I wonder if Anne Hathaway’s seen THIS!?!
The last line is “Anne with an ‘E’.”
“Les Miserables,” which is my #1 film of the year, can also be seen now in IMAX, which I didn’t know about until director Tom Hooper mentioned it in an interview. And so I HAD to see it for a THIRD time in a Whirlwind month of “Miz.”
There’s so much to say, and so little time…before I see “Les Miz” AGAIN! Yes! It’s THAT good! And THAT addictive!
FINALLY! Tickets were available for purchase by ordinary movie-goers. It has been sold out in NYC, since its’ opening Christmas Day, when it broke B.O. records, and it’s taking off to be a record-breaking hit all over the world! It may even go over $100 million internationally by the end of this weekend!
And they said musicals weren’t popular with the masses any more!
Well, “Les Miz” is bringing out a certain type of movie-goer those who’ve been STARVED for a great movie musical.
So it’s grand, just grand that “Les Miserables” returns movies to its’ rightful place, right near OPERA. Opera used to be mass entertainment in its’ time, and I just love that “Les Miz” onscreen is totally sung through. And what wonderful,stirring, powerful music it is!
From those first three thrilling chords of “Look Down” “Ah-huh!” Klang! “Ah-huh” Klang! And the spectacular wreck of a ship hulk that gets hauled into view by literally hundreds of dirty, grimy slaves of the state, Jean Valjean main among them. Well, it shakes you and just takes your breath away at the same time!
Audiences for “Les Miz” come PRIMED now to applaud, it seems to me. At an invited (non-critics) screening I saw(my second time)(many Academy members in attendance) there was applause at least four times and cheering and standing and MORE applause at the end. And this was without any of the talent present, which ups the applause meter even more. Hugh Jackman’s name onscreen got applause at the end as did Anne Hathaway’s and Eddie Redmayne’s and strangely Helena Bonham-Carter’s.
Well, last night this paying, weekday night audience applauded at least EIGHT times!
Of course, Anne Hathaway’s brilliant, blistering, unforgettable solo “I Dreamed a Dream” got applause. And she’ll probably get an Oscar, too.
And then they didn’t really applaud again til “On My Own”, which had not gotten applause at the previous two screenings I attended. That’s Eponine’s rain-soaked solo essayed here by Samantha Barks.
Then, of course, after that, “One Day More” got a rousing hand, and it continued virtually unabated five times more til the magnificent ending! I was losing count in the glory of it all as the suspense mounted, and of course, the wonderful Eddie Redmayne got his hand in “Empty Chairs and Empty Tables,” and the Thernadiers (a super oily Sasha Baron Cohen and the equally slimy Helena Bonham-Carter) even got applauded when they got thrown out of Marius and Cosette’s wedding.! Cheers, too! Amazing!
The involvement of the audience was like at Broadway show. But no Broadway show gets stopped with applause EIGHT times! At least! But this being a high-paced film, “Les Miserables” never paused for a moment. I don’t think the stage version ever got this much applause. Maybe the 10th and 25th anniversary concerts did. But they were EVENTS. This is just a blockbuster musical. Incredible. I’ve never seen anything like it in my life as a film critic.
“Les Miserables” never fails to disappoint. But I have to say that IMAX isn’t really necessary to see it in. Everything gets magnified and since the film is shot in extreme close-ups most of the time, it really is excessively CLOSE in Imax.Dizzying. I was counting the warts on Russell Crowe’s face. And then the hairs on the warts. I REALLY didn’t need to be THAT CLOSE. Too much information.
But his Javert is meant to scare. And he does. He’s the villain, and his strange, thunderous, bellowed singing is the film’s one discordant note, but it works, because he’s the one who’s out of sync with the melodious singing of the rest of the cast, as his character is out of sync, at war, with the rest of the world.
Hugh Jackman’s Jean Valjean wows me every time! The demands that are placed on him are literally Herculean, and utterly Oscar-bait-y and Oscar – worthy. And then he has to drag the wounded, half-dead, Eddie Redmayne through the sewers of Paris! Saving his life, in yet another one of Victor Hugo’s novel’s great set-pieces, that is rendered impossibly odious and odoriferous in these tremendous close-ups. Oh yes, Jackman’s “Bring Him Home” sung to the sleeping Redmayne got a spontaneous round of applause, too.
“Les Miserables” is setting audiences free in a wonderful way. They seem FREE to applaud. And VERY free to cry. At the end, with the incredibly moving climatic scenes, there’s not a dry eye in the house. My eyeglasses were salted up with tears. But I was happy. The Greeks has a word for this effect. They called it “Catharsis.” I call it Oscar.
Ok. It’s my SECOND time seeing the masterpiece of masterpieces that is “Les Miserables.” I was soooo overwhelmed the first time I saw it, I couldn’t write anything about it, but now on my SECOND viewing more than a week later, I’m able to pull myself together and focus enough to tell you, yes, it’s THAT good! It’s my Best Film Of the Year! Maybe one of the Best Films Ever Made! Certainly the Best Movie Musical Ever Made!
My hero, Tom Hooper, has once again done the impossible! He’s topped his Oscar-winning “The King’s Speech” with an even more moving movie movie! Astonishing, but true! “Les Miserables” is a rapture.
“Les Miz” is what a great movie should be. Rousing, enthralling, epic, unbelievably effecting. And the cast! AND THE MUSIC! Song after song after unforgettably classic song! I never wanted it to end!
I’ve always LOVED Hugh Jackman, but after seeing his heart-breaking, grounding-breaking achievement as Jean Valjean, I admire him deeply as an artist. And a singing one at that. With a voice I’ve never heard him use before, especially in the upper registers of “Bring Him Home” which has high notes that not many male singers can hit.
“Bring Him Home” got applause. Anne Hathaway’s heart-rending “I Dreamed a Dream” got applause and she just got nominated today for a Golden Globe Award, as did Hugh Jackman. They also doubled that in the SAG award nominations and tripled it in the Broadcast Film Critics earlier this week. If they three-peat, than an Oscar nom is probably certain, too.
But back to tonight’s audience. They applauded Anne’s ” I Dreamed a Dream,” then “One Day More,” then “Bring Him Home,” then Eddie Redmayne’s “Empty Chairs and Empty Tables”. Interestingly they didn’t applaud at the end of “On My Own.” Maybe all that rain that newcomer Samantha Barks as Eponine has to sing in THROUGH THE ENTIRE SONG, was just too much. It was for me. And then at the end in her penultimate moment on the barricades, she is also suddenly inexplicably rain-dappled. When everyone else is dry.Did director Hooper feel she NEEDED All.That.Rain.? IDK.
But why find fault when there is soooo much wonderfulness to be recommended?
I Loved It! I Loved It! I LOVED IT!
It’s just relentless as it builds to the climax, which is shattering beyond belief. The academy audience, mixed with press, that I saw it with, applauded Tom Hooper’s name when it came up on the credits. And also Hugh Jackman. The applause sustained through Russell Crowe’s name, then erupted in cheers when Anne Hathaway’s name appeared. Died down again until Eddie Redmayne’s name appeared, when there again were cheers. And at the end bravos as the audience was standing. I’ve never seen such an ecstatic reception of a movie IN MY LIFE! How can it not win Best Picture?
When does this happen? NEVER! Not at the movies. It was like they were all on Broadway watching the best show ever. There is a moment as it ends, where the audience is literally crying en masse during the last number. I’m not exaggerating. And I was crying too.
I was crying MORE the first time I saw it.I never cried so much at a movie in all my life, and I kept crying until the end, but the second time, I started crying, too. When Enjolras(a tremendous Aaron Tveit) is singing “Red, the blood of angry men, Black, the dark of ages past….” .
It was all such a glorious surprise the first time.I left in a state of absolute wonder. Utter cinematic euphoria. A dream was coming true.
And the Dream Lives, as the ad says, this Christmas.
BEST SUPPORTING ACTRESS 2012 -Pre-TIFF
This category was ceded by many, months ago, to Anne Hathaway’s heartbreaking, shattering performance in the trailer of “Les Miserables.” I have never seen a trailer to have such an impact on the Oscar Race, and so EARLY! Back in June. Or May even…And the film doesn’t come out til Christmas!
“The Dream Lives,” the trailer ends with these titles “This Christmas.” Well, I for one can hardly wait!
Why was Universal releasing this so early?
Well, it was superbly done, brilliantly edited, and plaintively sung by Hathaway. It contains the song “I Dreamed A Dream,” which is arguably one of the most famous songs from “Les Miz” that always pulls heart-strings, if it’s done right.
This is the song that made Susan Boyle an over-night sensation on “Britain’s Got Talent” a few years back. And Musical Comedys are NOT at all a sure-fire, can’t-miss genre these days. No matter how well they may be done. They released this that early to build buzz. And it has succeeded in that respect. And Anne Hathaway also scored as Catwoman in TDKR, too, this year.
Oscar Winner for Best Director for “The King’s Speech” is back again with “Les Miz” and he directs period pieces soooo well…just check out the Multi-Emmy-Award Winning TV series “John Adams.” That was one of the greatest TV series I’ve ever seen, and it could have been as dry as dust, instead it was riveting. And it won its two leads Paul Giamatti and Laura Linney Best Actor and Best Actress Emmys, too. As John and Abigail Adams respectively.
And Laura is back in the Best Actress hunt again this year. Her FOURTH nomination, if she gets one for “Hyde Park on the Hudson” which I already discussed in the previous post just below this one.
Which is to say that Hooper’s actors win awards, see Colin Firth in “The King’s Speech.”
Anne Hathaway’s part in “Les Miz” is the doomed prostitute Fantine, which also won Patti LuPone an Olivier Award, when she played that part in the original London production. So it’s an awards-magnet role. And Hathaway totally aces it in the trailer’s Oscar-y moment par excellence when she, sobbing and dirty, gets all her real hair cut off. It’s a horrifying, but award-worthy moment. The song is MUCH longer than that,too And there is much more to her role in “Les Miz” although she does die early on. But who’s to say if they might run her as Best Actress instead of Supporting?
They might. But then again the Academy’s Actor’s Branch voters are the ones who ultimately decide which category an actress, or an actor, is going to be in. The Studios and distributors can campaign all they want…but it’s Hathaway’s peers who will decide where to put her.
The many For Your Consideration ads are run by the Studios as a means of clue-ing the Actor’s Branch especially for who goes where. They decided for instance that Kate Winslet should be considered for Best Actress for “The Reader” when no less an Oscar personage than Harvey Weinstein was running her as Supporting for that film. Which she did eventually win a Golden Globe for. And also, for Best Actress that year for “Revolutionary Road.” Her “I got TWO!” picture with a Golden Globe in each hand, flashed around the world.
I think this instance shows that the Academy doesn’t ALWAYS do as Harvey tells them.Or suggests to them, I should say.
Opposite Hathaway, it’s looking like Harvey’s main gal this season is going to be Amy Adams for “The Master”, but evidently some already say the part is too small, only three scenes.
Will Qu’venzhane Wallis the 8 year old in “Beasts of the Southern Wild” get run in Supporting, instead of lead, where she belongs? However, the Academy is notoriously not partial to putting child actors in the lead category. Look what they did with that girl with the braids from “True Grit.” She ended up in Supporting, though she arguably, also had the lead female role in the Coen Bros. western. What was her name anyway? I’ve completely forgotten! Hallie something? That nomination was the beginning and end of her career.
There’s also the great female Brits in the runaway smash of the Indies this year “Best Exotic Marigold Hotel.” It boasts THREE great performances, Dame Judi Dench, Dame Maggie Smith and Penelope Wilton. Again Dame Judi is the lead here, but again, Fox Searchlight has got her down for Supporting, where she really shouldn’t be. The Academy could put her in lead, if they so deem fit…As I said in the last post, Best Actress is once again Back Up For Grabs this year…
Fox Searchlight has its’ hands full this year! Should Judi Dench go lead? Should Qu’venszhane? Decisions! Decisions!
And then there’s Viola Davis and Maggie Gyllenhaal in “Won’t Back Down”, another Indie. But who is lead and who is Supporting? I don’t think that film is even at Toronto. Which says something.
And though after last year’s debacle with Davis predicted to win all over the place, she lost to Meryl Streep. The Academy was again accused of racism. And it is. Although they did give the Best Supporting Actress Oscar to Octavia Spenser for the controversial “The Help.” Could they try to make it up to her with ANOTHER nomination? If they did, she would then be the first African-American actress to get the most Oscar nominations ever. A total of three.
Or is “Don’t Back Down” even Oscar worthy? We don’t know yet. But its lack of Festival presence says something, I think.
To go back to “Hyde Park on Hudson” there are two British Olivias in Supporting roles. Olivia Williams as Eleanor Rossevelt and Olivia Coleman as the Queen of England, who is visiting the Roosevelts at Hyde Park, with her husband the stuttering King Edward VII.
AND there’s the Oscar perennial Bridesmaid multiple-timed nominee, Annette Bening playing against type as a gambling-obsessed Mom of Kristen Wiig in “Imogene.” You can never count Bening out.
But judging by the competition she’s up against, IMHO, this category is Anne Hathaway’s to lose.