a.k.a. "The Oscar Messenger"

Posts tagged ‘Hedy La Rue’

So much has happened! So busy! Esp. w/the Drama Desk!

While you may have missed me, dear cineastes, dear readers, dear theater-lovers, there’s a very easy way to catch up with what I’ve been doing.

This busy awards season. No, not the Oscars! Though there already twinkles in Oscar’s eyes whose gaze is directed at Cannes…which is happening right now.

But I’m still here in NYC, having to see literally a play a night, in order to vote this week on my beloved Drama Desk Awards.

So here’s the way to catch up with me, if you don’t see new posts here ~ Go to You Tube!

www.youtube.com/StephenHoltShow

And you’ll see QUITE a batch of Drama Desk nominees, and some of whom, got nominated for a Tony, too!

It all sounds quite perverse and unreasonable, why some are nominated for Drama Desk Awards and then not the Tonys, too. But realize dear readers that these groups are two entirely different groups of people. While there is SOME overlap, mostly they are thinking about different things.

The Tonys threw out almost all of New York’s theater-going press (the revered first night list-ers, the A-list of theater critics and journos) last year, the Drama Desk is ALLLLL press, and supposedly, therefore, more objective.

But there are WTFs?! Like why Tammy Blanchard’s luminous, funny, sexy, moving turn in “How to Succeed…” as the supposedly dumb bimbo(who really isn’t) got a Tony nomination for her dazzling turn as Hedy La Rue, and yet the Drama Desk(DD from here on in) and the Outer Critics Circle ignored her completely. Does that means she doesn’t have the requisite support to win a Tony? No. Not at all.

Her never-having-won a Tony before, and her snagging a Tony nod for the never-before-nominated character of Hedy(there were two other Broadway manifestations of H2S) and her being an Emmy Winner ~ for playing the young Judy Garland, no less, on TV, and her also being a previous Tony nominee for playing the title role in Bernadette Peters’ ill-received Gypsy, AND a Theater World award-winning for that role, too, all give Tammy the sufficient awards gravitas to perhaps get her a win. She’s “due”. She’s a Broadway vet now, and playing the beloved whore -with-a-heart-of-gold character, always a Voter favorite….

Or will she be beaten by the steam-roller that seems to “Book of Mormon” and it’s teenage African virgin, Nabalungi, played so movingly by Nikki M. James(think Anika Noni Rose). That’s her main competition.

In the category of Best Featured Actress in a Musical. It’s Tammy v. Nikki in that race, I’m so sure.

Meanwhile, the NYTimes theater critics think the lovely Laura Benanti will win for her dipsy, daffodil Candela in the long-closed “Women on the Verge of a Nervous Breakdown.” But I think they’re wrong.

You see, dear readers, one thing the Tony Voters take into serious consideration, is a criteria that the Oscar voters don’t have to ~ Is the Show still running? If it isn’t. Like “Breakdown” they are much more likely 90% more likely, I’d say to give it to an actress in a show that’s a success and that’s still running, like “How to Succeed…” and “Book of Mormon.”

Also the beauteous Laura has only recently won a Tony, for playing Gypsy in “Gypsy” opposite Patti LuPone’s Mama Rose, who also won for that category a few seasons back. So in that they ARE like the Oscar Voters. Previous wins will be held against you.

And you can see BOTH Tammy(pts.1 and pts.2) and Nikki on my You Tube channel again ~ www.youtube.com/StephenHoltShow

More theater awards soon! And reviews! And news! I promise!

Stay Tuned for Tammy Blanchard! “How to..”s sexy Hedy La Rue!

Coming soon! On the “Stephen Holt Show”s You Tube Channel www.youtube.com/StephenHoltShow, a brand new interview with “How to…” super sexy Hedy La Rue. Tammy Blanchard, the Emmy-Award winning actress who played Judy Garland so memorably a few years back in one of the best tellings of Judy’s life story thus far. It was a TV movie and Aussie actress Judy Davis played the older Judy, and Tammy Blanchard was the younger Judy.

Daniel Radcliffe Delights Bway! In “How To Succeed…”

Daniel Radcliffe is absolutely a delight and a revelation in the latest revival of Bway vintage musical “How to Succeed in Business Without Really Trying.” He is so successful from his Harry Potter decade of family film franchise stardom that he never has to do anything for the rest of his professional life. Unless he wants to. And he certainly didn’t have to take on the singing and dancing challenge that J. Pierpont Finch represents in “How To…” But he did! And he triumphs!

Surprisingly. When the tiny Radcliffe busts a movie(or rather) move in the “Groundhog” football dance number the teenage girls in the audience (yes! teenage girls in a Bway audience!) started squeeeeealing with delight. That’s just the first act! And by the “Brotherhood of Man” finale number that concludes this rousing revival,the diminutive Radcliffe has utterly proven himself as a bona fide Broadway singing and dancing sensation!

And his “I Believe In You” the famous Men’s Washroom song sung to an invisible mirror — Fawgeddabowit!

 “How To…”, a creaky curio at best, really needs that star power and charisma in the central role that Radcliffe dazzlingly provides, or it really is pretty much a bunch of nothing. And very sexist too boot. Its’ heroine Rosemary’s singing of the delights of “I’ll be happy to keep his dinner warm. Waiting for him to wearily come home from Downtown” as the other girls in the steno pool sing ” Don’t Cinderella! Don’t give up the Prince!” and the glories of the “New Rochelle PTA!”

Feminists in the audience will be cringing. But not so the teenage girls who were SCREAMING their way through one Radcliffe number after the other after the other. They were in Harry Potter cult heaven! I’ve never seen anything like this reaction on Ole Broadway before…It reminded me of what it must have been like when Frank Sinatra sang to the swooning bobby-soxers at the Paramount. Not that I was there, mind you. But I’m just saying…it’s VERY unlike OLDE Broadway to have this much young blood pumping wildy through its’ veins. But why not? It works! In spades!

“How to…” harks back, way back,  to the days when stars were expected to sing seven or eight numbers (at least!) all night long. And dance, too! And Radcliffe does all that to a fare-thee-well.

He has a very nice, serviceable singing voice, too, and an undeniable charm that makes his supposedly Machiavellian rise to the top be be absolutely and utterly believable. His character,  J. Pierpont Finch simply by reading this “How to Succeed in Business Without Really Trying” book rises to the top of the World Wide Wicket Corporation by simply following the book’s simply laid out rules. Unctously read as an off-stage voice by narrator Anderson Cooper. Yes, THAT Anderson Cooper! It seems every body wants in on this successful boy’s new next act. Singing, and dancing and with a perfect American accent, too! I loved it!

This plot strangely mirrors Radcliffe’s charmed life in a marvelous way. The boy is so utterly disarming, as the book says, “without really trying”, he succeeds and succeeds again, as Radcliffe as Harry Potter has done in the decades-long franchise now about to reach its’ cinematic conclusion this summer. It’s been the most financially successful franchise series in cinema history.

 And when the last movie “Harry Potter and the Deathly Hollows, Pt.2” is released and Daniel Radcliffe will  still be singing and dancing his way into America’s hearts in this charming revival which will run and run as long as Radcliffe wants it to be in it.

 With, I’m predicting a “Best Actor in a Musical” Tony Award to boot!

Having seen Radcliffe naked and acting his heart out to the tune of a Drama Desk Award Nomination for Best Actor in a Play for “Equus” couple of seasons back, one knew he had the dramatic chops to sustain this startling career transition to serious stage actor and now morphing even further into a singing and dancing Bway phenom.

Justin Bieber, Look Out!

Daniel Radcliffe is now crooning and swooning in a Big Phat Bway Musical Hit!

I’m beginning to think that Radcliffe can do just about anything! Of course, he is fully supported by one great show tune from the pen of the late great Frank Loesser after the other.

This show won the Pulitzer Prize it was considered so timely, so edgy, when it first came out 50 years ago, but without the spiffy stealth updating by director Rob Ashford and an able supporting cast, including TV Vet John(“Night Court”) Larroquette in the Rudy Vallee part of J. B. Biggley, the boss of World Wide Wickets and the beauteous, ample heaving bosoms of the headiest of  Hedy La Rue’s of Tammy Blanchard, one wonders just how pertinent this dated story could possibly be today. In a post-Enron world, a mild satire of corporate shenanigans could go over like the lead balloon it proved to be when Matthew Broderick and Megan Mullaly (pre-“Will and Grace”) essayed it back in the ’90s. He and it were so boring and she was so grating, I walked out at intermission. But he won a Tony anyway.

But the rise and surprise of Daniel Radcliffe made me stay and stand and applaud! Aren’t we lucky to have him on Broadway delightfully re-inventing this war-horse and his own career at the same time! As far as I’m concerned Broadway has a new star! Daniel Radcliffe! Long may he shine!

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