a.k.a. "The Oscar Messenger"

Posts tagged ‘Jennifer Lawrence’

Golden Globe Nominations Full List

Danish Eddie 1Here’s the complete list of Golden Globe nominations that were announced today. Above is Best Actor Nominee Eddie Redmayne in “The Danish Girl.”

Best Picture (Drama)

  • Carol
  • Mad Max: Fury Road
  • The Revenant
  • Room
  • Spotlight

Best Picture (Musical or Comedy)

  • The Big Short
  • Joy
  • The Martian
  • Spy
  • Trainwreck

Best Director – Motion Picture

  • Todd Haynes – Carol
  • Alejandro G. Inarritu – The Revenant
  • George Miller – Mad Max: Fury Road
  • Ridley Scott – The Martian
  • Tom McCarthy – Spotlight

Best Actor (Drama)

  • Bryan Cranston – Trumbo
  • Leonardo DiCaprio – The Revenant
  • Michael Fassbender – Steve Jobs
  • Eddie Redmayne – The Danish Girl
  • Will Smith – Concussion

Best Actress (Drama)

  • Cate Blanchett – Carol
  • Brie Larson – Room
  • Rooney Mara – Carol
  • Saoirse Ronan – Brooklyn
  • Alicia Vikander – The Danish Girl

Best Actor (Musical or Comedy)

  • Christian Bale – The Big Short
  • Steve Carell – The Big Short
  • Matt Damon – The Martian
  • Al Pacino – Danny Collins
  • Mark Ruffalo – Infinitely Polar Bear

Best Actress (Musical or Comedy)

  • Jennifer Lawrence – Joy
  • Amy Schumer – Trainwreck
  • Melissa McCarthy – Spy
  • Maggie Smith – The Lady in the Van
  • Lily Tomlin – Grandma

Best Supporting Actor in a Motion Picture

  • Paul Dano – Love & Mercy
  • Idris Elba – Beasts of No Nation
  • Mark Rylance – Bridge of Spies
  • Michael Shannon – 99 Homes
  • Sylvester Stallone – Creed

Best Supporting Actress in a Motion Picture

  • Jane Fonda – Youth
  • Jennifer Jason Leigh – The Hateful Eight
  • Helen Mirren – Trumbo
  • Alicia Vikander – Ex Machina
  • Kate Winslet – Steve Jobs

Best Screenplay

  • Room – Emma Donaghue
  • Spotlight – Tom McCarthy, Josh Singer
  • The Big Short – Adam McKay
  • Steve Jobs – Aaron Sorkin
  • The Hateful Eight – Quentin Tarantino

Best Original Score

  • The Revenant – Bryce Dessner, Carsten Nicolai, Ryuichi Sakamoto
  • The Hateful Eight  – Ennio Morricone
  • Steve Jobs – Daniel Pemberton
  • Carol  – Carter Burwell
  • The Danish Girl – Alexandre Desplat

 

Best Original Song

  • Fifty Shades of Grey – “Love Me Like You Do”
  • Love & Mercy – “One Kind of Love”
  • Furious 7 – “See You Again”
  • Youth – “Simple Song #3”
  • Spectre – “Writings on the Wall”

Best Foreign Language Film

  • The Brand New Testament (Belgium)
  • The Club (Chile)
  • The Fencer (Finland)
  • Mustang (France)
  • Son of Saul (Hungary)

Best Animated Feature

  • Anomalisa
  • The Good Dinosaur
  • Inside Out
  • The Peanuts Movie
  • Shaun the Sheep

 

Oscar Category Confusion in Full Force. Alicia Vikander of “Danish Girl” & Rooney Mara “Carol” to Go Lead

Roonwy MARA 2aLICIA vIKANDER1And the Oscar Confusion continues on in this the most confusing of years. With all eyes fixed on the unheard of crowd of very strong actress performances now all being jammed into the Best Actress category. Sez who? Why the HFPA! Of all people, the Hollywood Foreign Press, who hand out the Golden Globes this and every year.

The one thing I can say about the HFPA is that they ARE press and do see all the many movies all the live-long year, as I do. I think that’s what makes them so sharp-seeming. They’ve seen’em all and so therefore the judgements are at least, we presume, informed.

And their latest call is one which actually has some merit to it. Putting Alicia Vikander of “The Danish Girl” and Rooney Mara of “Carol” in the Best Leading Actress Drama category. This of course confuses all the pundits and this race particularly. But let’s face it, both Vikander and Mara ARE leading performances. They were trying to be squashed into the Supporting Actress category, which is now very bare indeed.

But when the HFPA makes a ruling, they stick to it. And they consider Mara and Vikander as lead. Which knocks out quite a few ladies from contention.

Especially as regards the love it/hate it lesbian movie “Carol.” You see it has two co-leads Mara, who won Best Actress at Cannes for this portrayal of a shop assistant/photographer, and Cate Blanchett as Carol herself, the glamorous housewife-in-minks.

Rooney’s inclusion in lead just might knock co-star Blanchett out, and also, even worse, if they both get nominated in the same category they might cancel EACH OTHER out, splitting their own votes. Which is what I think is going to happen.

IN that category I feel are Brie Larson for “Room” and Saorise Ronan in “Brooklyn.” I think they, Blanchett, Mara and Vikander are all going to get in to the race for the Golden Globes.

Oh yes, and that little known ingenue Jennifer Lawrence will get put in the Best Actress Comedy field for the still unseen “Joy!”

It’s very unusual for the HFPA to make such a declaration ahead of the actual announcement of the nominees, but they’ve done it and now Focus Films(“Danish Girl”) and the Weinstein Co.(“Carol”) will have to abide by their decision. And you know what? I think that the Academy will, too.

It’s unlike the Academy to put some one in Supporting who the GOLDEN GLOBES(oh the horror!) have designated as lead. I don’t think it’s EVER happened before.

And I’ve described SIX ladies above^ and one of them is going to get left out when the Oscar nominations are announced in January. Larson, Ronan, Blanchett, Mara, Vikander and Lawrence. Who will the left-behind be?

And there’s still Dame Maggie Smith glorioous as “The Lady in the Van” to be considered! And you can never underestimate Dame Maggie. You do so at your own risk.

Stay tuned for even more category confusion, Oscar and otherwise, I’m so so sure!

 

Oscar Hallowe’en!BOO! It’s Scary Out There for a Contender

Joy1EddieandlilliIt’s Oscar Hallowe’en! Boo! Did I scare you? Not as much as some of the box-office news is scary for some of the Oscar Wannabee Contenders. “Steve Jobs” has just about died at the Box-Office. Michael Fassbender in the title role might not even get nominated! As I said before about “The Joy of Typing”(my title for “The Social Network”) who in the Academy wants to see a movie about the Internet? NO ONE.

Some Academy members don’t even HAVE a computer. You have to call them on the antiquated machine known as the telephone. Or worse, WRITE THEM A LETTER. Some don’t even have email.

They hate the Internet with a vengeance. It’s changed their world in too many ways, none of which they understand, or like (Don’t believe me? Look back at few years at “The Joy of Typing”)

Also sinking like a stone at the B.O. is, sadly, “Suffragette.” Women will love this movie. Men will hate it and the Academy as I’ve always said is made up of the SWORM. The Straight White Old Rich Men, who dominate Hollywood(and the Oscars) since the dawn of time. They’re gonna hate it, since there is NOT ONE sympathetic male in the entire movie.

And “Suffragette”s lack of relatability (to men) will sink it at the Oscars and Carrie Mulligan’s very good performance, too. Perhaps…Sad for Carrie. But good news for Saoirse Ronan in “Brooklyn.” “Suffragette’s lose, may be the charming, small period film’s gain. “Brooklyn” I mean. As Brit Carrie goes down with her ship, Irish Saorise will rise with hers as the token femme Celt.

A film that is also going to scare all the other contenders is the upcoming “Joy”. With Jennifer Lawrence once again being up for Best Actress for her role as a house-wife who turns into a mega-businesswoman. A single mom, at that. And if you can find it(it’s not hard. It’s everywhere now.)on the Internet, the trailer REALLY looks great for Jennifer to perhaps do it again and win a SECOND Best Actress Oscar.  She’s a star. She’s under 25. She’s box-office. It’s David O. Russell-directed(again) and it’s going to be her v. Brie Larson in “Room.” You mark my words.And strangely Brie Larson’s character is ALSO named Joy. So it’ll be Joy v. Joy at the Oscars this year in the first time in AGES since we’ve really had a race going on in that category.And that IS a joy!

Cate Blanchett’s excellent “Truth” is also tanking at the box-office so she’ll probably be nominated for her other upcoming film “Carol.” But having won so recently for “Blue Jasmine,” I don’t think they’ll give her a third Oscar this year, though Jennifer Lawrence very well may be looking at her second.

Also looking straight at a second Oscar is Eddie Redmayne in “The Danish Girl”. Based on a true story(see above^) and featured magnificently in VOGUE with Lupita N’yongo on the cover with a spread that shows his remarkable transition. Lili Elbe one of the first, if not THEE first transgender pioneer, is such a tragic figure. It may also tug at the Academy’s hard heart. I think it will. Eddie makes a beautiful girl. His performance as Lili is nothing short of incredible. He’s even better than he was in “The Theory of Everything” which he won Best Actor for last year.

NOT scaring anyone is Johnny Depp’s “Black Mass” another mis-fire. People admire his performance as Whitey Bulger, a mob informant/killer (Haven’t we seen him in this role before?Wasn’t it called “Donny Brasco”?) Critics like HIM, but not the movie and It’s not scaring up much $ either. Though “The Martian” is! And that could be our Best Picture winner, BTW. And could garner Matt Damon a nomination as Best Actor.THAT is the red elephant in the room.

Also, everyone is afraid that it just may be Leonardo DiCaprio’s Oscar year FINALLY. But “The Revenant” is still to be seen. I didn’t think it would be ready in time, but it looks like it is. Will the public embrace it more than “The Martian”? Hard to say. And Ridley Scott, “The Martian”s director has never won an Oscar, though his film “Gladiator” did.

So BOO! And Happy Hallowe’en, dear readers, dear cineastes! I’m BAAAAAAAAAAAAAAAAACK!!!!

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Oscar ~ “Fault” Shailene Woodley’s triumph or Schadenfreude?

Julianne Moore 2

22 year old star Shailene Woodley’s Oscar chances are on the rise because her new film “The Fault In Our Stars, “is breaking box-office records, and changing the face of the Best Actress Oscar race even this early in the pre predicting season.

Woodley’s searing portrayal of a teen dying of cancer shocked me at the range of pain and power this young woman exhibited in a sad love story of her star-crossed affection for a another dying teen, also a cancer patient, played effectively by Ansel Elgort..

It was the surprise #1 hit at the box-office this week, upending all kinds of expectations and predictions. This micro-budgeted tale of two seriously ill teens has made an incredible impact with movie goers, most of them young females or YA as the industry likes to call ’em, Young Adults.

And Oscar NEVER ignores this kind of vote. The public’s. They vote with their ticket-buying dollars. And they are buying tickets en masse to see this five handkerchief weepie that is leaving audiences in tears around the country and around the globe.

And they are liking the sadness of the doomed duo. They are LIKING crying their way home. This movie about death, death, and more death, as unlikely a topic as that seems, is making them FEEL. Something, one wonders, if they’ve ever thought about before. The Germans have a word for it Schadenfreude.

I sometimes think all great love stories have to have one or two of the young lovers dying. See “Romeo and Juliet.” Who can forget the surprising B.O. success “A Love Story” had in its’ day?

It was a best-seller, and propelled non-actress/model Ali McGraw on to the cover of Time Magazine. And to an Oscar Nomination. “Love is never having to say you’re sorry” was the trademark catch phrase that was plastered everywhere that year. The public went in droves to see Ali McGraw die. “Fault” is like that. It’s a neglected genre. But “Fault in Our Stars” has put all this weepiness front and center once again.

And Shailene Woodley’s amazing, dynamic turn as the dying teen is powering this film into the stratosphere of Oscar consideratioiin. By that I mean, a serious film, about death, no less, and cancer, moreover, with a young, a very young actress who confounds expectations, is just the kind of performance the Academy loves to honor. Jennifer Lawrence anyone?

David Cronenberg’s “Map to the Stars” won acclaim at Cannes for the performance of Julianne Moore as an aging Hollywood actress trying to hang on to her youth.I thought it was being rushed out in June, but no.  It’s now opening in the fall, when the season REALLY gets under way. Which is good, meaning the producers behind it, think it has Awards chances.

Out of the Cannes gate, Moore was a clear front-runner. She’s had four nominations and never won. Ditto Amy Adams, who is coming up this fall with FIVE nominations and no win, but she has Harvey Weinstein and his mega-hype-machine in “Big Eyes.” I thought the Best Actress Oscar was definitely Adams’ to lose.

But now with “The Fault in Our Stars” powering to #1 and Shailene Woodley on the cover of Vanity Fair magazine this week, looking almost unrecognizably glamourous, I think she’s here in the Oscar conversation to stay. And the movie, based on a popular YA novel, may have equally surprising “legs”as they say, and stick around to really harass Julienne Moore and Amy Adams come the fall.

I mean, it’s only June and already the Best Actress race is red-hot. If Shailene did manage to win this one, I think she supplants Jennifer Lawrence as the youngest winner of Best Actress in Oscar history.

Or is it just too early to think like this? No. It’s never too early to think about Oscar. Or why are you reading this article?

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Oscar Change of Heart for Feinberg! Everybody loves Lupita!

Oscar Change of Heart for Feinberg! Everybody loves Lupita!

In perhaps the best article he’s written YET on the Oscars, and he’s written seemingly millions, Scott Feinberg of “The Hollywood Reporter” has done it again and topped himself with the best, most trenchant and pointed analysis of the season. And here’s a link ~
http://www.hollywoodreporter.com/race/feinberg-why-im-rescinding-my-684623
Bascially, he’s changing his print edition pick of Jennifer Lawrence for Best Supporting Actress to my fave Lupita Nyong’O. I’ve seen this coming all along and it’s simply based on the excellence of her heart-wrenching performance.
For those too busy to read Scott’s excellent article, I’ll try to explain it quickly.
He has come to the conclusion that “12 Years a Slave” is going to win Best Picture, but he rightly posits, “What else?” Not since the 1930’s has an Oscar winning movie only won the main award and nothing else. So Lupita is someone the world has fallen in love with this year EVEN IF THEY HAVEN’T WATCHED THE MOVIE!?!?!

And tragedy ALWAYS trumps comedy(J-Law in the light-weight throw away “American Hustle”) and JLaw has not been anywhere this Oscar season to campaign for her second Oscar. Already having won last year for “Silver Linings Playbook”, it’s truly too much too soon. Two Oscars In a Row could kill her.

If you saw her acceptance speech when she won at the Golden Globes, Jennifer looked like she was going to have a nervous breakdown And said “Stop doing this to me!” which means giving her allll these awards. She’s only 23. And to give her two Oscars before she was even 24 Scott Feinberg(and Anne Thompson AND Mark Harris AND Sasha Stone AND Jeff Wells, btw) all think it’s not going happen.

Scott also notes that he had to put his Oscar article to bed(or file it) BEFORE the VOTING was even closed. I can identify. Because for 25 years that’s what I had to do with my TV show vis a vis getting it edited and on the air in time for the Oscar date.

But this year I didn’t. For the first time since forever(to paraphrase “Frozen”) I did not shoot an Academy Awards prediction show. And really the race has been SOOOOO volatile this year that it actually was suited more to the Internet and this blog, which I can do anytime and all day long, 24/7, and so yes, I’m perfectly fine with Scott’s assumptions.

JLaw is shooting ANOTHER “Hunger Games” so as Scott said it’s “an excused absence” but Lupita has been every where charming everyone and becoming a Fashion Icon as well as an instant Pop Culture heroine.

So I’m very happy to share Scott’s great article.
Plus in case you haven’t been keeping up here’s my final predictions for the top categories
Best Picture ~ “12 Years a Slave”
Best Actor~Chiwetel Ejiofor for “12 Years a Slave”
Best Supporting Actor ~ Jared Leto for “Dallas Buyer’s Club”
Best Director ~ Alphonso Cuaron for “Gravity”
Best Original Screenplay~ “American Hustle”
Best Adapted Screenplay ~ “12 Years a Slave”

and of course, the lovely Lupita for “12 Years.”

The only limb I seem to be going out on here is Chiwetel. But he gave the Best Performance, IMHO, and he’s an actors actor. And while Matthew Mc. is wowing everyone on HBO. It’s TV!!!! It makes him a television actor,T a Hwood star but not yet a film ACTOR. Yes, the Academy is old enough to still make that snobbish disctinction between the media(s) and yes, they still look down their noses at television, which they STILL see as “the enemy.” Like they did, well, in the ’50s. AND IT’S STILL THE SAME PEOPLE VOTING! It’s the “slap the stud syndrome” as Tom O’Neil at http://www.golddergy.com And the SWORM want to make MMcC suffer just a little bit more for all those godawful romcoms he did for years.

I’ve never posted so many blog posts as I have this year, but there’s been soooo much to say, and soooo many good films to write about.

And now, the Envelope PLEASE!!!!

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My Surprising Best Actor Pic, Or is it?

My Surprising Best Actor Pic, Or is it?

Just take a look at that picture. Can you imagine anyone voting for anything else if they have seen or suffered through that horrendous moment of moments in “12 Years a Slave”? where Chiwetel Ejiofor’s character of Solomon Northrup is hung by the neck until he’s NEARLY dead? And it’s an INTERMINABLE time. It’s goes on and on and on and director Steve McQueen’s camera just holds that horrifying shot. And it comes near the beginning of the film, too.

Northup revolts against Paul Dano’s thoroughly evil twerp of an over-seer and whups the living daylights out of him,and the audience bursts into cheers! Always. But are horrified to see Dano’s character come back with reinforcements, and they string Solomon up and just leave him there for what seems like hours. AND NO ONE CUTS HIM DOWN!!! AND HE’S STILL ALIVE!!! As the other slaves in the background of the above scene just go about their work, and COMPLETELY IGNORE his hanging there before them!

Northup’s feet barely touch the ground and keep trying to find footing or balance as he hangs by his neck until….well, I don’t want to spoil THAT much of the movie But the utter horror of Ejiofor’s Northrup hanging there, and hanging there and hanging there….well, it’s like watching a REAL hanging in real-time.

It’s excruciating and unbelievable but TRUE! Everything in “12 Years a Slave” is directly from that book that Solomon Northrup wrote that is only now beginning to be taught in schools in America….

But for this scene, as Ejiofor as Northrup struggles to free himself, to balance himself, to just keep breathing is well, breathtaking, and is a scene the Academy, if they’ve seen it, will surely reward with a Best Actor Oscar for Ejiofor.

Although the operative word in that sentence is IF THEY’VE SEEN IT. Peggy Seigel, the great Oscar party thrower, said at the Vanity Fair Oscar Chat that Sasha Stone writes so feelingly about at http://www.awardsdaily.com , that many, MANY Academy voters were just NOT WATCHING “12 Years a Slave” AT ALL.

And Sasha keeps trumpeting and advocating for it until the last-minute, and so, this year am I.

She has expressed doubts about it winning Best Picture and thinks that it might be “Gravity.” I hope not. But she’s also said that she thinks, worse case scenario that it might just get ONE big award. And after BAFTA, which Brit Ejiofor won, that THAT would be the Award. “The Big One” that “Slave” gets, if it shockingly doesn’t get anything else.

But I for one think it will get Best Picture. You ask everyone in New York(and I do) on my cinematic travels and everyone HERE says in unison “12 Years a Slave”. Maybe in L.A. you’re hearing something different. But with the BAFTA Best Picture and Best Actor win, I think the Academy may just do the right thing and check both boxes.

Lupita Nyong’o, who may very well be the OTHER “Big One” that “Slave” wins didn’t win at the BAFTAs. She lost to last year’s It Girl, Jennifer Lawrence for “American Hustle.”

So it could be BP, Best Actor and Best Adapted Screenplay. But I would also hope Lupita wins. Both the Gurus o’ Gold at http://www.moviecitynews.com and also Tom O’Neil’s Gold Derby at http://www.goldderby.com have Lupita out in front. But Chiwetel isn’t even LISTED in either place.

If “American Hustle” is going to win anything, and the Academy may want to give it SOMEthing, they can award the indefatigable director David O. Russell in “Original Screenplay” which he also wrote and I think that’s where the “American Hustle” voting energy will go. And voila! They’ve honored it and FINALLY David O gets an Oscar.

What else could “Slave” win? It could turn up in some of the below the line categories, like Production Design or even Costume Design. If it wins Best Editing early in the evening, look out, a sweep for “Slave” is coming. But if that early award goes to “Gravity” as well it might, we can look for “Gravity” to take the many, many technical awards it’s predicted for.

But if it’s “Captain Phillips” in editing, there really could be a shake-up and spread amongst the categories, with even an upset like Somali first time actor Barkhad Abdi winning for Best Supporting as he did at BAFTA. Is the Academy so broadened in its’ thinking post-“Brokeback” that giving BOTH its’ Best Actor and Best Supporting Actor awards to TWO gay AIDS victims, Matthew McConaughey and Jared Leto?

Still smarting from “Brokeback”s loss to homophobia in AMPAS, I’m hedging my bets that both McConaughey and Leto won’t win. ONE of them may. And this could be where Chiwetel Ejiofor is the surprise of the night who triumphs. But no surprise to me, or to you, dear readers, dear cineastes.

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Lupita & Cate on cover of EW! And the Winners Will Be…AND I AGREE!

Lupita & Cate on cover of EW! And the Winners Will Be...AND I AGREE!

How much do I love this cover of Entertainment Weekly’s Oscar issue, which doesn’t even hit the stands until Friday! They are my predictions to win, too!

This is a big change from EW’s previous Oscar cover of a few weeks back. Lupita was nowhere to be found on the cover. The gals pictured were Jennifer Lawrence, Sandra Bullock and Cate. JLaw where are you now?

Of course, the last time they did this kind of predictive cover was two years ago with George Clooney and Viola Davis, and embarassingly neither one won! And I wondered if that was why Dave Karger, an excellent Oscarologist left EW. For Fandango. But still..

But the timing was different it was way BEFORE the voting even started. This time the voting is nearing its’ end with most Academy members making sure their vote is in and in EARLY. The voting started this past Friday, and this issue isn’t out until Feb.28, supposedly, and those who use the Snail Mail route KNOW they have to get it in ASAP. If it doesn’t arrive on time, it’s not counted.

And evidently this year the online voting is going SMOOOOTHLY. Not one article or blog piece has been written to the effect of Academy web-site SNAFUS. So I guess all is AOK.

But congratulations to both ladies for a striking cover! How far we’ve come! When a young actress of color can go from zero to hero in a few short weeks! Lupita’s everywhere.

And Jennifer Lawrence won last year. They love her, but they are NOT going to give it to her, a great comedienne, as wlll as a bona fide box office star TWO years in a row and she’s not even 23!

Lupita is 30, though she looks much younger, and a graduate of the Yale School of Drama where Oscar Queen Meryl Streep went. I rest my case.

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