a.k.a. "The Oscar Messenger"

Posts tagged ‘Lauren Worsham’

Elizabeth Williamson, new Associate Artistic Director, Hartford Stage

It is my great pleasure, dear readers, dear cineastes, dear lovers of theatre to introduce you to the very exciting and dynamic Elizabeth Williamson, the newly appointed associate artistic director of the Hartford Stage. Elizabeth has studied in London under Mark Wing-Davey, who is now the Head of NYU’s great Grad Acting program, and also at L’Ecole Jacques le Coq theatre in Paris, as well as being the Dramaturg at the Hartford Stage under the direction of Darko Tresnjak.

Elizabeth was the dramaturg and very involved with the development of Matthew Lopez’ new play “Reverberation” which I liked so much when I saw it in Hartford earlier this year. Her parents were both poets and she has a very bright future in the American Theater in front of her.

Catherine Walker to Take Over as Phoebe D’Ysquith In GGLAM!


CATHERINE WALKER

TO TAKE OVER THE ROLE OF

PHOEBE D’YSQUITH

IN THE 2014 TONY AWARD®-WINNING BEST MUSICAL

“ A   G E N T L E M A N ’ S   G U I D E   T O   L O V E    A N D    M U R D E R ”
BEGINNING OCTOBER 28, 2014

 

LAUREN WORSHAM

TO PLAY HER FINAL PERFORMANCE ON

OCTOBER 26

 

New York, NY (September 29, 2014) – It was announced today that Catherine Walker will take over the role of ‘Phoebe D’Ysquith’ in A Gentleman’s Guide to Love and Murder, which won the 2014 Tony Award® for Best Musical, beginning Tuesday, October 28.  Ms. Walker is part of the original cast of A Gentleman’s Guide to Love and Murder as ‘Miss Barley’, as well as understudy for the role she is about to assume.  Sandra DeNise will be joining the company to take over Ms. Walker’s current role. Lauren Worsham will play her final performance as ‘Phoebe’ on Sunday, October 26.

 

Ms. Walker is an original cast member of A Gentleman’s Guide to Love and Murder.  She made her Broadway debut with the original cast of Disney and Cameron Mackintosh’s hit musical Mary Poppins, understudying the title role, and became Broadway’s second ‘Mary,’ flying over the heads of Broadway audiences for over 100 performances. She left that production to join the original cast of the highly acclaimed Broadway revival of Ragtime. She returned to her hometown in Lancaster County as ‘Maria’ in The Sound of Music at The Fulton Theatre during the 2011 holiday season. She has appeared on the stage of The Maltz-Jupiter Theater in Florida as ‘Hope’ inAnything Goes as well as reprising her turn as ‘Maria’ in The Sound of Music , for which she received the prestigious Carbonell Award for Best Actress in a musical in 2011. She also played the title role in the musical, Gypsy, the premiere production of the new North Shore Music Theatre. Ms. Walker has appeared in leading roles in productions of Maury Yeston’s Phantom (‘Christine’), Carousel (‘Julie Jordan’), Show Boat (‘Magnolia’) and Brigadoon (‘Fiona’). She appeared with major symphony orchestras in tributes to Stephen Sondheim and Stephen Schwartz and has performed on the 2007 “Tony Awards,” “The Today Show,” “The View,” “The Macy’s Thanksgiving Day Parade” and “The Tonight Show” starring Jimmy Fallon. Catherine received her BFA in Vocal Performance from Carnegie Mellon University.

 

Ms. DeNise comes to A Gentleman’s Guide to Love and Murder directly from the Original Broadway cast of another Tony Award® winning Best Musical, Kinky Boots.  She was also an original member of the 1st National Equity tours of Jersey Boys, Hairspray (‘Penny’), Shrek, Parade, and Saturday Night Fever.

 

A Gentleman’s Guide to Love and Murder tells the uproarious story of Monty Navarro, an heir to a family fortune who sets out to jump the line of succession by—you guessed it—eliminating the eight pesky relatives who stand in his way (each played by Tony winner Jefferson Mays in what The New York Times calls “the year’s greatest musical theater performance”). All the while, Monty has to juggle his mistress (she’s after more than just love), his fiancée (she’s his cousin but who’s keeping track?), and the constant threat of landing behind bars! Of course, it will all be worth it if he can slay his way to his inheritance… and be done in time for tea. The Hollywood Reporter raves, “Gentleman’s Guide restores our faith in musical comedy” and The New York Times cheers, “It will lift the hearts of all those who’ve been pining for what sometimes seems a lost art form.”

 

Tickets, priced from $42-$152, are on sale via telecharge.com or by calling (212) 239-6200 / (800) 447-7400. Tickets are also available for purchase in person at the Walter Kerr Box Office (219 W. 48th Street).

 

The performance schedule for A Gentleman’s Guide to Love and Murder is as follows: Tuesday and Thursday at 7:00 PM, Wednesday, Friday and Saturday at 8:00 PM, Sunday at 3:00 PM, with 2:00 PM matinees on Wednesday and Saturda

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Tony Predictions Part Four

Tony Predictions Part Four

And continuing on and hopefully concluding, my four-part Tony Predictions, we now come to another hotly contended category, Best Actor in a Musical.

I think although he tied in a surprise at the Drama Desk Awards, with Jefferson Mays, who does 8 or 9 different roles in “A Gentleman’s Guide to Love and Murder” I think former host of the Tonys, Neil Patrick Harris is going to get the ultimate tribute and thank you from the Tony Voters here for his box-office busting drag turn as Hedwig in “Hedwig and the Angry Inch” which I also think is going to get Best Revival of a Musical.Neil Patrick Harris is everywhere on TV, too, talking, talking, talking. He’s campaigning. He wants it. He lost 20 pounds for this role. He’s got the momentum. He’ll get it.

“Beautiful” is going to garner its’ beautiful leading lady Jessie Mueller, who sings almost non-stop, and is hardly ever off-stage playing a marvelously understated Carole King, it’s going to garner Jessie her first Tony as Best Actress in a Musical as well it should. Subtlety and under-playing are not usually awards bait, but in this case, Jessie Mueller is the complete package.

Best Actor in a Play is going to be the its-his-time-to-shine Bryan Cranston, almost as much for his unforgettable Walter White in “Breaking Bad.” And “All the Way” the three-hour political play about LBJ will win Best Play. It also won both these awards at the Drama Desks. This is the year when everybody just wants to THROW as many awards willy nilly at Bryan Cranston as they possibly can. Lucky duck.

Best Actress in a Play will be Audra McDonald for her impeccable “Lady Day at Emerson’s Bar and Grille” in which though she sings a dozen or more of Billie Holiday’s greatest hits, although she is in the Best Actress in a PLAY category. It’s more than a little unfair to the dramatic actresses who are nominated in this category who just got there by their acting chops. Tyne Daly it’s a shame that you’re up against the unstoppable Awards magnet Audra McD. who will break all kinds of records by winning her SIXTH Tony award tomorrow night.

Audra was nominated in the CORRECT category for the Outer Critics Circle, Best Actress in a Musical, and she won that, too! Like Cranston, there’s no stopping her.

In the Supporting Actors, or Featured as they are called by the Tonys, only James Munroe Inglehart, as the larger-than-life Genie in “Aladdin”, is the only sure thing here in all four categories.

It’s really tricky predicting the other awards here. For Best Featured Actress in a Play it COULD be Celia Keenan-Bolger, for the long-closed revival of “A Glass Menagerie.” Celia has been nominated for a Tony three times and she’s beloved, but she’s up against first time nominee British actress Sophie Okenado making her Broadway debut for “A Raisin in the Sun.”

Sophie’s main problem is her competition is not just Celia Keenan-Bolger, but also her cast-mate Anika Noni Rose as her sister-in-law in “Raisin.” One of these two, probably Sophie, could take this and be the only award that “Raisin” is apt to win. The Tony voters notoriously snubbed Denzel Washington, who let’s face it, is why this great play is being revived so soon after it was just on the Great White Way with P. Diddy. And Felecia Rashad, who won in the Best Actress Category.

Also, in contention, is Mare Winningham for “Casa Valentina” as the real-woman house-mother to a hotel-full of straight transvestites in the Catskills in the 1960s. Any of these women are worthy. And could win. But there’s no clear front-runner here. If “degree of difficulty” comes into play as it often does at the Oscars, the crippled Laura of Celia Keenan-Bolger “Glass Menagerie” might take it. It’s really hard to call this one. But it also should be noted that Mare Winningham WON in this category for the Outer Critics Circle Awards. She tied with Andrea Martin for “Act One” who is not nominated for a Tony. And Celia Keenan-Bolger was not nominated for the OCC. And Celia has picked up some other precursor awards, too, it must be noted, which gives her the edge.

And Sophie Okenado and Anika Noni Rose might cancel each other out, being from the same show, “Raisin”, and “Raisin” wasn’t as acclaimed as “A Glass Menagerie” was.

It’s also hard to call the other Featured Actress in a Musical category winner. It was so close at the Drama Desk it was ANOTHER tie between Lauren Worsham and Anika Larsen for “Gentleman’s Guide…” and “Beautiful” respectively. It could either of these two, who were also profiled together in the New York Times. I’m going to do a coin toss and say it’s Anika.

She plays Carole King’s wise-cracking best friend and co-composer and rival song-writer. It’s a more substantial, and layered role. So I think Ms. Larsen takes this one.This most competitive category is rounded out by Linda Emond in “Cabaret” playing the Lotte Lenya role. And Lena Hall, playing a transgender MAN (who turns back into a woman!) in “Hedwig:And the Angry Inch.” And the stealth candidate is Adriane Lenox, who sings two sizzling songs in “After Midnight” and just steals the whole show. Full disclosure, she was my vote for the Drama Desk in this category.ANYbody could win and surprise in both these Featured Actress categories, really.

And then there’s Best Featured Actor in a Play, where we have the irresistible (to Tony Voters) Mark Rylance as Lady Olivia in the unforgettably delightful Elizabethan mounting of “Twelfth Night.” Even though this show is long closed and Rylance already has already won Tonys aplenty, I think he’s going to win again, against Reed Birney’s terrific, but evil transvestite Charlotte in “Casa Valentina.”

Rylance, who will inevitably recite an obscure poem when he wins, even if he’s there to accept(he may be in London), and bore the audience to death, also has the added bonus of being nominated in the Best Actor in a Play category for his “Richard III” which was performed in rep, with the glittering “Twelfth Night.”

In conclusion, I’d like to point out that though “A Gentleman’s Guide…” seems poised to win the most Tonys, its’ creative team are the ones that are going to carry the day, but none of its’ supremely talented performers look like they are going to win. The competition is THAT tough this year.

Jefferson Mays won the Outer Critics Circle and tied with Neil Patrick Harris for Best Actor in a Musical. And the terrific Bryce Pinkham as Monte Navarro, our hero,or anti-hero, as the most lovable serial killer ever is going to split the “A Gentleman’s Guide..” votes with Mays and they are both going to get steam-rolled by the Neil Patrick Harris juggernaut. Lauren Worsham, in the all-over-the-place, Best Featured Actress in a Musical category,tied with Anika Larsen in this category. Is her adorable, innocent, coloratura ingenue going to surprise and trounce Larsen. She might. She is cuteness and purity and good girl personified.

So don’t miss the Tonys tonight on CBS at 8pm. Hosted by the always watchable Hugh Jackman it will feature production numbers from all the the nominated musicals and a few more extra-special bits, too.

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