a.k.a. "The Oscar Messenger"

Posts tagged ‘Gertrude Stein’

Oscar Gets “Amour”

Well, this certainly is news! Austria has decided that “Amour” is going to be its’ official submission to the Best Foreign Film race this coming Oscar season. Since it’s by a German director, who I LOVE, Michael Haneke, and maybe it’s German-Austrian financed although the two octogenarian leads,  who are winning raves, act in French, this makes “Amour” kosher. And definitely eligible for a Best Foreign Film nomination and perhaps win.

This is despite Jeffrey Wells at www.hollywood-elsewhere.com not liking a whole hell of a lot.

And to top that off Sony Pictures Classics is deciding to open it in Dec. RIGHT in the heat of the Oscar season. I know, I know. It’s freezing in New York at that time of year, and this is hardly your Christmas-y picture. But SPC, as I’ll now call them, are throwing down the Oscar gauntlet(is that a mixed metaphor?) going full court press with this one.

Although Michael Haneke only gives interviews in German, and the two stars are yes-for-real are in their 80s. But have Oscar buzz will travel. So we’ll be seeing them, Jean-Louis Trintignant and Emmanuelle Riva stateside around the holidays. Or at least I will be seeing them, I hope, in their press tour.

I love SPC’s taste in movies. Last year,  they had “Midnight in Paris” and while it got a bunch of nominations in many categories and won in Best Original Screenplay, they did not move any of the many wonderful performers in that movie from the sidelines to center stage. Like for instance, Corey Stoll as Hemingway, Marion Cotillard as the Muse of many centuries and Kathy Bates as Gertrude Stein. Not to mention Owen Wilson’s, astonishing lead performance and Rachel McAdams as his blonde bitch of a fiancée.

Although Owen did get a Golden Globe nomination in the Musical or Comedy category, he lost out to Jean Dujardin for “The Artist.” And who could’ve stopped THAT express train once it left the station???

I can’t stand Wes Anderson movies, so I only go to them, if dragged so I haven’t seen “Moonrise Kingdom” yet. But I guess I’ll have to at some point. I hate when straight men try to do camp. Which is basically what his great “Style” is. Stolen from the Homosexual Handbook. I ought to know. I helped write it back in The Day.

And tomorrow I’m actually going to see “Beasts of the Southern Wild.”  I’ll let you know if I think all the who-ha at Sundance and Cannes was justified.

I see “Midnight in Paris” for the SIXTH time!!!

I can’t help myself! I can’t believe it! I never see movies more than once, usually, but SIX times! This amounts to an obsession. But a lovely one.

“Midnight in Paris” is so entrancing, so enthralling I keep going back to see it again and again and again. And again and again and again.

Why am I doing this???

As I bought my ticket yet again(also something I NEVER do, being a film critic, if I don’t see it at a press screening, I usually don’t catch up with it til it’s on DVD) and I was a little late, and I told the woman that that was Ok, because I’d already seen the movie five times. And she said “Is it THAT good?” Absolutely astonished.

Yes, it’s THAT good.

It’s also just not me who’s seeing it in this monumental terms. People all over the world and flocking, making it on track to be Woody Allen’s greatest grossing movie of all time, but also, perhaps, too, SONY PICTURES CLASSICS greatest grossing movie of all time.

And the Academy is certainly going to take notice of this, as I’ve said before.

Could it win Best Picture for Woody? Who hasn’t had a Best Picture win since “Annie Hall” way back in the deep, dark ’70s….

Could the Woodman score again?

With these numbers(and yes, I admit to driving them up, but if I’m going back to see it again and again, others must be, too) With this immense popularity(it’s playing in theaters a Woody Allen film has never played in. EVAH!) Oscar can’t really ignore it.

But more pertinently, what may it be up against in the final show down in November/December?

There’s Stephen Spielberg’s upcoming movie version of the Tony winning Best Play “War Horse” and there’s also David Fincher’s remake of the Swedish movie, a classic to some(me included) “The Girl With the Dragon Tattoo.”

I think Woody’s feel good “Midnight” might actually beat these two, if it keeps going the way it’s going. And yes, it is STILL going.

“Crouching Tiger, Hidden Dragon” was the other top grosser that Sony Pictures Classics has that “Midnight in Paris” has to unseat and it looks like it’s going to.

CTHD got nominated for Best Picture, too, that year, but didn’t win.

Frankly, it’s charms eluded me. I’m not that into Kung Fu, or whatever it was they were doing in that movie.

Though I liked the first Kung Fu Panda.

But “Midnight in Paris” is a delightful film. Delight. A very, very rare commodity these days. And charming. And well, even exceptionally acted.

Sony Pictures is going to do an Oscar campaign for leading actor Owen Wilson, and he just may score a nomination. Yes,even for a comedy. He shows Cary Grant-like chops in this movie. Sublime comic timing, and a character every one in the West Coast dominated Academy can relate to, a surfer dude-like sell-out.

Leading men who can carry a spritely comedy like this and pull it off so delightfully(there’s that word again) are rare, rare, rare in H’wood these days.

He’s made many,many movies. Has a multi-billion dollar franchise at Number One right now. “Cars Two” (and no, I’m not rushing to see it). So he’s everywhere this year.

But back to repeat showings. Rachel MacAdams’ family and she herself become more and more genuinely loathsome upon repeat viewings. And Marion Cotillard grows in beauty each time.

At one point, I think it’s the great Kathy Bates as Gertrude Stein, who says in one of the pivotal scenes in the film, “She has one of the great faces” and she does.

Bates’ Stein is berating Picasso, who has painted a ridiculous abstract portrait of Adriana, Marion’s character, and says he has not grasped the essence of her beauty. She says in French that it is “plus subtle” and Picasso has made her look like “a whore in the Place Pigalle.”

Seeing “Midnight in Paris” so many times means it becomes like seeing an old friend. It’s comforting. It makes you happy, as good friends ought to do. And also a continued inspiration.

I just love it to pieces and I bet the Academy is going to, too.

“Midnight in Paris” FOUR Times now!

Dear Cineastes, dear readers, dear theatrelovers of literature, yes, it’s true, I’ve seen “Midnight in Paris” four times now! And I’m cautiously looking forward to a fifth! As a film critic, I NEVER see movies more than once, especially movies that I’ve liked and this one, actually, loved. “Midnight in Paris” is a runaway hit at the box-office and it has run-away with my heart *sigh*

Will it prevail at the Oscars? Well, one indication, besides the ENORMOUS box-office it is now doing is that my webmistress Oscar Goddess Sasha Stone over at the only-place-to-be-on-the-Internet www.awardsdaily.com has put “Midnight in Paris” up on her awards tracker in the Best Picture category, as well as Best Director and Best Original Screenplay categories! This is serious, but of course, wonderful!

Why is this significant, at this early a stage, you may well ask?

Well, initially Sasha, who was famously, marvelously in Cannes for the second year in a row, this time with her daughter Emma (NOT the actress Emma Stone of “Easy A”) saw many, many films there and was more impressed with many of those other films to the extent that she wasn’t writing much about “Midnight in Paris.” But NOW SHE IS!?! Just like I am!

So her latest post which is as lovely and evocative as the picture itself, is now up, where in she posts a podcast of an extended interview Woody himself gave to Scott Foundas, David Edelstein & co. She accompanies this marvelous chat with a very forthcoming Woody, with a gallery of stunning stills from the film.

I so tech-tarded I have not yet learned how to bring those lovely pictures here. But they are so beautiful, this may motivate me to finally figure out how to do it.

Each time you see a movie that you’ve previously seen is pretty much a different experience.

And when you see “Midnight in Paris” with an audience that gets the jokes, the references, it’s just heaven. But if they don’t and they don’t laugh, then it’s another experience entirely.

One late night showing, they didn’t laugh at THOSE jokes, but they did laugh at other spots. Like for instance the future in-laws, the Tea Party Republicans, and Inez (Rachel McAdams) and the relationship jokes, THAT they got. Mimi Kennedy, as the prospective mother-in-law is particularly hilarious as she keeps looking Owen Wilson’s character right in the eye and dead-panning some of the films funniest lines, like “Cheap is cheap.”

But check out that podcast at Sasha’s. Particularly interesting is his description of Owen Wilson, his lead this time, and he goes on and on and on about him. Oscar hopes for a Best Actor nom? He treats him like he’s one of the great screen actors around today. And in Woody’s hands in “Midnight in Paris” He is.

He also mentions “the young actor who plays Hemingway” But doesn’t name him. But all you dear cineastes who keep reading this blog, even though I STILL don’t have pictures of the movies to go with it, know that Hemingway, who is clearly a stand-out in the Supporting cast, is Corey Stoll. An NYU Grad acting grad.

And Woody refers to him as “very charming” even though he thought basically that Hemingway was a “boor, a bully” and a general all around awful person.

Strangely he doesn’t mention ANY of the magnificent actresses in “Midnight in Paris” which is really odd, though he does mention the character of Zelda Fitzgerald, but again, not the actress, Allison Pill, who plays her so beautifully.

“I don’t know if she was as crazy as I made her moment to moment,” he says. He also notes that he was writing about the popular perceptions of these characters rather than anything like researched materials. It seems he’s done none of that. It’s all his emotional response to movies about Paris which as he describes it is “The City of Love.” But doesn’t name which movies inspired him, although “An American in Paris” is obviously a major influence. Oh wait a minute! No. He DOES mention “Gigi” and the era of La Belle Epoque. And how these were times “You would not want to have a burst appendix and go SLOWLY to the hospital in a horse-drawn carriage!” And they all laugh. Woody can’t help being funny, even when he’s deadly serious.

Seeing it so many times, you start to notice the rich, rich detail of the superb art direction of Annie Seibold. Like in Gertrude Stein’s(Cathy Bates, another Oscar slam-dunk for a nod, I think, and even a possible winner. In Harvey Weinstein’s hands, she would FOR SURE be nominated a win!) In Gertrude Stein’s famous salon, there ARE those famous Picassos on the wall behind her, including his portrait of her.

And Alice B. Toklas? Well, she opens the door to Hemingway, who brings Gil(Owen Wilson) to Stein’s salon for the first time and Hemingway exclaims heartily “ALICE!”

Then Alice disappears from view, played by an unknown French actress, she doesn’t have any more lines, but she is seen with someone of indeterminate gender knitting in the background of another room, as Bates’ Stein intones one of the great speeches in the film about art.

I could go on and on and on. And I probably will. It’s a long way to the Oscars, but “Midnight in Paris” is going there. Just ask Sasha.

Woody hasn’t had a Best Picture nomination since the ’70’s and “Hannah and Her Sisters” which garnered many nominations but landed a double win in the Supporting Categories for Dianne Wiest and Michael Caine!

Corey Stoll you better get your tux ready and Cathy Bates, your gown, madame! I know you already have an Oscar for Best Actress for playing the pyschos of pyschos in Stephen King’s “Misery” but get ready, milady, you may be going to do it again!

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