a.k.a. "The Oscar Messenger"

Posts tagged ‘Julie Delphy’

Oscar Chances of Cate Blanchett ~ Too much, too soon?

Oscar is such a fickle little devil. If the Academy Awards were held tomorrow, Cate Blanchett would win in a walk for “Blue Jasmine”, ANOTHER astonishing Woody Allen movie with an unforgettable performance by Cate the Great.

Plusses ~ All the rave reviews, and the staggering performance itself.

Minuses ~ All this Oscar brouhaha is WWWAAAY toooo soon in the Oscar season. Sony Pictures Classics has to keep “Blue Jasmine”, a rare, exotic flower blooming til the holidays.For a film that’s only playing now in two cities that’s no mean feat.

Minuses ~ Sony Pictures Classics is NOT the Weinstein Co.

If this were one of Harvey’s girls she WOULD win. Lest not forget that the last woman to win for an Oscar for a Woody film was the beauteous, unforgettable, explosive Penelope Cruz in “Vicki Cristina Barcelona” But that was a WEINSTEIN Co. release! You’ve GOTTA have Harvey…Sony Pictures classics is not known for nailing WINS. But nailing nominations, yes. See Emmanuelle Riva’s near miss last year for “Amour.” She got the nomination, yes, and some major critics’ awards,but…she lost to last year’s Harvey girl, Jennifer Lawrence.

Minuses ~ She’s playing Ruth Madoff

Plusses ~ She makes you LIKE her.

Plusses- It’s a complex, intelligent career-capping role that people will be talking about as long as they discuss Cate Blanchett.

Pluses ~ She had AN HOUR-long chat with Charlie Rose, who gave her the ENTIRE program.

Minuses ~ By the end of the hour, she and Charlie got soooo abstract and convoluted, they completely lost me. And I’m sure many others too. And Academy voters watch Charlie Rose like a hawk.

Minuses ~ She looks like she’ll be up against two OTHER Aussie homegirls, Nicole Kidman for “Grace of Monaco” playing the late Princess, who died tragically in an auto accident. AND that other wonderful Australian actress Naomi Watts in “Diana” about another blonde royal, the late Princess of Wales, who also dies tragically in an car crash. THREE Australian Best Actress nominees? WHEN has that ever happened before? And it is a good thing? Will they split the Australian vote? IS there an Australian vote?

Minuses – Meryl Streep will very likely be nominated for the vicious, drug-addicted mother who you love to hate in “August: Osage County.” a Weinstein Co. production that’s heading straight to the Toronto Film Festival, as are “Grace” and “Diana”. This would leave Meryl the only American actress in this category, although she already has THREE other Oscars. The fifth slot I’m guessing is going to Berenice Bejo for “The Past” ANOTHER of Harvey’s films. And she would be in the now traditional French actress slot. We see it every year now. This film will also be at Toronto…Or it could be ANOTHER French actress Julie Delpy, who stars in and who also co-wrote the “Sunrise/Sunset/Midnight” trilogy. She was nominated before for a Best Screenplay. And Berenice Bejo was also previously nominated for Best Supporting Actress for “The Artist.”

And of course, we must not forget the Babe Factor. The pretty young thing who sweeps in from seemingly nowhere and makes the Academy of collective Old White Rich Men fall in love with her and takes the prize, again, like Jennifer Lawrence did last year. This could be the surprising and gorgeous American Beauty Amanda Seyfried who unbelievably breaks your heart as Linda Lovelace in “Lovelace.” And Radius is behind “Lovelace” which is Harvey Weinstein’s Co., too.

<So LOOK OUT!

A completely empty playing field is going to be SLAMMED in about a month’s time by alllll these female centric movies playing at TIFF and also, some of them at Telluride.

Will I get to TIFF this year to talk to all these great ladies? I hope so. I’m trying my hardest, but I’ll certainly be seeing all four of these acclaimed-already, buzzed-about movies…

So Cate the Great AND especially Sony Pictures Classics REALLY have their work cut out for them.

Cate already has an Oscar. But then so does Nicole and Meryl has three.

It’s Cate’s to lose, as they say. But SPC has a history of stumbling at the end game.

It could be Cate, but…

 

Video

Scott Cakes! Now a Musical!

The Sweetest spot in Ptown has got to be Scott Cunningham’s DEEE-lliciious bakery, Scott Cakes ,where he is only serving Pink Cupcakes! Owner Scott Cunningham tells us all about a new musical based on this life, entitled what else? “Cupcake!”  I, ever the Oscar Messenger, throw in a few VERY early Oscar predictioins, mais oui! Enjoy!

Docs Rock Provincetown! The Provincetown Film Fest 2012

The Provincetown International Film Festival just wrapped its’ 14th season, boasting two new theaters and a very strong line-up of Docs.

 

Documentary Film Making was taken to a whole new level of social activism by filmmaker Kirby Dick and his powerful, unforgettable expose of female(and male) rape in the military called “The Invisible War.” It’s one of the best films of the year and is certainly going to be a very serious contender for an Oscar nomination in the always contentious Best Documentary category.
“The Invisible War” was named Best Doc when the Film Festival gave out its’ awards and Dick was there being honored as recipient of the Faith Hubley Career Achievement Award for his astounding body of work. His ground-breaking docs include “Twist of Faith”, “This Film Is Not Yet Rated”, “Sick” and many inflammatory others.”The Invisible War” also won the 2012 Audience Award at Sundance.
No stranger to controversy “The Invisible War’ is Kirby Dick’s  most shocking film yet, as it details the facts that lead to the horrifying conclusion that nearly every female that enters the armed forces may very well be the victim of a violent rape. The statistics that Dick presents are beyond frightening. At least one in four women in the military have reported being sexually assaulted by their fellow soldiers and officers. And this figure is considered way under-reported.
And the women have virtrually no redress, because it is to the very same men who raped them that they have to report the crime.Which continues to go unpunished as the men are left free to pursue successful military careers, while it it the women who are accused as the perpetrators and prosecuted for adultery. In 2012, these circumstances are unbelievable, but true, as Dick carefully lays out incident after frightening incident. The viewer is left outraged and numb, as are the female victims “The Invisible War” so bravely champions.
“The Invisible War” details the stories of four or five of the bravest of these victims of these horrific casualties and how Post Traumatic Stress Disorder, referred to in the film as PTSD, is something that these women, and men, too, have to live with for the rest of their lives, some enduring permanent physical as well as emotional and psychological damage.
If there was ever a doc poised to jump out of its’ category and into a Best Film race of Ten Films(if that happens again this year) “The Invisible War” is the film that could do it. It is a towering, staggering achievement in the history of cinema as social action.
On a lighter note, it was another doc that impressed me. It was “Me @the Zoo” about the trannie You Tube sensation Chris Crocker. Crocker, now 24, became famous overnight online as he wailed “LEAVE BRITNEY ALONE!” into his video camera at home in his grandmother’s house in rural South, racking up over 270 million hits.
Ultra-sharp filmmakers Chris Moukarbel and Valerie Veatch have created an extremely compelling doc on this online phenom. It reminded me of “The Naked Civil Servant”, the ’70s British documentary that re-created flamboyant homosexual Quentin Crisp’s out gay life in the ’30,’40s, ’50s and ’60s in pre-Gay Lib London.
Crisp only had his flame-colored hair, painted lips and nails and outrageous female stance as his weapons against the hypocrisy of British society. Chris Crocker has the Internet and his camera. And You Tube! Another effeminate homosexual who was so bullied, his proud and protective grandmother as well as the authorities of his local schools feared for his safety daily, so they advised him not to go to high school.
A virtual prisoner in his grandmother’s home, Crocker turned his camera on himself and in a series of outrageous You Tube homages to his idol pop star Britney Spears. He found freedom, recognition and in the end, fame and also an income. by charting the Pop Icon’s every move up and down the ladder of paparazzi/tabloid infused superstardom.
In reality, a very soft-spoken, intelligent and sensitive young man, he posits through “Me @the Zoo” that all his work is really a performance. Performance Art, actually, using the Internet as a medium. In the end “Me @the Zoo” is a tremendous condemnation of bullying, which is the film’s true subject. And like with “The Invisible War” I was gripped,moved and outraged from beginning to end. Bravo! Brava! Leave Britney alone, but DON’T for one minute, leave Chris Crocker alone! Keep your eye on this young gay man. He’s more than just an Internet Flash-in-the-Pan. “Me @the Zoo” shows that he is here to stay.
And then there was the beautiful, sensitive, heartfelt documentary memoir of the late Gay Activist Vito Russo directed by Jeffrey Swartz. A friend, I found “Vito” absolutely devastating, as in the end of this engaging, moving tribute, Russo’s life is cut short by AIDS. The author of the “Celluloid Closet”, this gentle, brilliant writer, film critic, and revolutionary is tragic beyond words for he simply, like so many of his generation, and most of my gay friends, died too soon.
On a completely different note, Rory Kennedy’s biographical doc on her mother the still-with-us Ethel Kennedy, was also powerful, compelling and gripping and also continuously,surprisingly funny. The most private of public figures, “Ethel” breaks new ground by having Ethel Kennedy herself speak in her own voice about the amazing life she led as wife of the late Attorney General Robert Kennedy and the sister-in-law of the late President John F. Kennedy, both assassinated in the 1960s. Many and most of these topics have never been spoken of before by her, and certainly not in a public forum. Her youngest daughter Rory, who was born six months after Robert Kennedy was killed, is able to coax out of her famous mother. admissions, reminiscences and yes,  jokes, that most likely any other reporter or journalist would never have been able to get the publicity-shy Ethel to reveal.
How did she ever survive all these tragedies? Well, “Ethel” beautifully and warmly reveals that it was the strength she got from her Catholic faith and her love of her eleven(!!) children that helped her surmount almost every challenge life threw in her path.
There were also  some marvelous fiction feature films at the Provincetown International Film Festival 2012, too. “Two Days in New York” by Julie Delpy and “The Intouchables,” the most successful French film of all time, gave PIFF a charming, humorous Gallic flavor. “Gayby” the story of a determined duo of a straight girl and her gay BFF trying to have a baby together was delightful and very funny. “Take This Waltz” Sarah Polley’s directorial follow-up to “Away From Me” gives us another luminous performance from Michelle Williams as a conflicted Canadian housewife, torn between her stay-at-home husband Seth Rogen and her alluring lover Luke Kirby, Williams never disappoints. 
And good as they all were, it was the Docs this year that rocked my world. And Provincetown!

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