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Posts tagged ‘Kristen Stewart’

“Cafe Society” Worst Woody Allen Ever? S.O.S. Same Old Story

Kristen Stewart 1As you can see by this ultra glamourous pic above ^ of Kristen Stewart, Woody Allen has cast her against type, as a nice little goodie two-shoes,compleat with bows in her hair and ankle socks, in “Cafe Society”. Her character, Vonnie, has to appear so beautiful that the men in the movie fall madly in love with her. The men being Steve Carell as well as his nephew Jesse Eisenberg. And they’re all very good in this magnificently shot and styled paean to old Hollywood in the ’30s.

But this is perhaps the worst movie he’s ever done.It’s soooo boring. It’s that we’ve seen it all before. Over and over and over and over again. We expect more from the man who gave us “Midnight in Paris”, “Hannah and Her Sisters”, “Blue Jasmine”, “Vicky Cristina Barcelona” and his Oscar winner “Annie Hall.” But this is not that. Not by a long shot.

At least his other recent sub-par look at the glamourous life circa 1920 “Magic in the Moonlight” had a very strong performance by Colin Firth. And it’s always the younger woman/older man scenario, but at least focusing as much of this film on the young Jesse Eisenberg, the edge is slightly off that scenario, but only slightly. But it doesn’t last for long. Before it’s back to the Carell/Kristen plot-line. Ho-hum.Or rather ho-humbug.

Eisenberg, an actor I’ve always had trouble liking, is appealing in this, and more amourously aggressive than I can ever remember him being.

Kristen & Jesse 1

But try as they might, he, Carell and Stewart and all of the rest of this capable cast, just can’t rise above this bland, bland script.

I felt like I knew what lines the characters were going to say before they spoke them. Parker Posey, here a bubbly, throw-away blonde, is pretty much just window dressing. Corey Stoll is snidely effective as Eisenberg’s gangster brother.Blake Lively is, well, lively.

The only one who really broke through for me was Sari Lennick of the Coen Bros. “A Serious Man.” As Eisenberg’s hyserical, kvetchy sister-in-law and Stoll’s wife.

The biggest,.most consistent laughs in the film, and there are some, not much, but not enough, the most laughs come when Stoll’s character has killed some hapless or irritating sap, and throws the bodies into a ditch as a cement mixer pours cement on them in clearly a New Jersey setting.

Santa Loquasto has designed “Cafe Society” to a fare-thee-well and legendary lenser Victorio Storaro has shot it magnificently. It couldn’t look more glamourous, or be so empty. What a shame!

Do something NEW Woody!!! Surprise us!!! Don’t bore us…All our lives are too short for drivel like this.

#Woody Allen #Cafe Society #Kristen Stewart #comedy #Hollywood

Jeff Wells Applauds Scott Feinberg’s AFI Panel

Tilda Marion OscarTilda 2Marion Oscar1Jeff Wells does it again! He hits the Oscar bulls-eye on almost a daily basis, but he really out-did himself today putting up an ENTIRE mind-blowing AFI panel which he called Scott Feinberg’s Incredible 8.

And on that panel, on the same stage(!) were not only Jake Gyllenhaal, but also Oscar winners Tilda Swinton and Marion Cotillard(!!!) as well as Kristen Stewart(whom I actually liked here for the first time) all of them talking about Independent Films and how much they love them and how devoted they are to making them. And how difficult it is. And how there is no money for it almost always, but they press on anyway.

Tilda gave a rousing speech about the late gay filmmaking legend Derek Jarman, who died of AIDS, and was a major figure in England, but is still relatively unknown outside cinephile audiences in the United States.

It really blew my mind to see her, and Marion, and Jake, all of whom I’ve interacted with many times and interviewed and known for many years now all on the same stage at once.

Scott Feinberg(STILL the only Oscarologist who links to this blog) really was in his glory and his finest hour to date hosting this at the AFI fest in LA, which is hotter than it’s ever been.

Here’s the link ~ It’s over an hour but I was spell-

bound.http://www.hollywood-elsewhere.com/2014/11/feinbergs-admirable-eight/

He calls it Feinberg’s Admirable Eight and I was surprised and delighted to see former winners Tilda and Marion working it, as it were for their films this year. “Snowpiercer” and “Two Days, One Night.” Especially when I was told by the film’s peeps that they weren’t going to do an Oscar campaign for Marion, though certainly her performance is one of the best of the year. And is definitely going to be on my Ten Best List.

And I kept wondering where I had ever seen them together before and then I remembered! They both won their Oscars in the same year!

Marion for “La Vie En Rose” for Best Actress and Tilda for “Michael Clayton” for Best Supporting Actress! THAT BLEW MY MIND!

 

Oscar Site Gold Derby Now Decides Category Placement!

Oscar HeadlessJust where do I think everything is today as the end of October, always a crucial month for Oscar, is less than two weeks away.

I have a lot of questions and there are some clear answers.

Both Best Actress and Best Supporting Actress categories are all but sewn up at the moment. The winner, I mean, or the Front-Runner, always a deadly term, especially in the Best Picture category. Best Actor or Actress and especially in Supporting don’t suffer the fate the leader of the pack in Best Picture does. Different rules apply.

Julianne Moore for “Still Alice” and Patricia Arquette for “Boyhood” seem to have locked down their Oscars already.

There was a lot of category shifting, a few weeks back(when I didn’t have Internet access to comment more swiftly on it) for the wonderful, under-appreciated Arquette. She could’ve been in Best Actress, but, and this is another thing that has changed this year, methinks, GoldDerby.com and its’ experts(Tom O, why O why am I not one?) decided that Supporting was where Patricia dominated their charts, and so IFC, the distributor of “Boyhood”, dutifully put Arquette in the lesser race. Why? Because Gold Derby said so! A few weeks back.

Now, this IS a change. Tom O’Neil’s http://www.goldderby.com has always been exhaustively covering the Oscars. But never, before, I think, EVER (and people will remind me if this isn’t so) NEVER have they LED the race so clearly as they have with placing Patricia Arquette in Supporting Actress for “Boyhood”. And whatever I thought of the movie(too long, couldn’t relate to the kid) I LOVED Arquette’s soulful 12 year journey as the Boy in questions mother. The good Mom, always an Academy favorite.The Earth Mother, who’s trying her best to do her best.

And I think that’s the biggest award “Boyhood” is going to get from the Academy. MAYbe Original screenplay. But not a lot else. More nominations for sure. Like Ethan Hawke also in Supporting for his best-ever turn as the deadbeat-dad-with-a-heart-of-gold.

But I don’t think Gold Derby is really deciding the other races, but its’ putting Arquette where she is for sure now going to land, is a first, I think. Making Gold Derby essential reading. The other categories there are all not so clear at all. Take a look. They’re confused and confusing. Up and down. In and Out. Well, Tom styles it as a horse race, a derby, and he’s right. That’s exactly what the Oscar Race, which he always calls “the Derby” is, when you boil it all down.

A lot is still up in the air. Although they have got Julianne Moore in their #1 spot, and I think that’s right. Right now anyway. Until Harvey Weinstein potentially dynamites J-Moo’s rock-solid position for “Still Alice,” which I truly loved BTW with his Amy Adams starrer “Big Eyes,” which opens in late December.Is that going to be too late now that the deserving Julianne has gotten so strong? Perhaps. Maybe Harvey will move the Opening of “Big Eyes” up. If he does, watch out!

I thought Julianne wouldn’t have a prayer after I saw “Maps to the Stars” deflate right in front of my eyes at the Toronto Film Festival. In that she plays a VERY unsympathetic, aging actress, and the film is pretty much a mess. But SHE’S great! And she won Best Actress at Cannes.

But “Still Alice” is a lovely,searing film about an important issue, early on-set Alzheimer’s, and Moore is simply astounding as she goes through every startling, debilitating change of the disease. From A to Z and back again. Moore’s work in “Still Alice” makes Julie Christie’s a few years back on a similar topic in “Away From Her” look like a doodle. A mere sketch. Marion Cotillard won that year for her tour-de-force as Edith Piaf in “La Vie En Rose”.

And though there’s no cure for Alzheimer’s, hence no requisite happy ending,  it’s a supremely graceful film, and the ending is appropriately in tune with the serious subject matter. And you have to applaud the filmmakers Wash Westmoreland and his partner Richard Glatzer for telling this difficult story right. They’ve even gotten Alec Baldwn to be sympathetic, too, as the do-the-right-thing hubby. Alec Baldwin warm and fuzzy? Will wonders never since?!?. Kristen Stewart shines, too, in a change of pace role for her as Moore’s quarrelsome actress daughter.

I thought, as you know, Rosamund Pike, was a category leader in Best Actress for my immensely liked “Gone Girl”, but then I saw Moore seal the deal in “Still Alice”. She’s admitting to being 50 and she soars. And this performance,plus her challenging, all -out vain-to-the-max actress in “Maps to the Stars” and her Cannes win, all add up to Oscar in my book, and I think the Academy’s, too.

While others are rushing to judgment, I personally feel the other categories, Best Picture, Best Actor and Best Supporting Actor are all over the place right now, and the rest of the remaining unseen films need to be seen. They may figure heavily this year. Especially in Best Picture and Best Supporting Actor. I don’t think we’ve seen the winners there yet. But it’s vague, to me, for sure.There’s a lot of variables and a lot of bloody contests to be fought still. And it’s only OCTOBER! Wait til November when the Oscar combatants’ gloves REALLY come off. And oh yes, “The Theory of Everything” finally opens!

But I guess what I’m trying to say is, Gold Derby has now become more important than ever this year . So go there and enjoy the podcasts and predictions and videos. I do. And I think Academy members and for sure the films’ publicists do,too.

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