a.k.a. "The Oscar Messenger"

Posts tagged ‘Hollywood’

“Cafe Society” Worst Woody Allen Ever? S.O.S. Same Old Story

Kristen Stewart 1As you can see by this ultra glamourous pic above ^ of Kristen Stewart, Woody Allen has cast her against type, as a nice little goodie two-shoes,compleat with bows in her hair and ankle socks, in “Cafe Society”. Her character, Vonnie, has to appear so beautiful that the men in the movie fall madly in love with her. The men being Steve Carell as well as his nephew Jesse Eisenberg. And they’re all very good in this magnificently shot and styled paean to old Hollywood in the ’30s.

But this is perhaps the worst movie he’s ever done.It’s soooo boring. It’s that we’ve seen it all before. Over and over and over and over again. We expect more from the man who gave us “Midnight in Paris”, “Hannah and Her Sisters”, “Blue Jasmine”, “Vicky Cristina Barcelona” and his Oscar winner “Annie Hall.” But this is not that. Not by a long shot.

At least his other recent sub-par look at the glamourous life circa 1920 “Magic in the Moonlight” had a very strong performance by Colin Firth. And it’s always the younger woman/older man scenario, but at least focusing as much of this film on the young Jesse Eisenberg, the edge is slightly off that scenario, but only slightly. But it doesn’t last for long. Before it’s back to the Carell/Kristen plot-line. Ho-hum.Or rather ho-humbug.

Eisenberg, an actor I’ve always had trouble liking, is appealing in this, and more amourously aggressive than I can ever remember him being.

Kristen & Jesse 1

But try as they might, he, Carell and Stewart and all of the rest of this capable cast, just can’t rise above this bland, bland script.

I felt like I knew what lines the characters were going to say before they spoke them. Parker Posey, here a bubbly, throw-away blonde, is pretty much just window dressing. Corey Stoll is snidely effective as Eisenberg’s gangster brother.Blake Lively is, well, lively.

The only one who really broke through for me was Sari Lennick of the Coen Bros. “A Serious Man.” As Eisenberg’s hyserical, kvetchy sister-in-law and Stoll’s wife.

The biggest,.most consistent laughs in the film, and there are some, not much, but not enough, the most laughs come when Stoll’s character has killed some hapless or irritating sap, and throws the bodies into a ditch as a cement mixer pours cement on them in clearly a New Jersey setting.

Santa Loquasto has designed “Cafe Society” to a fare-thee-well and legendary lenser Victorio Storaro has shot it magnificently. It couldn’t look more glamourous, or be so empty. What a shame!

Do something NEW Woody!!! Surprise us!!! Don’t bore us…All our lives are too short for drivel like this.

#Woody Allen #Cafe Society #Kristen Stewart #comedy #Hollywood

Oscar, Oscar, Who’s Got the Oscar(Buzz)? Geza Rohrig, anyone? Don’t laugh! It could happen!

son of saulArmy of OscarsI can’t remember a year when Oscar was so upside down and backwards. And maybe that’s a good thing. Since when has Best Actor been skimpy and Best Actress so jammed?!? I can’t remember when, if ever, this hMatt Damon 1as not happened before. Simply. Something new under the Hollywood sun and how rare is that?

What the Tom Toms are beating is that Michael Fassbender and “Steve Jobs” are currently dying the Oscar death, being yanked mid-run from so many theaters across the country that it’s almost uncountable. Just go and and try to find that movie tonight at a theater near you. Nobody’s going. Where are they? They’re all having a grand ole time at “The Martian” which even in Imax and 3-D is still playing everywhere, and Matt Damon is going to be nominated for Best Actor and director Ridley Scott could win Best Director.

Matt has never won Best Actor, although he did win way back when he was a mere slip of a lad for co-writing the Best Screenplay with best bud Ben Affleck for “Good Will Hunting.”

But Matt has some stiff competition from Eddie Redmayne in “The Danish Girl” which is just about to explode into cinemas as “Steve Jobs” hastily departs. Also Michael Fassbender will NOT campaign. And Matt Damon and Eddie Redmayne are EVERYWHERE. Or soon will be. At every Hwood party and gathering that they can possibly get into, charming everyone, everywhere.Eddieandlilli

And then there’s the darkest of dark horses in one of the Best Films of All Time, never mind this year.It’s Geza Rohrig, the unknown Hungarian actor. who is playing the title role in the just-about-to-be-released masterpiece “The Son of Saul.” Don’t laugh! It COULD happen!

The Academy has a thing about nominating unknown foreigners. Hell, they even sometimes WIN, like Jean DuJardin in “The Artist.” Or Luise Rainer in “The Great Ziegfeld” way back when. It’s an Academy tradition.

I’ve heard that Sony Pictures Classics, who has the magnificent, smart honor of releasing “Son of Saul,” is going to throw everything including the kitchen sink at it, Rohrig, Best Picture and Best Director, too for Laszlo Nemes. It’s his first feature. He’s got a great story to tell, and so do his cinematographer Matyas Erdely and particularly his sound editor and sound mixing team. It was in post-production for something like five years!.

And this is also Rohrig’s first film. He’s a 39-year-old poet, of all things, who lives in Manhattan.

Did I say it’s set in the middle of the Halocaust at the Auschwitz-Birkenau concentration camp? Since this incredibly tight close-up is ALWAYS (or almost always) focused on Rohrig’s desperate face, he’s front and center EVERY second of this darkest of dark films. It may be considered the best film ever made on the Holocaust.And Rohrig carries it.

Rohrig’s painful, gut-wrenching performance will be hard for Academy members to ignore. His ravaged. savaged face IS the whole fllm. And since we never see much outside of his peripheral vision, we HEAR it! And it’s blood-curdling. As he, Saul, a Sodocammadant, a Jew, who has to do all the dirty work that no one else will do. He has to herd the Jewish victims to their deaths, slamming the gas chambers doors on them,listening to their screams, then quickly taking all “the pieces” as they call the bodies out, and scrubbing the floors clean so the next group won’t see any of their blood.

It’s going to score in soooo many categories its’ going to make pundits heads spin, who’ve left him, and it, off most of their current lists. It won the Grand Jury Prize at Cannes, the Vulcan award for sound design, the Francois Chalais prize, and the Fipresci. How can the Academy ignore these distinctions?

Watch out of “Son of Saul” is all I can say. To ignore it’s profound achievement is to ignore what is going to soon be considered an un-disputed masterpiece.

I’m the Oscar Messenger. I’m telling you the Oscar Message. I’ve read it already and this year it was written in Hungarian and said “Son of Saul”

Oscar’s Worst Bad Dream. It’s Raining in L.A.

The weather in NYC was a balmy 45 degrees today. A total and pleasant surprise considering the deep polar freeze we’ve been experiencing here. But meanwhile, it’s started to RAIN in Hollywood! Total chaos! All those floor-length gowns and trains! The trains of the gowns I mean. Not Amtrak.

If you’ve never been in Hollywood when it’s raining, you really haven’t lived. I couldn’t believe it the year I lived out there in LA-LA Land when my play on AIDS was being done “Fever of Unknown Origin”. I was out there for a year and it was just INSANE how crazy Los Angelenos went from just a little down-pour. It was like the world was ending! Sheesh! It’s just RAIN, people!

But for the Oscars, it’s a mini-diaster.

People are still talking about the Eddie Redmayne/Michael Keaton Best Actor bout. Also of course, the Birdman/Boyhood back and forth and back and forth. And last night at the Spirits, as I predicted, there was a split. But it was Richard Linklater who won Best Director for “Boyhood”, but “Birdman” won Best Picture.

Anyway, dear readers, dear cineastes, we won’t know the outcome of those three battles until at the EARLIEST three and a half hours from now.

They are going to save them, the only real battles that the public at large are interested in til the 10:30 pm EST mark.

It’s going to be a LONNNNNG night.Capture

 

Is “Birdman” Surging or Is It Oscar Hooey?

Birdman 1Is “Birdman” really experiencing a last-minute surge or is it all just Oscar hooey? Put out mainly by the hugest “Birdman” supporter of all, Jeff Wells at http://www.hollywood-elsewhere.com. If you read him, and I do, daily, he’s a terrific writer, even if I don’t agree with him half the time, you’d think it’s “Birdman,Birdman,Birdman” all the way. But I wonder…

He and the greatest, most obsessed Oscar prognosticator of  them all Tom O’Neil at http://www.goldderby.com  have a very interesting phone chat they’d turned into a pod-cast, and it’s worth listening to.

Especially when JW reluctantly agrees that it’s Eddie Redmayne for Best Actor and not Michael Keaton. TON feels it’s now “Birdman”s to lose. Both Oscarologists function from deep in the heart of Hollywood as presumably they are hearing more than I do here on the East Coast. But here, I hear, it’s still “Boyhood.”

Their podcast is very interesting to hear the dynamic between the two men. They both are very respectful of each other. Tom more so than with any one else he’s podcasted with. And Jeffrey is much more tentative, nicer, in person, as I know him to be. He’s been a guest on my show. And Tom I’ve met many times at Oscar parties here in NYC.

Jeff’s writings on Hwd are fierce, fiery, bracing blasts of vitriol. And they’re so well written, you find yourself just agreeing with him, even when you don’t, because of the power of his angry missives.

But Tom, especially, I thought was less secure in his predicting “Birdman.” I was surprised. He even admits as much in the conversation.  So it STILL could be “Boyhood” despite “Birdman”s winning the PGA, DGA and SAG. But it LOST the Golden Globe for Best Comedy/Musical to “Grand Budapest Hotel” and it lost the BAFTA to “Boyhood.” Stats not to be trifled with. And it didn’t get nominated for Best Film Editing, which it seems you HAVE to have to win.

It’s been “Boyhood” for so long, that people think that’s it’s won already. The voting for the Oscars of 2015 closes FINALLY tomorrow. This has seemed like a particularly long year.

Well, “Whiplash” opened at Sundance last year last January and so did “Boyhood.” “The Grand Budapest Hotel” opened right around NOW last year, too. So we’ve been living with these films for a LONG time. “Oscar Island” as Sasha Stone calls it.

Even SHE is thinking that’s it’s both “Birdman” for Best Picture and also it’s director Alejandro Gonzalez Innaritu for Best Director. And that if that’s the case “Boyhood” just gets Best Supporting Actress, for Patricia Arquette.

I can’t wait til this whole things draws to a close. I can’t believe I’m saying that I’m tired of Oscar season. But this year I really am.

But I’ll be live-blogging it anyway. As far as I know. Stay tuned.

Oscar Changer “Selma” Gets Standing O at AFI Fest

Selma 1

Last night’s double whammy of a double bill at the AFI Fest in LA netted a standing ovation from the industry/cinephile crowd for “Selma,” reports Steve Pond at the Wrap. http://www.thewrap.com. And a kind of meh reaction to Clint Eastwood’s “American Sniper” which followed it.

Chris Tapley of HitFix http://www.hitfix.com one of the foremost Oscarologists(and one of the youngest,too) thinks that this could be an Oscar game changer and that “Selma” a Martin Luther King biopic, co-produced by Oprah Winfrey and starring David Oyelowo could be a best picture contender as well as a Best Actor nomination in that crowded race. Oyelowo plays Martine Luther King.His star has been consistantly rising in the past two years.

Also interesting and exciting is filmmaker Ada DuVernay’s chance at a Best Director nod. This would be the first and only time an African-American woman could be up in that male-dominated category.

“Selma”s standing ovation was in stark contrast to the rather tepid reaction to Eastwood’s Oscar ontender “American Sniper” which immediately followed it.

So on the Oscar roller coaster, I would have to say that “Selma” is definitely on an Up this morning, and “American Sniper” is a Down.

Tapley praised Bradley Cooper’s performance in “Sniper” but aren’t we being Bradley Cooper’ed to death recently? With Oscar nominations in the past two years. for “Silver Linings Playbook” and “American Hustle”? And “Elephant Man” opening shortly on Broadway, starring again, yes, Bradley Cooper.

We shall see. And I’ll still be surprised if Steve Carrell makes it into the over-crowded Best Actor race with his rabbity, two-dimensional Henry E. DuPont in “Foxcatcher.” Too many Oscar seeking movies with leading actor wannabees and virtually no actresses. As usual…

Oscar Chances of “Birdman” Yes? No?Maybe?

Dear Readers, dear cineastes, dear lovers of theatre, I don’t know quite what to say about “Birdman”. I liked it. It’s shot in my hood, the theater district in Manhattan. It’s all about the theater, But somehow it also seems quite critical of the theater. Not that the Academy would mind that at all. It’s also extremely critical of Hwood, too. “The Artist” is this not.

This was the film that got the most Oscar buzz and internet chatter going at the New York Film Festival so far this year.

Filmed almost entirely(it seems) at the St. James theater, which I overlook, I can’t believe it missed all this just going on right downstairs.

But the Academy will probably like this a lot. Especially the dominant Actor’s Branch. While it is critical of the theater, it revels in the Art of the Actor. And they will go for that hook, line and sinker. Or will they?

I think Michael Keaton is going to get nominated for Best Actor for sure. Having finally seen his performance, I can say that. But will he win? It’s a) a comedy and b) he’s got the stiffest competition imaginable this year in that category c) he’s playing a likable/unlikeable self-centered asshole.

The most likely winner out of the many nominations this film would seem to be heading towards is Edward Norton for Best Supporting Actor. His no-holes-barred, over-the-top(almost) hysterical depiction of a narcissistic theatre(with an re) actor may be the big award that “Birdman” gets. It may get nominated for Best Picture, and probably will. But it seems about nothing more(nor less) of the inside of his aging actor’s head. Keaton, I mean. The ego that eats everyone around it alive. It’s fun, but also not fun to see this. One moment I was screaming with upexpected laughter, the next I was gagging at its’ excesses…Call it stedicam nausea.

Emma Stone is also proably assured of her first Oscar nomination for playing Keaton’s smart, sexy,mouthy teenage daughter.Compare this to her tepid performance in Woody Allen’s “Magic in the Moonlight” where she seemed completely at sea. Innaritu really directed the hell out of his actors in this, and in a very good way.

But this film is filmed annoyingly in steadicam. It makes you dizzy, and it’s also a fantasy. And the ending is, well, equivocal, to put it spoiler-free.

I can see it losing to a film with more social relevance. Like for instance “The Theory of Everything” and I think it’s a battle for Best Actor between Eddie Redmayne’s superb Stephen Hawkings and Keaton’s aging asshole.. Redmaybe is young. That’s the only thing standing in his way.”Everything” is a triumphant movie in a big way. It’s uplifting. “Birdman” is icky. But it’s still fun…but…

“The Theory of Everything” is probably going to “My Left Foot” its’ way all the way to the Oscars. I thought that when I saw it at TIFF as they crowd went wild. And it’s NOT the terribly disjointed, depressing, but also socially relevant film that “Imitation Game” is. The Academy doesn’t vote Best Picture to gay films, which is what “Imitation Game” is. But Benedict Cumberbatch will be nominated. AND Keira Knightley, who will join Emma Stone in Best Supporting Actress. Which they will both lose to Patricia Arquette in “Boyhood.”

But I found”Birdman”  enjoyable  almost in spite of myself. It’s my kinda film.I love films about the theater. And I couldn’t identify more with the character’s quest to do great Art on Broadway.  But is it the Academy’s taste? Theater? Theatre? Does it justify all this awards hype? Well, yes,no and maybe.

Comedy can win, and often does, in Best Supporting Actor. So Edward Norton get your acceptance speech ready. Michael Keaton, um, not so fast.Birdman 1 Birdman 1

Another Oscar Hopeful Bites(the Dust) at TIFF “Maps to the Stars” Won’t Fly with the Academy

Well, “Maps to the Stars” which I saw yesterday at TIFF was hyped as an Oscar possibility. Best Picture and down the line, but after seeing it yesterday at a P&I screening I have to say, it’s over.

“Maps to the Stars” by the King of Canada, David Cronenberg has gone out of his way to insult Hollywood at every twist and turn of this dark, dark comedy thriller. And who am I to say that Hollywood  doesn’t deserve this harsh satirical treatment? It certainly does. But poor beautiful Julianne Moore, who is degraded in every way imaginable, certainly doesn’t. She’s a great actress, playing a neurotic, aging, delusional one. And she takes into her home a very creepy Mia Wasakowska(sp?) as a personal assistant from hell. Carrie Fisher herself, in a very funny cameo, foists Agatha on Moore,

But the denouement, which I won’t reveal here, is something the Academy just won’t stand for, and may not even nominate poor Moore,even in Supporting… Is the Academy going to nominate a performance by a poor actress who has a scene on the toilet where she has to pee and fart at the same time? I think not.

But Moore is magnetic and ultimately tragic, and she did win the Best Actress Award at Cannes this year for this abortion…but…peeing and farting…? WTF? When there are people to nominate in Supporting, like Patricia Arquette and Dame Maggie Smith, I think not.

There is also a Justin Bieber-like character in this, but really, his character and plot-like are pointless…All I can say is David Cronenberg has done “it” again.

And again, I’m typing this from the unbelievably quiet press room, where the only sound is typing. And the television broadcasting “The Judge”s press conference behind me on a large screen, but I’m not watching it.

More soon, I am so sure.

Live, more or less, from Toronto.

 

 

Funniest Documentary Ever Made! Monday, May 20 at 9pm on PBS! Of course, it’s “Mel Brooks: Make a Noise!”

Dear Readers, dear cineastes, dear lovers of theatre, you’re a in for a real, rich treat! You’ll never be able to stop laughing! I swear! “Mel Brooks: Make a Noise!” is coming your way on Monday, May 20. Stop the presses! Save the date! Circle it in red on your calendar! It’s something that I’ve never seen before on American Masters. It’s non-stop funny! It captures Brooks quite completely at his laugh-out-loud best. It’s hysterical. How many documentaries do you see that tickle your funny-bone? Almost none. So hooray for “Make A Noise”!

The new documentary on the comedy legend premieres nationally
Monday, May 20 at 9pm (ET/PT) on PBS (check local listings)
On DVD From Shout! Factory May 21, 2013

Oy! It’s soooo funny! I’ve already watched it TWICE! I can’t stop! Documentarian Robert Trachtenberg firmly restores Mel Brooks to the position from which his last Broadway flop, the musical of “Young Frankenstein” toppled him a few years back. He’s the American King of Comedy, a giant in the industry, a comic legend, and all those other great descriptions which really almost do not do him justice.

Except for the omission of “Mel Brooks: Young Frankenstein:The Musical” which would’ve been its ending, “Mel Brooks:Make a Noise” is well-nigh perfect. But it would have been too sad to end this joyous, mirthful man’s life story there.

It’s instructive that when Brooks’ career hits his mid-life low point, Trachtenberg even makes his flops look and sound funny.

And there’s a lot of news here, too. Like for instance, that the young Melvin Kaminsky started out as a drummer, among other things.

That his first taste of show business was his Joe uncle, a cab driver, took him to see his first Broadway show at nine. “Hey, Mel. I’ve got two tickets to a brand new Broadway show.” the original “Anything Goes” with Ethel Merman. And they even have a brief black and white clip of Merman onstage singing “Blow, Gabriel Blow” in 1934!

Brooks’ comment “It was thrilling! Thrilling! We were sitting in the last row of the second balcony. There were no mikes. Ethel Merman was still too loud and she was two miles away!”

And so this brilliant doc rolls on and on like a comic juggernaut, that REFUSES to stop making you life out loud at every turn.

We find out that his father died when he was two and that he was raised in “real poverty” in Willlamsburg, Brooklyn, with his three brothers. And a mother whom he adored.

We find that he was in World War II. That he had a first marriage, and three children.

That his marriage to Oscar-winning actress Anne Bancroft was one of the most enduring, true love stories in Hollywood history.

That he has trouble sleeping, stays up to three most nights and reads the classic.

Joan Rivers”You’re shocked to find out that this man is an intellectual.”

And on and on and on in a career that has so many highs its’ riduculous. “The Producers”(on film and on Broadway), “Blazing Saddles”, “Young Frankenstein”(The movie, not the musical) and everything else in between.

I have a Mel Brooks anecdote myself. I was sitting in the Broadway restaurant Angus McIndoe’s when “Young Frankenstein: The Musical” was about to close. Several years ago, and I said to my friend, “There’s Mel Brooks!” And he seemed totally absorbed in something. And he seemed very sad.

I couldn’t figure out what he was doing, he was so intent in his concentration, and that I realized that he was walking around to each picture on the walls and I saw that he was saying a silent “good-bye” to each one. Like he was saying “Good-bye” to Broadway. Like he felt he would never be back there again. And for the record, he hasn’t been. At least not yet. One thing “Mel Brooks: Make A Noise” makes clear is that you can never guess what Mel Brooks is going to do next. Can a musical version of “Blazing Saddles” be far behind?

SO in its own BIG way, American Masters “Make a Noise” is bringing about yet another great Mel Brooks come-back. He’s doing a huge promotional tour in support of this stupendous doc.

He can still make us laugh. We want him to. We need him to, that’s for sure.

How to Cure le Post-Oscar Blues? Read this!! At the Great Awardsdaily.com!

http://www.awardsdaily.com/blog/2013/03/22/great-performances-by-great-actresses-dominate-rendez-vous-with-french-cinema-2012/#more-63430

This is what I’ve been doing! And the Rendez-vous is always sublime and thank you Sasha Stone and Ryan Adams for the breath-taking lay-out!

Sasha is headed to Cannes once again, and I look forward to her delightful Cannes postings every year!

Stay tuned!

“Les Miz” in IMAX! My Third Time! Bliss to the Max!!

“Les Miserables,” which is my #1 film of the year, can also be seen now in IMAX, which I didn’t know about until director Tom Hooper mentioned it in an interview. And so I HAD to see it for a THIRD time in a Whirlwind month of “Miz.”

There’s so much to say, and so little time…before I see “Les Miz” AGAIN! Yes! It’s THAT good! And THAT addictive!

FINALLY! Tickets were available for purchase by ordinary movie-goers. It has been sold out in NYC, since its’ opening Christmas Day, when it broke B.O. records, and it’s taking off to be a record-breaking hit all over the world! It may even go over $100 million internationally by the end of this weekend!

And they said musicals weren’t popular with the masses any more!

Well, “Les Miz” is bringing out a certain type of movie-goer those who’ve been STARVED for a great movie musical.

Since I was a kid, it was always the movie musicals that got me into movies in the first place. “Yankee Doodle Dandy” being run over and over and over again on Million Dollar Movie on televisioni on Ch.9. Every single day, maybe even twice a day, when I was a bespectacled, red-headed kid growing up in the Bronx. Then came “Les Girls” and that little boy thought all movies were SUPPOSED to sing.

So it’s grand, just grand that “Les Miserables” returns movies to its’ rightful place, right near OPERA. Opera used to be mass entertainment in its’ time, and I just love that “Les Miz” onscreen is totally sung through. And what wonderful,stirring, powerful music it is!

From those first three thrilling chords of “Look Down” “Ah-huh!” Klang! “Ah-huh” Klang! And the spectacular wreck of a ship hulk that gets hauled into view by literally hundreds of dirty, grimy slaves of the state, Jean Valjean main among them. Well, it shakes you and just takes your breath away at the same time!

Audiences for “Les Miz” come PRIMED now to applaud, it seems to me. At an invited (non-critics) screening I saw(my second time)(many Academy members in attendance) there was applause at least four times and cheering and standing and MORE applause at the end. And this was without any of the talent present, which ups the applause meter even more. Hugh Jackman’s name onscreen got applause at the end as did Anne Hathaway’s and Eddie Redmayne’s and strangely Helena Bonham-Carter’s.

Well, last night this paying, weekday night audience applauded at least EIGHT times!

Of course, Anne Hathaway’s brilliant, blistering, unforgettable solo “I Dreamed a Dream” got applause. And she’ll probably get an Oscar, too.

And then they didn’t really applaud again til “On My Own”, which had not gotten applause at the previous two screenings I attended. That’s Eponine’s rain-soaked solo essayed here by Samantha Barks.

Then, of course, after that, “One Day More” got a rousing hand, and it continued virtually unabated five times more til the magnificent ending! I was losing count in the glory of it all as the suspense mounted, and of course, the wonderful Eddie Redmayne got his hand in “Empty Chairs and Empty Tables,” and the Thernadiers (a super oily Sasha Baron Cohen and the equally slimy Helena Bonham-Carter) even got applauded when they got thrown out of Marius and Cosette’s wedding.! Cheers, too! Amazing!

The involvement of the audience was like at  Broadway show. But no Broadway show gets stopped with applause EIGHT times! At least! But this being a high-paced film, “Les Miserables” never paused for a moment. I don’t think the stage version ever got this much applause. Maybe the 10th and 25th anniversary concerts did. But they were EVENTS. This is just a blockbuster musical. Incredible. I’ve never seen anything like it in my life as a film critic.

“Les Miserables” never fails to disappoint. But I have to say that IMAX isn’t really necessary to see it in. Everything gets magnified and since the film is shot in extreme close-ups most of the time, it really is excessively CLOSE in Imax.Dizzying. I was counting the warts on Russell Crowe’s face. And then the hairs on the warts. I REALLY didn’t need to be THAT CLOSE. Too much information.

But his Javert is meant to scare. And he does. He’s the villain, and his strange, thunderous, bellowed singing is the film’s one discordant note, but it works, because he’s the one who’s out of sync with the melodious singing of the rest of the cast, as his character is out of sync, at war, with the rest of the world.

Hugh Jackman’s Jean Valjean wows me every time! The demands that are placed on him are literally Herculean, and utterly Oscar-bait-y and Oscar – worthy. And then he has to drag the wounded, half-dead, Eddie Redmayne through the sewers of Paris! Saving his life, in  yet another one of Victor Hugo’s novel’s great set-pieces, that is rendered impossibly odious and odoriferous in these tremendous close-ups. Oh yes, Jackman’s “Bring Him Home” sung to the sleeping Redmayne got a spontaneous round of applause, too.

“Les Miserables” is setting audiences free in a wonderful way. They seem FREE to applaud. And VERY free to cry. At the end, with the incredibly moving climatic scenes, there’s not a dry eye in the house. My eyeglasses were salted up with tears. But I was happy. The Greeks has a word for this effect. They called it “Catharsis.” I call it Oscar.

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