last post… Who will Harvey Weinstein pick of his threesome of Best Supporting Actors to push, push, push to Oscar gold?

I guess it was noticed that Phillip Seymour Hoffman was MIA to pick up, or even show up, for the Awards shows this past week. I think he’s rather furious that he’s been relegated to Supporting Actor, for what clearly was a co-lead in the flop “The Master.” So he’s not being super-co-operative. Or PSH is seeing the handwriting on the wall and it’s not spelling HIS name.

I think it’s spelling Robert Deniro’s. Yes, for the audience-friendly “Silver Linings Playbook,” which is only now going wide.The box-office for “SLP” has not being overwhelming to say the least. It’s a difficult, quirky comedy. Or dramedy. And it’s a small, domestic-arguement kind of film. It doesn’t have the range or scope of the epics of this year, “Les Miserables”, or “Argo” or “Zero Dark Thirty” or “Lincoln.”

The “Lincoln” camp is quaking in their boots. Getting “Hilary Clinton’s husband,”to quote the super sharp Amy Poehler, the evening’s resoundingly successful co-host (along with Tina Fey), to introduce the “Lincoln” clip was the act of a desperate group of people. In this case, Disney. They NEVER have run a successful Oscar campaign. Look at how they botched “The Help” last year.

Their sledge-hammer approach cost Viola Davis her Oscar bid last year. They got Best Supporting Actress for “The Help”s Octavia Spenser, but Best Supp. ANYthing is always considered by the Academy as a consolation prize. It’s just not as important as Best ACTOR and Best ACTRESS and now, this year, Best Director.

Liked Anne Hathaway’s seeming slam-dunk lock for “Les Miserables” That category is effectively closed. Give it up, Sally Field.

But back to Harvey. HE KNOWS how to run an Oscar campaign, and he’s relentless in its’ pursuit. Only this year’s ponies, as my idol Tom O’Neil would say over at http://www.goldderby.com, are not the thoroughbreds he was pushing in the past two historic years when he had “The Artist” and “The King’s Speech.” “SLP” is just NOT as good a film as the two recent Oscar winners, who were both Weinstein Co. productions.

Personally, I think he’s going to go after “Silver Linings Playbook” anyway for the win. Or as many wins as he can get for it. Main among them, Jennifer Lawrence for Best Actress. She already just won Best Actress Comedy at the Globes, but that was ALLLL “SLP” won, no matter how hard Harvey & Co. were campaigning for it. Next up, the SAG Awards, for which Robert Deniro IS nominated, in Supp.

And that means the twice-Oscared, but never SAGed DeNiro could be looking at HIS third Oscar and HE’S campaigning! Something he NEVER does.IOW, he’s co-operating with Harvey’s Oscar vision for “SLP”.

HW COULD prevail for DeNiro, who, let’s face it is a bona fide Oscar legend, and we’ll just see who out of the current Weinstein Co. stable DOES win Best Supporting Actor.

The co-operative Christophe Waltz won his second Golden Globe in two years, thanks to Harvey, for “Django Unchained.” And who gives the Best Performance out of Hoffman, DeNiro and Waltz. I’d say it was Waltz. And that may happen at the Oscars, too. He may duplicate his win as will, I think Quentin Tarantino in Best Original Screenplay.

Harvey Weinstein KNOWS how to run an Oscar campaign. Disney does not. And Neither does Fox, who has “Life of Pi” and also neither does Universal, who has “Les Miserables” which SHOULD be the winner IMHO. But alllll these majors, the studios, just aren’t USED to winning Oscars anymore. It’s like they were all born yesterday and only Harvey and the Weinstein Co. know what they are doing….And that’s just the way it is this year, ladies and gente-persons, dear readers, dear cineastes.

Except for the fly in the ointment, “Argo”.

You can’t have TWO Davids v. one Goliath. Like “SLP” AND “Argo” v. Goliath “Lincoln.” So which of “Argo” and “SLP” is the “Little Film That Could”? The Oscar question of the morning.

Oscar Nominee Ang Li “Life of Pi” gets in touch with us!

 

From Ang Lee himself, getting in touch about his gratitude for his being nominated for Best Director and Best Picture for “Life of Pi.” It got many techical nominations, too! ELEVEN Nominations total! ONE behind leader “Lincoln’s TWELVE!And lest we not forget I have to mention that this film OPENED the New York Film Festival 2012! GO NYFF!

“I am deeply honored and frankly a little overwhelmed by all of the nominations that ‘Life of Pi’ has received this morning. So many talented people gave everything they had to this film, both in front of and behind the camera, and to see all of them receive this kind of recognition is something I am incredibly grateful for.”

 

Some fun facts about LIFE OF PI:

 

  • Film is approaching $400 million worldwide gross
  • Film is approaching $100 million domestic gross and Ang Lee’s highest-grossing film to date
  • LIFE OF PI is Ang’s most Oscar nominated film of his career
  • Ang Lee is the only director in the race this year to receive nominations from the Academy Awards, BAFTA, Golden Globes, DGA and the Broadcast Film Critics.
  • While many have assumed that the film can’t win because it has no well-known actors, including an experienced lead actor, the film has made a sweep of key factions including DGA, PGA, WGA, BAFTA, ASC, VES, AFI, ADG, HFPA
  • Previous films including BRAVEHEART, SLUMDOG MILLIONAIRE and LORD OF THE RINGS: RETURN OF THE KING And believe it or not NONE of these films had acting nominations!No, reallY!

– LIFE OF PI fits with the precedent of films that win Best Picture with no acting noms for the following reasons:

  • Large technical achievement (BRAVEHEART and LOTR: ROTK)
  • No big star in the cast (SLUMDOG)
  • Predominantly cast featuring people of color (SLUMDOG)
  • Considered a great directorial achievement (All of them)
  • Non-American stories (All of them)
  • Ang is being recognized for his achievement with this film by VES (Visionary Award), MPSE (Filmmaker of the Year), and the International 3D Society (Harold Lloyd Award). He was also recognized this year as VARIETY’s “International Filmmaker of the Year” at the Mill Valley Film Festival, and he received a Chevalier de l’Ordre des Arts et des Lettres insignia.
  • Film is not a story specific to one country or region – it’s a world wide story
  • Film based on best-selling book that is now back near the top of the NEW YORK TIMES Best-Seller list
  • Film is Ang’s first foray into the world of 3D
  • Famous quote from W.C. Fields about never working with animals or children, but LIFE OF PI has both animals, a young lead actor, and water – and the film successfully uses all three
  • Film crew was comprised of over 3,000 members from all over the world, including members for 21countries worldwide.

 

DGA Nominations! Most Important Predictor Nominations of All!

Here there are – Thanks to Oscar Goddess Sasha Stone at http://www.awardsdaily.com

Ben Affleck – “Argo”
Tom Hooper – “Les Miserables”
Kathryn Bigelow – “Zero Dark Thirty”
Ang Li – “Life of Pi”
Steven Spielberg – “Lincoln”

The Director’s Guild are the most accurate and also most important of all the precursor awards nominations. They match up with the Oscar nominations usually five for five, or at the very least four for five.

Since the ballots voting for the Oscars were all due in on Friday, and nothing received late after the cut-off date will be considered, and since this is the first year that the voting closed BEFORE the DGA noms were announced, we have a unique situation. But maybe not THAT unique, since it is pretty assured that the Oscar noms are gonna go to these guys.

David O. Russell’s controversial hot-head reputation is still following him, I think. And this means “Silver Linings Playbook” a comedy, is not going to win Best Picture.

Also this is the first time in at least three years or more, even, that the Weinstein Co. does not have a pony in this derby as Tom O’Neil would say.I’m sure Tom O. has A LOT to say about this at http://www.goldderby.com

And since O.Russell did also NOT get a Golden Globe nomination he’s pretty much out on his ass.

Also, replacing Quentin Tarantino for “Django Unchained” is “Les Miserables” wunderkind Tom Hooper. I thought the uber-violent “Django” wouldn’t resonate with Academy types, but since this is NOT the Academy, but a separate voting body, the Director’s Guild, you can bet that if THEY with their much larger membership didn’t like it, the Academy won’t either.

This snub might hurt the three purported Best Supporting Actors from “Django” Leonardo DiCaprio, Christophe Waltz(who has an Oscar already) and Samuel L.Jackson.

This also reduces “Silver Linings Playbook” in other categories, too, perhaps. Only Jennifer Lawrence is a lock. In Best Actress.

This also bodes well, very well for “Les Miserables”. The DGA a small, very snobby group, to be sure, like, REALLY likes what recent DGA winner Tom Hooper did with the radical re-thinking of the musical numbers in “Les Miz.” Me? I’ve seen it FOUR times! And maybe means that for instance, in the Supporting Actor category, Eddie Redmayne may get in and the “Django” guyz remaine chained.

Quentin Tarantino supposed respect in Hwood, does not extend to the Director’s Guild. Wait a minute! Does he even belong to it

And all the controversy surrounding “Zero Dark Thirty” did not hurt Ms. Bigelow one bit. Whereas the “Django” controversy did.

And congrats to Tom Hooper! He named me the Oscar Messenger after all! This is a big step forward for “Les Miz”! Yay!

Oscar Maxims of Harvey Weinstein, Advice Taken and Not Taken

How dull would the Awards season be, that is now going full-throttle, well, at least the publicists are, during the holidays this year( more like Holidaze) because of the ridiculously truncated Oscar nomination voting period? How dull would it be withOUT OscarMeister Harvey Weinstein to continually spice things up?

Harvey has a couple of Oscar rules, I’ve gleaned over the years, more like Maxims, really. Words to the wise (if anyone’s really listening, and I know the Oscar strategists are, AND Scott Feinberg (*waves* to Scott) 1) The picture that is seen LAST has the most impact. And 2) Only one nominee(from the Weinstein Co.) in each category.

He certainly seems to have applied Maxim 1) to “Django Unchained” opening as it did strangely on Christmas Day, but the box-office and critical accolades seem to bear out Harvey’s wisdom in this case. I beg to differ on this one, but the Golden Globes nominated it all over the place. Though the SAGs did not get their screeners for “Django” in time, it is said. So no SAG nominations.

Started reading Liz Smith’s “diary” i.e., blog, i.e., column in the http://www.newyorksocialdiary.com and she says about the Hollywood Foreign Press something to the effect that “Who are these people? Nobody you’d ever know, except that once a year the come together to get everyone’s attention.”(I’m paraphrasing) i.e. the Golden Globe Awards.

And Harvey plays the HFPA like a symphony. So, of COURSE, they are going to award his “Django” with a Best Picture, Best Director(Quentin Tarantino), and two Best Supporting Actor noms(Christophe Waltz AND Leonardo DiCaprio). Leo and Christophe may cancel each other out. And THEN who would win? Tommy Lee Jones for “Lincoln”? Jones does seem ahead at the moment. His main competition, “The Master”s Phillip Seymour Hoffman is slipping every day. And NOT because of Hoffman’s stupendous performance. And “The Master” is ALSO a Harvey film. So he has THREE in this category! Which probably means that Jones does get it, because the THREE Weinsteins, may be just way too many nominees.

But right there in this past paragraph you can see that Harvey just contradicted himself big time. So while Maxim1 worked for “Django” with the Globes and at the Box-Office, Maxim 2 got him THREE nominees in the SAME category, something he  always says he wants to avoid. Some may call it an embarassment of riches, but Leo and Waltz and Hoffman could cancel each other out.

It seems HIGHLY unlikely to me that the Academy is going to embrace “Django” on any level. It’s just toooo bloody. One of the most violent films I’ve ever seen in the Oscar race. AND director Quentin Tarantno isn’t due.

The Golden Globes are really not a good indicator of anything anymore, except trouble. THEY are the main reasons for this shortened voting period. AMPAS wants to get the Oscar nominations out FIRST, BEFORE the Golden Globes are held. Which they will be doing, effectively trumping the GGs from having ANY influence on the Oscar nominations themselves, which are announced on Tues. Jan.10 this year. Sooooo early. The earliest ever. And making voters jam all their holidaze with viewing screeners.

There is said to have been more Oscar-oriented parties in L.A. this year than ever. I don’t know. I’m not there. I’m only reporting. In New York, it’s been more or less status quo, as far as that’s concerned, as far as I can see.

But this shortened voting period means the over-burdened Oscar voters have LESS time to see everything they have to see. So what do they do? They choose to see The BIG Must-Sees like probably “Les Miserables”, “Lincoln”, “Argo”, “Zero Dark Thirty” and “Life of Pi” and maybe even “Django” too. Others, like the suddenly on the cusp(and yes, it’s a Harvey film, too) “Silver Linings Playbook” and on down the line-up, may get seen less. Simply because there’s less time.

And speaking of “Silver Linings Playbook” I think it will win Jennifer Lawrence Best Actress in a Comedy or Musical for the Globes. But in the Best Director category, SLP’s director David O. Russell got knocked out by – wait for it! Quentin Tarantino!!! So yes, that Maxim #2 really is something to go by.

Will O. Russell get Oscar nominated, like he was just a couple of years back for “The Fighter”?

I’m thinking not. And we don’t have any DGAs to guide us, as in previous years, because yes, they, too, won’t announce their five ALL IMPORTANT nominees til, yes, that’s right, AFTER the Oscar nominations are announced on the 10th.

Speaking of the 10th. if I were in L.A. and covering the nominations, they occur there at 5:30AM( here, EST, it’s at 8:30AM on the morning news shows) then THAT NIGHT there are the BFCA, the Broadcast Film Critics Association Awards which are USUALLY the most predictive of the Oscar race. That is ONE long day for all the nominees and everyone else involved. Phew!

“Lincoln” Sneaks in NJ, Viewer Tweets NY Post “It’s Boring”!!

NY Post’s film critic Lou Lumenick received an outraged twitter review & email from a film goer who saw the sneak preview of “Lincoln” in NJ yesterday and complained that the film was “boring.” As Lumenick parsed it “take it with a grain of salt.” But the way he presents it in his article www.nypost.com ,it DOES sound as dry as dust.
It evidently keeps most of its’ action in the Congressional rooms and hallways, eschewing the more dramatic CIVIL WAR ITSELF that was raging outside. Nevermind the horrors of slavery. It’s all about LEGISLATION. I knew it. I just knew it. Screenwriter Tony Kushner is  very academic, almost pedantic sometimes. And it looks like  this time is one of THOSE times. AND it’s nearly three hours!

Given this info, plus the rather strange and deadly trailer of “Lincoln” that popped up last week, I think Dreamworks may have a real historic Oscar dud on its’ hands. If Hollywood hands Oscar a lemon, Oscar doesn’t make lemonade. He just nominates SOMEBODY ELSE.

This enraged viewer wrote to Lumenick that “It WILL NOT be nominated for Best Picture”! But thought Daniel Day-Lewis would. Sally Field as Mary Todd Lincoln was “miscast”. I believe that, too. And this news also makes sense of Fox Searchlight’s rushing “Hitchcock” into release on Thanksgiving weekend. Making it eligible for this year’s Oscars, not next and putting Sir Anthony Hopkins’ Sir Alfred Hitchcock right in the, er, thick of things.

Best Actor seems so crowded this year. With DDL, Joaquin Phoenix(“The Master”), Hugh Jackman{“Les Miserables”) and John Hawkes in Searchlight’s other contender “The Sessions” all but locked down. Means that “Life of Pi” and “Flight” coming up fast at the New York Film Festival and which I’m doomed, er, destined  to see very soon, might not be All That.

And then there’s the volatile, still-open-for-business Best Actress category, which Dame Helen as Lady Alma Hitchcock, who is evidently at the center of the story of this movie, and yes, it’s a mature love story, could slip right in there. Knocking out another slippery Dame. Judi. For Fox Searchlight’s “Best Exotic Marigold Hotel” and/or Fox 2.0 ‘s OTHER Best Actress filly in the race, 8-year-old Qu’venzhane Wallis.  For “Beasts of the -Southern Wild.” I personally don’t think Fox Searchlight is acting SURE about either of their ladies-in-question.

Nevertheless,  Searchlight saw a place and decided to fill it with the formidable weight-y, Oscar-baity  Sir Alfred.

Hollywood loves Hollywood more and more each day.

See last year’s, Best Picture “The Artist” which won four other Oscars, too, including Best Actor for Jean Dujardin and “Hugo” also about early filmmaking, though in France. “Hugo” got four technical Oscars, but they are Oscars nonetheless.

Shot VERY quickly by documentarian Sasha Gervase, whose only other previous helming was the hilarious doc “Anvil:The Story of Anvil” and it seems he got every thing right!

Doc makers know how to make that first take work. That’s all you’ve got in documentaries. You have no choice. You have to GET THAT SHOT, or else, it’s gone forever. It’s called Run and Gun and I like working that way myself on my TV show http://www.youtube.com/StephenHoltShow.

And “Anvil” was that rarest of docs. One with a sense of humor!

So, back to “Lincoln”, even though I’m sure the feelings of the film-goer that contacted Lumenick were genuine, Stephen Spielberg’s films, even the weakest, like “Munich”, or misguided like “War Horse”, they STILL get a Best Picture nomination regardless, but in a field of ten possibles, I’m still sure “Lincoln” is IN.

But look at Sir Alfred go! His corpse is dancing! Maybe all the way to the Oscars! And in his lifetime, let it be noted Hitch never won a Best Director Oscar himself. Maybe he’ll be getting one posthumously.

He was one of the greatest filmmakers of all time. THEE greatest in MY book.

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