a.k.a. "The Oscar Messenger"

Posts tagged ‘French Revolution’

Oscar Audience Applauds, Cries & Cheers for “Les Miz”!

Ok. It’s my SECOND time seeing the masterpiece of masterpieces that is “Les Miserables.” I was soooo overwhelmed the first time I saw it, I couldn’t write anything about it, but now on my SECOND viewing more than a week later, I’m able to pull myself together and focus enough to tell you, yes, it’s THAT good! It’s my Best Film Of the Year! Maybe one of the Best Films Ever Made! Certainly the Best Movie Musical Ever Made!

My hero, Tom Hooper, has once again done the impossible! He’s topped his Oscar-winning “The King’s Speech” with an even more moving movie movie! Astonishing, but true! “Les Miserables” is a rapture.

“Les Miz” is what a great movie should be. Rousing, enthralling, epic, unbelievably effecting. And the cast! AND THE MUSIC! Song after song after unforgettably classic song! I never wanted it to end!

I’ve always LOVED Hugh Jackman, but after seeing his heart-breaking, grounding-breaking achievement as Jean Valjean, I admire him deeply as an artist. And a singing one at that. With a voice I’ve never heard him use before, especially in the upper registers of “Bring Him Home” which has high notes that not many male singers can hit.

“Bring Him Home” got applause. Anne Hathaway’s heart-rending “I Dreamed a Dream” got applause and she just got nominated today for a Golden Globe Award, as did Hugh Jackman. They also doubled that in the SAG award nominations and tripled it in the Broadcast Film Critics earlier this week. If they three-peat, than an Oscar nom is probably certain, too.

But back to tonight’s audience. They applauded Anne’s ” I Dreamed a Dream,” then “One Day More,” then “Bring Him Home,” then Eddie Redmayne’s “Empty Chairs and Empty Tables”. Interestingly they didn’t applaud at the end of “On My Own.” Maybe all that rain that newcomer Samantha Barks as Eponine has to sing in THROUGH THE ENTIRE SONG, was just too much. It was for me. And then at the end in her penultimate moment on the barricades, she is also suddenly inexplicably rain-dappled. When everyone else is dry.Did director Hooper feel she NEEDED All.That.Rain.? IDK.

But why find fault when there is soooo much wonderfulness to be recommended?

I Loved It! I Loved It! I LOVED IT!

It’s just relentless as it builds to the climax, which is shattering beyond belief. The academy audience, mixed with press, that I saw it with, applauded Tom Hooper’s name when it came up on the credits. And also Hugh Jackman. The applause sustained through Russell Crowe’s name, then erupted in cheers when Anne Hathaway’s name appeared. Died down again until Eddie Redmayne’s name appeared, when there again were cheers. And at the end bravos as the audience was standing. I’ve never seen such an ecstatic reception of a movie IN MY LIFE! How can it not win Best Picture?

When does this happen? NEVER! Not at the movies. It was like they were all on Broadway watching the best show ever. There is a moment as it ends, where the audience is literally crying en masse during the last number. I’m not exaggerating. And I was crying too.

I was crying MORE the first time I saw it.I never cried so much at a movie in all my life, and I kept crying until the end, but the second time, I started crying, too. When Enjolras(a tremendous Aaron Tveit) is singing “Red, the blood of angry men, Black, the dark of ages past….” .

It was all such a glorious surprise the first time.I left in a state of absolute wonder. Utter cinematic euphoria. A dream was coming true.

And the Dream Lives, as the ad says, this Christmas.

Video

Is Diane Kruger saying “Hello” to Oscar as She Kills in “Farewell, My Queen”?

German actress Diane Kruger absolutely KILLS as the doomed Monarch in “Farewell, My Queen” the hot new LESBIAN re-thinking of Marie Antoinette’s final days as the French revolution was about to engulf her. Here’s a wonderful interview with Diane and I hope that although she’s acting in French, the Academy will consider her for a nomination for Best Actress(she’s playing the title role, after all) or Supporting, since her handmaiden Lea Seydoux is really the central character of the film Seydoux, the gamine whom Owen Wilson ends up with at the end of “Midnight in Paris” also shines, but it is Kruger who speaks perfect English with an American accent yet. And whom the Academy is familiar with.

I think Best Actress is a wide-open category at this point. If the French get the ball rolling and choose it as their Best Foreign language selection, it could very well get a slew of nominations. For sure, Best Costumes. And Diane is the one who is most familiar to the Academy since she ALMOST got nominated for “Inglorious Basterds” playing a glamourous German actress/spy. She had the misfortune of splitting that film’s Supporting Actress vote with Melanie Laurent, who was also breaking out in that film as Shoshanna, the Jewish freedom fighter. Will she? Won’t she? We shall see…

In any case, it’s the perfect antidote to the summer overload of ComicBookBlockbusterSuperHero movies. I can barely tell them apart. I thought “The Avengers” was just plain BAD, and was sorry I coughed up the dough to see it. I felt robbed. And THAT crap makes $600 milllion?

But “Farewell, My Queen” is the only really wonderful Oscar-y movie that’s Opening in this Summer of Hell, where the temperatures in New York are hitting 100 degrees Every. Single. Day.

Tag Cloud

%d bloggers like this: