a.k.a. "The Oscar Messenger"

Posts tagged ‘Housekeeper’

“Roma” One the Best Films You’ll Ever See

This year I saw one of the best films I’ll ever see, bar none, and it was the NYFF centerpiece film “Roma.” Mexican Oscar-winning(director for “Gravity)Alfonso Cuaron has done the seemingly impossible follow-up to that intergalactic magisterial feature. He has turned the camera inward and backward. To his childhood in Mexico City. And he’s done it in Black and White! And it is without a doubt one of the best films of the year and one of the best films I’ll ever see. Ever.
The most unlikely of subjects, the inner(and outer) life of a maid, the brilliant Yalitza Aparicio. She has never acted before and she just takes your breath away as Cleo. The put-upon, multliple-dutied nanny, housekeeper, laundress and mother of the earth. She really is the glue that is holding this upper-middle class doctor’s family together as they seem to be falling apart. 
Her story is galvanic, epic and heart-breaking and Aparicio embodies everything that is noble and good in 1970 Mexico, which is a scene of almost constant class conflict and wars. You know Cleo is more than capable of the humble, quotidian of chores she is tasked to do, but where else can she go? She clings to her menial job as if it were a pair of well-worn rosary beads. She prays for her hired family and we pray for her to transcend their problems, as they treat her and mistreat her, as all servants are treated. You know if she loses this job, with this her adopted family, she will lose her life.

Yalitza Aparicio could and should get nominated for Best Actress, as Cuaron certainly will be for Best Director. He also wrote the screenplay. He also shot it. He also co-produced it and co-edited it. And every gorgeous black and white shot should be framed as a work of art, even though he is photographing the most ordinary things.

Cuaron had a nanny Lebo, and that’s who Cleo is based on. And when he showed the completed film to her, she burst into tears, as I did watching it. This film is a love poem to her. And to all mothers and unselfish care-givers. To tell you any more of the plot, of what happens to Cleo, as it all rings so true, it hurts. It would spoil it.  It will break your heart. “Roma,” the name of the area of Mexico City the film is set in, in simply the best film he’s ever done, and a masterpiece.

Downton’s Back! And as charming/involving as ever!

Yes! We can all relax! They are all back!

And how we’ve missed them! “Downton Abbey” England’s answer to “Breaking Bad” is just as addictive, and could be called “Breaking Good.” Everyone’s best foot is forward in a two-hour whopper of a Season premiere.

No spoilers here, so feel free to read on. The joys of Downton are what they ever were ~ Delightful, nonpariel, and utterly charming,  AND involving! I found myself moved to tears at least twice.

How could it not be so? We’ve spent three years getting to know and love these characters, suffering their highs AND lows. I felt like a much-beloved friend died when Lady Sybil passed so unexpectedly in child birth last year. I was sent reeling. For days!

Knowing that the highly popular romantic hero Matthew Crawley, played so well by the dashing Dan Stevens, had decided not to renew his contract, and that he would be written out. RE: He would have to die some horrible death, which he did. I knew he was going so I wasn’t AS effected as I was by Lady Sybil’s equally abrupt passing.

I think it’s not a spoiler to say that his absence is deeply felt by one and all. And it’s six months later, and grief is hanging heavy in the air. Downton does grief well. But I can’t go further than that right now. I have to assume that this first gigantic come-back episode is still playing for some in different time zones, and I said no spoilers.

But I will continue. I think it’s OK to say you’re going to see A LOT of Carson, the head butler, in this episode. And that in the first minute, the hated ladies maid O’Brien departs with Lady Rose’s family. Her mother Susan was very taken with O’Brien in the last episode when they were in Scotland, and she hires her away from the distraught Lady Grantham and whisks her away to India.

And from that, much plot ensues. I miss her already. I wonder if Siobhan Finneran, who played bad so magnificently just decided to not renew her contract, too, and that she got tired of being so thoroughly despised by millions of viewers,and that she just wanted OUT. And will pop up in some sunshiny comedy, being maternal with many children. Or that writer Julian Fellowes just decided he had gone so dark with her, that there was nowhere else to go with so dastardly a villain. But I missed her, too. I can’t believe I’m typing this, but I did.

Like Lord Grantham, (the great Hugh Bonneville continues his benevolent reign) We can all identify with his “I don’t want things to change” attitude. That everything should stay “as they were”. But ah, life, is not like that! And Downton Abbey is subjected to many,many changes as the Roaring ’20’s begin to ROAR and the household both upstairs and downstairs is not immune to sands of time drip, drip, dripping through the hourglass. It’s not the chaos of WWI, but let’s say turmoil, if not chaos, ensues.

But they’ll always be an England.

I wondered what would happen to the excellent Penelope Wilton, Matthew’s well-meaning, socially conscious mother, now that she’s a widow, but author Fellowes does not neglect her character at all. She’s not shunted to the side, and is given A LOT to do. And I was very, very glad to see this. Wilton was able to show considerable range, I don’t think it’s a spoiler to say that. Her cousin Isobel is an essential character now more than ever. This is where the British really do excel. The 60-ish Wilton would’ve been written out in an American drama. The British revere and respect their character actresses of une age certaine.

And of course Dame Maggie Smith is Dame Maggie Smith, dominating all she surveys and every scene she’s in. And of course, the entire Abbey and the series itself. What WOULD they do without her? She lifts the level. She raises all boats.

And I have a warm spot in my heart for the lovelorn second sister, Lady Edith, played to perfection by the lovelier than ever Lucy Carmichael. I’ll just leave it at that.

Bravo! And I can’t wait til NEXT week! This mammoth two-hour season starter was setting up a lot and introducing new characters, and I liked all of it.

There were a few minor quibbles. But as Noel Coward once wrote “Don’t quibble, Sybil.” And quibbles are spoilers, so just  stay tuned!

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