a.k.a. "The Oscar Messenger"

Posts tagged ‘Laura Linney’

Best Supporting Actress, Wide Open or Not?

sarah PaulsonRoonwy MARA 2Is this year’s Supporting Actress race wide open or not? I think the HFPA(Hollywood Foreign Press Association) who give out the Golden Globs, er, I mean, GLOBES, dynamited both the Best Actress race and the Best Supporting Actress races, by insisting that Rooney Mara for “Carol” and Swedish actress Alicia Vikander of “The Danish Girl” MUST be considered in lead.aLICIA vIKANDER1

And they are 100% right! Both are leading roles. However, after seeing how dismal Rooney Mara’s “Carol” turn is, and how GREAT Cate (the Great) Blanchett’s is in the title role, I think voters are going to have no trouble nominating Blanchett, and overlooking the sub-par Mara for “Carol.”

I would never have thought that yesterday. I had to see it to believe it. I mean, Mara did win Best Actress in Cannes, which I guess in this day and race really means nothing.

And since Best Actress is incredibly jammed already, there just may not be room for Mara AND Blanchett, and/or for Mara and Vikander, who gives a truly transcendent performance as the conflicted wife of a transitioning transgender man-to-woman in “The Danish Girl,” played brilliantly by probable nominee for Best Actor, and last year’s winner, Eddie Redmayne.

Brie Larson in “Room” and Saorise Ronan in “Brooklyn” SEEM locked and loaded as they say. And then there’s Blanchett in “Carol” and Vikander. With only one slot left for Carey Mulligan in “Suffragette” with Lily Tomlin’s “Grandma” and Charlotte Rampling’s “45 years” nipping at her heels. Never mind Dame Maggie Smith coming up fast on the outside for her glorious, smelly, homeless woman “Lady in the Van.”

So who is going to fill up the now empty Best Supporting Actress race?

Well, as I said before, I would love it if Sarah Paulson (above top picture) got nominated for “Carol.” Since the HFPA’s Edict of Nantes, they CAN’T nominate Rooney,in Supporting, they might just go far Paulson’s steely Best Friend and ex-lover of Carol. That would be great and people WILL get to see “Carol”. And see Paulson in it and how good she is.

Paulson was pretty stellar in “Twelve Years a Slave” wherein she horrified voters as the vicious slave-owners wife, who throws a glass decanter in future Oscar winner Lupita N’yongo’s face, scarring her for life.

And then there’s room for probable nominee screen legend Jane Fonda getting in for a five minute scene in “Youth.” I bet they are going to nominate her sight unseen because she is well, Jane Fonda.Jane Fonda Youth 1

I keep banging the drums for Parker Posey in Woody Allen’s “Irrational Man,” but no one seems to be listening to me. Posey has another juicy role coming up next year in Woody’s next opus. Maybe the Academy will wait for that role before they get on the Parker-Posey-is-now-legit(to us)-train.Itrational Man 2

I’ve mentioned before two look-alike blondes Elizabeth Banks and Rachel McAdams in, respectively, “Love and Mercy” and “Spotlight,” the front-runner at the moment for Best Picture. Both blonde beauties may have been pushed further inside the race than they ever might have been otherwise by the HFPA’s ruling on Mara and Vikander.Elizabeth Banks1Rachel McAdams1And let’s not overlook the wonderful Oscar perennial Laura Linney, who really holds Ian McKellan’s house and home(and picture) together as the put-upon drudge of a housekeeper in “Mr. Holmes.” If the voters view “Mr. H.” to see Sir Ian’s great nonogenarian detective, they’ll see how beautiful Linney’s work is opposite him. I thought people would forget this charming film and McKellan’s and Linney’s lovely work in it, but it seems they’re not.Laura Holmes 1And last but not least, you can never count out Dame Helen Mirren’s campier-than-thou take on the late real life gossip columnist Hedda Hopper in “Trumbo,.” who underneath her elaborate headgear was a ruthless red=baiter.Helen Mirren Trumbo

There’s nothing like a Dame as the ole saying goes. A rubric that AMPAS lives by. They’ve always have got to get a “sir” or a “dame” in there somewhere to give the evening class.

Have I left anyone out? Probably. But I’ll catch you up on these magnificent ladies on the flip side.

Oscar Races Explode at TIFF! Dame Maggie, Keira, Marion,Laura Linney square off!

As TIFF winds down, I’m back already in NYC, and finally at a stationary  location, where I can tell you all about it! Came back on Amtrak yesterday and ran into Super Critic Thelma Adams (of all people!) on the train, too,  who had a LOT to say about the goings on in the Best Actress race at TIFF. I’ll let the great Thelma speak for herself. Check her out on www.yahoo.com these days. Or at her own website.

My take? Well, Dame Maggie Smith came out of TIFF on Sunday night smelling like an Oscar rose with the triumphant reception of the Weinstein Co.’s “Quartet.” Dame Maggie, who is an unbelievably vital 80(!) wowed the crowd, I understand. I saw director Dustin Hoffman(of all people) equally receive bravos and the most heartfelt, loudest and longest ovation, I’ve ever heard or seen at TIFF ~ BEFORE A MOVIE! Yes, he introduced it and Dame Maggie and co-star Pauline Collins, had already returned to the UK, I guess, but Billy Connolly and Tom Courtenay were there to receive the huzzahs at the screening I caught on Monday, the day before I left.

However, it’s Dame Maggie’s film all the way. And as for Oscar? By George, I think she’s got it. Playing a VERY temperamental and disliked retired Opera Diva being sent into a retirement home that looks like Downton Abbey, Dame Maggie pulls out all the stops and shows why she is STILL one of our greatest leading actresses.

With two previous Oscar wins, could she possibly snag a third a la Meryl Streep last year? And like last year, she has the greatest secret weapon of Best Actress upset winners, HARVEY WEINSTEIN(!?!) behind her! How can she lose?

Well, Fox Searchlight as I’ve said earlier is positioning Dame Judi Dench(they’re VERY close friends IRL) opposite her in Best Actress from “Best Exotic Marigold Hotel” and if they both make it into the nominations’ circle, the Dames could cancel each other out. Dame Judi has an Oscar already, too. For “Shakespeare in Love” In Supporting. For eight minutes onscreen. But stil…

AND Dame Maggie has ANOTHER campaign on her behalf going for her. “Best Exotic Marigold”s Fox Searchlight is going for a Supporting Actress nomination for that film where she is playing a crotchety Cockney retiree. So she may get TWO Oscar nominations this year! PLUS the beloved “Downton Abbey” mojo, and Dame Maggie has Oscar buzz galore.

However, if the two Dames DO cancel each other out, who else is there? Well, suddenly after TIFF, there’s a LOT. Most especially Keira Knightley’s magnificent, unforgettable “Anna Karenina” which may also garner nominations in every single category available, including Best Picture, Best Director, Best Adapted Screenplay(Tom Stoppard), Best Supporting Actor(Jude Law) Best Costumes(a cinch), Best Sets(natch) Best Cinematography, Best Editing, Best Score. Best Everything, basically.

And “Quartet” won’t have that across the categories support…It’s corny as hell. But Dame Maggie and also Pauline Collins are super superb.

And there’s Marion Cotillard’s bone-crushing, heart-breaking “Rust and Bone” and back to the spring 9-year-old Qu’venzhane Wallis seems a shoo-in. Yes, even Thelma thought so. I guess I can reveal that.

Also well received is Jennifer Lawrence(yes, HER again) in “Silver Linings Playbook” which is something I haven’t seen. The only one actually, of all the best actress contenders…But since Marion Cotillard is without make-up, without hair-styling, and without legs in “Rust and Bone” I think SHE’S got the heart-breaking edge, over any comic performance.

And lastly, I have to mention the beloved Laura Linney’s understated, muted turn in “Hyde Park on the Hudson” underplaying a “little grey wren” to perfection against Bill Murray’s larger than life FDR. But does the Academy ever go for subtle and quite as Scott Feinberg posited in his Oscar review from Telluride at http://www.thehollywoodreporter.com ? They all LOVE Laura, so it’s possible.

And Dame Maggie has TWO Oscars ~ so far. But if I know Harvey Weinstein, she could can a third! But it’s a level playing field between these great ladies, and Qu’venzhane Wallis, too. They should ALL win!

More Oscar Actress Action – I Get the TIFF Catalogue for the First Time!

Landing like a bomb in my lap, after 14 years of yearning (they’re too expensive for words) is the 2012 TIFF Catalogue! I got handed one on the way out for attending a lovely do this week in NYC featuring Canadian Filmmaker’s whom TIFF is featuring. And was proud enough of to fly them all into New York and put them up in style for a presentation to the New York TIFF-bound press. Or some of them.

I was the most famous person there, which always makes me wonder…like, where’s everyone else? As I said, trips begin before the start, and the Toronto International Film Fest, was ALREADY in full, delightful swing at this event. Held in a swank Soho setting, with more free champagne flowing than I can ever remember anywhere at TIFF itself.

But the TIFF catalogue, with its’ beautiful, classy, snazzy, new 2012 red cover of movie-goers in presumably the Bell Light-Box, is a gift from the Gods, in full color yet, because in it is every single film of the 300 plus movies that TIFF is going to be throwing our beleaguered way in ONE WEEKEND two frenzied weeks from now. With extended and accurate descriptions of each film and complete contact info and credit list of each film as well. *swoon*

And aside from enjoying the hell out of its’ lavish self, what have I learned from it? Since we’ve been discussing actresses here, I’ll just continue along in that vein. Why? Because they’re easier to quantify. Less roles. Less films….Easier usually to get a bead on…Most films coming up later in the year, don’t feature lead actresses the way they almost all do men. The actress race is going to be decided at TIFF. I make one of my famous predictions. Or at least who’s going to be IN, and most clearly, who is going to be OUT!

ANYHOO, Simone….

Front and center, we find out that in addition to Laura Linney, Keira Knightley, Marion Cotillard, we now have Dame Maggie Smith coming full force at us in “Quartet,” the directorial debut of Dustin Hoffman! Set in an old age home for retired opera singers.(Does Dame Maggie let loose with an aria or two? Or just let loose with on-target zingers a la”Downtown Abbey”?”) it looks irresistibly Oscar-bait-y.

And now we can see why Fox Searchlight has been pushing Dame Judi for Supporting for “Best Exotic Marigold Hotel” not lead, though she is the lead. Because they don’t want her colliding with her “Best Exotic” co-star Dame Maggie.

Dame Maggie is everywhere! Like her Oscar-winning role as Miss Jane Brody, she is in “Her Prime!” And that  right there is her problem. She’s won Best Actress before. For that very same “Prime of Miss Jean Brodie.”

“Rust and Bone,” Marion Cotillard’s feature in French, is playing for the public on opening night, but is NOT the Opening Night film. Something called “Loopers” is…In recent years, the Openers at TIFF have been almost ridiculous, if not laughable…Last year’s Canadian Hockey Musical “Scores” is a perfect example…So everyone will pile into the Princess of Wales theater in the theater district for “Rust And Bone.” This beautiful old candy-box of a Victorian show palace is usually housing legit features these days, but this year, it being commandeered by the festival, and will be where “The Master” is being shown. Because it can sustain the 70mm requirements of Paul Thomas Anderson’s much buzzed about take on Scientology. Or is it really about AA? Or something else? All will be revealed next week. Or the week after. Can I wait?

I can wait.

I’ve got to get through the endlessly enchanting Montreal Festival des Film du Monde first….I’m leaving SOON! BYE!

And “What Maizie Knew” with the always-wonderful, always-an-Oscar-bridesmaid, Julienne Moore is a gala presentation. As is “Hyde Park on the Hudson.” But the lovely Laura Linney isn’t enpictured in the catalogue! Only Bill Murray as FDR! What does THAT mean? If anything… Also a gala is “Silver Linings Playbook” with Jennifer Lawrence. The only Weinstein film in the Gala List…hmmm…

Then we have the Masters section, which is where “L’Amour” and Emmanuel Rivas can be seen, followed by “Special Presentations” which is where you’ll find Dame Maggie with her arms flung high into the air in “Quartet,” Keira Knightley looking ravishing in “Anna Karenina”(she ALWAYS looks ravishing), Marion’s “Rust and Bone” (used to be “OF Rust and Bone” in Cannes. They lost the “Of” I guess in translation), Greta Gerwig in “Frances Ha”,Kristen Wiig’s “Imogene”with Annette Bening in Support, Helen Hunt’s ” The Sessions”, Rachel McAdams AND Noomi Rapace in Brian Di Palma’s “Passion”…and well, it now looks like the Best Actress race is more crowded than ever! Oliver Sudden! And Special Presentations is where “The Master” is falling, too.

But by then half these films will be deemed worthy and the other half un-worthy. Separating the Oscar Lambs from the Oscar Goats is something that the Great Gods of TiFF are particularly adept at doing. And it can be brutal.

And Jeff Wells, that great Oscar scalawag, over at www.hollywood-elsewhere.com is stirring the waters today by saying he’s heard that ONE of the aforementioned films ^ is an unmitigated “disaster”! But he teasingly won’t say which one!

Usually, I rely in the TIFF-ites to choose their Galas and Special Presentations very, very carefully…Or maybe it’s something at the NYFF coming up immediately after TIFF?

Jeff said it’s something opening in the Fall…My best first guess would be David Chase’s “Not Fade Away” which is the centerpiece at the New York Film Festival. But it could be one of the above, or Jeff is just stirring the Oscar pot, as is his wont…

But if one of these films really does get blown out of the water, you heard it here first. Or rather, second!

Best Supporting Actress- Pre-Festivals, Pre-TIFF

BEST SUPPORTING ACTRESS 2012 -Pre-TIFF

This category was ceded by many, months ago, to Anne Hathaway’s heartbreaking, shattering performance in the trailer of “Les Miserables.” I have never seen a trailer to have such an impact on the Oscar Race, and so EARLY! Back in June. Or May even…And the film doesn’t come out til Christmas!

“The Dream Lives,” the trailer ends with these titles “This Christmas.” Well, I for one can hardly wait!

Why was Universal releasing this so early?

Well, it was superbly done, brilliantly edited, and plaintively sung by Hathaway. It contains the song “I Dreamed A Dream,” which is arguably one of the most famous songs from “Les Miz” that always pulls heart-strings, if it’s done right.

This is the song that made Susan Boyle an over-night sensation on “Britain’s Got Talent” a few years back. And Musical Comedys are NOT at all a sure-fire, can’t-miss genre these days. No matter how well they may be done. They released this that early to build buzz. And it has succeeded in that respect. And Anne Hathaway also scored as Catwoman in TDKR, too, this year.

Oscar Winner for Best Director for “The King’s Speech” is back again with “Les Miz” and he directs period pieces soooo well…just check out the Multi-Emmy-Award Winning TV series “John Adams.” That was one of the greatest TV series I’ve ever seen, and it could have been as dry as dust, instead it was riveting. And it won its two leads Paul Giamatti and Laura Linney Best Actor and Best Actress Emmys, too. As John and Abigail Adams respectively.

And Laura is back in the Best Actress hunt again this year. Her FOURTH nomination, if she gets one for “Hyde Park on the Hudson” which I already discussed in the previous post just below this one.

Which is to say that Hooper’s actors win awards, see Colin Firth in “The King’s Speech.”

Anne Hathaway’s part in “Les Miz” is the doomed prostitute Fantine, which also won Patti LuPone an Olivier Award, when she played that part in the original London production. So it’s an awards-magnet role. And Hathaway totally aces it in the trailer’s Oscar-y moment par excellence when she, sobbing and dirty, gets all her real hair cut off.  It’s a horrifying, but award-worthy moment. The song is MUCH longer than that,too And there is much more to her role in “Les Miz” although she does die early on.  But who’s to say if they might run her as Best Actress instead of Supporting?

They might. But then again the Academy’s Actor’s Branch voters are the ones who ultimately decide which category an actress, or an actor, is going to be in. The Studios and distributors can campaign all they want…but it’s Hathaway’s peers who will decide where to put her.

The many For Your Consideration ads are run by the Studios as a means of clue-ing the Actor’s Branch especially for who goes where.  They decided for instance that Kate Winslet should be considered for Best Actress for “The Reader” when no less an Oscar personage than Harvey Weinstein was running her as Supporting for that film. Which she did eventually win a Golden Globe for. And also, for Best Actress that year for “Revolutionary Road.” Her “I got TWO!” picture with a Golden Globe in each hand, flashed around the world.

I think this instance shows that the Academy doesn’t ALWAYS do as Harvey tells them.Or suggests to them, I should say.

Opposite Hathaway, it’s looking like Harvey’s main gal this season is going to be Amy Adams for “The Master”, but evidently some already say the part is too small, only three scenes.

Will Qu’venzhane Wallis the 8 year old in “Beasts of the Southern Wild”  get run in Supporting, instead of lead, where she belongs? However, the Academy is notoriously not partial to putting child actors in the lead category. Look what they did with that girl with the braids from “True Grit.” She ended up in Supporting, though she arguably, also had the lead female role in the Coen Bros. western. What was her name anyway? I’ve completely forgotten! Hallie something? That nomination was the beginning and end of her career.

There’s also the great female Brits in the runaway smash of the Indies this year “Best Exotic Marigold Hotel.” It boasts THREE great performances, Dame Judi Dench, Dame Maggie Smith and Penelope Wilton. Again Dame Judi is the lead here, but again, Fox Searchlight has got her down for Supporting, where she really shouldn’t be. The Academy could put her in lead, if they so deem fit…As I said in the last post, Best Actress is once again Back Up For Grabs this year…

Fox Searchlight has its’ hands full this year! Should Judi Dench go lead? Should Qu’venszhane? Decisions! Decisions!

And then there’s Viola Davis and Maggie Gyllenhaal in “Won’t Back Down”, another Indie. But who is lead and who is Supporting? I don’t think that film is even at Toronto. Which says something.

And though after last year’s debacle with Davis predicted to win all over the place, she lost to Meryl Streep. The Academy was again accused of racism. And it is. Although they did give the Best Supporting Actress Oscar to Octavia Spenser for the controversial “The Help.” Could they try to make it up to her with ANOTHER nomination? If they did, she would then be the first African-American actress to get the most Oscar nominations ever. A total of three.

Or is “Don’t Back Down” even Oscar worthy? We don’t know yet. But its lack of Festival presence says something, I think.

To go back to “Hyde Park on Hudson” there are two British Olivias in Supporting roles. Olivia Williams as Eleanor Rossevelt and Olivia Coleman as the Queen of England, who is visiting the Roosevelts at Hyde Park, with her husband the stuttering King Edward VII.

AND there’s the Oscar perennial Bridesmaid multiple-timed nominee, Annette Bening playing against type as a gambling-obsessed Mom of Kristen Wiig in “Imogene.”  You can never count Bening out.

But judging by the competition she’s up against, IMHO, this category is Anne Hathaway’s to lose.

Best Actress Race – Pre-Festivals, Pre-TIFF

So, just where are we now with the only race I feel that has some clarity this early, and on the other hand, is also wide open? Certainly compared with last year’s Best Actress race. Which was locked and loaded VERY early on in the season, if you remember. But perhaps you don’t. Rooney Mara’s sneaking in at the last-minute with “The Girl With the Dragon Tattoo” and her star-making turn as Lisbeth Salander, was the only surprise within that top category last year.

This year, with the exit of presumptive front-runner Carey Mulligan’s “The Great Gatsby” being shifted to NEXT SUMMER! GLACK! It’s mustn’t’ve so Great after all!

With Mulligan’s departure, this leaves many, many openings, so some surprises from the Indie world, like the stunning, scary tour-de-force of  veteran character actress Ann Dowd in “Compliance.” And certainly with Qu’venzahne Wallis in “Beasts of the Southern Wild” still hanging in there in release after three months, and still making money for Fox Searchlight.  That’s two Sundance ladies, although one is only 8 years old and the other well past 50. THAT’S interesting right there, in and of itself, it’s a unique pairing…IF it happens…Sundance didn’t have any gals in the Best Actress round-up last year, now it is making up for lost time with TWO.

Then there’s the absurd rumor that BOTH could go Supporting! Uh-oh! Category confusion! The dreaded Oscar disease that killed Viola Davis’ chances last year(among many other reasons).  If NEITHER Dowd nor Wallis end up in Best Actress, the category is RRRREALLY wide open.

Remaining are the soon-to-be-seen Helen Hunt, also out of Sundance, come to think of it with “Sessions.” She’s won previously of course and that always sort of hurts. Unless it’s a category with all previous winners. That was for “As Good As It Gets” where she played a worldly-wise waitress. Opposite Jack Nicholson.

Another previous winner Marion Cotillard has a VERY strong shot, it seems, with “Of Rust and Bone” which won her screaming raves out of Cannes this year. But NOT the Best Actress Award there. Which was a surprise.

She, too, is a previous winner for her incandescent, unforgettable Edith Piaf in “La Vie En Rose”. She’s also in TDKR, too, remember this year. Something every Academy Voting member will have seen, even if it gets neglected in the nominations and I think it will…. But “Of Rust and Bone” is in French.

They COULD hold that against her. Since also acting in French this year is another Cannes contender, which DID win the Palme d’Or, Emmanuelle Rivas in “L’Amour.” TWO Best Actress nominees BOTH acting in French? I don’t think so. But if anyone can score acting in her own language once again it’s the beautiful Maid Marion.

Also soon to be seen at Toronto, along with “Rust and Bone” and “The Sessions” is Keira Knightley’s new star-turn as “Anna Karenina.” Directed by the extraordinary British helmer Joe Wright, who guided Knightley to her first and so far only Oscar nomination in “Pride and Prejudice.” Will this be a lucky charm once again for this dynamic duo? Or will she just fall short of a nod, and get snubbed, like she did for “Atonement”, which was certainly nomination-worthy in MY book.

And then there’s the darling Laura Linney, ALSO at Toronto, along with Hunt, Cotillard, and Knightley, WOW what a line-up! I’ll just be running from one Best Actress possibility to another in two weeks. Laura Linney has been picked by Tom O’Neil’s Gold Derby as the Numero Uno Best of the Best for “Hyde Park on the Hudson.” She has been nominated three times before and this would make FOUR. She’s playing a real person, FDR’s until now, unseen and unrecorded mistress. And everybody loves Laura. She’s everywhere. She got a critically lauded TV series “The Big C” AND she introduces “Downtown Abbey” on PBS with great class and style. She’s due, if anyone is!

And perhaps even more importantly, “Hyde Park on the Hudson” has now ALSO been picked up by the NEW YORK Film Festival, which doubles Linney’s(and the pic’s) prestige chances. Neither “Of Rust and Bone” nor “Anna Karenina” has scored THAT particular double festival whammy.

Well, in two weeks time all will be revealed….And unless some one pops up in a year-end movie, like for instance, Anne Hathaway being put in lead, not Supporting for “Les Miserables” By George, I think we’ve already got our Oscar lady ducks all in a row! And all at Toronto, too! I can’t wait!

Oscar God Dave Karger’s Toronto Must-See List is Out!

Oscar God Dave Karger has got his top  ten list of must-see films coming up in September at the Toronto Film Festival  up and out and at’em at http://www.ew.com. Dave is RRRRRReally good at this. Though last year with that EW “Oscar Issue” cover of George Clooney and Viola Davis getting out of a limo in full Oscar drag(Tux and shimmering gown) has never been able to leave my mind. Both notoriously lost to Jean Dujardin and Meryl Streep, lest we forget…

And Toronto is RRRRREALLLLY well known as an Oscar launching pad. More and More so every year. And yes, I’m going there, once again, my 14th year in a row, and I’ll be blogging from there letting you know what’s what. I am the Oscar Messenger after all. I have to be RIGHT about these things.

Of Dave’s picks, I am really looking forward to “Anna Karenina” directed by Joe Wright. Could this be Keira Knightley’s big year? Or is it the lovely Laura Linney in “Hyde Park on the Hudson”? They are both there this Sept. and so is Marion Cotillard’s Cannes stunner “Of Rust and Bone.”

I think right there you have three out of the five Best Actress nominees.

The pictures they’re in….Not so sure about. But those performances I see all three getting in.

Toronto or TIFF as it’s abbreviated has had QUITE a history with Oscar.

But I will say, no one thought “The Artist” which was there was The One at the time. I kept hearing “We haven’t seen the Best Picture of the Year” yet.” EVERYBODY was telling me this, and as a matter of fact, yes, we had. It was “The Artist” and Harvey Weinstein was soft-pedaling “The Artist” at TIFF last year. And that was a good idea.

“The Sessions” raved about at Sundance is also a possible contender and is on Dave’s list. But that is something only in the performances, I think.

Not Best Picture.

David O. Russell’s “Silver Lining’s Playbook” ia a Weinstein film, too. But I don’t know….I’m not getting strong Oscar vibes from people like Bradley Cooper or Jennifer Sullivan(yes, HER again).And that title. It’s difficult to pronounce, a real tonque-twister.

There are others on Dave’s list, so go check it out. I just think they’re wrong. So I’m not repeating them here.

But yes, to “Anna Karenina”, “Hyde Park on the Hudson” and “Of Rust and Bone.” Those arr MY top three. And today it’s a month until I leave for Montreal, which I go to first, always, before Toronto and which is where I saw “The Artist” for the first time.

In French-speaking Montreal, THAT was the #1 raved about film last year, and I’m soooo glad I saw it there. It was absolutely magical.

As Oscar Goddess Sasha Stone always says “Don’t underestimate Harvey Weinstein” And of course, she’s right.

Sasha also sez “Don’t underestimate Dame Judi Dench.”

SHE’s in the early-part-of-the-year hit film, “The Best Exotic Marigold Hotel” that is continuing to break box-office records on BOTH sides of the Atlantic.So it is not playing Toronto. It’s all and only the new films there, comme tous les jours. And which category will they put Dame J. in? Most think supporting, though she is the lead in that film, certainly, the central character.

“Argo” Ben Affleck’s new film is being heavily buzzed, but they didn’t nominate his “The Town” last time around, so I’m skeptical.

And some of the biggest Oscar contenders are waiting til LATER. Like of course, “Les Miz” and “Lincoln” and Harvey’s “Django Unchained.”

Wish I was already on my way there! J’attends avec impatience!

Oscar Updates as Gold Derby Puts Leo at NY#1 for “Django”for Supp! Dwight Henry Is #2 “Beasts”!

The great Tom O’Neil lets us know just what is what with the Oscar race on an almost daily basis. Certainly weekly. And for sure, monthly. Now that we’re reaching the last day of June, it’s interesting to note that the race that has changed THE MOST is Best Supporting Actor!

June 1, it was wacky Jaoquim Phoenix for Paul Thomas Anderson’s Scientology take “The Master“. Now, less than a month later, Joaquim is nowhere to be found at the top of this category. Possibly because Oscar Goddess Sasha Stone of http://www.awardsdaily.com clued Tom in that Joaquim is THE LEAD in “The Master.” Lol….And who’s at #1 now? Why Leonardo DiCaprio, as a scuzzy, sleazy slave owner in Quentin Tarantino’s Civil War shoot’em up “Django Unchained!” With Harvey Weinstein at the helm, this could certainly happen.

However, right behind him, is non-actor until now, newcomer Dwight Henry playing Hushpuppy‘s abusive, alcoholic father for “Beasts of the Southern Wild”! I don’t think Dwight Henry was even on the chart last time I checked! Go Dwight! He’s a baker turned actor and really scores in this magnificent debut film of Benh Zeitlin.

Phenom-of-the-Year Zeitlin has NOT managed to crack the top five of the directors chart. Go to http://www.goldderby.com and see who the rest are. Usual suspects, all. All previous Oscar Winners.Spielberg, Tom Hooper, Ang Lee, Except Paul Thomas Anderson who tops the list, and I’m so sure won’t win. “The Master” is going not to be a loved-by-the-masses film, I’m feeling. Scientology isn’t a topic that the ticket buying public is going to warm to. Where the now critically acclaimed “Beasts of the Southern Wild” sure is.

And it’s 6-year-old heroine has cracked the top five of the Best Actress contenders. That category is still headed by my darling Laura Linney for “Hyde Park on Hudson.” #2 in Best Actress is Carey Mulligan for “The Great Gatsby” and #3 is Keira Knightley for “Anna Karenina.” Keira’s always nominatable, as of course is Laura. Previous recent winner ++is #4 for the French language “Of Rust and Bone.” And then comes Qu’venzhane Wallis at #5.

I think it speaks to the strength of “Beasts” A+++ reception that BOTH Dwight Henry and Qu’venzhane Wallis have popped into the top five since the month began! And Dwight Henry is #2! Higher than Benh Zeitlin or QW(as I will now abbreviate her). The charges of racism that were thrown the Academy’s way when Viola Davis lost(though Octavia Spenser won – albeit in Supp.) for “The Help.” Dwight Henry could be the beneficiary of the famous Academy catch-up boomerang effect.

What they don’t do right one year, they correct the next.

And it’s also interesting to note that Anne Hathaway still seems to be a mortal lock for Best Supporting Actress for “Les Miserables,.” nailing one of the best trailers in movie history, which is already playing at a theater near you.

Likewise Daniel Day-Lewis in Best Actor and “Lincoln” for Best Picture remain where they were June 1.

It’s the arrival of “Beasts of the Southern Wild” that has shaken this list up! Good! No! Great! Go Team “Beast”!

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