Posts tagged ‘Holocaust’
OK, so “Mad Max: Fury Road” was awarded Best Picture of 2015 by the National Board of Review. A real-head (and knee) slapper, if you ask me. However, TOMORROW we have the New York Film Critics announcing their winners, and I am so sure that “Mad Max:Fury Road” is going to be NOWHERE on their list of winners.
Who will win? Probably “Spotlight” OR maybe the powerful Hungarian film on the Holocaust “Son of Saul.”
The NYFCC realizes, fully, its’ position of the first SERIOUS awards that are being given each year. And this kind-of-up-in-the-air year where there seemed to be a very open field, may suddenly be limited to the coronation of “Spotlight,” a fine film, by a fine director Tom McCarthy and a stellar ensemble cast including last year’s Oscar snubbee Michael Keaton, ably supported by Marc Ruffalo, who has got the best,most emotional part, Rachel McAdams, ‘Mad Men’s John Slattery and Bway’s Brian D’Arcy James.
I liked it A LOT. But for some reason, I didn’t love it. It’s cold. It’s cerebral. It’s about investigative journalism, the type of which has almost gone out the window in this age of Internet Everything.It’s nostalgic for the age when Newspapers ran the world.
It’s set in the past, and it depicts it accurately. Boston in the 1980s. It’s got it down. And the writing, as you’d expect from a film about journalists and journalism, is very, very good. It’s subject is the uncovering, by these dedicated, dogged journos, of a wide-spread cover-up of child abuse within the Catholic Church. So it’s also a shocking film, too.
Neither the Gotham Awards NOR the National Board of Review are made up of press. But of course, the New York Film Critics ARE press, and so a film about journalisms’ finest hour, I think will carry the day tomorrow. Not the ridiculous “Mad Max:Fury Road.” No. That won’t happen again. Even with the Golden Globes, I don’t think so. Even THEY aren’t that silly.
The National Board of Review’s acting winners are another matter entirely. Brie Larson for Best Actress for “Room.” Yes! And I think that will be seconded by the NYFCC tomorrow. This tiny, little, Canadian/Irish, but utterly brilliant film NEEDS their stamp of approval, and I think it will get it here, honoring Larson. She looks like a winner that can’t be stopped. I certainly hope so. She deserves it. That role in “Room”of a kidnapped-and-raped-for-seven-years while she was held captive by the rapist, mom, was one of the most difficult an actress ever had to essay. It was a killer.
Matt Damon won Best Actor for “The Martian” and I think he will be nominated for the Oscar, too. And since the Golden Globes have put “The Martian” in their Musical/Comedy section, they will have to put Damon in that,too. And he could win that.
So good for Matt, and for Ridley Scott, who won Best Director for “The Martian” and I think the 77 year old Scott is going to be for sure nominated for the Oscar for his direction and his being Oscar-less so far in his long career, I think the Academy is going to award him there, too. He directed “The Gladiator” which won Best Picture, back in the day, but HE didn’t win Best Director. It went to Stephen Soderberg for “Traffic.” “The Martian” was the big winner with three awards. Or four, if you count it’s being listed in the NBR’s Top Ten List.
Who will win Best Actor from the NYFCC tomorrow? Well, there’s a little hint in the National Board’s completely ignoring “The Revenant”. The NYFCC may do the same, and I think they may give it to the astonishing, almost solo performance of Geza Rohrig as Saul in “The Son of Saul.” “Saul” might also get best director for the first time helmer Hungarian Laszlo Nemes. Although, wait a tic.
The NYFCC has a category for “Best First Film” or “Best Debut Director” and that could be Nemes.
Also Best Actor is where Eddie Redmayne could turn up for his transformative, ground-breaking performance as “The Danish Girl.”
As for Supporting the National Board of Review’s naming of Sylvester Stallone for Best Supp. Actor for “Creed” really does help Stallone get even further into the Oscar conversation in that category for his portrayal of the aging, ailing Rocky Balboa. I think this really means he will get an Oscar nomination. And a Golden Globe nomination, too.
“Creed” is a runaway, unexpected success, and every one wants to get back on to the Rocky nostalgia train, so yes, there’s room in this category and I could certainly see Stallone’s legendary Rocky role muscling his way in. That also won Best Picture way back when, but Stallone as an actor, went un-awarded on the Big Night.
Supporting Actress for Jennifer Jason Leigh for the as yet unseen “Hateful Eight” is an unknown. This could help her. “Hateful Eight” also got a Best Screenplay for Quentin Tarantino, and this means that this Weinstein film, that the NBR saw LAST, is probably better than it looks in trailers. Another snow-bound Western? Really? I mean on top of “The Revenant”?
Well, they left “The Revenant” off their top ten list. “Spotlight” was there, but nowhere else, and also nowhere to be seen, again, was Weinsteins’ other Oscar seeker “Carol.” Which the Gothams also did not award. Though they nominated it, and gave its’ director Todd Haynes a career award.
So as I predicted the NBR, not a press organization, did not prominently award “Spotlight” whereas the Gothams gave it three awards, including Best Picture. So tomorrow with NYFCC, I am fearlessly predicting that “Spotlight,” a very, very good film that holds up journalists as its’ heroes, will shine all over the place.
Here are a lot of what the National Board of Review chose as their winners today.
Best Film: Mad Max: Fury Road
Best Director: Ridley Scott – The Martian
Best Actor: Matt Damon – The Martian
Best Actress: Brie Larson – Room
Best Supporting Actor: Sylvester Stallone – Creed
Best Supporting Actress: Jennifer Jason Leigh – The Hateful Eight
Best Original Screenplay: Quentin Tarantino – The Hateful Eight
Best Adapted Screenplay: Drew Goddard – The Martian
Best Animated Feature: Inside Out
Breakthrough Performance: Abraham Attah – Beasts of No Nation & Jacob Tremblay – Room
Best Directorial Debut: Jonas Carpignano – Mediterranea
Best Foreign Language Film: Son of Saul
Best Documentary: Amy
William K. Everson Film History Award: Cecilia De Mille Presley
Best Ensemble: The Big Short
Spotlight Award: Sicario, for Outstanding Collaborative Vision
NBR Freedom of Expression Award: Beasts of No Nation & Mustang
Bridge of Spies
The Hateful Eight
Straight Outta Compton
Just saw a truly wonderful late entry into the Oscar Race, Fox 2000’s “The Book Thief”, a small “little” film that is anything but. “The Book Thief” creeps up and steals your heart away and leaves you devastated. Oscar, are you watching?
It’s World War II and an unseen narrator eerily sets the scene. Who this narrator is slowly to be revealed is one of the main mysteries of “The Book Thief.” Is it Geoffrey Rush? The film’s leading man. Or just who is it?
Of course, this immediately sets up the greatest of film dynamics which is the audience wanting to know “What’s going to happen next?” And with “The Book Thief” that suspense is maintained literally til the last frame. Which is really an achievement.
We’re in a familiar setting, Germany during WW II. In fact, it seems to resemble very closely another German back-dropped war drama “The Reader” which won Kate Winslet one Oscar and two Golden Globes.
“The Book Thief”could land a slew of Oscar nods, too. Best Picture, Best Supporting Actor (Geoffrey Rush) and Best Supporting Actress (Emily Watson) Best Adapted Screenplay and maybe more.
It depends on just how wily Fox 2000, sometimes referred to as Big Fox, plays its’ Oscar campaign from here on out. Fox Searchlight, of course, has a sweeping winner with “12 Years a Slave”. But “The Book Thief” should gets its’ due also.
IF enough Academy members get to see it in time to nominate it.
Geoffrey Rush gives one of his most beguiling and sweetly sympathetic performances as the adoptive father of the titular heroine, the child Leisl played by newcomer Sophie Nelisse, who is the Book Thief.
And Emily Watson gives hands down one of the best performances of her career as Leisl’s turbulent adoptive mother who is practising tough love with the child for most of the movie.
So familiar is this setting,i half-expected Kate Winslet to bicycle around the corner in braids any second. The aqua hue of the light is almost the same color of the lighting in “The Reader.”
The Nazi book burning that really sets the film in motion is frightening, and Leisl, who loves books so passionately that she begins to steal them, is traumatized by this event that she witnesses as a choir member of the Hitler Youth singing “Deustcheland Uber Alles.”
She even is so bold to steal one of the still smoldering books from the embers of the pile in one of the film’s pivotal moments. It’s still burning and as her kindly doting adoptive father Geoffrey Rush hurries her home, she starts coughing from the smoke that is coming from the still burning book hidden under her coat.
Rush takes the book from her then hides it under his coat. And more I cannot reveal, because the plot involves and tricks you with its’ many twists and turns that are its’ strengths. As well as the superb performances of Sophie Nelisse, Rush and Watson.
Don’t read any reviews that might spoil the delight of experiencing “The Book Thief” for the first time, not knowing what was going to happen. Just know that it COULD be nominated for Best Picture, though nobody is predicting it for the moment. BUT I AM.
Germany, the Halocaust, the Nazis, WWII, Academy Award Winner Geoffrey Rush, an adorable little girl heroine, it’s catkip to Oscar Voters, and to me as well. See it!