a.k.a. "The Oscar Messenger"

Posts tagged ‘Finding Neverland’

“Finding Neverland” on GMA Thanksgiving Morning

MMorisson 1MMorisson 1“ F I N D I N G   N E V E R L A N D ”

TO PERFORM ON ABC’S “GOOD MORNING AMERICA”

ON THANKSGIVING MORNING

 

STAR LAURA MICHELLE KELLY AND COMPOSER GARY BARLOW

KICK OFF MULTI-PART “GMA” SERIES

FOLLOWING THE BROADWAY-BOUND MUSICAL

UP TO OPENING NIGHT

 

TICKETS ON SALE TO THE GENERAL PUBIC TODAY!

New York (November 24, 2014) – Producer Harvey Weinstein announced this morning that ABC’s “Good Morning America” will host a special, behind-the-scenes musical performance from his Broadway-bound musical, Finding Neverland,  on Thanksgiving morning, at approximately 8:30 a.m.  The performance will kick-off a multi-part “GMA” series that will follow the highly anticipated musical to its Opening Night on Broadway next spring.  As previously announced, Finding Neverland, starring Matthew Morrison, Kelsey Grammer, Laura Michelle Kelly, and Carolee Carmello, will begin previews on Sunday, March 15, 2015 at Broadway’s Lunt-Fontanne Theatre (205 West 46th Street), and will open on Wednesday, April 15.

 

Finding Neverland co-star and Olivier Award-winning actress, Laura Michelle Kelly, and the show’s composer and multi-platinum, multi-award-winning singer/songwriter, Gary Barlow, will perform a selection from the musical on the top-rated national morning television show live from Times Square.

 

Mr. Weinstein commented, “We are excited to be bringing a taste of this magical musical to homes on Thanksgiving morning, and we look forward to sharing more from the show with ‘GMA’ audiences as we get ready for our Broadway opening.”

 

Matthew Morrison to Return to Broadway!

Matthew Morrison 1

TONY®, EMMY®, AND GOLDEN GLOBE® AWARD NOMINEE

MATTHEW MORRISON

WILL RETURN TO BROADWAY

TO STAR IN

“FINDING NEVERLAND”

PREVIEWS BEGIN

SUNDAY, MARCH 15, 2015

AT BROADWAY’S LUNT-FONTANNE THEATRE

OPENING NOW SET FOR WEDNESDAY, APRIL 15

New York– Producer Harvey Weinstein announced today that Tony®, Emmy®, and two-time Golden Globe® Award Nominee Matthew Morrison will return to Broadway to star in Finding Neverland as J.M. Barrie. Morrison created the role of Barrie in early workshops of the Broadway-bound musical. Finding Neverland will begin previews on Sunday, March 15, 2015 at Broadway’s Lunt-Fontanne Theatre (205 West 46th Street), and will now open on Wednesday, April 15.

“We couldn’t be more thrilled to see Matthew returning to his Broadway roots and back to the role he created in our workshop,” Mr. Weinstein said.

Mr. Morrison has previously starred on Broadway in Hairspray, South Pacific, and The Light in the Piazza (for which he was nominated for a 2005 Tony® Award). He is known to television audiences for his Emmy® and Golden Globe® nominated role as Will Schuester on the hit Fox show, “Glee.” Morrison has also released two studio albums since 2011, with the most recent being Where It All Began – a collection of standards, many first made famous in Broadway musicals.

Based on the Miramax motion picture by David Magee and the play The Man Who Was Peter Pan by Allan Knee, Finding Neverland follows the relationship between playwright J. M. Barrie and the family that inspired Peter Pan, or The Boy Who Wouldn’t Grow Up – one of the most beloved stories of all time.

Directed by Tony Award®-winner Diane Paulus (Pippin) with book by Olivier Award®-nominee James Graham, music and lyrics by U.K. pop sensation Gary Barlow (Take That) and Grammy Award®-winner Eliot Kennedy, choreography by Emmy Award®-winner Mia Michaels (So You Think You Can Dance), this new musical explores the power of imagination to open up new worlds, and the pressures put upon those worlds by the inevitability of growing up.

In its sold-out, world-premiere engagement at the American Repertory Theater (A.R.T.) at Harvard University, Finding Neverland played a total of 75 performances at the Loeb Drama Center on – all of which played to capacity crowds, making it the highest attended and highest grossing production in A.R.T.’s 34-year history.

Additional casting information will be announced shortly.

“Oscar Race” EW Cover w/Clooney & Viola Davis. Controversial? Accurate? Embarrassing?

I really wonder if the venerable Entertainment Weekly has jumped the shark this week with its’ “Inside the Oscar Race” cover prematurely, I think, showing George Clooney in a tux (nothing new), but at his side,, resplendent in a white ball gown, is Viola Davis! THIS is new! And the cover states “Front-runners George Clooney (The Descendants) and Viola Davis (The Help).” WHAT???

I thought Meryl Streep and Michelle Williams were the two heavyweights for Best Actress! But the usually reliable Oscar God David Karger is plunking his two cents down (and EW is presumably totally backing these choices), and inside we see V.D. depicted holding what looks like an award, or a Golden Globe, or SOMEthing, when on closer look it is seen to be a hand mirror. A bejeweled one, but a HAND MIRROR!

This is the kind of thing that INFURIATES Academy Voters, who are voting or rather nominating, right now as you read this. Many of them perhaps have not even sent their ballots in yet or filled them out, and here is EW acting like IT’S ALL OVER! BAD MOVE, EW!

I would be OK with this if it was a year where this was TRUE, but George is fighting for his life in Best Actor, (He’s got one already and “The Descendants” is depressing.) against his BFF Brad Pitt, who, BTW, just won Best Actor from the prestigious National Society of Film Critics. Take THAT, EW! They seem to be saying. And the Best Actress race is all over the place, between those three ladies. Williams, Streep & Davis.

And Viola Davis, as talented as she is, has not yet won ONE major award yet for “The Help”! A cover like this and a lay-out and an interview like that, may infuriate Academy types into NOT voting for her, when the time comes. And it IS a Supporting Performance in most peoples’ books…including mine.

But to photograph her looking so RADIANT and BEAUTIFUL and AIR-BRUSHED to death, well, we’ve never seen her like this before. And acting like she’s already won! But she hasn’t!

I fear this cover is going to make AMPAS voters feel like “Wait a minute! Don’t tell US who’s won!” or who to vote for. MISTAKE! This is what the Board of Governors was actually warning people about this year.  See Scott Feinberg’s excellent analysis of this at www.hollywoodreporter.com where Scott now is writing “The Race.”

And Jean Dujardin of “The Artist” is the one who most Oscar experts are picking for Best Actor. But not to EW.

I totally agree with Dave Karger with his choice that “The Artist” has already won Best Picture and is waaay out in front in that category. He’s right about that. But I would not be a very good Oscarologist myself, if I didn’t feel it incumbent on me to say “WAIT A MINUTE! Hold your (War) horses, EW!”

What they are doing is championing or campaigning for Clooney/Davis with this glossy cover and the even glossier interview inside. Acting like it’s a done deal. That is SOOOO BAD in Oscar campaigning terms.

And I know Dave Karger is familiar with Oscar 101.

I’ve NEVER seen EW so blatantly Up a Duo from two different films, yet, who may not be pictured together ever again this awards season. How embarrassing! But EW is nothing if not BOLD.

However, their first Oscar cover of the season isn’t a NEWS issue. It never is.

Didn’t they depict “Finding Neverland” once upon a time? Oy vay.

And there was once an Oscar issue like this with three actresses shown. I think it was Jennifer Connelly and Nicole Kidman and somebody else. And that third lady did not get nominated. I can’t even remember who she was. How embarrassing was that for her? And presumably for the magazine. But guess not, cuz they’re doing it again!

But some of you will remind me who that third gal was, who didn’t get nominated.

And even though Michelle Williams is splattered all over the INSIDE of the magazine in their for real predictions section on who’s going to be nominated…that story/interview on George ‘n’ Viola’s friendship was a little grating and self-serving. And yes, both of them are acting like they’ve ALREADY WON! NO! They haven’t!

THIS IS A HUGE OSCAR “No!NO!”

George has picked up a couple of critics awards, but Viola has gotten none, separately, herself, for Best Actress. Though “The Help” has gotten kudo-ed for Ensemble in several places.

This is the kind of cover that could de-rail a campaign. SERIOUSLY. Dave, what were you thinking? Well, obviously, he thinks he’s right.

I beg to differ.

And inside, though, his predictions themselves, were pretty spot-on for who was going to be nominated for Best Picture, Actor and Actress, though he’s got Michael Fassbender in there, and I think it’s Demian Bichir. Although Demian DOES receive a cute consolation prize, a “For Your Consideration” box.

But his supporting picks were all over the place, especially in Supporting Actress.

I was shocked at how wobbly his Supporting predictions were and yes, the Supp. Actress category is historically the hardest to predict. He’s got Berenice  Bejo (yes, she’s nominated for a BFCA, Golden Globe and a SAG) Ditto Octavia Spenser. He’s got Janet McTeer pictured, and I think that’s right. And Jessica Chastain for “The Help” which seems to be what she’s inevitably nominated for, though, it’s the least of her EIGHT performances this season! And then he has Melissa McCarthy, who EW just had on another of their covers recently as “The Queen of Comedy”. This would be for the gross-out “Bridesmaids.”

He doesn’t mention Vanessa Redgrave AT ALL. NOWHERE. And I think she WILL TURN UP here. Especially after being snubbed by BAFTA!!! Can you believe it?

I’m sure it’s the ghost of her earlier-in-life, extreme left-wing policies from the ’60s still haunting her. But if the Academy, Anglophile Lefties all, (well, the majority anyway) will over look Redgrave’s policy and put her in where she belongs and she could win this for her ASTOUNDING performance in “Coriolanus.”

Karger also gives Carey Mulligan from “Shame” a “For Your Consideration” box. And that is valid. She was great, if not greater, than Michael Fassbender in “Shame.”

We all know Christopher Plummer is going to win his career award in Supp. for “Beginners” and Dave Karger duly notes this. The other nominees, in this category, though, except for Kenneth Branagh are all up in the air. ESPECIALLY, his pick of Max Von Sydow for “Extremely Late and Incredibly Distasteful”! I don’t think so.

He’s got Jonah Hill and Albert Brooks in there but they were overlooked by SAG, and Nick Nolte and Armie Hammer WERE SAG-nominated, which he notes, but doesn’t see them getting in.

Who could pop up here, unexpectedly, is Corey Stoll for his finely etched portrait of Ernest Hemingway in “Midnight in Paris.”

And Kathy Bates and/or Marion Cotillard could be two last-minute  pop-ups from “Midnight in Paris.” They both just were named on the BAFTA long list…So they’ve been noted there.

Oh, and that BAFTA long list!…well, let’s just say it’s TOO LONG to even bother with at this point. But as always you can check out www.awardsdaily.com for a much closer look at that ENDLESS list, on which nearly everybody who made a film this year, is on. Wait for the BAFTA nominations themselves. But Beth Stevens, at Awardsdaily does a really good job at parsing them, especially in the comment section.

Gerard Butler’s “Machine Gun Preacher” mows down the Oscar competition at TIFF!

Is it only Day Three? I feel like I’ve been here, at TIFF, my entire life! You enter into a Festival Time Warp (when a film festival is really working right and you’re out-of-town, especially) It’s a Film Festival Bubble that in some major ways you never want to burst. And return to reality but TIFF’s magic is in  full swing now. I think in the real world, it’s Saturday evening,and I’ve got to head out momentarily to the tres swank Unifrance party. Always a high point.

But ANOTHER high-point for sure was interviewing the great Gerard Butler today and telling him that ( I hope) he’s going to be going to the Oscars come February for the unforgettable “Machine Gun Preacher” which also is going to get a boatload of Oscar considerations in all categories.

You heard it here, first, folks. “Machine Gun Preacher” is one of the best film of the year, and Oscar may very well agree.

I predict that the Academy will not be able to resist the emotional powerhouse that is”Machine Gun Preacher.” And they certainly are not going to be able to resist the idea that Gerard Butler comes into his own as a magnificent screen actor whose acting chops match any one this or any Oscar season.

Playing a Real Life Action Hero and Savior of hundreds of lives in the war torn worst areas of Africa, Butler totally comes into his own and scares you to death in the first part of the film, where he plays a for-real criminal, and then morphs throughout the film into one of the most heroic men you’ll ever know of.

And I got to meet and interview the real life Lee Childers, who is a former career criminal and Pennsylvania red-neck and now is beyond reproach as someone is fighting the incredible fight in Africa. I can’t stop thinking about this movie! And you won’t either!

And neither will the Academy!

I got to tell Lee Childers, the screenwriter, director Marc Forster and Gerard Butler this news myself.
In person. This morning. At the Toronto International Film Festival.

I never thought I could realistically top my telling Colin Firth and director Tom Hooper of the “King’s Speech” that they were going to be winning Oscars that coming winter, only last year. This was also in the first days of the Toronto Film Festival. They were flabbergasted at the news. But yes, I was right. It was true. They did win.

And you can see me telling them this at http://www.youtube.com/StephenHoltShow

And very soon next week or sooner, I hope you’ll be able to see me work the same Oscar Messenger magic with “Machine Gun Preacher” on my You Tube Channel as well, with all these interviews I am so happy to be describing.

Let’s face it. George Clooney has already GOT an Oscar. And he’s got TWO movies here at TIFF vying for Oscar’s attention. “The Ides of March” and “The Descendants” They could easily cancel each other out. Tom Hanks, being directed by Stephen Daldry in the upcoming 9/11 drama, has already got TWO Oscars and these two along with Jean DuJardin of “The Artist” are so far Gerard Butler’s competition for Best Actor nods. Oh, yes, and Ryan Gosling too for “Drive” OR “The Ides of March.”

George was campaigning madly at Telluride evidently earlier this month, but…

Gerard Butler has not been nominated ever and he’s the right age and at the right point in his career to receive this honor. and recognition. I hope he gets it.

“Machine Gun Preacher” is going to be a film that this year, the Academy won’t be able to ignore.

Oscar Buzz continues at TIFF for Gerard Butler & “Machine-Gun Preacher”! And Tilda Swinton, too!

Now as one  film’s career rises and another falls, it’s fascinating to watch the ups and downs that one screening can lead to at TIFF. It’s like a thumbs up and/or a thumbs down from the Romans in the Colosseum.

And TIFF is giving a definite big THUMBS UP to both “Machine Gun Preacher,” which shocked and surprised me in all the right ways and “We’ve Got to Talk About Kevin ”  “Preacher”‘s got HEAVY Oscar potential. Gerard Butler is in a career-redefining role as the title character. And it seems very much like this year’s “Slumdog Millionaire.”

It’s a thoroughly griping action-er as well as being an amazing true story of this former alcoholic/drug addict/jail-bird (Butler) who totally gets his life under-control through the help of his devoted Christian wife(Michele Monaghan of “Trucker”) and ends up, like “Book of Mormon”s hapless elders in Uganda. And a very different Uganda from the one that’s selling out on Broadway.

It’s a desolate, lawless, hell-on-earth, where children routinely are dismembered and forced to kill their family members. And director Marc Forster(” Finding Neverland”) keeps the adrenaline pumping and the danger level high as the reformed Butler barrels through the African wilderness like a born-again Rambo, trying to save all the children, and there seem to miliions…who are desparately in need of medicine, schools, orphanages. And Butler tries to build and re-build all of them. AND HE DOES!

The incredible arc his character goes through addiction, jail, murder, reformation, then heroics in the African wild are catnip to Oscar. And Butler hits all the right notes, and is utterly believable all the way through and back again. His scenes with the children will make audiences world-wide cry and stand up and cheer. He and this powerful film and its’ timely topic are definitely going to be part of the Oscar conversation.

Another to be hotly debated Oscar topic is going to be Tilda Swinton’s career best performance in “We’ve Got to Talk About Kevin”, an extremely disturbing and powerful look at another difficult and timely theme. What is it like to be the mother of a school shooter? A la Columbine. Swinton is magnificent but will audiences and Oscar voters be able to turn out to watch this? As great as it is, that’s the Oscar topic that is Tilda’s stumbling block here.

The handling of both these films by their campaigners and distributors will determine whether or not “Machine Gun Preacher” and “….Kevin” will be in the forefront of voters minds and DVD piles come this Christmas. They certainly SHOULD be, IMHO.

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