a.k.a. "The Oscar Messenger"

Posts tagged ‘Harry Potter and the Deathly Hallows’

Harry Potter FINALLY is Oscar-worthy! It’s an Oscar juggernaut! Watch Out!

What a shock to me, a Harry Potter under-whelm-ist, to find myself LOVING “Harry Potter and the Deathly Hollows, Pt.2”! I went to the final All Media Press screening expecting only good air-conditioning. (It was 105 in NYC ).)Imagine my shock and awe to find a magical screen classic that Oscar is gonna love all over the place!

You could hear a pin drop during the serious scenes. I’m not kidding. And grown men crying at the end. OSCAR BINGO!

I saw it in 2D. The Imax-3D screening was all booked out and I’m not a big 3D fan anyway. Those glasses make me sick. But the good Oscar news for “HP7” as it’s being called or HPATDHP2, is that it works JUST FINE in 2D! And that’s the Academy friendly level of perception, let’s face it.

That also means that the STORY is working. HP7 is like Harry Potter On Steroids. The action is WAY ramped out from the Opening Minutes til the end. And also Daniel Radcliffe has really grown as an actor, too, and he’s got to carry this mega-monster and HE DOES! Yes, I’m saying it, even HE could get a Best Actor nomination, teen-ager that he was when he made this a couple of years ago. Those special FX take a long time to sync in. And they are more elaborate and eye-popping than anything I’ve ever seen in this CGI world we all now live in.

And he’s got a great screen villain in Ralph Fiennes’ Voldemort to play off of here. And Fiennes’ his face all but totally obscured by CGI AND massive make-up out-acts or acts OVER the face mask to perhaps give what is the best performance in the film and very likely get an another Oscar nomination for Best Supporting Actor. He’s so genuinely scary that he recalls his Nazi Concentration Camp commandant in “Schindler’s List.”

THAT was his break-out role and I always thought he played BAD very powerfully, and he does so here, too.

It’s funny that he may be up against the sweet’n’sour turn of Christopher Plummer in “Beginners” but that’s what may shape up as The Race.

And Costume Design, Cinematography, Special Effects, Film Editing,  Sound Editing, Art Direction, it’s gonna score in all the below-the-line categories, as they are called here Stateside. The Brits call them The Technicals.

And what a roll call of British acting talent is on display in even the SMALLEST of supporting role. Main among them, Dame Maggie Smith as Professor McGonagle (sp?) and the aforementioned fabulous Fiennes, Julie Walters, David Thewlis, John Hurt, Michael Gambon, Alan Rickman, Ciaran Hinds~ the list goes on and on.

I think the SURPRISE of its’ finally being as good as it should be is in its’ Oscar favor, too. Plus its the final adventure in the most successful film franchise of all time. And it’s beloved by the masses, who have taught their children to read by reading them the books until they were all on their way to college, where I’m sure Harry fans continued to read them.

My only disappointment was that once again the brilliant Helena Bonham-Carter had next to nothing to do. She’s got even less time as the Witch of Witches, Bellatrix La Strange than see did in the super-boring “Deathly Hollows, Part 1”.

I was not a Harry/Hogwarts fan, but “Harry Potter and the Deathly Hollows, Pt.2” is a grand entertainment in the old-fashioned Hollywood style, believe it or not. And yes, there’s a war in it, too. As there was in that other fantasy franchise that Oscar FINALLY embraced in its’ final installment, “Lord of the Rings:Return of the King.” So there’s a precedent for this one.

But ALLLLL the LOTRs installments were uniformly excellent, but Harry only got to hit a home run with this one. It’s an Oscar juggernaut in the Grand Manner. I kept being reminded of “Gone With the Wind” and we all know how many Oscars THAT won!

Go Harry!

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Daniel Radcliffe Delights Bway! In “How To Succeed…”

Daniel Radcliffe is absolutely a delight and a revelation in the latest revival of Bway vintage musical “How to Succeed in Business Without Really Trying.” He is so successful from his Harry Potter decade of family film franchise stardom that he never has to do anything for the rest of his professional life. Unless he wants to. And he certainly didn’t have to take on the singing and dancing challenge that J. Pierpont Finch represents in “How To…” But he did! And he triumphs!

Surprisingly. When the tiny Radcliffe busts a movie(or rather) move in the “Groundhog” football dance number the teenage girls in the audience (yes! teenage girls in a Bway audience!) started squeeeeealing with delight. That’s just the first act! And by the “Brotherhood of Man” finale number that concludes this rousing revival,the diminutive Radcliffe has utterly proven himself as a bona fide Broadway singing and dancing sensation!

And his “I Believe In You” the famous Men’s Washroom song sung to an invisible mirror — Fawgeddabowit!

 “How To…”, a creaky curio at best, really needs that star power and charisma in the central role that Radcliffe dazzlingly provides, or it really is pretty much a bunch of nothing. And very sexist too boot. Its’ heroine Rosemary’s singing of the delights of “I’ll be happy to keep his dinner warm. Waiting for him to wearily come home from Downtown” as the other girls in the steno pool sing ” Don’t Cinderella! Don’t give up the Prince!” and the glories of the “New Rochelle PTA!”

Feminists in the audience will be cringing. But not so the teenage girls who were SCREAMING their way through one Radcliffe number after the other after the other. They were in Harry Potter cult heaven! I’ve never seen anything like this reaction on Ole Broadway before…It reminded me of what it must have been like when Frank Sinatra sang to the swooning bobby-soxers at the Paramount. Not that I was there, mind you. But I’m just saying…it’s VERY unlike OLDE Broadway to have this much young blood pumping wildy through its’ veins. But why not? It works! In spades!

“How to…” harks back, way back,  to the days when stars were expected to sing seven or eight numbers (at least!) all night long. And dance, too! And Radcliffe does all that to a fare-thee-well.

He has a very nice, serviceable singing voice, too, and an undeniable charm that makes his supposedly Machiavellian rise to the top be be absolutely and utterly believable. His character,  J. Pierpont Finch simply by reading this “How to Succeed in Business Without Really Trying” book rises to the top of the World Wide Wicket Corporation by simply following the book’s simply laid out rules. Unctously read as an off-stage voice by narrator Anderson Cooper. Yes, THAT Anderson Cooper! It seems every body wants in on this successful boy’s new next act. Singing, and dancing and with a perfect American accent, too! I loved it!

This plot strangely mirrors Radcliffe’s charmed life in a marvelous way. The boy is so utterly disarming, as the book says, “without really trying”, he succeeds and succeeds again, as Radcliffe as Harry Potter has done in the decades-long franchise now about to reach its’ cinematic conclusion this summer. It’s been the most financially successful franchise series in cinema history.

 And when the last movie “Harry Potter and the Deathly Hollows, Pt.2” is released and Daniel Radcliffe will  still be singing and dancing his way into America’s hearts in this charming revival which will run and run as long as Radcliffe wants it to be in it.

 With, I’m predicting a “Best Actor in a Musical” Tony Award to boot!

Having seen Radcliffe naked and acting his heart out to the tune of a Drama Desk Award Nomination for Best Actor in a Play for “Equus” couple of seasons back, one knew he had the dramatic chops to sustain this startling career transition to serious stage actor and now morphing even further into a singing and dancing Bway phenom.

Justin Bieber, Look Out!

Daniel Radcliffe is now crooning and swooning in a Big Phat Bway Musical Hit!

I’m beginning to think that Radcliffe can do just about anything! Of course, he is fully supported by one great show tune from the pen of the late great Frank Loesser after the other.

This show won the Pulitzer Prize it was considered so timely, so edgy, when it first came out 50 years ago, but without the spiffy stealth updating by director Rob Ashford and an able supporting cast, including TV Vet John(“Night Court”) Larroquette in the Rudy Vallee part of J. B. Biggley, the boss of World Wide Wickets and the beauteous, ample heaving bosoms of the headiest of  Hedy La Rue’s of Tammy Blanchard, one wonders just how pertinent this dated story could possibly be today. In a post-Enron world, a mild satire of corporate shenanigans could go over like the lead balloon it proved to be when Matthew Broderick and Megan Mullaly (pre-“Will and Grace”) essayed it back in the ’90s. He and it were so boring and she was so grating, I walked out at intermission. But he won a Tony anyway.

But the rise and surprise of Daniel Radcliffe made me stay and stand and applaud! Aren’t we lucky to have him on Broadway delightfully re-inventing this war-horse and his own career at the same time! As far as I’m concerned Broadway has a new star! Daniel Radcliffe! Long may he shine!

“King’s Speech” Breaking Box-Office records!

I’m oh so happy to report that the brilliant, moving, unforgettable “King’s Speech” is breaking box-office records this holiday weekend in VERY limited release. Check out just how much, where et alia at www.indiewire.com The inimitable Scott Feinberg also talks about this and many other fabulous things at www.ScottFeinberg.com

He used to call it com.www.And the Winners Is…com

And he’s got an actual Academy member to write about everything Awardsworthy under the name of Deep Voice. It’s a member of the Writer’s Branch and is he cantakerous! But interesting. He thinks for example that “The Kids Are All Right” has got no nominations in its’ future, just Mark Ruffalo!(?!) And I agree that “The Social Network” doesn’t “make you care. It doesn’t move me.” But that nevertheless he’d nominate Justin Timberlake as Best Supporting Actor. That’s TWO nominations in that category, gone, from this guy, who can’t even vote for the Actors UNTIL they are nominated by the Actor’s Branch, come nomination announcing day. He can however nominate WRITERS in the two categories that the Academy has, Best Original Screenplay and Best Adapted Screenplay. EVERYone in all the Branches gets to nominate the Ten Best Pictures… but I digress…

Also this the coming Awards Avalanche week. Tomorrow night is the Gothams, where, probably “A Winter’s Bone” is going to clean up, and then later this week, on Thursday, the National Board of Review is set to announce its’ winners.

Update: It did. It got Best Feature and Best Ensemble, but no Jennifer Lawrence as Breakout Performer, which she was nominated for, but didn’t win. Does this help the film get into the Year’s Ten Best at the Oscars? Hmmm..(Sound of Oscar…thinking…) Hmmm….

The National Board of Review are a New York-based awards-giving group that has a LARGE portion of females in their membership, a rarity in this male-dominated business, believe it or not, and also many, many gay members. More so than most groups.

And judging by that, I’d say “The King’s Speech” is going to sweep. It’ll get Best Picture from them, and Colin Firth will win the first, but not the last of his many, many, much deserved awards that are going to be coming at him like, well, gangbusters. Mixed metaphor? But hey that’s what I do!

Helena Bonham-Carter should also score here where they consider a year’s work not just one performance like the Academy. So HBC should qualify for not just her shy, sly Queen Elizabeth in “The King’s Speech”, but also her mad Red Queen in “Alice in Wonderful” and her 15 min.(or less) turn as Bellatrix La Strange, the witchiest witch who witch there was more of in the latest “Harry Potter.” Now playing…

Best Supporting Actor…I think they are also going to go for Geoffrey Rush, here. And maybe also for Best Director, Tom Hooper. If they go for Hooper over David Fincher(who’s shooting the Milennium Trilogy in Sweden, and may not get back for the ceremonies in Jan. You wouldn’t think this would count against him, but the NBR wants all its’ winners present and accounted for. Yes, they do.)

Best Actress may very well be Natalie Portman, starting her awards march. She, along with Firth, well, the two of them are going to be seeing A LOT of each other as the awards season rolls out like a juggernaut over all our Oscar-filled lives…

Breakthrough Performance by an Actor could be the only award that “The Social Network” wins….Will they give it to New York native Jesse Irritatingberg? They like Native New Yorkers. So that’s what Natalie Portman, from Long Island, has going for her, too.

Or it could be someone else from “The Social Network” Even Justin Timberlake could score here.

I’d be very surprised if Jennifer Lawrence (who totally doesn’t deserve it) will find her week bracketed by awards. First from the Gothams on Monday as Best Breakthrough then by the NBR later this week. She’s got that blonde teenage mojo working…Whether I like it or not…And I don’t…

Update: She didn’t win the BreakOut/Breakthrough category tonight at the Gothams…and with all this hype, she certainly SHOULD have…but the NBR may fall for it…

Best Adapted Screenplay would be the first Aaron Sorkin win and start his line dance to the Podium at the Kodak.

And now they’ve just announced that Anne Hathaway and James Franco are gonna c0-host the Oscars!?!?! Sounds like a big mistake. Also this may eliminate BOTH of them from the race.

Personally, I LOVED “Love and Other Drugs” but it’s a zesty, sexy Rom Com, with a dash of Parksinson’s Disease thrown in…as an Oscar grabber… for Annie, which I don’t think it’s going to be. Rom Com’s almost NEVER rank with the Academy, especially in this crowded year for females!

And can Annie and Jimmy pull off hosting duties? I’m of the mind that yes, SHE can. Annie can do anything. Great inner resources as a performer. Comes from growing up with Mom as a actress and a gay brother. Talk about Drama!

But James is soooo laid back…I keep thinking of him in “Pineapple Express…

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