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Posts tagged ‘J. Edgar’

“Oscar Race” EW Cover w/Clooney & Viola Davis. Controversial? Accurate? Embarrassing?

I really wonder if the venerable Entertainment Weekly has jumped the shark this week with its’ “Inside the Oscar Race” cover prematurely, I think, showing George Clooney in a tux (nothing new), but at his side,, resplendent in a white ball gown, is Viola Davis! THIS is new! And the cover states “Front-runners George Clooney (The Descendants) and Viola Davis (The Help).” WHAT???

I thought Meryl Streep and Michelle Williams were the two heavyweights for Best Actress! But the usually reliable Oscar God David Karger is plunking his two cents down (and EW is presumably totally backing these choices), and inside we see V.D. depicted holding what looks like an award, or a Golden Globe, or SOMEthing, when on closer look it is seen to be a hand mirror. A bejeweled one, but a HAND MIRROR!

This is the kind of thing that INFURIATES Academy Voters, who are voting or rather nominating, right now as you read this. Many of them perhaps have not even sent their ballots in yet or filled them out, and here is EW acting like IT’S ALL OVER! BAD MOVE, EW!

I would be OK with this if it was a year where this was TRUE, but George is fighting for his life in Best Actor, (He’s got one already and “The Descendants” is depressing.) against his BFF Brad Pitt, who, BTW, just won Best Actor from the prestigious National Society of Film Critics. Take THAT, EW! They seem to be saying. And the Best Actress race is all over the place, between those three ladies. Williams, Streep & Davis.

And Viola Davis, as talented as she is, has not yet won ONE major award yet for “The Help”! A cover like this and a lay-out and an interview like that, may infuriate Academy types into NOT voting for her, when the time comes. And it IS a Supporting Performance in most peoples’ books…including mine.

But to photograph her looking so RADIANT and BEAUTIFUL and AIR-BRUSHED to death, well, we’ve never seen her like this before. And acting like she’s already won! But she hasn’t!

I fear this cover is going to make AMPAS voters feel like “Wait a minute! Don’t tell US who’s won!” or who to vote for. MISTAKE! This is what the Board of Governors was actually warning people about this year.  See Scott Feinberg’s excellent analysis of this at www.hollywoodreporter.com where Scott now is writing “The Race.”

And Jean Dujardin of “The Artist” is the one who most Oscar experts are picking for Best Actor. But not to EW.

I totally agree with Dave Karger with his choice that “The Artist” has already won Best Picture and is waaay out in front in that category. He’s right about that. But I would not be a very good Oscarologist myself, if I didn’t feel it incumbent on me to say “WAIT A MINUTE! Hold your (War) horses, EW!”

What they are doing is championing or campaigning for Clooney/Davis with this glossy cover and the even glossier interview inside. Acting like it’s a done deal. That is SOOOO BAD in Oscar campaigning terms.

And I know Dave Karger is familiar with Oscar 101.

I’ve NEVER seen EW so blatantly Up a Duo from two different films, yet, who may not be pictured together ever again this awards season. How embarrassing! But EW is nothing if not BOLD.

However, their first Oscar cover of the season isn’t a NEWS issue. It never is.

Didn’t they depict “Finding Neverland” once upon a time? Oy vay.

And there was once an Oscar issue like this with three actresses shown. I think it was Jennifer Connelly and Nicole Kidman and somebody else. And that third lady did not get nominated. I can’t even remember who she was. How embarrassing was that for her? And presumably for the magazine. But guess not, cuz they’re doing it again!

But some of you will remind me who that third gal was, who didn’t get nominated.

And even though Michelle Williams is splattered all over the INSIDE of the magazine in their for real predictions section on who’s going to be nominated…that story/interview on George ‘n’ Viola’s friendship was a little grating and self-serving. And yes, both of them are acting like they’ve ALREADY WON! NO! They haven’t!

THIS IS A HUGE OSCAR “No!NO!”

George has picked up a couple of critics awards, but Viola has gotten none, separately, herself, for Best Actress. Though “The Help” has gotten kudo-ed for Ensemble in several places.

This is the kind of cover that could de-rail a campaign. SERIOUSLY. Dave, what were you thinking? Well, obviously, he thinks he’s right.

I beg to differ.

And inside, though, his predictions themselves, were pretty spot-on for who was going to be nominated for Best Picture, Actor and Actress, though he’s got Michael Fassbender in there, and I think it’s Demian Bichir. Although Demian DOES receive a cute consolation prize, a “For Your Consideration” box.

But his supporting picks were all over the place, especially in Supporting Actress.

I was shocked at how wobbly his Supporting predictions were and yes, the Supp. Actress category is historically the hardest to predict. He’s got Berenice  Bejo (yes, she’s nominated for a BFCA, Golden Globe and a SAG) Ditto Octavia Spenser. He’s got Janet McTeer pictured, and I think that’s right. And Jessica Chastain for “The Help” which seems to be what she’s inevitably nominated for, though, it’s the least of her EIGHT performances this season! And then he has Melissa McCarthy, who EW just had on another of their covers recently as “The Queen of Comedy”. This would be for the gross-out “Bridesmaids.”

He doesn’t mention Vanessa Redgrave AT ALL. NOWHERE. And I think she WILL TURN UP here. Especially after being snubbed by BAFTA!!! Can you believe it?

I’m sure it’s the ghost of her earlier-in-life, extreme left-wing policies from the ’60s still haunting her. But if the Academy, Anglophile Lefties all, (well, the majority anyway) will over look Redgrave’s policy and put her in where she belongs and she could win this for her ASTOUNDING performance in “Coriolanus.”

Karger also gives Carey Mulligan from “Shame” a “For Your Consideration” box. And that is valid. She was great, if not greater, than Michael Fassbender in “Shame.”

We all know Christopher Plummer is going to win his career award in Supp. for “Beginners” and Dave Karger duly notes this. The other nominees, in this category, though, except for Kenneth Branagh are all up in the air. ESPECIALLY, his pick of Max Von Sydow for “Extremely Late and Incredibly Distasteful”! I don’t think so.

He’s got Jonah Hill and Albert Brooks in there but they were overlooked by SAG, and Nick Nolte and Armie Hammer WERE SAG-nominated, which he notes, but doesn’t see them getting in.

Who could pop up here, unexpectedly, is Corey Stoll for his finely etched portrait of Ernest Hemingway in “Midnight in Paris.”

And Kathy Bates and/or Marion Cotillard could be two last-minute  pop-ups from “Midnight in Paris.” They both just were named on the BAFTA long list…So they’ve been noted there.

Oh, and that BAFTA long list!…well, let’s just say it’s TOO LONG to even bother with at this point. But as always you can check out www.awardsdaily.com for a much closer look at that ENDLESS list, on which nearly everybody who made a film this year, is on. Wait for the BAFTA nominations themselves. But Beth Stevens, at Awardsdaily does a really good job at parsing them, especially in the comment section.

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Oscar’s Pesky Supporting Categories. Mucho loco.

Oh, those pesky Oscar Supporting Categories! They are sooo hard to pin down, always, but this year’s there’s so much movement it makes the potential nominees look like Mexican jumping beans!

And no SAG didn’t match the Golden Globes, and they both didn’t match the  (Broadcast Film Critics Assoc.) But look who these groups REALLY represent. Look closely. And the first thing you may notice is that the Broadcast Film Critics, is made up, of mostly, well, film critics.

And there are NO film critics in the Academy. Repeat after me. THERE ARE NO FILM CRITICS IN THE ACADEMY.

And Stu Vanairsdale’s www.movieline.com excellent depiction of the Hollywood Foreign Press as “swag monkeys” is sooo apposite I want to adopt it just for my own, but yes, that defines them. ABSOLUTELY. And also, they are PRESS. And yes, repeat after me…no don’t bother. There’s no press in the Academy either….

So the fact that Michael Fassbender didn’t get a SAG nom is much more significant than it may at first seem. AND he’s urinating on-screen. Literally pissing his nomination away. And that’s how Demian Bichir got HIS SAG nom, playing a heroic Hispanic gardener. Yeah, this category this year . It’s a pisser.

But also not nominated for SAG was Albert Brooks from “Drive” and that make me wonder. He was nominated for Supporting Actor by both the BFCA and the GG, but to be left out of SAG may be fatal.

Why was Brooks not nominated for “Drive”? Maybe because THEY DIDN’T WATCH “DRIVE.” SAG gave nothing to “Drive” whereas the BFCA nominated it A LOT.

Who was nominated in Brooks’ place? Armie Hammer for “J. Edgar!” Stupendous in “The Joy of Typing” as BOTH Winklevoss twins, he’s riding a crest of good will. And Academy members keep exclaiming “I loved J.Edgar!” Which is something obviously Stu V. isn’t hearing.

And Hammer benefits by being in Leo DiCaprio’s shadow. He gets to kiss him, after all (Degree of difficulty!) And even though “J. Edgar” was left off the PGA list, it made MY Ten Best, and I STILL think it’s another Clint Eastwood masterpiece. THAT could be a surprise BP pop-up on Oscar Nomination Day, which is Tuesday Jan.24.

AMPAS members are voting right now on their choices of nominations. Yes, they are. And so what’s on their minds? Well, “The Artist” for one, which is going to get more nominations than any other film this year. And Berenice Bejo is on her way to a for sure Best Supporting Actress nomination and possibly even a win, in my book.

The Argentinian/French beauty carries as much of the film as the stalwart Jean Dujardin, who did win the Best Actor prize in Cannes this year. And she got a BFCA, a SAG nod, and also a Golden Globe nomination. So she was the triple crown of nods as it were.

And she also just won BEST ACTRESS in the Rome Film Festival which just wrapped last week.

So she’s definitely on a roll, and she’s also married IRL to “The Artist” s front-runner for Best Director Michel Hazanaviscius. And HE’S probably going to win Best Director across the board, and if she won, too, that would be the first time in Oscar history that a husband and wife team won double Oscars, a quaint touch that the Academy may very likely find too charming to resist, too. Just like their movie!

They’re French, and SOOOO in love! And so happy!

Berenice’s main competition is Octavia Spenser for “The Help.” Spencer, an unknown up until this season, also was a recipient of a SAG, BFCA & a GG nod. So she’s almost assured of a nomination. But she’s an Academy newbie. Her memorable performance as the foul-mouthed Minnie is the kind of role that gets nominated but doesn’t necessarily WIN awards.

And there was that shitting in the pie scene. Unlike Michael Fassbender, we don’t SEE her doing it, thank god, but she does do it, and then serves it to Bryce Dallas Howard, RON HOWARD’S daughter! in real life, who plays the villainess Hilly so well here in “The Help.”

Stu V. and Tom O’Neil at www.GoldDerby.com and many others have her as a frontrunner in Supporting Actress, but I wonder….

I do NOT think the Academy is open-minded enough to award TWO African-American actresses in ONE year. One of them, maybe, but not both. And Viola Davis is pictured and named as “The Frontrunner” on this week’s Entertainment Weekly annual Oscar issue. She’s pictured with George Clooney, which actually could be the kiss of death. They could BOTH not win.

And the two “Help” women, may split the “Help” vote. And neither wins.

It’s a very interesting year in that the actress categories are so up-in-the-air.

And it just goes to show that Meryl Streep’s reviews for “The Iron Lady” were sooooo bad that they vaulted Viola Davis on to the cover of EW!

And Shailene Woodley of “The Descendants” was not nominated for a SAG award either.  Too young, merely a teenager. But Janet McTeer of “Albert Nobbs” was…and Stu V. has Glenn Close of “Albert” slipping out of the locked five in Best Actress, being replaced by Rooney Mara. I don’t see that happening. But Janet McTeer has ALSO scored the trifecta of BFCA, SAG & GG.

And then there’s Jessica Chastain & her 5000 films she was in this year’s problem. What to nominate her for? Well, if it’s for “The Help” (a good perf, but not great) she’d also be splitting the “Help” vote with Spencer and then…and then…Berenice Bejo wins!

And Vanessa Redgrave could win in this category, but she’s been nominated nowhere so far and it seems like NO body is watching “Coriolanus.”

And then there’s sweet Carrie Mulligan who shows HER nether regions in “Shame.” But oh yes, since she’s a young girl, that could help her…but so far…No nominations…which is a REAL shame.

And Christopher Plummer? He won this race, Supporting Actor, the minute his marvelous film “Beginners” opened in May. The question that plagues us Oscar-ers and Oscar-ettes, is who’s going to be nominated in that category and lose to him. Plummer has never seen so, well, plummy. And he’s experiencing the most attention and love he’s perhaps ever gotten in his long and very chequered career. He’s very grand, too, as Herbert Wanger in “Girl with the Dragon Tattoo.” It’s his year. He’s everywhere!

Top Ten Films of 2011

Dear Readers, dear cineastes, here it is! At long last! Just what the world has been waiting for! ANOTHER top ten film list! Soon also to be seen on my YouTube Channel www.youtube.com/StephenHoltShow

Where suddenly “The Artist” has surged to take the #1 spot on my Channel’s Top Ten List.

Not to be confused with my Year’s Ten Best list, which starts here –

1. MY WEEK WITH MARILYN

2.MIDNIGHT IN PARIS

3. THE ARTIST

4. MACHINE GUN PREACHER

5. J. EDGAR

6. THE GIRL WITH THE DRAGON TATTOO

7. ALBERT NOBBS

8. DEVIL’S DOUBLE

9. DRIVE

10. WAR HORSE

“J.Egdar” Clint Eastwood’s New Masterwork. Leo Will win the Oscar!.

Clint Eastwood has done it again! At age 81, he has created yet ANOTHER career-capping masterwork. And Leonard DiCaprio will FINALLY win an Oscar. And it will be his first but not his last. He’s a great American actor who has finally been challenged by this, his greatest role of all time, and he gives his greatest performance ever.

Wow!

I could hardly believe my eyes and ears! Eastwood & DiCaprio were making us sympathize with this most unsympathetic of men. And making us care about him. In the end I was crying. I’ve been totally bowled over by this amazing, powerful movie.

I saw it in the same screening room, in almost the same exact seat where I saw “Million Dollar Baby” not so long ago, and it had the same kind of impact. Stunning.

Desaturated is the color of the day and the few times we do see a trace of a bright red it’s either in the flags flying gaily at the race track, where he sits in stands with his closeted homosexual lover, Clyde  Tolson (played greatly here by the astonishing Armie Hammer, who will also get nominated for his great performance! I predict!)  finally relaxing a little. Or it’s red as the color of blood. And this film has plenty of that, too. Being as violent as a ’30s gansta flick itself.  And in one incredibly powerful scene, Tolson actually bloodies Hoover. Don’t want to say too much more about that, because it’s probably one of the greatest scenes in the movie and one of the greatest scenes ever filmed.

Dustin Lance Black, the Academy Award Winning screenwriter of “Milk” has also done it again and given us a heartfelt, incredibly moving story about two men who can only express their love for each other by holding hands.

Everything is hidden. But that’s the way homosexuals had to live in those days. And thank god, that those days are gone! But thank god this movie is here! I never thought I would ever be raving about a movie about J.Edgar Hoover, but I am!

Leonard Di Caprio, I’ve always felt was one of the greatest of the great actors who are alive today, and he seems more alive in this movie than he’s ever been, even though his face is often buried beneath TONS of disfiguring age make-up.Best Make-Up. That category is now closed, too. Along with Best Actor. Di Caprio has just beat George Clooney AND Brad Pitt good and proper. The Oscar is now totally his. Category closed!

It’s a bold, brave performance in a bold, brave movie about a man whom many thought that he was the opposite of that. He was feared more than liked.And hated by many.

But liked by, it seems from “J.Edgar”, only three people, his devoted secretary (Naomi Watts, with too little to do), his mother, the great Dame Judi Dench, who will be surely going to the Oscars again nominated for this film, and her polar opposite performance as the gracious, generous, giving grand dame, Dame Sybil Thorndike’ Her Dame Sybil in “My Week with Marilyn” helps her nomination for the evil Mrs. Hoover, who is certainly up there with the greatest of screen villanesses. It was is she were animating the corpse of Norman Bate’s mother in “Pyscho.” She’s cut from the same cloth and seems to be wearing the same dresses that Norman’s mother, and Norman wore.

And yes, there is cross-dressing here, too, but it’s used to VERY powerful effect, and in such a PROFOUND way, it made even me understand my own homosexuality a bit more clearly. I just couldn’t believe that scene. It will be talked about as long as they talk about movies!

This film is going to be nominated for slews of Oscars. They all love Clint anyway, and whatever ambivalent feelings they’ve ever felt about Leonardo will be all erased by his magnificent performance in this monumental movie.

Best Picture, Best Director,  Best Actor, Best supporting Actress, Best Supporting Actor(Armie Hammer), Best Original(or is it adapted?) screenplay, best cinematography, best editing, BEST MAKE-UP! And more. It will get the whole Oscar kit and kaboodle thrown at it and everyone should be tossing their hats in the air! I know I am! A great  American master Clint Eastwood has created ANOTHER great American Masterpiece. And it’s about a love story that’s never been told, and is so, so heart-rending, you’ll never forget it.

If J. Egdar Hoover was an evil man who abused his power and did evil things in unlawful ways, it was because he could not, as his mother could not, accept his homosexuality. Thank god he had a Clyde Tolson in his life! We all should. The world would be a better place.

In homophobic Hollywood, “J.Edgar” could be heading to another “Brokeback” heart break at the Oscars. For Best Pic, I mean. I think it will be nominated(they all over Clint) but it won’t win. Again. Like “Brokeback”, but this time Leo will.
When a straight icon like Leo, plays a gay man/monster like “J.Edgar” who was totally ashamed of his homosexuality, the Academy will reward. George Clooney has his Oscar already. And with this monumental performance of a life-time, he doesn’t stand a chance.

Oscar Race Changes AGAIN ~ IN A DAY! With Leo as Gay J. Edgar!

It’s now really for real November and we now really for real are in OSCAR SEASON! Yes, dear readers, dear cineastes, November is the really hot-cha month when all the good stuff  starts happening. Or not…

Like this morning I started off the day with the beauteous and beneficient Kristen Scott Thomas calling me via satellite from Paris! Oui, oui, bien sur, mes amis! That’s where KST really lives most of the times, though she is of course, thoroughly English. And guess who? Harvey Weinstein is at it again, and this time he’s decided to throw an early season opener “Sarah’s Key” that sort of blipped by unnoticed by most (I knew it was there. I just didn’t get to it. Then it was gone.) Well, he’s putting “Sarah’s Key” back into some theaters and also releasing it on DVD and so Kristen Scott was calling me at a very early hour of the morning here where I am, but for her in Par-ee it was a comfortable middle of the day, a beautiful day to hear her tell it. And you will, and see her, too, coming up on my You Tube channel www.youtube.com/StephenHoltShow and also on my TV show.

The Best Actress race is really packed at the top this year already. There’s really no room with supposed locks – Meryl, Glenn Close(as a man!), Michelle Williams as Marilyn Monroe, and Viola Davis for “The Help”. Lots of competitsh for that fifth slot. Although there’s always the Golden Globes with their ten slots and I think Kristen will fit very nicely in there. For “Sarah’s Key.” Yes, I’ll mention the name of the film again…

And meanwhile, back at the AFI opening in LA, Leonardo Di Caprio really did upend expectations with the(I knew it all along) very GAY J. Edgar, Or Gay Edgar, as I and many  people I know are calling it. Not necessarily derisively, either. This is the story that dared not speak its’ name in J. Edgar’s lifetime, and with Oscar-winning screenwriter Dustin Lance Black, penning it. He won for “Milk.” What else COULD it be?

And Clint Eastwood has evidently told it quite while and Leo a great, great actor as well as star has never won an Oscar. Yes, ladies and gentle person’s, it’s true. And now that he’s evidently giving the performance of his career as this tormented closeted gay man of the ’30s & ’40’s. Oh, and the ‘6os and the ’70s, too, who could never come out of the closet. And neither could his supposed lover who took the name “very close friend” Clyde Tolson, here embodied by none-other than the super-hunky Winklevoss Twins themselves, Armie Hammer, and HE’S supposedly got a supporting Actor nomination in his future now, too.

So with Leo on board, I think it’s buh-bye for George O’Clooney’s Oscar hopes. He already has one. For “Syriana” for Supporting. But still…

Leo’s been nominated three times AT LEAST and never won and now it looks like with Clint Eastwood at 81 at the helm, we may finally see Leo’s Titanic Oscar ship finally pull into port…

And oh yes, the Academy has decided to honor Vanessa Redgrave, I’m not quite sure how. A dinner? A plaque? She’s already majorly in the Supporting Actress race for “Coriolanus” and now…well now, I think this is the Academy saying VOTE FOR HER! Forget her politics of the past. And let’s give her an Honorary One, or whatever it is they’re doing. And giving it to her. All her. Just her. In one Vanessa-filled night in London…well, if it’s not taking place in Hollywood itself, it really ISN’T rrrrreally official…but it’s the Academy’s way of saying “VOTE FOR HER!”

She’s 72 or 73 or 74 and her beautiful daughter Natasha died so tragically and young during the filming of “Coriolanus”…and she’s BRRRRRILLLIANT in it. And oh yes, who’s the Producer? Harvey Weinstein. Oh yes, him again. So yes, I think THAT category just got closed, today, too.

So right now King George has been de-throned by Prince Leo. And the Academy is giving Vanessa Redgrave their version of an honorary knighthood…”Sarah’s Key” is coming out AGAIN.

And “War Horse” was “sneaked” all over the country this week, and it seems people like it, they really like it.  So last week “The Descendants” was the front-runner, but now I think “War Horse” was galloped back on top.

You can see a very astute young You Tube film critic/star (y’know, like me *cough*cough*)over at www.awardsdaily.com and you can hear what he has to say about being lucky enough to have stumbled in to one of these “War Horse” sneaks…It’s a custom as old as the Academy itself. Showing a film to a surprised audience in the hinterlands…Even “Gone With the Wind” was introduced this way…”War Horse” is gonna be a tough one to beat. It’s STILL playing to sold-out houses in New York’s Lincoln Center, and it won the Tony for Best Play last year, though the writing was atrocious. I nearly left at the Intermission, but I stayed…and was amaaaazed by its’ powerful second act.

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