My Number One Film of the Year “The Danish Girl” is now out on DVD & Blu-Ray and it’s glorious! Its’ sumptuous, heart-breaking love story maintains all its’ lush simplicity on the small screen, making it even a more intimate yet stupendous experience as it relates the star-crossed story of two Danish painters Einar and Gerde Vegener in the 1920s in Copenhagen & Paris. Eddie Redmayne got an Oscar Nomination for Best Actor for playing Einar, who transitions into Lili Elbe, one of the first known transgendered male-to-females.
And I’m so happy that the luminous Swedish actress Alicia Vikander won an Oscar for Best Supporting Actress for her tour-de-force as Gerde, his stalwart, beloved wife. Who encourages her husband to start cross-dressing as a lark, then begins to turn into something deadly serious, which confounds and confuses her as much as it does him.
As Redmayne changes into Lili, every beat, every heart beat is beautifully rendered by director Tom Hooper, and matched in heartbreak, confusion and love by Vikander’s superb performance.
The story, in case you haven’t heard, has a tragic, heart-stopping ending. It’s no walk in the park. The pain and suffering of both leading characters’ true story has echoed down the ages. A transgendered tale such as this has never been translated into a major feature film and with such delicacy and respect. And with such magnificence and splendor by Production Designer Eve Stewart and costume designer Paco Delgado, who both also got Oscar nominations.
Danny Cohen is the genius cinematographer, who captures all the various lights and colors of both early 20th century Copenhagen and the demimonde of Paris art salons with breathtaking accuracy. His camera just PUTS you there, and enthralls as vibrantly as the two leading players.
And I think it’s a crime that Hair and Make-Up Designer Jan Sewell did not get an Oscar Nomination for her transformative styling of Eddie Redmayne, turning him from a man into a woman, and all the stages in between with the utmost believability and subtlety. Sewell is also responsible for turning the dark-haired, olive-skinned Vikander into a pale Danish blonde.
I also want to mention Ben Whishaw’s charmingly quiet and touching performance as Henrik, the gay artist in Copenhagen, who is the first male to fall for Lili at an Artists’ Ball that serves as her coming out into public for her first nervous appearance as the shy country cousin of Einar’s.
Whishaw and Redmayne’s first kiss, and indeed all their subsequent ones made the ground quake and the earth shake as they both don’t quite know what is happening between them. And of course, Vikander as Gerde sees this tryst. And her character goes through as many transitions and changes as Redmayne’s Lili, as she tries to understand and adjust to this cataclysmic situation the husband she loves has put himself, and HER into.
“The Danish Girl” moved me beyond tears as it did when I first saw it in Toronto. I’m so glad the Academy embraced Alicia Vikander and made her a star. And if Eddie Redmayne hadn’t won the Oscar last year for “The Theory of Everything,” he would have certainly won Best Actor for his beautiful “Danish Girl.”