Dear Cineastes, dear readers, dear theatrelovers of literature, yes, it’s true, I’ve seen “Midnight in Paris” four times now! And I’m cautiously looking forward to a fifth! As a film critic, I NEVER see movies more than once, especially movies that I’ve liked and this one, actually, loved. “Midnight in Paris” is a runaway hit at the box-office and it has run-away with my heart *sigh*
Will it prevail at the Oscars? Well, one indication, besides the ENORMOUS box-office it is now doing is that my webmistress Oscar Goddess Sasha Stone over at the only-place-to-be-on-the-Internet www.awardsdaily.com has put “Midnight in Paris” up on her awards tracker in the Best Picture category, as well as Best Director and Best Original Screenplay categories! This is serious, but of course, wonderful!
Why is this significant, at this early a stage, you may well ask?
Well, initially Sasha, who was famously, marvelously in Cannes for the second year in a row, this time with her daughter Emma (NOT the actress Emma Stone of “Easy A”) saw many, many films there and was more impressed with many of those other films to the extent that she wasn’t writing much about “Midnight in Paris.” But NOW SHE IS!?! Just like I am!
So her latest post which is as lovely and evocative as the picture itself, is now up, where in she posts a podcast of an extended interview Woody himself gave to Scott Foundas, David Edelstein & co. She accompanies this marvelous chat with a very forthcoming Woody, with a gallery of stunning stills from the film.
I so tech-tarded I have not yet learned how to bring those lovely pictures here. But they are so beautiful, this may motivate me to finally figure out how to do it.
Each time you see a movie that you’ve previously seen is pretty much a different experience.
And when you see “Midnight in Paris” with an audience that gets the jokes, the references, it’s just heaven. But if they don’t and they don’t laugh, then it’s another experience entirely.
One late night showing, they didn’t laugh at THOSE jokes, but they did laugh at other spots. Like for instance the future in-laws, the Tea Party Republicans, and Inez (Rachel McAdams) and the relationship jokes, THAT they got. Mimi Kennedy, as the prospective mother-in-law is particularly hilarious as she keeps looking Owen Wilson’s character right in the eye and dead-panning some of the films funniest lines, like “Cheap is cheap.”
But check out that podcast at Sasha’s. Particularly interesting is his description of Owen Wilson, his lead this time, and he goes on and on and on about him. Oscar hopes for a Best Actor nom? He treats him like he’s one of the great screen actors around today. And in Woody’s hands in “Midnight in Paris” He is.
He also mentions “the young actor who plays Hemingway” But doesn’t name him. But all you dear cineastes who keep reading this blog, even though I STILL don’t have pictures of the movies to go with it, know that Hemingway, who is clearly a stand-out in the Supporting cast, is Corey Stoll. An NYU Grad acting grad.
And Woody refers to him as “very charming” even though he thought basically that Hemingway was a “boor, a bully” and a general all around awful person.
Strangely he doesn’t mention ANY of the magnificent actresses in “Midnight in Paris” which is really odd, though he does mention the character of Zelda Fitzgerald, but again, not the actress, Allison Pill, who plays her so beautifully.
“I don’t know if she was as crazy as I made her moment to moment,” he says. He also notes that he was writing about the popular perceptions of these characters rather than anything like researched materials. It seems he’s done none of that. It’s all his emotional response to movies about Paris which as he describes it is “The City of Love.” But doesn’t name which movies inspired him, although “An American in Paris” is obviously a major influence. Oh wait a minute! No. He DOES mention “Gigi” and the era of La Belle Epoque. And how these were times “You would not want to have a burst appendix and go SLOWLY to the hospital in a horse-drawn carriage!” And they all laugh. Woody can’t help being funny, even when he’s deadly serious.
Seeing it so many times, you start to notice the rich, rich detail of the superb art direction of Annie Seibold. Like in Gertrude Stein’s(Cathy Bates, another Oscar slam-dunk for a nod, I think, and even a possible winner. In Harvey Weinstein’s hands, she would FOR SURE be nominated a win!) In Gertrude Stein’s famous salon, there ARE those famous Picassos on the wall behind her, including his portrait of her.
And Alice B. Toklas? Well, she opens the door to Hemingway, who brings Gil(Owen Wilson) to Stein’s salon for the first time and Hemingway exclaims heartily “ALICE!”
Then Alice disappears from view, played by an unknown French actress, she doesn’t have any more lines, but she is seen with someone of indeterminate gender knitting in the background of another room, as Bates’ Stein intones one of the great speeches in the film about art.
I could go on and on and on. And I probably will. It’s a long way to the Oscars, but “Midnight in Paris” is going there. Just ask Sasha.
Woody hasn’t had a Best Picture nomination since the ’70’s and “Hannah and Her Sisters” which garnered many nominations but landed a double win in the Supporting Categories for Dianne Wiest and Michael Caine!
Corey Stoll you better get your tux ready and Cathy Bates, your gown, madame! I know you already have an Oscar for Best Actress for playing the pyschos of pyschos in Stephen King’s “Misery” but get ready, milady, you may be going to do it again!