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Posts tagged ‘Hollywood-Elsewhere’

And Then…He Didn’t Like it…Jeff Wells, that is, and “Saving Mr.Banks”

I feel very sorry for Jeff Wells right now. He flew half-way around the world to post his review of “Saving Mr. Banks” and he was well, disappointed by it. That’s really a bummer. To spend all that money and sit for ten hours in coach, to see a movie that you thought you were going to love, then didn’t…

Well, you can read Jeff’s reaction here at www.hollywood-elsewhere.com

But the ones who benefit by this are we, his readers, who are delighted by these dramatic,colorful postings. So thank you, Jeff, for doing this for us.

Long story short he didn’t like the movie. AND he didn’t like Emma Thompson‘s performance as P.L. Travers, one-note and irritating. Grating, I think was the word.

But all the others who’ve seen it and there are PLENTY of reviews all over the internet now, seem to LOVELOVELOVE Emma Thompson’s tart take on Travers. the Australian/British authoress of “Mary Poppins.

The praise for her is unanimous except for Jeff Wells. Most feel the film though isn’t what it’s cracked up to be and are up-and-down on Tom Hanks’ Disney.

Gregory Ellwood of www.hitfix.com feels, however, that Hanks will win his third Oscar for playing Walt Disney. His “Capt. Phillips” is a huge hit, and he’ll probably get a nomination for that, too.

But will T.Hanks be able to knock out Michael Fascintating Fassbender in that category?

Jared Leto, who is in drag for “Dallas Buyer’s Club” is the other name that keeps cropping up in that category’s conversation. But the Academy is queasy about giving Oscars to drag queens. Remember Jaye Davidson in “The Crying Game”?

I was soooo sure that he’d win, but OF COURSE, they gave it to Gene Hackman that year for the “Unforgiven.”

Fascinating Fassbender, however….that’s a TITANIC unforgettably frightening performance! If you’re scared during “12 Years a Slave“, it’s Fassbender’s evil Epps that you’re scared of…Just saying…

They DO reward scary villains in this category. Javier Bardem  as Anton Chigurh in “No Country for Old Men“? Remember who frightening he was in that Dutch Boy haircut?

And Fassbender is playing a real-life character, too. There was a scary slaveholder named Epps. There was. Versus an amiable Walt Disney? Crazy stuff…

SAG Awards ~ A Summation

SO I watched “Downton Abbey” Episode 4 and I’m soooo glad I did! OMG! OMG! Can’t reveal anything now, but it is just…well, WOW! Powerful…I’ll write about it later…OMG…

MEANWHILE back on TBS a very sick Jennifer Lawrence was winning Best Actress for “Silver Linings Playbook” which I missed. But “Downton” ended five minutes early, and so I turned from PBS back to TBS and saw a very suave and satisfied Daniel Day-Lewis ascending the stage amidst applause. He had just clearly won for “Lincoln.” He gave a nice speech. Guess he’s going to win his third Oscar after all…but THEN…

Jude Law came out, also not looking well, and he announced that the winner of the Best Ensemble Award was “ARGO!”!!!!!!! Soooo happy to hear that! After what I just went through on Episode 4 of “Downton” I needed a lift! And it was very moved when “Argo” won and Ben Affleck was soooooo happy! And I was happy for him. SAG has a heart. And they bought the “poor Ben” story as Oscar Goddess Sasha Stone called it in a great piece at http://www.awardsdaily.com

It was really one of the best pieces she’s written on this season.And she says that the winning Oscar story is now “poor Ben” and wow! Is she right-on about that!

But Poor Ben was Happy Ben onstage at the SAGS tonight. He was practically dancing! This means that “Argo,” which he was famously snubbed for Best Director for two weeks ago, is now most likely going to win the Oscar for Best Picture. It won the PGA last night, and now this BIG WIN from the Actor’s Guild! Outtasight! I was sooo happy for him!

And of course, check out the other Happy Man Jeff Wells, who I thought I saw fly over the moon, with this news which he writes VERY well about over at wwww.hollywood-elsewhere.com.

“Lincoln” was supposed to win this tonight, and yes, it did get two awards. Best Actor and Best Supporting Actor for Tommy Lee Jones, who didn’t even show up.

I think four of these winners will repeat on Oscar night. “Argo” for Best Picture, Anne Hathaway for Best Supporting Actress for “Les Miz”and Daniel Day-Lewis for Best Actor for “Lincoln.” Qu’venzhane Wallis is in the mix at the Oscars as she wasn’t tonight at the SAGS and neither was Emmanuelle Riva, BTW, for “Amour.” But Jennifer Lawrence has Harvey Weinstein behind her, and like Meryl Streep’s out-of-left-field win last year for “The Iron Lady,” he’ll do the same thing for Jennifer and she’s winning everything anyway. It’s a cake walk for him this year with Jennifer.

I think it’s safe to say that with Phillip Seymour Hoffman winning the BFCA award(Which he wasn’t there to pick up), Christophe Waltz winning the Golden Globe( which he WAS there to make a strange speech, with Tommie Lee Jones GLOWERING) then with Jones winning tonight at the SAGS and him NOT being there to accept, I think it’s safe to say that Supporting Actor is still a toss-up.

But everything else now seems locked down and sealed up “Argo”, Daniel Day-Lewis, Jennifer Lawrence and Anne Hathaway.Done!

Oscar Poker & the Mystery of Snuggles 4

On this week’s Oscar Poker podcast, which you can reach if you go on  over to www.hollywood-elsewhere.com ,host Jeff Wells welcomes www.goldderby.com & Tom O’Neil, the most indefatigable  Oscarologist of us all. And Tom is just raring to give us even MORE dish on the mysterious Gold Derby subscriber, who also predicts, and predicts BETTER than anyone, even though he is not a journalist. If you click on Snuggles4’s name at Gold Derby you will see just what he has said and when and where. But there’s a couple of caveats.

Tom O. created Internet headlines yesterday by saying that Snuggles 4(who named himself after the Fabric softener…lol) was predicting on OCT.6(!) that “Les Miserables” was going to have a “monster sweep” of the Oscars and win Best Picture. But if you go see just exactly WHAT Snuggles4 IS predicting,  you first have to sign up with your email account or your Facebook account, and THEN and only then can you see EXACTLY what Snuggles4 said.

And Tom O. reveals more in the podcast.

Upon prodding from Jeff Wells, Tom says that he does think that Snuggles HAS seen “Les Miz” and was utterly blown away by it. Tom demurs about this in his actual Goldderby articlepost, but Jeff got him to go on. He says Snuggles describes himself as “an industry gadfly” and “an industry insider,” and he’s afraid to claim his Gold Derby prize from last year, because he doesn’t want to “come out” which of course, according to my gay mind, is code for Snuggles being gay,too.

And he doesn’t want to reveal more because of “the people he’s associated with,” not who he WORKS for, means he’s an agent of some kind.

A gay agent? In Hollywood? Well, that narrows it down to just about the entire industry.

And no straight man would be THIS obsessed with the Oscars, the gay Olympics. Nor would a straight man call himself Snuggles.
Why should we care? Why should we pay attention? Because according to Tom O. , he’s been more accurate than ANY one. He also was predicting the Emmys!  And so…what did Snuggles actually predict, if we are to believe him more than anybody? Even Tom. Even Jeff.

Snuggles ACTUALLY predicts only FOUR wins that I could count for “Les Miz” Best Picture, Best Supporting Actress(Anne Hathaway), Best Director Tom Hooper(AGAIN!?!) and Best Production Design.

That’s only FOUR Oscars! That’s not a “monster sweep”! To be fair, what Tom was referring to was a “monstrous sweep” of the nominations. And yes, there were so many categories “Les Miz” was figuring in, according to Snuggles,  couldn’t quickly count them all, and THAT’S the sweep. He’s not predicting it will win in all those categories!

For instance, he has Hugh Jackman as his number five for Best Actor, but Snuggles has him losing to John Hawkes for “The Sessions” as Best Actor! He’s got Daniel Day-Lewis and Joaquim Phoenix in there, followed by Sir Anthony Hopkins for “Hitchcock.” I could totally see Hawkes winning, too, since you brought it up. Or rather Snuggles did.

Snuggles also has no mention of Dame Helen Mirren as Best Actress, but has Helen Hunt in the lead category, and not switching her to Supporting…And no Marion Cotillard. But Emmanuelle Riva of “Amour” is in. And she’s popping up everywhere and knocking Mademoiselle Marion out on many boards.

He’s got Jennifer Lawrence on top as does EVERYBODY ELSE IN THE WHOLE WIDE WORLD. Except Scott Feinberg, who demurred and thought that Qu’venzhane Wallis would get it for “Beasts of the Southern Wild”(!) “if the Academy picks up on her story.”

Meanwhile, Tom O. told Jeff that he thought the fact that SAG disqualified Q. Wallis and Dwight Henry from “Beasts of the Southern Wild” (they’re not members)might actually hurt their being nominated AT ALL by the Academy. SAG(The Screen Actors Guild) and AMPAS are two entirely different beasts, and not of the Southern Wild, thank you very much.

Vis a vis little Miss Q. ,Tom said that the snobby, clannish Academy’s Acting Branch Members, who would have to nominate her might think “Well, she’s not one of us.” Plus she’ll only be nine years old come February.

The plot sickens.

NY Post Takes Down “Lincoln is boring” tweet!

Per Jeff Wells at www.hollywood-elsewhere.com Lou Lumenick has now had to take down the “Lincoln” is boring!” tweet! Uh oh! And Jeff linked to it, but I can’t find it anywhere!

Jeff has advertising from Dreamworks. I, you may notice, have absolutely no ads, whatsoever. I’ve heard nothing. But no ads=not important enough to bother with.

But believe me, this was THERE! And now, it’s not!

Post-TIFF ~ SUDDENLY, So many predictions about “Silver Linings”! But TIFF isn’t the Academy, folks!

TIFF only ended on Sunday, but it’s Oscar after-effects ripple on. The announcement that “Silver Linings Playbook” won the prestigious People’s Choice Award sent Oscar pundits and Oscarologists  (is there any difference?) running for the hills. And ALLLL of them suddenly putting “SLP” in their #1 position, when this was hardly the case way back when, say, on SATURDAY!

The Oscar pick’em race turns on a dime, and it certainly just did. AND NOBODY was predicting Jennifer Lawrence would win Best Actress “out front by a mile” as Tom O’Neill put it in two podcasts ~ one which he did with Sasha Stone and Jeffrey Wells, who barely let him, the Granddaddy of all Oscar prognosticators barely get a word in edgewise! No really! But Tom was very good-humored about it.

He, who did not even get to TIFF this year. Sasha has never been. And of course, Jeff Wells was VERY MUCH there.As you’ll see when my terrific interview with him comes out shortly at http://www.youtube.com/StephenHoltShow.

Sasha, of course, is at http://www.awardsdaily.com and Jeffrey holds forth at http://www.hollywood-elsewhere.com

Jeff fell, as I did, and fell HARD, for “Anna Karenina”, and he was outraged, just outraged, as I was too, and still am, by Manohla Dargis’s dismissal of “Anna Karenina” as “a travesty,” and she also calls the divine Keira Knightley’s great performance “miscast. ” and what is soooo galling is that this is in the NYTIMES! Jeff was hopping mad about this. APOPLECTIC! and I am, too! So much so he barely let poor SASHA even get a word in on her own podcast!

Conversely, Tom O’Neil and Pete Hammond barely discussed Keira Knightley’s performance or “Anna Karenina” at ALL! THEY were all about Jennifer Lawrence although Pete Hammond cautioned “It’s early yet.” They can be found at http://www.goldderby.com

All I can think of is the year when “Sideways” won the People’s Choice Award at Toronto, too. It got a lot of nominations, but it lost Best Picture. I’m also thinking of George Clooney’s starrer “Up in the Air” and also just this year’s past “The Descendants” both Toronto Hits, though not People’s Choice winners.

They were, however, raved and raved and raved about out of Toronto and all season long, and then…The Air Went Out. Of Both Of Them. Almost like clockwork. And George was certainly being championed as Best Actor, too. And both times, it didn’t happen. Last year, the Little Golden Guy went to Jean Dujardin for “The Artist.” Face it, George, you’re just never going to win Oscar #2.

Interestingly, “The Artist” was also at TIFF(and at Montreal AND at the New York Film Festival) but didn’t win the People’s Choice Award, or even come in second. But of course, it did win the Oscar.

And as Harvey W. would say regarding the Academy Voters “These are the ones that count.” So just because some film has won big in Toronto, doesn’t mean it’s also going to be embraced by the Academy. Oh no. Not by a long shot.

And Jennifer Lawrence? Well, I haven’t yet seen “Silver Lining’s Playbook,” but I’m not a fan. Her flat performance in “X-Men” coupled with her execrable under-acting(non-acting to me) Academy Nominated turn(she barely moved) in “Winter’s Bone” turned me off her in a very big way. I didn’t even bother to go to see “The Hunger Games” because she was starring in it.

Bland, bland, bland. Flat and bland. Curvaceous, attractive by any and all Old Hollywood or even New Hollywood standards, to be sure. She’s pretty. Ok. I’ll give her that. But I have yet to see her be anything other than sub-par. Jennifer, I’m waiting.*sounds of my foot tapping*

But with all these critical hurrahs she’s now receiving, I guess, in the case of “Silver Linings Playbook”, I’ll give her the benefit of the doubt. I certainly am looking forward to seeing it and seeing what all this fuss was SUDDENLY about.

I was certainly tracking the Best Actress contenders in earnest at Toronto. I got up at 5:30 AM to make a 8:45am screening of Marion Cotillard in “Rust and Bone” and the  otherworldly, magnifique Marion did not disappoint my Best Efforts.. Neither did the lovely,understated, shy mouse of Laura Linney in “Hyde Park on the Hudson”, or Helen Hunt, the VERY naked and full frontal sex surrogate  in “The Sessions,” the sublime,tormented  Keira Knightley as “Anna Karenina,” and last but not least, Dame Maggie Smith’s all out Oscar-bait turn as an aging Opera Diva in “Quartet.”

Not ONE person in Toronto. NOT ONE, mentioned to me I should see Jennifer Lawrence in “Silver Linings Playbook’! NOT ONE! And I was listening…In fact nobody recommended “Silver Linings Playbook” to me at all. NO BODY! And then, BAM, out of nowhere this award! And then all these predictions! On Saturday…nobody was predicting her.

As Laura Linney said to me about all this Oscar madness “I take them with a grain of salt. You have to.”

I think all of this took the Weinstein Co. by surprise, too. During TIFF the #1 film was “The Master” Remember “The Master”? THAT’S what they were pushing, NOT “Silver Linings Playbook.” Now “The Master” is a SUDDEN #3, behind “SLP” and “Argo.”

And on the other side of the gender divide ~Is it Joaquim Phoenix in “The Master” or is it Daniel Day Lewis in “Lincoln”, or is it the much more sympathetic John Hawkes in “The Sessions”? I think the jury is really out on that category and you all KNOW how the Academy relates to Comedies, which the “Silver Linings Playbook” seems to be.

I’ll let you know MY take on all this as soon as I see the remaining films. You can’t write the story of 2012 when Oscar seekers like “Les Miserables”, “Lincoln”, “Zero Dark Thirty””Django Unchained” and “The Hobbit” are all still unseen.

In that case, the person I feel most in agreement with is Pete Hammond of http://www.deadline.com !

It’s not over until the Fat Lady(or in the case of Dame Maggie Smith in “Quartet”) the Thin Lady Sings!

More Oscar Actress Action – I Get the TIFF Catalogue for the First Time!

Landing like a bomb in my lap, after 14 years of yearning (they’re too expensive for words) is the 2012 TIFF Catalogue! I got handed one on the way out for attending a lovely do this week in NYC featuring Canadian Filmmaker’s whom TIFF is featuring. And was proud enough of to fly them all into New York and put them up in style for a presentation to the New York TIFF-bound press. Or some of them.

I was the most famous person there, which always makes me wonder…like, where’s everyone else? As I said, trips begin before the start, and the Toronto International Film Fest, was ALREADY in full, delightful swing at this event. Held in a swank Soho setting, with more free champagne flowing than I can ever remember anywhere at TIFF itself.

But the TIFF catalogue, with its’ beautiful, classy, snazzy, new 2012 red cover of movie-goers in presumably the Bell Light-Box, is a gift from the Gods, in full color yet, because in it is every single film of the 300 plus movies that TIFF is going to be throwing our beleaguered way in ONE WEEKEND two frenzied weeks from now. With extended and accurate descriptions of each film and complete contact info and credit list of each film as well. *swoon*

And aside from enjoying the hell out of its’ lavish self, what have I learned from it? Since we’ve been discussing actresses here, I’ll just continue along in that vein. Why? Because they’re easier to quantify. Less roles. Less films….Easier usually to get a bead on…Most films coming up later in the year, don’t feature lead actresses the way they almost all do men. The actress race is going to be decided at TIFF. I make one of my famous predictions. Or at least who’s going to be IN, and most clearly, who is going to be OUT!

ANYHOO, Simone….

Front and center, we find out that in addition to Laura Linney, Keira Knightley, Marion Cotillard, we now have Dame Maggie Smith coming full force at us in “Quartet,” the directorial debut of Dustin Hoffman! Set in an old age home for retired opera singers.(Does Dame Maggie let loose with an aria or two? Or just let loose with on-target zingers a la”Downtown Abbey”?”) it looks irresistibly Oscar-bait-y.

And now we can see why Fox Searchlight has been pushing Dame Judi for Supporting for “Best Exotic Marigold Hotel” not lead, though she is the lead. Because they don’t want her colliding with her “Best Exotic” co-star Dame Maggie.

Dame Maggie is everywhere! Like her Oscar-winning role as Miss Jane Brody, she is in “Her Prime!” And that  right there is her problem. She’s won Best Actress before. For that very same “Prime of Miss Jean Brodie.”

“Rust and Bone,” Marion Cotillard’s feature in French, is playing for the public on opening night, but is NOT the Opening Night film. Something called “Loopers” is…In recent years, the Openers at TIFF have been almost ridiculous, if not laughable…Last year’s Canadian Hockey Musical “Scores” is a perfect example…So everyone will pile into the Princess of Wales theater in the theater district for “Rust And Bone.” This beautiful old candy-box of a Victorian show palace is usually housing legit features these days, but this year, it being commandeered by the festival, and will be where “The Master” is being shown. Because it can sustain the 70mm requirements of Paul Thomas Anderson’s much buzzed about take on Scientology. Or is it really about AA? Or something else? All will be revealed next week. Or the week after. Can I wait?

I can wait.

I’ve got to get through the endlessly enchanting Montreal Festival des Film du Monde first….I’m leaving SOON! BYE!

And “What Maizie Knew” with the always-wonderful, always-an-Oscar-bridesmaid, Julienne Moore is a gala presentation. As is “Hyde Park on the Hudson.” But the lovely Laura Linney isn’t enpictured in the catalogue! Only Bill Murray as FDR! What does THAT mean? If anything… Also a gala is “Silver Linings Playbook” with Jennifer Lawrence. The only Weinstein film in the Gala List…hmmm…

Then we have the Masters section, which is where “L’Amour” and Emmanuel Rivas can be seen, followed by “Special Presentations” which is where you’ll find Dame Maggie with her arms flung high into the air in “Quartet,” Keira Knightley looking ravishing in “Anna Karenina”(she ALWAYS looks ravishing), Marion’s “Rust and Bone” (used to be “OF Rust and Bone” in Cannes. They lost the “Of” I guess in translation), Greta Gerwig in “Frances Ha”,Kristen Wiig’s “Imogene”with Annette Bening in Support, Helen Hunt’s ” The Sessions”, Rachel McAdams AND Noomi Rapace in Brian Di Palma’s “Passion”…and well, it now looks like the Best Actress race is more crowded than ever! Oliver Sudden! And Special Presentations is where “The Master” is falling, too.

But by then half these films will be deemed worthy and the other half un-worthy. Separating the Oscar Lambs from the Oscar Goats is something that the Great Gods of TiFF are particularly adept at doing. And it can be brutal.

And Jeff Wells, that great Oscar scalawag, over at www.hollywood-elsewhere.com is stirring the waters today by saying he’s heard that ONE of the aforementioned films ^ is an unmitigated “disaster”! But he teasingly won’t say which one!

Usually, I rely in the TIFF-ites to choose their Galas and Special Presentations very, very carefully…Or maybe it’s something at the NYFF coming up immediately after TIFF?

Jeff said it’s something opening in the Fall…My best first guess would be David Chase’s “Not Fade Away” which is the centerpiece at the New York Film Festival. But it could be one of the above, or Jeff is just stirring the Oscar pot, as is his wont…

But if one of these films really does get blown out of the water, you heard it here first. Or rather, second!

“The Master” Sneaked Last Night in Santa Monica. Massive Tweet/Reviews Result.

Ok, Ok, I missed this one completely ~til this evening in NYC. Last night the world stood still in shocked silence as Paul Thomas Anderson’s Weinstein Company Oscar Seeker “The Master” sneak-screened last night to a surprised audience of cinephiles in Santa Monica!

However, it seems Anne Thompson was there…She liked it. You can read about it over at http://www.indiewire.com in her Thompson on Hollywood section. It’s not really a sneak screening for the public if ANNE THOMPSON was actually there and reviewing it. Read her early review.

When that happens, the critic is almost FORCED into a writing a positive response but St. Anne does say she thinks the film is going to be “devisive,” which is her way of saying, “not everyone is going to agree with ME!”

Nor does she expect them to.

But then also at this screening was a frequent poster at http://www.awardsdaily.com and http://www.hollywood-eleswhere.com named Jessie Crall, and he had an even-handed response. Everybody else was, like as Oscar Goddess Sasha Stone put it ,”hyperbole on toast.” More like Fanboys Gone Wild!

But here is my reactions to their reactions, esp. Jessie’s, which made me believe him.

I wrote this at Awardsdaily.com just now in their comment section on “The Shining” and “The Master.”

“ONLY Jessie Crall who posts frequently here and at Hollywood-Elsewhere seemed to have his head screwed on right.

I guess I should just refer you all to the other thread (at http://www.awardsdaily.com)and what Jessie said.

Essentially, good ,but not great. Great to see in 70mm.(What isn’t?) and Amy Adams has nothing to do. Nominations for all. but no wins. PSH in Supp. not lead. Joaquim Phoenix is drawing universal raves, but already all are saying “Can he beat Daniel Day Lewis as Lincoln? ALREADY this is THEE question!” And at this early a date!

Not having seen either film I can’t say, but I don’t like that Sept.15 release date and all the tweet/reviews don’t mention Scientology AT ALL. Like it’s not the topic of this film.

Seems to be about Alcoholism if anything.

No religious overtones, or undertones, or references WHATSOEVER.

B+ not A, I’m sensing. Which is in line with that TOOOOO early Sept.15 release date.

HW wouldn’t be releasing the film in a rush like that if he didn’t have to, methinks.”

However, nobody makes Harvey do what he doesn’t WANT to do. Harvey knows best is TWC’s mantra, and who can argue with that? He’s a SUPERB distributor of his films, and I can’t think of ONCE in all the years I’ve been covering him, which is now 24 on my TV show, has he ever done wrong Oscar-wise, or distirbution-wise with a film of his. So we shall see…

Guess I should start figuring out which theater in NYC can project in 70mm?

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