a.k.a. "The Oscar Messenger"

Posts tagged ‘Helena Bonham-Carter’

On seeing “King’s Speech” again, Helena & Colin totally rule the screen

It’s suddenly spring in New York City, after a horribly snowy winter, which probably isn’t completely over yet, SUDDENLY we’re having a day in the mid-50s temperature-wise! You don’t even need a coat today!

Well, spring was certainly in my step when I decided to see a 10:25AM screening of “The King’s Speech” which I hadn’t seen since that first early 9AM screening. The first press screening on the first day of TIFF’10, this past September. I knew it was probably going to be very, very good. I mean, it had Harvey Weinstein behind it, and that star-studded British cast.

I just wasn’t ready to have my mind totally blown by the quiet brilliance of this masterful film. Which I  instinctually knew was an instant classic. And that Colin Firth’s performance was one of the greatest ones I would ever seen on-screen. His stuttering, reluctant King George VI is one of the great screen performances, and has been hailed as such with Firth winning every single Best Actor award on his way to the Oscar podium.

I had the privilege of being of being the first one to broach the Big O news to Colin Firth himself, AND Geoffrey Rush AND director Tom Hooper, that beastly hot September morn in Toronto. And you can see their more than startled reactions at www.youtube.com/StephenHoltSHow

On seeing it a second time so early in the morning, I wanted to make sure that I saw it with an attentive, quiet audience. Who laughed at the appropriate moments, and were crying at the end. Just like they did in Toronto. And this half-full, respectful audience applauded at the end, just like they did in Toronto. I stayed spell-bound, just like I had in Toronto, all through the end credits and the lovely Alexander Desplat piano melodies. I remember that TIFF audience of hardened critics were all spell-bound, too. It’s like they were rooted in their chairs, totally blown away by the simplicity and beauty of what they had just seen. Nobody left at TIFF, til the end credits were finished. Then there was thunderous applause. We had seen the best film of this year or any year. We had seen a mastepiece.

All great films are their own miracles. And I have to say that if you want to really enjoy evenings in this month TMC’s “31 Days of Oscar” is just one wonderful night of cinema after the other. I’ve seen “The Heiress,” “Mrs. Miniver”, “Forrest Gump”, “Marty”, “Gone With the Wind” and “Twelve Angry Men” in just the past 10 days! Magnificent films, all.

And “The King’s Speech” is right up there with them. Seeing Colin Firth’s utterly brilliant performance again, this time I was even more astounded at the levels of pain he reached. Every time that poor man had to open his mouth and say something,  the inner torment, the hell that man expressed each time he had to utter even the most mundane and simple of declarative sentences was shattering.

His George VI is coming unglued in nearly every scene. And Tom Hooper’s direction is equally masterful. Always capturing the era(the 1930s) as if it was a doc happening right before your eyes today.

When Colin Firth ended our career-high interview(for me anyway…He kept saying “I don’t want you to leave. I just don’t want you to leave.” But alas I had to…) he stood up to shake my hand and I was astonished that he was a strapping 6’3″.

You see Tom Hooper and his excellent cinematographer always framed Colin to look short and small, which the real King George VI was, and Colin Firth, the man, isn’t at all.

This time I saw how he was always seated in ill-fitting chairs. The wide-angle lens Hooper uses makes this handsome man as plain and ungainly and painful to look at as possible.He is always shot looking out of place. Even in the most comfortable of surroundings, he is uncomfortable. He is always framed alone in very large, empty,slightly distorted spaces. He is trapped in the royal fish bowl, and he can’t get out of it. And only Helena Bonham Carter’s sweet supportive Queen Elizabeth penetrates those spaces.

Bonham Carter’s performance as the Queen just totally jumped off the screen at me this time. I was able to gauge her silences and the painful look in her large dark saucer eyes much more carefully. This is a portrait of a happy marriage made painful only by circumstance and the husband’s disability. The love between the two is palpable, and magnificently rendered by Bonham Carter.

The first section of the film is entirely hers, as she strikes out on her own, to find just the right Speech Therapist, for her beleaguered husband, then only the Duke of York. And simply a royal prince, who was never brought up to be the king.

Bonham Carter’s opening scenes are just a delight as she proceeds to a part of London she never in a million years felt that she would ever find herself in. Even her struggles with a lift(British elevator)’s caged door gates becomes a moment of hilarious business, and then it doesn’t go up. It descends to the basement. Which is where Logue’s apartments are. Or the scene as when she passes her husband off  to Logue as “Mr. Johnson,” a banker who has to give public speeches.

The second viewing just made me gasp at how strong her performance really is and how she does stand up in her own quiet way to the demands of the role of the ultimate supportive wife. And certainly the category of Best Supporting Actress is made for this sort of  classic turn.

She does not chew the scenery. She does not overact or over-react. Her calibration, guided by Hooper’s gentle, subtle directorial hand, is superb. And very, very moving. The last scene when the King actually has to do “The Speech” of the title of the movie, keeps cutting back to her, with her young daughter Elizabeth at her side, listening, her wide-dark eyes, pools of concern, and love and pain, and finally she is subtlely moved to tears,or  more accurately a single, beautiful tear as her husband rallies his country to war against the Nazis.

Her one tear reduces all the audience to tears, too.

And Kings and Queens, especially such sympathetic, heroic ones as these two, win our hearts and usually Oscars, too.

And Geoffrey Rush? He deserves his own separate piece – coming soon.

Why Lauren Bacall thinks she lost her Oscar to Juliette Binoche

An interesting Oscar fact, prompted by Lauren Bacall’s large Vanity Fair interview and profile, in their Hollywood Issue (a must-have, must-read) abutting in the same issue an equally large and in depth piece on Harvey Weinstein.

Now, what has this got to do with this year’s Oscar race? More than you might think.

Lauren Bacall in her memoir goes on and on about how Harvey Weinstein cost her last chance at a legitimate Oscar when she was nominated in 1996 for Best Supporting Actress for “The Mirror Has Two Faces,” directed by Barbra Streisand, who also starred. Bacall played her mother. Bacall just received a career Oscar this past year, but it’s not the same thing. Nice, but no cigar.

That was the year that Juliette Binoche upset everyone’s Oscar predictions, including mine. There weren’t so many Oscarologists as there are today, but I WAS doing it on my TV show even way back then.  Tom O’Neill’s Gold Derby was racing, but not many others….

You see  Bacall, the great Hollywood legend, WON the Golden Globe and then the SAG Award, and seemed absolutely unstoppable, and she, shockingly,  LOST to Juliette Binoche, in the “English Patient.”

Why is this suddenly sounding VERY familiar? Well, Melissa Leo won both those awards also(There was no BFCA in those days.) and now she’s up against, in the same category, an actress in a British film. That would be Helen Bonham Carter in “The King’s Speech.” And yes, that’s Harvey’s film, too.

“The English Patient” swept the awards as “The King’s Speech” is expected to.  And it could very well sweep Helena B-C, in too…Harvey has a unique way with that category, Best Supporting Actress. I think he’s gotten more actresses that particular award than any other producer in recent memory. Besides Binoche, he got Renee Zellweger her only Oscar in that category for “Cold Mountain” in 2004 and also Catherine Zeta-Jones in that category for “Chicago” in 2003! Why do I feel Harvey W. rules this category?

As Oscar Goddess Sasha Stone always muses…Just, saying….

“Helena Bonham-Carter could win Oscar!” sez Anne Thompson

Anne Thompson, the sharp, astute, objective observer of all things Oscar, is at Indiewire these days, with her own blog, that is really a site in-and-of-itself. Always even-keeled and balanced in the coverage of Oscar subjects ~ I’m jumping for joy over Anne  (sometimes I call her St. Anne, well, because…she is…In Oscarland  terms, anyway) just having written a HUGE piece on “Helena Bonham-Carter Could Win the Oscar for Best Supporting Actress” on http://blogs.indiewire.com/thompsononhollywood/

CHECK IT OUT IMMEDIATELY!

And the reason I’m doing cartwheels, is because Even Anne does NOT make pronouncements like this lightly. Being a crack journalist as well as a keen Oscar observer, she WAS backing Hailee Steinfeld, last time I checked, but has JUST switched to HRH HBC because of, you guessed it, the BAFTAS! Which as you know Helena just won on Sunday. And I’ve been predicted this since the beginning! SWEEP!

And to top it all off, Anne had compiled a DELICIOUS series of video clips that really show off Helena in MAHvelous ways, darling! You’ve GOT to watch each and every one!

It’s been an uphill battle for Helena, as I said early on, because her performance is UNDERSTATED, sophisticated and subtle. Something Oscar doesn’t usually go for. She is chewing NO scenery here. Nope. Just tea and crumpets, though she DOES seem to be munching all the way through this brilliant movie. Yes, she overeats, and gets plumber and plumber as the films goes on, to where at the end, she is clearly wearing a fat suit! Yes, she is! And she’s ADORABLE in it!

 And she’s playing, lest we forget, the role Oscar LOVESLOVESLOVES to award in this category, the supportive wife! “The King’s Speech” makes it clear that King George VI could NOT have overcome his stutter without his wonderful, devoted wife who is the one who FINDS Lionel Logue(Geoffrey Rush) in the movie in the first place.

Jenny Beavan is the brilliant British costume designer, who is also up for an Oscar (again) this year for “The King’s Speech”s marvelous pastel-perfect period finery. Jenny has been costuming Helena since her Merchant-Ivory days. And Anne Thompson lays this all out in judicious, delicious clip after clip.

I’d do it myself, but I’m too tech-tarded, as you know….someday I’ll figure out the visuals…but right now just run on over to Indiewire and Thompson on Hollywood and see why I’m particularly thrilled with Anne’s great piece, predicting Helena’s win!

Yes, the “King’s Speech” has coattails, white tie and tails, probably, and Helena and Jenny Beaven and Geoffrey Rush and many others may be riding them all the way to OSCAR the Sunday after next! Coattails is another word for SWEEP!

There’s also a marvelous clip of HBC as HRH The Red Queen in “Alice in Wonderland.” interogating frog footmen, one of whom stole her tarts! “Off with his head!” she exclaims.

Helena Bonham-Carter! How do I love thee? I’ll let Anne Thompson count the ways!

The BAFTAS predict the Oscars quite often lately

Last night the BAFTAS pretty much accurately predicted who’s going to win what in the Best Picture and Actors categories.

Before I go further, let me once again, explain that the BAFTAs voting procedures are different from the Oscars in that EVERYone, every member, votes on the categories of Best Picture and all four acting categories.

HOWEVER, the British Guilds vote for each of the other categories, like Best Director. And they gave it to David Fincher for “The Joy of Typing” and not home boy Tom Hooper for “The King’s Speech.” THAT was probably the most shocking event of the evening, as “The King” ruled over seven categories! Taking home the most BAFTAS of any film, seven, including Best Picture, Best British Picture, Best Actor, Supporting Actor, Supporting Actress, Best Original Screenplay and Best Score.

I bring up the directing statistic as an example of how the Brits don’t necessarily honor their own. As for instance, Anthony Minghella (“The English Patient”) and Sam Menzies(“American Beauty”) were dissed in Limey, losing in their own country, but winning the Oscar for Best Director,when Push came to SHOW!

Since Tom Hooper has already won the DGA for “The King’s Speech”. Since the Queen of England AND Andy Rooney (just yesterday, this Sunday on 60 Minutes) both endorsed TKS, I think he’s got that in the bag too.

As well as fellow “King”sters Colin (of course) Firth and Geoffrey Rush and FINALLY my fave Helena Bonham-Carter.

Rush winning over Brit bad boy Christian Bale is particularly significant, since Rush is ostentatiously Australian.

I had the pleasure last night of attending an event in his honor last night at the DGA where Rush got multiple ovations, some of them standing, but more about that later.

I have always maintained that the BAFTAs help make up undecided minds in the Academy. If AMPAS voters wait to see what the Brits do at the BAFTAS…especially in the top Acting Categories.

Had Annette Bening upset Natalie Portman(who didn’t even show up) in Best Actress, for instance, it would indicate that their was an undercurrent surging for Annette. No such luck. Natalie’s got it, as they say, locked up. And Colin(of course) Firth does, too.  No contest in either of those two categories. The same can also be applied to David Seidler, the real stutterer who penned “King’s Speech” from his heart and who won Best Original Screenplay.

I’m willing to concede (FINALLY) that Aaron Soreking will win Best Adapted Screenplay for “The Joy of Typing.” Even his constant comparing himself to Shakespeare didn’t put off the Brits, so yes, the Academy will follow suit and this may be the only award “Typing” wins at the Oscars…You heard it here first!

And Geoffrey and Helena!

Well, the category of Supporting Actress for those of you who have been following the story (and you wouldn’t be reading THIS if you weren’t) know how badly former front-runner Melissa Leo stumbled at the last yard and basically handed the award to yes, Helena Bonham-Carter!

Best Supporting Actress is a category like none other. And these year, to me, resembles the year, a few back, when it was a five-way horse race, and at the last possible minute, Tilda Swinton was anointed at the BAFTAs for “Michael Clayton” and then surprised everyone, but me, at the Oscars ten or so days later.

This year Best Supp. Actress is all over the place with two actresses both from the fighter, Leo, who wasn’t nominated by the BAFTAs AT ALL, and Amy Adams, who was. Only Amy and Helena B-C found approval from the BAFTAs and of course, she won, and gave a wacky, rambling, memorable and moving speech just as I foretold she would.

She wore a black Vivienne Westwood. And looked less bizarre than she did at the BFCA or was it the SAGs or was it the Golden Globes, when she wore two different colored shoes? It’s all starting to blur on me. And if I’M getting a bit blurry, imagine the Awards-circuit fatigue the average viewer is going through?!?

But the Oscars are STILL the Gold Standard(pardon the pun) and I really do think Helena aced this topsy-turvy category with her BAFTA win.

Geoffrey on the other hand, really has his hands full trumping Christian Bale in “The Fighter.” As good as Bale is in this popular film( I even liked it), he lost on his home turf,(yes, he IS British, too) to Rush’s supreme, stately, magnificent Speech Therapist Lionel Logue.

Rush has got his previous Oscar win in Best Actor for “Shine” and Bale is a first-time nominee.

But Rush now has the BAFTA as well as Sasha Stone www.awardsdaily.com predicting him now. And I’ve ALWAYS been predicting him. And Helena, too.

Helena’s competition is much less intense as what Rush has to contend with in Bale’s…but…

I think the BAFTAS have spoken. Last year, it was only the Supporting Categories that matched. No Bullock, no Bridges, but Christoph Waltz and Mo’Nique won BAFTAs as well as Oscars. The year previous Mickey Rourke won, over Sean Penn. But then Mr. Rourke got up and made a really crude F=== this and F=== that acceptance speech, and pretty much handed the award to Penn with that embarrassing, graceless moment.

But in the two years previous, BAFTA was four for four with the Oscar actors.

This year, well, don’t be surprised by “The King’s Speech” being the sweep of sweeps.

And one more thing, I’d like to point out. In CONCLUSION, Academy voters in ALLLLL disciplines and branches get to vote on all the awards (except Foreign Film, Documentaries, and Shorts, where you have to sign in and actually ATTEND those screenings to vote in those categories.) So the Academy Voting Ballot is something you can go, check, check, check and TICK ALL THE BOXES, as Colin and Geoffrey are both wont to say. And just vote “The King’s Speech” ticket for everything!

And not to be outdone by the Brits, I also predict that even though “The King’s Speech” won SEVEN awards, the Oscar vote count will be higher, much higher, maybe even historic. The Oscar ballot is designed for sweeps, since in the below the line categories, the technicians are listed by their names and their films are not even listed! A lot of cross-checking has to be done filling out the AMPAS ballot to vote-split. It’s easier to just look at the “For You Consideration” screener of your favorite film and just go, tick, tick, BOOM from there. And I think most do.

Harvey Weinstein is probably fuming about the seven BAFTAS his “King” didn’t win. But not me! I’m thrilled with all the events happening around this beautiful, beautiful film!

Oscar Upset Update. Oscar Goddess Sasha Stone @mcn

 

Newsflash!

Just caught up with this at the Gurus o’ Gold(and yes, I used to be one myself) at David Poland’s Movie City News. www.moviecitynews.com

When David Poland asked the Gurus if anything had changed since last week. They all replied NO.

And Oscar Goddess Sasha Stone elaborated in a mini-article that concluded that she expects “The King’s Speech” to sweep. ( We knew she thought this and reported it) Even the Supporting Categories – Geoffrey Rush(We reported this in the past few posts) AND Helena Bonham-Carter.”(!?!?!)

THIS is News! But it’s what I’ve been saying all along Helena Bonham-Carter for the win!

And now Sasha is saying this on DAVID POLAND’S site.

She admits that the Gurus o’ Gold had been right all along. In saying that “The King’s Speech” was the front-runner since it was first shown(at Toronto).
“And it still is.”

Brava! Divas!

Whoever Wins the BAFTAs Will Win the Oscar, too!

I’m making yet ANOTHER one of my bold predictions(that’s what I do) but I’m going out on ANOTHER limb, having a blog, as opposed to a TV show, which is weekly, I can predict the Oscar race on a daily basis.

And I do…

So, here goes…

Whoever wins the BAFTAS Sunday night will also win the Oscars on Feb.27! I’m talking about the top six categories. BP, BD, and the four top acting awards.

But as I’m sizing this up…I just noticed that all the probable top six BAFTA winners and very likely going to be Oscars, too! This may be the first time that this ever happened in Oscar/BAFTA history.

We all know, of course, that the marvelous, the magnificent “The King’s Speech” will sweep, and it has certainly got Best Picture in the bag. And that goes for its’ young director, too.Tom Hooper.

HOWEVER, if he, the  rising star of British directing stars, doesn’t win here…and David Fincher, for “The Joy of Typing” does…well…then Fincher may very well win the Oscar, too. Fincher’s American. And if they chose an American over a Brit…uh oh…but I think Tom Hooper will win this, the way he won the DGA. AND he’s got Roger Ebert backing him now. And Sasha Stone. AND me…HOW CAN HE LOSE?!?!

Colin Firth is THEE King of Kings. No contest at all in this category. No discussion either.

BUT if Annette Bening upsets as some are expecting that she might, if she upsets in Best Actress and wins OVER Natalie Portman…LOOOOK OUT! She’ll get the Oscar too.

Her late-campaign charging has been noted by all…maybe too little too late. BUT if it’s effective and she WINS! Goodbye “Black Swan” Hello “The Kid’s…” who’ll RRREALLLY be ALL RIGHT!

Now the same thing I sense to be true in the Supporting Categories BOTH of them. If Geoffrey Rush wins here and gives a tremendous speech as we all know he will, he’ll win the Oscar by winning the BAFTA. And if Christian Bale doesn’t win here…he’s done…However, if Bale DOES triumph and doesn’t embarass himself AGAIN, as he is wont to do, then Bale will be unstoppable at the Oscars…

Bale, it may astonish you to know is British. Yes, he is. Welsh. But he apes an American accent and the Brits don’t like that.

Ditto Helena Bonham-Carter for the Queen in “The King’s Speech”. She’s BOUND to win here. Amy Adams is her only also Oscar-nominated competitor here Brit-side. Hailee Steinfeld is nominated for BEST ACTRESS here(she won’t win, but…if she WERE…well that’s a whole ‘another column) and Melissa Leo is not nominated here for “The Fighter.”

Sooo…with the evergrowing momentum of “The King’s Speech” turning into a British Lion’s ROAR!!! I think the BAFTAS will be a “Sweepie” as Oscar Goddess Sasha Stone put it.

One of Sasha’s favorite performances, Judi Dench winning her Oscar for playing Elizabeth I in “Shakespeare in Love.”

All Ways Here Are the Queen’s Way!

Who said that? Oh, Helena Bonham-Carter in “Alice in Wonderland.”

OSCAR gets nearer.Roger Ebert & Sasha Stone predict a “King’s Speech” Sweepie!

The anticipation and excitement are building to a fever pitch. Oscar is coming! Oscar is coming!One if land! Twelve if by sea! Sez who? Sez me!

I have done a TV show on this topic, Oscar predictions for over 20 years, but this year I have this wonderful blog, and so I am choosing to do it in this forum, rather than on TV.

Also, with a TV show you’re locked into the time, your choices are frozen, as it were, to when you actually taped the show. Your predictions are frozen,too, and that’s that. And you always tape ahead, usually WAY ahead of the air date. You always have to allow time, sometimes a LOT of time for the editing process.

But this year the race has been SOOOO fluid. Not locked down at all. So this blog can reflect the daily Oscar race changes. AND DOES!

Ah! But you say, it’s the most locked-down of all!

 Weelllll, two and half weeks ago it was “The Joy of Typing” all the way and now…Well, of course, it’s going to be a “King’s Speech” sweep! Even Roger Ebert agrees with me! And so do Oscar God and Goddess David Karger and Sasha Stone. Dave’s at www.ew.com and Sasha, of course, reigns at www.awardsdaily.com.

Dave,  who I actually met for the first time in Toronto in the sweltering TIFF hallway, waiting to get in to see Geoffrey Rush, Tom Hooper and finally Colin Firth, the King himself, has,  Dave, like myself, been predicting “The King’s Speech” all the ways since September. Anne Thompson, too.

And so, if you haven’t been reading closely, I am OF COURSE, sticking with that Best Picture pic, and Colin, and also predicting a sweep.

Tom Hooper, Roger Ebert now agrees with me, is going to be anointed Best Director. And Sasha Stone although she has always deeply loved “The Joy of Typing” now admits to a King Speech sweep. She’s even coined a new word to define it “Sweepie”. Oh, that Sahsa!

So how much of a sweepie?

Sasha and I and now Roger Ebert, too, think that Geoffrey Rush is going to trounce Christian Bale, and NOW WOULDN’T THAT BE A SURPRISE to most! David Karger still has Christian winning. And oh, let’s throw those colorful charts at Movieline in, too. www.movieline.com.

They have Christian as Numero Uno. And Colin and King’s Speech. But I’m going to go with Geoffrey.

I don’t think “The Fighter” is going to get anything. For reasons I’ve explained in the past few posts. And I’m sure Scott Feinberg www.scottfeinberg.com does not want me to re-iterate them again here.

But Roger going for Rush over Bale? That’s huge! And Roger wasn’t a big TKS fan. He was always with TJOT until it went through some kind of Oscar menopause and The King emerged triumphant.

Dave, Roger and I are all still behind Natalie Portman in Best Actress. Could there be a surprise there? Annette Bening, I mean. Anne Thompson and Sasha think this could happen. I say, look to the BAFTAs on Sundey. If Annette upsets there….WATCH OUT! If it’s not Natalie as usual…

Both Roger and Annette have appeared on my  TV show BTW. As Thelma Adams would say “Full Disclosure.” More about Thelma in a minute…

But what then to make of the tempestuous Best Supporting Actress category? I’m still in the Helena Bonham-Carter camp. The BAFTAS are this Sunday and pay close attention to what happens in THAT category…As well as Best Actress…and Geoffrey Rush is probalby going to win there, too…

BUT, Roger Ebert, David Karger and Movieline all have Hailee Steinfeld as winning!

Should I switch to Hailee (whose performance doesn’t really deserve it) and hale her as a large majority of people, all of them STRAIGHT MEN in the Academy are doing? I don’t know where Sasha is on this.

But if the Sweepie continues…and she wins BAFTA this weekend…I’d say Helena will have a better shot than it seems she may right now. Helena has been wowing the press in L.A. She’s got a great sense of humor. When asked what she’s going to be wearing to the Oscars, she said, “I don’t know, but whatever it will be, will be a diaster!”Lolol…

Harvey Weinstein has handled the King’s Speech campaign majestically. He even had ANOTHER Peggy Siegel party honoring Geoffrey Rush earlier this week. IN NEW YORK! This following Rush’s being honored at the Santa Barbara Film Festival last week. And Jeffrey Wells, who’s been hating on “The King’s Speech” since FOREVER at his www.hollywood-elsewhere.com blog was UPSET that he didn’t get invited! After all those awful things that Jeff has been writing allllll year-long about “The King’s Speech” is he really SURPRISED that he wasn’t invited to this?!? REALLY, Jeff?!?

Meanwhile, the other Geoffrey, Rush, that is,  also opening tonight at BAM in “Diary of a Madman” and will undoubtedly be reigned, er, rained upon with kudos. I may even trek out to Brooklyn myself to see this. Stay tuned. Next week starts the “Rendezvous with French Cinema”  a sort of mini-French Film Festival in NYC(think Cannes withOUT the Rivieria) and I may be tackling that Festival for the first time this year. It’s at Lincoln Center.

And Thelma Adams? She turns out to be in Melissa Leo’s controversial video of her  equally controversial self-bought ad campaign’s photo shoot. And Thelma also turns out to be Melissa’s BFF! Who knew? But she’s written a marvelous, pointed Q&A with her best friend, and Thelma does ask her the hard questions, like –

Thelma(as MC, which is Mari-Claire, the magazine where this story will run): You were the front-runner. Why did you feel it was necessary to do this?

Melissa Leo: I didn’t know I was the front-runner. Nobody said that I was…

Well, d’oh. Melissa you WERE. Everybody that I read everywhere said you were. I guess you just didn’t get the Memo *sigh*

And she goes on www.mariclaire.com to again complain about ageism in Hollywood. And yes, I agree it’s there. In spades. And it shouldn’t be.

But to turn your Oscar campaign head-over-heels and end with, everybody thinks, a 13-year-old winning what should have been YOUR Oscar? Well, the irony is getting a little heavy in here.

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