a.k.a. "The Oscar Messenger"

Posts tagged ‘James Franco’

“Llewyn Davis” SWEEPS Nat’l Soc.of Film Critics! Oscar Isaac Best Actor!

After feeling really terrible for the past two days about “Inside Llewyn Davis”s being shut out of the PGA and the DGA, things have suddenly perked up with ILD winning FOUR count’em FOUR National Society of Film Critics Awards! Best Film, Oscar Isaac Best Actor, and the Coens Bros. for  directing. Also M Bruno.Delbonnel the super superb cinematographer won  for making Greenwich Village looked like I remembered it as a kid. New and clean and dreamy.

This is a wonderful honor for Oscar who, if you haven’t listened to my interview with him which is posted below, has FOUR films opening next year. Imean, this year.Maybe more.

And part of me wonders if this was just in reaction to the shut-outs of the WGA and PGA.  Like “Argo” last year. But the ballots would all have had to be in before the WGA and the PGA announced, right?

In any case, Cate Blanchett AGAIN won Best Actress for “Blue Jasmine”so there’s now no stopping her and of all people, James Franco won Best Supporting Actor for his role as Alien in “Spring Breakers” and Jennifer Lawrence pops up again in Best Supporting Actress for “American Hustle.” They are soooo lucky she was in that movie! I found it unwatchable except for her.

The bad news is that “12 Years a Slave” placed third in Best Picture. Behind “Llewyn” and “American Hustle:(ugh) and the same for Chiwetel Ejiofor for Best Actor and Lupita Nyong’O for Best Supp. Actress. They just missed out and both came in second. This makes me sad.

But the good news is that the National Society of Film Critics is NOT a well-known predictor for the Oscars. NOT.AT.ALL. Considered the most intellectual of all the critics’ groups that vote on the Oscars, we have to keep repeating “There are no film critics in the Academy”. At least 200 times.

Anne Thompson of http://www.indiewire.com calls it “A Last Ditch Effort to Save the Coens”! You can read the complete list of winners and where they placed, including their voting tallies there.

So take it for what you will. But it’s not the end of the story and this race is CLOSE!

I think this helps “Llewyn” get into Best Picture and Dulbonnel, too. He also won the New York Film Critics for Best Cinematography. Could help the Coens into the Best Director race. And for sure the Best Original Screenplay category. But THE FIVE are so locked for Best Actor, I don’t know if this means that Oscar has a chance. I hope he does.

Go Oscar! Isaac, I mean…

Oscars! “Argo” wins Best Picture, Jennifer Lawrence wins Best Actress & falls down!

I really enjoyed this year’s Oscars. I ADORED Seth MacFarlane as the host and hope he’ll be back for more! He was funny, and insulting, but not tooooo insulting. Since when did it become a pre-requisite for all Oscar hosts to act like Ricky Gervais?
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This above ^ introductory paragraph was written before the anti-Seth MacFarlane outcry began today and before MacFarlane himself nixed the idea on Twitter.

I must tell you dear cineastes, dear readers, that I am late in responding to the Oscars because a) I was at a wonderful Oscar party with friends on Sunday and b) on Monday I had to start physical therapy for a back and neck injury and it knocked me sideways. But I was feeling, and walking, much better today. I felt a real spring in my step. Was it the Oscars? I think so. Also, Spring is coming. Right? Isn’t it?

But I’m back up tonight and shocked, SHOCKED by everyone in the media world dumping on the stupendous Seth. He can sing. He can dance. He’s got a dazzling kind of Donny Osmond-like charisma, that he undercuts totally with his wicked sense of humor. And I guess it was just too wicked for some. But he’s got a big career ahead of him whether he ever hosts the Oscars again, but since the ratings were WAY UP, he just might be back. He said “Tina and Amy will be doing this next year.” But I wonder…

Everyone at my party enjoyed it and so I am saddened that there was all this back-lash. Seth, I love you! And I thought you did a magnificent, hysterical job!

Quick-witted Seth sort of sank himself at the beginning of the show by doing 17 minutes with the barely endurable William Shatner, who was “beamed in” on a screen above the stage, in all his Star-Trek paraphernalia, and proved just why HE was never a movie star himself.

I know he’s from Montreal, but he was flat-out boring in that flat-lining opening gambit. And it went on far too long, ending, however, in the hilarious set-up of the Gay Men’s Chorus of L.A. singing “We Saw Your Boobs,” which is a number that will go down in Oscar history as love it or hate it, but me, I thought it was the essence of great comedy.

Not unlike his screamingly funny, and money-making film “Ted.” The potty-mouthed Teddy Bear, who MacFarlane voiced in the hit movie, also made an appearance with Mark Wahlberg to announce the Best Sound Categories. Which was an unprecedented tie for Sound Editing between “Zero Dark Thirty” (the only award it got) and “Skyfall” which also got Best Song for Adele.

The hue and cry against MacFarlane has all but dwarfed the actual awards and movies themselves as Oscar Goddess Sasha Stone points out at http://www.awardsdaily.com , but I’m happy to say that “Argo” won three. and Ben Affleck had his great moment in the sun, winning as a producer of the hit film, along with fellow producers,Grant Heslov, who hogged the microphone, and George Clooney, who stood by totally silent, and in a beard, clutching his hard-earned second Oscar like it was pure gold. Which it sort of is. But only gold-plated, really.But his firm grip was noticeable. I thought he was gonna break it in two. But then remember just last year, when he lost out on Best Actor to Jean DuJardin for “The Artist.”

Affleck was incredibly moving as he told everyone everywhere in the world to “never give up.” I took that very much to heart. He also said “Never hold grudges” in Hollywood. And to “always get back up when the world knocks you down.” Words of wisdom all…

“Argo” won Best Adapted Screenplay which I correctly predicted and also Best Editing for William Goldenberger, which I predicted, too. It lost out on Best Score. I thought they would acknowledge Alexandre Desplat, subtle, Middle-Eastern flavored work, but no, they instead gave to “Life of Pi”, which was Indian-flavored.

Affeck’s words about when the world knocks you down, get up, were illustrated minutes earlier, in a Forever in Oscar History Moment when Best Actress winner Jennifer Lawrence tripped on her massive Dior gown and face-planted right on the stairs up to the Oscar stage! For the rest of her career everyone is going to remember her like that! And then she got a standing ovation! Everyone loved her for it! And I did, too!

A great screen comedienne, as well as a talented actress, who is being rewarded at 22. And probably will be again, in a career that is looking by the minute. to be of LEGENDARY PROPORTIONS.

Her fall made the front pages of newspapers around the world! The New York Post headlined her prone picture with the words “Fallen Star”! Lolol..

That fall all but knocked Anne Hathaway’s win for Best Supporting Actress for her stunning, unforgettable turn as the doomed prostitute Fantine in “Les Miserables” out of everyone’s memories.

Hathaway’s unfortunate change of dress from Valentino to Prada, resulted in emphasizing her nipples to a ridiculous, impossible to ignore degree. I know. I know. It was only two seams hitting the wrong places, or perhaps the right places, because this made her pale, pale pink Prado famous around the world for all the wrong reasons. Joan Rivers cracked “Anne Hathaway was with the Pointer Sisters. And they were all very excited to be there.” I think, Anne Hathaway’s Nipples have their own Twitter account.

She’s a great, great young actress, who is just turning 30 and is at the height of her career, and I couldn’t be more happy for her! Congratulations, Annie! You had Oscar at “Hello”! The minute they released the “Les Miserables” trailer in June, I predicted she would win this! And I also predict this will not be her last Oscar. Only her FIRST!

There was a very rousing medley of “Les Miz” sung live by the entire cast, including Russell Crowe(!) and Annie. Another standing ovation! “Les Miz” got three Oscars, the same number as “Argo.” It also won Best Hair and Make-Up, as I predicted, and Best Sound Mixing, for its’ incredible blend of the live singing with a 60(!) piece orchestra that was added later! It’s a stunning achievement, my favorite film of the year and I wish it had won more.

The Academy really OWED Anne Hathaway an Oscar I.O.U. to quote Tom O’Neil, who was in Oscar heaven hyper-drive over at http://www.goldderby.com. After what she went through with James Franco! And their co-hosting a couple of years ago. That was ANOTHER one of Annie’s great performances as she kept trying to keep the show going at all costs despite Franco’s complete, er, disinterest…

And I can’t help but think that Ang Lee’s winning Best Director for “Life of Pi” and Annie’s win for “Les Miz” on Sunday night, were a kind of karmic pay-back from the “Oscar Gods” as Ang called it in his acceptance speech, for that awful night when “Crash” beat “Brokeback Mountain.” And the late Heath Ledger got his Oscar, too, although it was posthumously for “The Dark Knight.”

I was very happy for all of them.

A great, great, memorable show overall,too. I’ll never forget it! And I’ll have plenty more to say about it soon.

“Rise of Planet of Apes” & “Friends W/Benefits” -Good Summer Fun, but no Oscars

I liked both “The Rise of the Planet of the Apes” and “Friends With Benefits.” They’re good, solid summer fare, popcorn movies, but Oscar won’t be awarding any grand prizes for films that are just, well, fun. Entertaining for sure, in that good ole fashioned way that movies USED to be. But which Hollywood seems to have forgotten how to do in recent years.

Yes, yes, I broke my pre-festival rule, and went to see two movies that AREN’T going to be in any of upcoming three festivals that I’m attending(Toronto, Montreal and then New York). I can’t believe it did it, but I did. I had accomplished enough pre-festival prepping-wise, so I went.

The critical hullabaloo that “Apes” was causing made me go, quite frankly. I skipped all the earlier Ape re-incarnations years back. Kim Hunter, Maurice Evans and Roddy MacDowell in monkey masks was an insulting, belittling of great, talented actors to my then teenaged mind. So no. I didn’t go. I’m not a fan of acting with masks in any case.

But the reviews for “Rise of the Planet…” were so ecstatic I just HAD to go. And I had to see if James Franco, whom I did once interview, and whom I’ve always liked, a lot, would recover from his Oscar debacle and his dissing of my BFF Anne Hathaway. And the answer to both questions is yes, and yes

Yes, ROTPOTA works and yes, James is just FINE, in this, his comeback movie, as it were, the first big one post-Oscar hosting…He, and his girlfriend in the film, the lovely Frida Pinto both throw themselves whole-heartedly into acting opposite the performance-capture performance of Andy Serkis as the ape instigator Caesar. And his Oscar fuck-up becomes a mere hiccup in what is obviously going to be a very long and very popular career.

And Andy Serkis’ unseen performance is extraordinary. It’s on a par with his Gollum in “The Lord of the Rings: The Two Tower” and “Return of the King.” He once again was mesmerizing, and particularly so in the early parts of the movie as the young chimpanzee who is adopted by humans.His Caesar is smart and gifted and so much like Nim, the subject of “Project Nim”(which I reviewed for www.awardsdaily.com when I was at the Provincetown Film Festival earlier this year.)

Nim was also a very smart chimp who was being raised by humans as an experiment…which goes awry as the wild animal within him begins to assert himself and he is eventually shipped off to a chimp “sanctuary” just like Caesar is in “Rise…” with tragic results in Nim’s case, but triumphant ones for Caesar as he begins his vengeful quest for world domination, which of course is the “third act” as they now call it of this movie.

It works. Serkis’ Caesar and Franco and Pinto all work and are involving. And John Lithgow is compelling as Franco’s Alzheimer’s riddled father and Brian Cox does great hefty work as the proprietor of the Chimp Hotel that Caesar gets sent to.

It’s good for what it is. Which is an old-fashioned SciFi Horror Movie spruced up and made new with all these CGI effects. AND Andy Serkis scoring yet again, sight unseen, as the wordless chimp.

But one of the Best Pictures of the Year? I don’t think so. But then accept for “Harry Potter”s finale and the magnificent “Midnight in Paris” it’s been a pretty dismal year so far.

And Oscar isn’t going to reward this. But who cares? It’s just good popcorn fun.

The exact same thing can be said about “Friends with Benefits” which I liked A LOT. And more than I liked “Rise…” actually. Why? Well, for starts, it has PEOPLE in it. And Justin Timberlake and Mila Kunis give great star-making turns, revealing flairs for light comedy that is going to propel them into many, many rom-coms in the future, which is fine with me.

They are both VERY watchable on screen and are both revelations and fun, fun, fun.

Again, Oscar doesn’t take comedy seriously.

BUT I DO.

And I know how difficult it is to pull off this light-as-air genre. And Timberlake and Kunis, both new to starring roles in this genre, do it just fine, thank you very much.

They are two young execs in New York(which never looked hipper or more fun in a LONNNNNNG time) who after a lot of preliminary blah-blah-blah decide to have sex, but not any kind of “relationship, just sex” and as they say, hilarity ensues. AND lots of sex scenes. LOTS of them. And he’s more nude more often than she is. Which is refreshing.

And yes, he does sing a few notes and busts a few moves, both in and out of his clothes. And his sense of comic timing is just masterful. They were both delights to watch.

And no one was more surprised than I that I liked them both so much. And I liked “Rise of the Planet of the Apes”, too.

Two enjoyable movies. I guess I’m on a roll.

DGA announces its’ Nominees for Best Director!

Newsflash, Oscarwatchers! Dear readers, dear cineastes, the all mighty Directors Guild just announced their nominees. Five only. For best director of a motion picture 2010.

This announcement is RRREALLY good news for the nominated directors and their pictures. And bad news for those that are left out.

Some surprises, of course.

Tom Hooper, “The King’s Speech” His first nomination

Christopher Nolan, “Inception” Nominated twice before for “Momento”(one of my top ten films of the DECADE! And also, the Batman sequel “The Dark Knight”)

Darren Aronofsky, “Black Swan” Also a first-time nominee!

and the Big Surprise, the universally not-liked David O. Russell of “The Fighter” shows that yes, they like him, they really like him.

And of course, David Fincher, who was nominated once before for “Benjamin Button” is nominated AGAIN for that Film I Will Not Name.

Surprisingly, no Coens for “True Grit” which is doing so well at the box-office. Also, no Danny Boyle for “127 Hours.” Bad news for those films and though they may make it into the Oscar Top Ten, this puts their actors suddenly in a big of jeopardy, to put it mildly.

Also, no John Cameron Mitchell for “Rabbit Hole.” So Nicolle Kidman look out.

No Lisa Cholodenko for “The Kids Are All Right” and no Debra Granik for “Winter’s Bone.” So all male nominees. No women at all after last year’s great breakthrough triumph of Katherine Bigelow winning Best Director for “The Hurt Locker.”

Also out, I’m now thinking is Matt Damon for “True Grit” although Jeff Bridges and the awful tyke Hailee Steinfeld seem in the stronger positions in their categories.

Also, no Tony Goldwyn for “Convinction.” Not good news for Hillary Swank. Though I think the never nominated Sam Rockwell could surprise in Supporting.

Also, not good for James Franco’s Best Actor chances of “127 Hours.” I think he’ll get a nomination but without a directing nomination, “127 Hours” is in a much weaker position than it was yesterday. Although people aren’t going to it.

I think these five gentlemen are IN LIKE FLINT though as Nominees for Best Director at the Oscars.

Congratulations to Tom Hooper for “The King’s Speech” who is the one who named me the Oscar Messenger, let’s not forget!

This group of five men are locked and loaded. So now we know…

Summarizing the BAFTA asterisks! Surprises galore! Oscar surprises in store?

First let me say, thank you to www.awardsdaily.com for making all us Oscarwatchers AWARE of what the hell the BAFTA long list is.

Never heard of it? Well, for some eccentric British reason, the BAFTA awards, which are the British equivalent of the Oscars, posts a LONG list of their contenders ~ now with asterisks, no less. The Asterisks tell us who has gotten the most votes in each category, though they don’t do this for Best Picture. The lists themselves are VERY long and include the less-than-heavyweight choices like Gemma Arterton in “Tamara Drewe” as Best Actress!?!

Of course, they are very Brit-Centric OF COURSE, but coming as they do, their timing is TIME-LY and  is more influential on the Oscars each year. AMPAS bows to the Brits. Almost always. When in doubt, vote with the British. They did in Marion Cotillard’s case, didn’t they? For “La Vie En Rose.” STILL cant stop talking about THAT unexpected win. Which yours truly predicted, mais oui.

So here with surprises galore are the five actors & actresses in each category that got an asterisk, which means they PROBABLY will also get all the way through to an actual BAFTA nod.

Best Actor

Colin Firth “The King’s Speech” (of course)

James Franco “127 Hours”(natch)

Javier Bardem “Biutiful” ( a foreign surprise)

Jeff Bridges”True Grit” (of course)

Jesse Eisenberg(The Film-That-I-Will-Not-Name)

Except for Bardem, the other four will most likely also be Oscar nomed.

Best Actress

Annette Bening(TKAAR “The Kids Are All Right”)

Carey Mulligan”Never Let Me Go”( superb performance, but not gonna happen stateside. The movie bombed.)

Julianne Moore (TKAAR. Would be a surprise at the Oscar Nom morning, if this happened.)

Michelle Williams “Blue Valentine” ( I sure hope so. This HELPS her.)

Natalie Portman “Black Swan” (of course)

This is a three out of five situation, with Michelle being one of those three + Annette & Natalie. But wait! NO NICOLE KIDMAN! Though she is on the long list, she’s not gotten an asterisk! Uh-oh! And double WTF is Haillee Steinfeld being nominated, on the long list,no asterisk for “True Grit”!?!

This lists perhaps signals that Nicole may not make it into the Oscar Derby. “Rabbit Hole” is dying at the Box-Office, while “True Grit” continues to ride high.

More movement in this category than many have thought, I think. And Jennifer Lawrence is on the Long List here, too. But with no asterisk. Uh-oh.

This piece is getting too long. Will deal with the Supporting categories later! And it’s SNOWING again in New York! Uh-oh!

“King’s Speech” Breaking Box-Office records!

I’m oh so happy to report that the brilliant, moving, unforgettable “King’s Speech” is breaking box-office records this holiday weekend in VERY limited release. Check out just how much, where et alia at www.indiewire.com The inimitable Scott Feinberg also talks about this and many other fabulous things at www.ScottFeinberg.com

He used to call it com.www.And the Winners Is…com

And he’s got an actual Academy member to write about everything Awardsworthy under the name of Deep Voice. It’s a member of the Writer’s Branch and is he cantakerous! But interesting. He thinks for example that “The Kids Are All Right” has got no nominations in its’ future, just Mark Ruffalo!(?!) And I agree that “The Social Network” doesn’t “make you care. It doesn’t move me.” But that nevertheless he’d nominate Justin Timberlake as Best Supporting Actor. That’s TWO nominations in that category, gone, from this guy, who can’t even vote for the Actors UNTIL they are nominated by the Actor’s Branch, come nomination announcing day. He can however nominate WRITERS in the two categories that the Academy has, Best Original Screenplay and Best Adapted Screenplay. EVERYone in all the Branches gets to nominate the Ten Best Pictures… but I digress…

Also this the coming Awards Avalanche week. Tomorrow night is the Gothams, where, probably “A Winter’s Bone” is going to clean up, and then later this week, on Thursday, the National Board of Review is set to announce its’ winners.

Update: It did. It got Best Feature and Best Ensemble, but no Jennifer Lawrence as Breakout Performer, which she was nominated for, but didn’t win. Does this help the film get into the Year’s Ten Best at the Oscars? Hmmm..(Sound of Oscar…thinking…) Hmmm….

The National Board of Review are a New York-based awards-giving group that has a LARGE portion of females in their membership, a rarity in this male-dominated business, believe it or not, and also many, many gay members. More so than most groups.

And judging by that, I’d say “The King’s Speech” is going to sweep. It’ll get Best Picture from them, and Colin Firth will win the first, but not the last of his many, many, much deserved awards that are going to be coming at him like, well, gangbusters. Mixed metaphor? But hey that’s what I do!

Helena Bonham-Carter should also score here where they consider a year’s work not just one performance like the Academy. So HBC should qualify for not just her shy, sly Queen Elizabeth in “The King’s Speech”, but also her mad Red Queen in “Alice in Wonderful” and her 15 min.(or less) turn as Bellatrix La Strange, the witchiest witch who witch there was more of in the latest “Harry Potter.” Now playing…

Best Supporting Actor…I think they are also going to go for Geoffrey Rush, here. And maybe also for Best Director, Tom Hooper. If they go for Hooper over David Fincher(who’s shooting the Milennium Trilogy in Sweden, and may not get back for the ceremonies in Jan. You wouldn’t think this would count against him, but the NBR wants all its’ winners present and accounted for. Yes, they do.)

Best Actress may very well be Natalie Portman, starting her awards march. She, along with Firth, well, the two of them are going to be seeing A LOT of each other as the awards season rolls out like a juggernaut over all our Oscar-filled lives…

Breakthrough Performance by an Actor could be the only award that “The Social Network” wins….Will they give it to New York native Jesse Irritatingberg? They like Native New Yorkers. So that’s what Natalie Portman, from Long Island, has going for her, too.

Or it could be someone else from “The Social Network” Even Justin Timberlake could score here.

I’d be very surprised if Jennifer Lawrence (who totally doesn’t deserve it) will find her week bracketed by awards. First from the Gothams on Monday as Best Breakthrough then by the NBR later this week. She’s got that blonde teenage mojo working…Whether I like it or not…And I don’t…

Update: She didn’t win the BreakOut/Breakthrough category tonight at the Gothams…and with all this hype, she certainly SHOULD have…but the NBR may fall for it…

Best Adapted Screenplay would be the first Aaron Sorkin win and start his line dance to the Podium at the Kodak.

And now they’ve just announced that Anne Hathaway and James Franco are gonna c0-host the Oscars!?!?! Sounds like a big mistake. Also this may eliminate BOTH of them from the race.

Personally, I LOVED “Love and Other Drugs” but it’s a zesty, sexy Rom Com, with a dash of Parksinson’s Disease thrown in…as an Oscar grabber… for Annie, which I don’t think it’s going to be. Rom Com’s almost NEVER rank with the Academy, especially in this crowded year for females!

And can Annie and Jimmy pull off hosting duties? I’m of the mind that yes, SHE can. Annie can do anything. Great inner resources as a performer. Comes from growing up with Mom as a actress and a gay brother. Talk about Drama!

But James is soooo laid back…I keep thinking of him in “Pineapple Express…

Day Three – Eaten. Day Four-Riot at the Scotia Bank!

Oh no! My third day at TIFF has disappeared completely! And I was so happy — yesterday…

Saw the Best Film Of the Year “The King’s Speech” and interviewed both Colin Firth and Geoffrey Rush! As well as their British/Australian director Tom Hooper. Who nicknamed me their “Oscar Messenger”! I think I’ll add it as a subtitle! A.K.A THE OSCAR MESSENGER!

And — all of it has disappeared!

And now I’m feeling absolutely sick, because I was caught in a near mob scene, yes, TIFF does it again! It this was Day Four RUINED! Because like an idiot I was made to stand for over an hour waiting to get into see Danny Boyle’s new movie “127 Hours” which is how long it felt standing in that line! With  over 1000 people and the airconditioning not really working. And Cameron Bailey, TIFF’s CEO, rising to his full height, which must be over six feet and operating in crowd control mode, if not riot…People were sooo weakened by this….

I’m just a shadow of my former self. My knees are KILLING me. And I’m afraid to go back into that building, the Scotia Bank, again….Makes the case for going to Telluride, doesn’t it?

But I did see two movies this morning. Marion Cotillard’s “Little White Lies” and also Fridrik Thor Fridriksson’s best film in AGES “Mama Gogo” Icelandic, of course. And I just loved it. About a filmmaker(obviously him) played by  my old friend Hylmer Snaer Gudnudsson, trying to get a film made while his senior citizen mother, Mama Gogo, is losing it to Alzheimer’s. I loved it.

Tomorrow is going to be a killer day. What with the Bell Lightbox opening, then the Woody Allen press conference which is now an AUDIO press conference. No video allowed. And then Marion herself and my big reunion with her both of these in the Four Seasons, then I’m supposedly back at the Scene-Of-the-Riot the Scotia Bank…to interview Fridrik…something tells me, we won’t be getting back downtown for that one…

I am so upset that the Blog about “The King’s Speech” disappeared! I was so excited, and it truly was a wonderful, wonderful film experience! One of the best I’ll ever have! IN MY LIFE! A high so high that it justifies all you have to go through for TIFF’s sake. It was magnificent. The audience was transfixed. An audience of CRITICS no less. Who applauded. Laughed. And the at the end didn’t want to leave. They stayed and READ THE CREDITS?!?! Oscar nominations for everyone! And the buzz now is that Colin Firth has won the Oscar…

Depends entirely on how sick Michael Douglas is – or isn’t…

I met Peggy Siegel in the sweltering hallway outside the “King’s Speech” junket in a remote part of the building that no one knew was there! Talk about clandestine!?!? Is Colin Firth THAT famous? Well, he sure is the talk of the Festival!

I typed this all yesterday and now I am just repeating myself. But it was a sublime movie and a sublime moment for me and him and Geoffrey Rush and their director, Tom Hooper, who all seemed astonished that I was their “Oscar messenger.” I think Tom Hooper said that.

I told Colin that it was the Best Film of the Year and that it’s one of the greatest screen performances EVAH! And it is…

I’m not overstating this. Everyone here is just breath-took by it. And I think it only had ONE measly P&I screening and won’t be seen in the States until November.

I also told Colin that he was going to win every single critics award and was for sure going to get nominated for an Oscar for Best Actor and that he COULD win.

This was after saying two days ago when I saw Wall Street 2 that it was Michael Douglas’…!!! OOOPS! I knew Colin was the other contender and I knew he would be very, very good. Excellent, too. But I didn’t judge that it would be a HISTORIC performance! But it is! It’s one of the great screen performances.

I told Colin this and he was really non-plussed. At a loss for words. And then he wondered whether or not he really would win…I think after losing last year to Jeff Bridges in “Crazy Heart” he’s not at all sure about things like this…

I said his role had everything. He’s playing a Royal. Brit, Brit, Brit AND he’s disabled. He’s got a handicap. His stutter, which is a VERY hard thing to play and play convincingly and SUSTAIN it for the entire film.

Geoffrey Rush is equally sublime as the Australian speech teacher who helps him overcome it and he’s equally magnificent.

He’ll be nominated for Best Supporting Actor and even though he already has an Oscar he could win there, too.

AND they’ve got Harvey Weinstein behind them!

The film that this reminded me the most of was “Shakespeare in Love” which Rush also scored a Supporting nom for but he didn’t win, though the film did. And Gwyneth. AND Colin Firth was actually  in that movie, too, as Gwyneth’s disliked fiancee…

So now I have to change my Facebook headline. Two days ago it was Michael Douglas’ to lose. But now I think he’s just lost it. To Colin Firth. Well, it will be a big critical hit, f’r sure.

And Colin said to me ON CAMERA “Can I carry you with me everywhere?”(Well, maybe he said “take me with you”…) And I said,

“Yes! I’m ostentatiously available!”

And THEN I get stuck in another TIFF near riot….They should’ve expected this. They had nothing strong programmed AGAINST “129 hours” this afternoon.

MISTAKE!

Opening “The King’s Speech” at the same time as the “Black Swan” as far as P&I is concerned was actually a brilliant stroke of programming. Nobody rioted and everybody got in – to one or the other. NOT THE CASE with “129 Hours.”

This just in — there was a fire alarm! They didn’t tell us! On the anniversary of 9/11!?!?! I could’ve DIED there!

I saw Tom O’Neill and also Rex Reed, at a distance. Neither looked happy. OMG! A BOMB SCARE! Or whatever it was.

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