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Posts tagged ‘Kodak Pavillion’

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Newsflash! “Beasts” director is NOT 23 years old! He’s 29!

Breaking Hollywood News! Benh Zeitlin who is being proclaimed the new Orson Welles for having directed the award-winning “Beasts of the Southern Wild” for doing this at age 23. Benh himself says, “No, no. I’m 29. I want to stop this rumor. I’m not a child!” But he certainly knows how to direct children, as he certainly has done with his 6-year-old star Qu’venzhane Wallis. He also co-wrote this with a woman, Lucy Alibar, who he has been collaborating with for many years. He also reveals that though he has never been to film school, he teaches film and video to school children. This explains, a bit, the authenticity of the female child, Hushpuppy’s perspective.

Camera & Editing ~ Cody Michaels

Woody Allen’s Masterpiece “Midnight in Paris” Sublime! Sublime! Sublime!

I cannot remember dear cineastes, dear readers, dear theater lovers of literature, when I have been so completely, so  madly, so deliciously transported by a new film. And that film is the much hyped Cannes opener “Midnight in Paris” by Woody Allen, 77 and now at the absolute height of his immense creative powers. “Midnight in Paris” left me gasping with delight. It’s his latest masterpiece and may simply be the best film he’s ever made.

It’s so delicious, so delightful, so funny, so superbly acted, and brilliantly written and directed. It’s the first film that I’ve seen since “The King’s Speech” that transports you to an absolute height of cinematic euphoria. And Oscar’s gonna go there, too.

I am so sure that the little Golden Guy is going to be happily boarding that magic carpet ride in the form of a 1920’s roadster that whisks our hapless hero, a frustrated screenwriter and Woody stand-in(natch), Owen Wilson, who turns out to be at the height of HIS career as an actor,  in this film, too. Oscar will clamour aboard that flying flivver and happily take it right to the Kodak Pavillion next February, which is where this film is surely going to end up.

With nominations galore. A comedy winning anything from the Academy is always going to be a fight.

However, the Academy has always loved Woody and they’re going to REALLLLY love “Midnight in Paris”. Woody is such Oscar catnip, it’s almost ridiculous.Oscar considers Woody in a class by himself, so many of his films have been nominated and won! Well, no, that’s not true. I think the only time he won Best Picture was for “Annie Hall” decades ago.

But his actors have continued to wrack up Oscar after Oscar, most notably and most recently Penelope Cruz, in “Vicky Cristina Barcelona” which this film resembles. “Midnight in Paris” is shot entirely and beautifully in Paris in the daytime and at night, and France and specifically Paris has seemed to have had the same wondrous effect on Allen’s creativity that Barcelona and Spain did with “Vicky Cristina”

“Midnight in Paris” is just suffused with the golden glow of romance that is true love  (in this case, the love of France and all things French) that is so palpable, it seems like it was shot through a lens covered with honey. And written in a Proustian fever dream. But a reverie only of all things light and sweet.

It’s such a charming  love poem to the City of Lights, it’s irresistible. It sends you into a Rapture.

And what a cast! And How many Oscar winners are there in this one film! ? It’s like the word went out and Allen got the dream cast of his career!

Oscar winner Marion Cotillard has never been lovelier or sexier or more captivating. She plays the love object, the muse of Picasso, Modigliani and nearly every other artist of the past two hundred years, and Mlle. Cotillard, so so sensual and intriguing,completely vulnerable, effortlessly enchanting, but so mysterious, you can see that, yes, she could easily have inspired all these great artists that the film claims she has.

Her incredible character named Adriana is one of Allen’s greatest creations. And in writing a love poem to Paris, he’s embodied that romance in one woman, Adrianna, and Cotillard is so delightful, and endearing and sublime, you just can’t wait til her character comes back onscreen and into the story once again.

It’s one of the most challenging roles that Allen has ever written for a woman and the most complex, and Cotillard meets every challenge stupendously. She has to, for the romance of the film to work. She is Paris. Paris is love. So therefore the glowing Cotillard is Paris personified.

She is WOMAN. All the women who have inspired the greatest of artists, and Cotillard shows you quite simply and quite beautifully that yes, she is all that. She’s certainly inspired Allen to heights he’s never really hit before. A great film maker meets the great screen actress in the best role he’s ever written for a woman. Will Oscar take note? I think so. I hope so.

You come out of the film raving about Cotillard as if she were the essence of all the best in French art and culture, and in this film, she is!

Her only petite problem is that she’s won so recently for “La Vie En Rose” playing an indelible Edith Piaf.

Acting in her own language, it seemed impossible that she, an unknown French actress, would win the Oscar for Best Actress. But I predicted she would. Could her Adriana do the magic hat trick of another win? Depends upon whom she’s up against, but I would be shocked if she wasn’t in the running, dismissed as simply a great beauty playing a great beauty.

Wilson, too.

Owen Wilson is so good in this film that you can’t believe it’s Owen Wilson.

But he is and he’s just terrific, and perfectly cast as a WASP neurotic from Pasadena. Wilson’s West Coast-ness takes away any of the memories of the many previous iterations Allen has wrung upon the character of the hung-up writer. This time a dissatisfied, but commercially successful screenwriter, with an even blonder fiancee, who’s a bit of an hysterical bitch, played by of all people, Rachel MacAdams, also at the top of HER game. She, too, is a revelation.

Oh, and did I forget to mention how funny all these characters are? And yes, they are. Very, very funny. You’ll be quoting the laugh lines for the rest of the season.

Academy Award Winner Adrian Brody does this best work since “The Pianist” as of all people Salvatore Dali! In a very brief cameo, he keeps repeating. “Dali! I’m Dali!” and when Wilson’s Gil explains his time-traveling problems, Brody as Dali quips, “It’s perfectly normal. You are from another century, yet you live in this century.” And Luis Bunuel, who’s sitting with them, mais oui, says to Dali, “Of course you think it’s normal, you’re a Surrealist!”

And Marion’s Adrianna is restless, perpetually bored with Paris in the 1920’s. “There are too many Americans here!” or exasperated with Pablo, “Picasso is impossible! He will never have a successful relationship with a woman!”

Hallucinating Wilson keeps having his big blue eyes popping out of his head, like some great silent screen comedian, as he channels, Chaplin, Oliver Hardy, Harold Lloyd…amazingly…yes, it’s the VERY unlikely Owen Wilson, making us laugh and moving us so magically. He’s playing straight man as it were to Cotillard’s muse, MacAdams’ bitchy fiancee and a supporting cast of unparalleled splendor.

Main among them, as I’ve noted in a previous post, newcomer Corey Stoll as Ernest Hemingway, who just about walks off with the film, and probably an Oscar nomination. And so to may Kathy Bates as a marvelously sensible, warm-hearted Gertrude Stein. “Our house is open to every artist! All are welcome here!” she intones with such bonhommie, you want to move right in to 23 Rue de Fleurus and never leave, which clearly Allen wants to do.

Who but Woody Allen would make Gertrude Stein the most reasonable and warm center of a filmic masterpiece. Which is what “Midnight in Paris” is.

I see Nominations for Best Picture. In a field of ten, a sure bet. Best Director, possibly, for Allen. FOR SURE a Best Original Screenplay and this is it’s almost sure WIN. Yes, I’m saying it now.

They’ll nominate the living daylights out of this magnificent cinematic achievement. Starting with Darius Khondji’s marvelously seductive, luminous cinemtography of the City of Lights, the stunning production design by Annie Seibel that is literally out of this world (and several others) and the sumptuous costumes by Sonia Grande, who makes Mlle. Cotillard comme il faut tous le temps, but it’s the hilarious, moving, beautifully written screenplay that really does leave you gasping with astonishment and delight. Woody Allen redeems himself mightily in “Midnight in Paris” and the many, many Oscars it will get nominated for, this astoundingly simple, but complicated and FUNNY screenplay is the most likely place it will be rewarded.

Also both Owen Wilson and Marion Cotillard might be nominated for Best Actor and Actress. It depends on who they are up against. And if they are not dismissed ~ for being in a comedy.

And as I said previously the one with the most buzz out of  the Cannes Film Festival, which it opened, was Corey Stall as Hemingway. That would be in Supporting. And previous Oscar winner Kathy Bates could score ANOTHER Supp. Actress nomination for her lovable lesbian Gertrude Stein.

Gertrude Stein, lovable? Only in Woody Allen’s wild world!

Mesdames and monsieurs, les envelopes, s’il vous plait!

“King’s Speech” Breaking Box-Office records!

I’m oh so happy to report that the brilliant, moving, unforgettable “King’s Speech” is breaking box-office records this holiday weekend in VERY limited release. Check out just how much, where et alia at www.indiewire.com The inimitable Scott Feinberg also talks about this and many other fabulous things at www.ScottFeinberg.com

He used to call it com.www.And the Winners Is…com

And he’s got an actual Academy member to write about everything Awardsworthy under the name of Deep Voice. It’s a member of the Writer’s Branch and is he cantakerous! But interesting. He thinks for example that “The Kids Are All Right” has got no nominations in its’ future, just Mark Ruffalo!(?!) And I agree that “The Social Network” doesn’t “make you care. It doesn’t move me.” But that nevertheless he’d nominate Justin Timberlake as Best Supporting Actor. That’s TWO nominations in that category, gone, from this guy, who can’t even vote for the Actors UNTIL they are nominated by the Actor’s Branch, come nomination announcing day. He can however nominate WRITERS in the two categories that the Academy has, Best Original Screenplay and Best Adapted Screenplay. EVERYone in all the Branches gets to nominate the Ten Best Pictures… but I digress…

Also this the coming Awards Avalanche week. Tomorrow night is the Gothams, where, probably “A Winter’s Bone” is going to clean up, and then later this week, on Thursday, the National Board of Review is set to announce its’ winners.

Update: It did. It got Best Feature and Best Ensemble, but no Jennifer Lawrence as Breakout Performer, which she was nominated for, but didn’t win. Does this help the film get into the Year’s Ten Best at the Oscars? Hmmm..(Sound of Oscar…thinking…) Hmmm….

The National Board of Review are a New York-based awards-giving group that has a LARGE portion of females in their membership, a rarity in this male-dominated business, believe it or not, and also many, many gay members. More so than most groups.

And judging by that, I’d say “The King’s Speech” is going to sweep. It’ll get Best Picture from them, and Colin Firth will win the first, but not the last of his many, many, much deserved awards that are going to be coming at him like, well, gangbusters. Mixed metaphor? But hey that’s what I do!

Helena Bonham-Carter should also score here where they consider a year’s work not just one performance like the Academy. So HBC should qualify for not just her shy, sly Queen Elizabeth in “The King’s Speech”, but also her mad Red Queen in “Alice in Wonderful” and her 15 min.(or less) turn as Bellatrix La Strange, the witchiest witch who witch there was more of in the latest “Harry Potter.” Now playing…

Best Supporting Actor…I think they are also going to go for Geoffrey Rush, here. And maybe also for Best Director, Tom Hooper. If they go for Hooper over David Fincher(who’s shooting the Milennium Trilogy in Sweden, and may not get back for the ceremonies in Jan. You wouldn’t think this would count against him, but the NBR wants all its’ winners present and accounted for. Yes, they do.)

Best Actress may very well be Natalie Portman, starting her awards march. She, along with Firth, well, the two of them are going to be seeing A LOT of each other as the awards season rolls out like a juggernaut over all our Oscar-filled lives…

Breakthrough Performance by an Actor could be the only award that “The Social Network” wins….Will they give it to New York native Jesse Irritatingberg? They like Native New Yorkers. So that’s what Natalie Portman, from Long Island, has going for her, too.

Or it could be someone else from “The Social Network” Even Justin Timberlake could score here.

I’d be very surprised if Jennifer Lawrence (who totally doesn’t deserve it) will find her week bracketed by awards. First from the Gothams on Monday as Best Breakthrough then by the NBR later this week. She’s got that blonde teenage mojo working…Whether I like it or not…And I don’t…

Update: She didn’t win the BreakOut/Breakthrough category tonight at the Gothams…and with all this hype, she certainly SHOULD have…but the NBR may fall for it…

Best Adapted Screenplay would be the first Aaron Sorkin win and start his line dance to the Podium at the Kodak.

And now they’ve just announced that Anne Hathaway and James Franco are gonna c0-host the Oscars!?!?! Sounds like a big mistake. Also this may eliminate BOTH of them from the race.

Personally, I LOVED “Love and Other Drugs” but it’s a zesty, sexy Rom Com, with a dash of Parksinson’s Disease thrown in…as an Oscar grabber… for Annie, which I don’t think it’s going to be. Rom Com’s almost NEVER rank with the Academy, especially in this crowded year for females!

And can Annie and Jimmy pull off hosting duties? I’m of the mind that yes, SHE can. Annie can do anything. Great inner resources as a performer. Comes from growing up with Mom as a actress and a gay brother. Talk about Drama!

But James is soooo laid back…I keep thinking of him in “Pineapple Express…

“The Fighter” An Oscar Knock-Out!+ Other Awards News

I have to say, having just returned from an Academy-ish screening(it was mixed with guilds and obviously, actual press, too. I mean,was there!) and yes, it’s got Oscar nomination chances galore!

The audience at this screening seemed to love it, as I was tipped that the Academy would and they audibly did. That was born out by all the laughs and gasps and cheers throughout, though there was no final applause at the end. Every one left with smiles on their faces. ALWAYS a good sign for Oscar!

Mark Wahlberg’s passion project of many years has come to ripe fruition with him wisely surrounding himself with the some of the Best Actors in the business, like Christian Bale, Melissa Leo and Amy Adams, all of whom I think are assured Oscar nominations in Supporting for this.

So it’s a holiday feast of blue-collar, but blue-ribbon actors all trying to out-do each other in what is a veritable Oscar smack-down and SUCCEEDING mightily. Each landing punch after thespic (acting) punch in this knock-out of a movie!

Although this is a boxing saga, it’s really more of a family drama, being played out against a boxing background. This Lowell Massachusetts hard-scrabble setting, replete with Boston accents, gives Leo, Adams and especially Bale, career-capping chances to really go to town in an award-winning, Oscar-baity way. Are they chewing the scenery for Thanksgiving? Gobble Gobble. Well, Leo and Bale are anyway…but the Academy LOVES these showy turns.

Wahlberg OTOH plays it down, very understated, almost dour and lets the wildness of the colorful characters around him shine. And shine, they do!

Bale is unfogettable as his crack-headed brother who is also his f**ked up trainer. Leo is  their horrible Mother-From-Hell  who is also his money-grubbing manager, and Adams gets to play against them as the good girl who he hooks up with, and who has to stand up to his insane family AND SHE DOES! You are totally rooting for her to take down the dastardly, deadly duo of Mom Leo and Brother Bale. This movie is one juicy fight scene from beginning to end! Whether it’s in the ring, or in the living room, or on the front porch, EVERY one is fighting!

As Wahlberg is also the producer here (and Bob and Harvey Weinstein are also listed as producers, too(!) with Paramount the main distributor) he’s going to get nominated for  getting this made & helming this irresistible (to the Academy and I think to audiences, too) combo of heart, guts and BOXING.

Boxing films have traditionally been catnip to the Academy and this one, though the formulaic trailers have been misleading-by-a-mile, “The Fighter” will be no exception. So in a field of ten possible nominees for Best Picture, I say the “The Fighter” is going to score one of those ten best slots.

With Wahlberg so monotone himself, I don’t think he’s got a chance at an Acting nomination. But as a producer of “The Fighter”, yes!

It’s going to be a Golden Glove( and Golden Globe) bout between Geoffrey Rush for “The King’s Speech,” and Bale for this in Supporting Actor  and THAT match-up is going to cause all the major Oscar attention for this film.  And those two performances are so different and also so  juicy, well, it’s a delicious prospect!

And Melissa Leo and Amy Adams are BOTH so good that they are BOTH going to be nominated most likely. Canceling each other out, and leaving the win to Helena Bonham-Carter for “The King’s Speech.” 

When two actresses from the same film get nominated in Supporting it’s historically someone else, who wins. The last time I remember this happening was in 2001 for “Gosford Park” when it was both Dame Helen Mirren and Dame Maggie Smith going head-to-head in Supporting…and somebody else won. Jennifer Connelly in a year that there was “A Beautiful Mind” sweep.

Bale v. Geoffrey Rush, who is brilliant, but already HAS an Oscar would be literally duking it out til the last minute in Supporting. Rush, as the hilarious, genial ,but tough speech therapist Lionel Logue, who is the Australian Henry Higgins teaching Colin Firth(the King) how to speak, is going to be a Battle Royal(pardon the pun) with Bale’s junkie, who, though everyone forgets it, as also a Brit. Yes, he is. He really is. Remember him as the kid in Spielberg’s “Empire of the Sun”? Yes, that was little Christian. A child actor who has endured and ended up as “The Dark Knight.” Yes, that was him, the last time in the hood and cape. But all people remember from that film is the astounding Joker of the late Heath Ledger. R.I.P. Heath.

Bale, however, ALMOST overdoes it in the OTT category,but how can you play a character who is always tweaking, and not seem OTT, as well as ADD? Bale has lost a ton of weight for the part and as a  junkie who jumps out of windows to escape his harridan, chain-smoking mother (Leo), I do think he’s in contention.

It’s just that how much do they like Christian Bale? I mean, really? With that Internet rant to that poor stage hand being something that still lurks in people’s mind when they think of him? They may just make him wait, and give Rush a second Oscar for what is clearly the performance of the year.

But Bale’s never been nominated before and Rush has won before.  Me, I’d vote for Rush…but…it’s gonna be a fight to the photo finish at the Kodak between the two of them.

It’s also just a question of HOW many Oscars are they going to give to “The King’s Speech”? Colin Frith and Helena Bonham-Carter are both way out in front in Best Actor and now, Best Supporting Actress, too. Is “The King’s Speech” going to sweep?

I heard people discussing how there was one movie where there were lines around the block about ten days ago.  It was for a SAG screening and that was for “The King’s Speech.” “The Fighter” was well attended, but not full, by any means. And no applause at the end, though a consistently involved chorus of laughs and gasps, means they were involved. But  not as enthralled as “The King’s Speech” audiences are.

Bale has the best Oscar shot of the bunch of them. He gets to OD, and then go cold turkey in a jail cell! Now that’s what I call a PART! So Christian Bale will finally get his first Oscar nomination…

But will he win?

And in terms of other films…I heard when the New York Film Critics get together to vote soon, very soon. (“True Grit” FINALLY starts screening next week for all and sundry) that at the moment it’s still going to be a pitched battle between “The King’s Speech” and “The Social Network.” So, what else is new? That’s the way it’s been since Toronto!

Except that today, “The King’s Speech” just got 100% from the Top Critics on Rotten Tomatoes! How can ANYone argue with those stats? Especially the Academy!

Harvey Weinstein must be having a very happy Thanksgiving indeed!

Coupled with women, who are just flat out refusing to see “127 Hours” because of the gore, and the arm-thing…

People, again it was women I was talking to, are not digging “Black Swan.” ‘It ruins ‘Swan Lake'” one balletomane told me. But ballet lovers are going to be in the minority of AMPAS.

But then, of course, WOMEN are not the majority of the AMPAS voters. The SWORM are. Single White Old Rich Men…

And EVERYbody is digging Michael Douglas’ performance in “Solitary Man.”

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