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Provincetown Film Festival Wrap Up

Patricia Clarkson 1

Honoree Patricia Clarkson Exclaims “I’ve Never Been Kissed By So Many Guys!” as Provincetown Film Festival 2014 Wraps Up

Every year one of the unique things the Provincetown International Film Festival does is honor two or three film notables with career achievement awards. This year they were Patricia Clarkson for Excellence in Acting, Debra Winger for the Faith Hubley Career Achievement Award and David Cronenberg for Filmmaker On the Edge.
When I asked her how she liked Provincetown, Clarkson exclaimed “I’ve never been kissed by so many guys!” She told me “No matter how many times you are honored  like this, it’s STILL an honor. I’m thrilled!”
She gave a moving speech to the packed audience at Town Hall,which included her doing an impromptu imitation of Woody Allen directing. Which was hilarious. Allen directed her in two films “Vicky Cristina Barcelona” and “Whatever Works” in which Clarkson shined playing an alcoholic Southern belle, a large role that Allen had clearly written for her. Two of her other films, career highlights both,were shown including “High Art” and “Pieces of April.” The festival opened with her latest film “Last Weekend” in which she gave a moving performance of a mother trying to hold her crumbling family together.
 David Cronenberg was clearly the King of PIFF this year,as in his “Conversation With…” director John Waters, he was able to show an extended clip from his much-anticipated new movie “Maps to the Stars” which was a controversial hit at Cannes. PIFF audiences thrilled to see Cannes Best Actress winner Julianne Moore in a long scene from “Maps” where she is literally freaking out over getting a film role once enacted by her mother as a young girl.
Her mother is appearing to her as a hallucinatory vision as a naked teenaged girl in a bath-tub, who is constantly mocking her. Cronenberg revealed that the film will be shown in its’ scandalous entirety at the Toronto Film Festival in Sept. If Julianne Moore’s performance is as powerful as this clip indicated, she is well on her way to an Oscar Nomination.
Cronenberg responded well to John Waters’ probing, incisive and funny questions. Waters opened with “We’re both obsessed with assholes.” Cronenberg agreed and revealed that he thought “Rehearsals” with the actors for film scenes “were unnecessary.” And when Waters pressed him as to how he has been able to make so many films over his long and varied career that spans decades, Cronenberg said simply “Canada” and credited his native country’s strong and historic government backing of filmmakers, emerging or established.
Debra Winger was evasive and a bit defensive with interviewer B. Ruby Rich. Her answers to questions weren’t satisfying or direct. Though her choice of being a mother to her three sons seemed to take precedence over all else, explaining why her filmography in recent years is so scant. Winger confounded many journos by not consenting to any on camera interviews, only print, though she still looked dazzling at 60.
John Waters, who is the unofficial Mayor of Provincetown, having lived there for over 4 decades, was having a career high of his own, with the success of his latest book “Car Sick” about hitch-hiking across the U.S. from Baltimore to San Francisco. He told me it was Number 8 on the NY Times Bestseller list. He was happier than I’ve ever seen him to be, claiming yet another metier as his own. And his book-signing had lines down the block.
I was thrilled to see the Beatles’ classic “A Hard Day’s Night” in a beautiful, newly re-mastered print with its’ monaural soundtrack and its’ scintillating black and white cinematography making it seem and sound like new. Pre-dating MTV & music videos, it captures the pure joy and craziness of Beatlemania. It was a great joy to see it again on the big screen.
Also in black and white(and color, too) was Nancy Gates’ definitive documentary “Regarding Susan Sontag”. A complete, revealing and intelligent chronicle of this important woman’s ground-breaking life. as an intellectual, writer, mother and lesbian. Sontag, a 20th century figure that I thought I knew, was a much more complex and challenging figure as “Regarding Susan Sontag” brought home.
On the Narrative feature side, I loved “One Chance” the fictional re-telling of tubby Wales cell-phone salesman Paul Potts’ life-transforming moment on “Britain’s Got Talent” when he sang Puccini “Nessum Dorma” and wowed Simon Callow and the judges, and became a house-word name and an opera star literally over-night.
Potts,was a life-long sad-sack with extremely bad luck, as the film details and “History Boys” James Corden enacts him brilliantly. Corden is the overweight British comedian who won the Tony for “One Man, Two Guv’nors” beating Phillip Seymour Hoffman’s “Death of a Salesman” two years ago on Broadway.
I also enjoyed “A Trip to Italy” British Comedian Steve Coogan’s follow-up to “The Trip.” It’s basically an improvised road-tour crossed with reality TV in which Coogan and fellow Brit Comic Rob Brydon, playing wry versions of themselves, riff, joke and eat their way from Piedmont in the north of Italy all the way down the Italian Riviera along the incredibly scenic Amalfi coast.
The mouth-watering Italian food they eat at the sumptuous restaurants and hotels they stop at are their splendiferous co-stars, and, as they say, hilarity ensues.
There were two French films I found disappointing in different measures Roman Polanski’s “Venus In Furs” and “Yves St. Laurent.”  A hit on Broadway “Venus” won a Best Actress Tony  and made a star out of actress Nina Arianda, and she is sorely missed in this French language(for no apparent reason)translation. It’s a two-character, one-set piece and as the uptight director Matthieu Amalric is sensational and Polanski mis-casts his real-life wife Emmanuelle Seigner who is clearly in her 40s as the twenty-something aspiring actress. Both “Yves” and “Venus” were far too slowly paced,tedious and annoying at turns.
Also disappointing was “Love Is Strange,” a Sundance hit. A gay film with a very strong premise and a lot to say about gay marriage, it had a very good start and a solid cast (John Lithgow and Albert Molina as the couple and Marisa Tomei as Lithgow’s put-upon caregiver), and its’ heart was clearly in the right place, but it all fell apart with a unsatisfying and confusing ending.
Probably the best film on every level was “I Origins” a sci-fi/romance, er, well, sort of, but thrillingly original and creative and absolutely surprising and confounding and profound, too, in all the right ways. Michael Pitt and Brit Marling give exemplary performances as a team of young scientists in NYC trying to unlock the genetic mysteries of the human eye. And Astrid Berges-Frisby, the monumental mermaid in “Pirates of the Caribbean: On Stranger Tides” has the most unforgettable cinematic eyes ever. This will launch the Spanish/French beauty into the stratosphere. The direction by Mike Cahill, outstanding.
But Provincetown itself is its’ own greatest character. The village, at the far-most tip of Cape Cod, never fails to disappoint with its’ colorful , intoxicating atmosphere and a town-full of delightfully eccentric artists. Chelsea Handler said it was “gayer than San Francisco” and she should know.

More Oscar Actress Action – I Get the TIFF Catalogue for the First Time!

Landing like a bomb in my lap, after 14 years of yearning (they’re too expensive for words) is the 2012 TIFF Catalogue! I got handed one on the way out for attending a lovely do this week in NYC featuring Canadian Filmmaker’s whom TIFF is featuring. And was proud enough of to fly them all into New York and put them up in style for a presentation to the New York TIFF-bound press. Or some of them.

I was the most famous person there, which always makes me wonder…like, where’s everyone else? As I said, trips begin before the start, and the Toronto International Film Fest, was ALREADY in full, delightful swing at this event. Held in a swank Soho setting, with more free champagne flowing than I can ever remember anywhere at TIFF itself.

But the TIFF catalogue, with its’ beautiful, classy, snazzy, new 2012 red cover of movie-goers in presumably the Bell Light-Box, is a gift from the Gods, in full color yet, because in it is every single film of the 300 plus movies that TIFF is going to be throwing our beleaguered way in ONE WEEKEND two frenzied weeks from now. With extended and accurate descriptions of each film and complete contact info and credit list of each film as well. *swoon*

And aside from enjoying the hell out of its’ lavish self, what have I learned from it? Since we’ve been discussing actresses here, I’ll just continue along in that vein. Why? Because they’re easier to quantify. Less roles. Less films….Easier usually to get a bead on…Most films coming up later in the year, don’t feature lead actresses the way they almost all do men. The actress race is going to be decided at TIFF. I make one of my famous predictions. Or at least who’s going to be IN, and most clearly, who is going to be OUT!

ANYHOO, Simone….

Front and center, we find out that in addition to Laura Linney, Keira Knightley, Marion Cotillard, we now have Dame Maggie Smith coming full force at us in “Quartet,” the directorial debut of Dustin Hoffman! Set in an old age home for retired opera singers.(Does Dame Maggie let loose with an aria or two? Or just let loose with on-target zingers a la”Downtown Abbey”?”) it looks irresistibly Oscar-bait-y.

And now we can see why Fox Searchlight has been pushing Dame Judi for Supporting for “Best Exotic Marigold Hotel” not lead, though she is the lead. Because they don’t want her colliding with her “Best Exotic” co-star Dame Maggie.

Dame Maggie is everywhere! Like her Oscar-winning role as Miss Jane Brody, she is in “Her Prime!” And that  right there is her problem. She’s won Best Actress before. For that very same “Prime of Miss Jean Brodie.”

“Rust and Bone,” Marion Cotillard’s feature in French, is playing for the public on opening night, but is NOT the Opening Night film. Something called “Loopers” is…In recent years, the Openers at TIFF have been almost ridiculous, if not laughable…Last year’s Canadian Hockey Musical “Scores” is a perfect example…So everyone will pile into the Princess of Wales theater in the theater district for “Rust And Bone.” This beautiful old candy-box of a Victorian show palace is usually housing legit features these days, but this year, it being commandeered by the festival, and will be where “The Master” is being shown. Because it can sustain the 70mm requirements of Paul Thomas Anderson’s much buzzed about take on Scientology. Or is it really about AA? Or something else? All will be revealed next week. Or the week after. Can I wait?

I can wait.

I’ve got to get through the endlessly enchanting Montreal Festival des Film du Monde first….I’m leaving SOON! BYE!

And “What Maizie Knew” with the always-wonderful, always-an-Oscar-bridesmaid, Julienne Moore is a gala presentation. As is “Hyde Park on the Hudson.” But the lovely Laura Linney isn’t enpictured in the catalogue! Only Bill Murray as FDR! What does THAT mean? If anything… Also a gala is “Silver Linings Playbook” with Jennifer Lawrence. The only Weinstein film in the Gala List…hmmm…

Then we have the Masters section, which is where “L’Amour” and Emmanuel Rivas can be seen, followed by “Special Presentations” which is where you’ll find Dame Maggie with her arms flung high into the air in “Quartet,” Keira Knightley looking ravishing in “Anna Karenina”(she ALWAYS looks ravishing), Marion’s “Rust and Bone” (used to be “OF Rust and Bone” in Cannes. They lost the “Of” I guess in translation), Greta Gerwig in “Frances Ha”,Kristen Wiig’s “Imogene”with Annette Bening in Support, Helen Hunt’s ” The Sessions”, Rachel McAdams AND Noomi Rapace in Brian Di Palma’s “Passion”…and well, it now looks like the Best Actress race is more crowded than ever! Oliver Sudden! And Special Presentations is where “The Master” is falling, too.

But by then half these films will be deemed worthy and the other half un-worthy. Separating the Oscar Lambs from the Oscar Goats is something that the Great Gods of TiFF are particularly adept at doing. And it can be brutal.

And Jeff Wells, that great Oscar scalawag, over at www.hollywood-elsewhere.com is stirring the waters today by saying he’s heard that ONE of the aforementioned films ^ is an unmitigated “disaster”! But he teasingly won’t say which one!

Usually, I rely in the TIFF-ites to choose their Galas and Special Presentations very, very carefully…Or maybe it’s something at the NYFF coming up immediately after TIFF?

Jeff said it’s something opening in the Fall…My best first guess would be David Chase’s “Not Fade Away” which is the centerpiece at the New York Film Festival. But it could be one of the above, or Jeff is just stirring the Oscar pot, as is his wont…

But if one of these films really does get blown out of the water, you heard it here first. Or rather, second!

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