a.k.a. "The Oscar Messenger"

Posts tagged ‘Fantine’

Oscars! “Argo” wins Best Picture, Jennifer Lawrence wins Best Actress & falls down!

I really enjoyed this year’s Oscars. I ADORED Seth MacFarlane as the host and hope he’ll be back for more! He was funny, and insulting, but not tooooo insulting. Since when did it become a pre-requisite for all Oscar hosts to act like Ricky Gervais?
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This above ^ introductory paragraph was written before the anti-Seth MacFarlane outcry began today and before MacFarlane himself nixed the idea on Twitter.

I must tell you dear cineastes, dear readers, that I am late in responding to the Oscars because a) I was at a wonderful Oscar party with friends on Sunday and b) on Monday I had to start physical therapy for a back and neck injury and it knocked me sideways. But I was feeling, and walking, much better today. I felt a real spring in my step. Was it the Oscars? I think so. Also, Spring is coming. Right? Isn’t it?

But I’m back up tonight and shocked, SHOCKED by everyone in the media world dumping on the stupendous Seth. He can sing. He can dance. He’s got a dazzling kind of Donny Osmond-like charisma, that he undercuts totally with his wicked sense of humor. And I guess it was just too wicked for some. But he’s got a big career ahead of him whether he ever hosts the Oscars again, but since the ratings were WAY UP, he just might be back. He said “Tina and Amy will be doing this next year.” But I wonder…

Everyone at my party enjoyed it and so I am saddened that there was all this back-lash. Seth, I love you! And I thought you did a magnificent, hysterical job!

Quick-witted Seth sort of sank himself at the beginning of the show by doing 17 minutes with the barely endurable William Shatner, who was “beamed in” on a screen above the stage, in all his Star-Trek paraphernalia, and proved just why HE was never a movie star himself.

I know he’s from Montreal, but he was flat-out boring in that flat-lining opening gambit. And it went on far too long, ending, however, in the hilarious set-up of the Gay Men’s Chorus of L.A. singing “We Saw Your Boobs,” which is a number that will go down in Oscar history as love it or hate it, but me, I thought it was the essence of great comedy.

Not unlike his screamingly funny, and money-making film “Ted.” The potty-mouthed Teddy Bear, who MacFarlane voiced in the hit movie, also made an appearance with Mark Wahlberg to announce the Best Sound Categories. Which was an unprecedented tie for Sound Editing between “Zero Dark Thirty” (the only award it got) and “Skyfall” which also got Best Song for Adele.

The hue and cry against MacFarlane has all but dwarfed the actual awards and movies themselves as Oscar Goddess Sasha Stone points out at http://www.awardsdaily.com , but I’m happy to say that “Argo” won three. and Ben Affleck had his great moment in the sun, winning as a producer of the hit film, along with fellow producers,Grant Heslov, who hogged the microphone, and George Clooney, who stood by totally silent, and in a beard, clutching his hard-earned second Oscar like it was pure gold. Which it sort of is. But only gold-plated, really.But his firm grip was noticeable. I thought he was gonna break it in two. But then remember just last year, when he lost out on Best Actor to Jean DuJardin for “The Artist.”

Affleck was incredibly moving as he told everyone everywhere in the world to “never give up.” I took that very much to heart. He also said “Never hold grudges” in Hollywood. And to “always get back up when the world knocks you down.” Words of wisdom all…

“Argo” won Best Adapted Screenplay which I correctly predicted and also Best Editing for William Goldenberger, which I predicted, too. It lost out on Best Score. I thought they would acknowledge Alexandre Desplat, subtle, Middle-Eastern flavored work, but no, they instead gave to “Life of Pi”, which was Indian-flavored.

Affeck’s words about when the world knocks you down, get up, were illustrated minutes earlier, in a Forever in Oscar History Moment when Best Actress winner Jennifer Lawrence tripped on her massive Dior gown and face-planted right on the stairs up to the Oscar stage! For the rest of her career everyone is going to remember her like that! And then she got a standing ovation! Everyone loved her for it! And I did, too!

A great screen comedienne, as well as a talented actress, who is being rewarded at 22. And probably will be again, in a career that is looking by the minute. to be of LEGENDARY PROPORTIONS.

Her fall made the front pages of newspapers around the world! The New York Post headlined her prone picture with the words “Fallen Star”! Lolol..

That fall all but knocked Anne Hathaway’s win for Best Supporting Actress for her stunning, unforgettable turn as the doomed prostitute Fantine in “Les Miserables” out of everyone’s memories.

Hathaway’s unfortunate change of dress from Valentino to Prada, resulted in emphasizing her nipples to a ridiculous, impossible to ignore degree. I know. I know. It was only two seams hitting the wrong places, or perhaps the right places, because this made her pale, pale pink Prado famous around the world for all the wrong reasons. Joan Rivers cracked “Anne Hathaway was with the Pointer Sisters. And they were all very excited to be there.” I think, Anne Hathaway’s Nipples have their own Twitter account.

She’s a great, great young actress, who is just turning 30 and is at the height of her career, and I couldn’t be more happy for her! Congratulations, Annie! You had Oscar at “Hello”! The minute they released the “Les Miserables” trailer in June, I predicted she would win this! And I also predict this will not be her last Oscar. Only her FIRST!

There was a very rousing medley of “Les Miz” sung live by the entire cast, including Russell Crowe(!) and Annie. Another standing ovation! “Les Miz” got three Oscars, the same number as “Argo.” It also won Best Hair and Make-Up, as I predicted, and Best Sound Mixing, for its’ incredible blend of the live singing with a 60(!) piece orchestra that was added later! It’s a stunning achievement, my favorite film of the year and I wish it had won more.

The Academy really OWED Anne Hathaway an Oscar I.O.U. to quote Tom O’Neil, who was in Oscar heaven hyper-drive over at http://www.goldderby.com. After what she went through with James Franco! And their co-hosting a couple of years ago. That was ANOTHER one of Annie’s great performances as she kept trying to keep the show going at all costs despite Franco’s complete, er, disinterest…

And I can’t help but think that Ang Lee’s winning Best Director for “Life of Pi” and Annie’s win for “Les Miz” on Sunday night, were a kind of karmic pay-back from the “Oscar Gods” as Ang called it in his acceptance speech, for that awful night when “Crash” beat “Brokeback Mountain.” And the late Heath Ledger got his Oscar, too, although it was posthumously for “The Dark Knight.”

I was very happy for all of them.

A great, great, memorable show overall,too. I’ll never forget it! And I’ll have plenty more to say about it soon.

“Les Miz” in IMAX! My Third Time! Bliss to the Max!!

“Les Miserables,” which is my #1 film of the year, can also be seen now in IMAX, which I didn’t know about until director Tom Hooper mentioned it in an interview. And so I HAD to see it for a THIRD time in a Whirlwind month of “Miz.”

There’s so much to say, and so little time…before I see “Les Miz” AGAIN! Yes! It’s THAT good! And THAT addictive!

FINALLY! Tickets were available for purchase by ordinary movie-goers. It has been sold out in NYC, since its’ opening Christmas Day, when it broke B.O. records, and it’s taking off to be a record-breaking hit all over the world! It may even go over $100 million internationally by the end of this weekend!

And they said musicals weren’t popular with the masses any more!

Well, “Les Miz” is bringing out a certain type of movie-goer those who’ve been STARVED for a great movie musical.

Since I was a kid, it was always the movie musicals that got me into movies in the first place. “Yankee Doodle Dandy” being run over and over and over again on Million Dollar Movie on televisioni on Ch.9. Every single day, maybe even twice a day, when I was a bespectacled, red-headed kid growing up in the Bronx. Then came “Les Girls” and that little boy thought all movies were SUPPOSED to sing.

So it’s grand, just grand that “Les Miserables” returns movies to its’ rightful place, right near OPERA. Opera used to be mass entertainment in its’ time, and I just love that “Les Miz” onscreen is totally sung through. And what wonderful,stirring, powerful music it is!

From those first three thrilling chords of “Look Down” “Ah-huh!” Klang! “Ah-huh” Klang! And the spectacular wreck of a ship hulk that gets hauled into view by literally hundreds of dirty, grimy slaves of the state, Jean Valjean main among them. Well, it shakes you and just takes your breath away at the same time!

Audiences for “Les Miz” come PRIMED now to applaud, it seems to me. At an invited (non-critics) screening I saw(my second time)(many Academy members in attendance) there was applause at least four times and cheering and standing and MORE applause at the end. And this was without any of the talent present, which ups the applause meter even more. Hugh Jackman’s name onscreen got applause at the end as did Anne Hathaway’s and Eddie Redmayne’s and strangely Helena Bonham-Carter’s.

Well, last night this paying, weekday night audience applauded at least EIGHT times!

Of course, Anne Hathaway’s brilliant, blistering, unforgettable solo “I Dreamed a Dream” got applause. And she’ll probably get an Oscar, too.

And then they didn’t really applaud again til “On My Own”, which had not gotten applause at the previous two screenings I attended. That’s Eponine’s rain-soaked solo essayed here by Samantha Barks.

Then, of course, after that, “One Day More” got a rousing hand, and it continued virtually unabated five times more til the magnificent ending! I was losing count in the glory of it all as the suspense mounted, and of course, the wonderful Eddie Redmayne got his hand in “Empty Chairs and Empty Tables,” and the Thernadiers (a super oily Sasha Baron Cohen and the equally slimy Helena Bonham-Carter) even got applauded when they got thrown out of Marius and Cosette’s wedding.! Cheers, too! Amazing!

The involvement of the audience was like at  Broadway show. But no Broadway show gets stopped with applause EIGHT times! At least! But this being a high-paced film, “Les Miserables” never paused for a moment. I don’t think the stage version ever got this much applause. Maybe the 10th and 25th anniversary concerts did. But they were EVENTS. This is just a blockbuster musical. Incredible. I’ve never seen anything like it in my life as a film critic.

“Les Miserables” never fails to disappoint. But I have to say that IMAX isn’t really necessary to see it in. Everything gets magnified and since the film is shot in extreme close-ups most of the time, it really is excessively CLOSE in Imax.Dizzying. I was counting the warts on Russell Crowe’s face. And then the hairs on the warts. I REALLY didn’t need to be THAT CLOSE. Too much information.

But his Javert is meant to scare. And he does. He’s the villain, and his strange, thunderous, bellowed singing is the film’s one discordant note, but it works, because he’s the one who’s out of sync with the melodious singing of the rest of the cast, as his character is out of sync, at war, with the rest of the world.

Hugh Jackman’s Jean Valjean wows me every time! The demands that are placed on him are literally Herculean, and utterly Oscar-bait-y and Oscar – worthy. And then he has to drag the wounded, half-dead, Eddie Redmayne through the sewers of Paris! Saving his life, in  yet another one of Victor Hugo’s novel’s great set-pieces, that is rendered impossibly odious and odoriferous in these tremendous close-ups. Oh yes, Jackman’s “Bring Him Home” sung to the sleeping Redmayne got a spontaneous round of applause, too.

“Les Miserables” is setting audiences free in a wonderful way. They seem FREE to applaud. And VERY free to cry. At the end, with the incredibly moving climatic scenes, there’s not a dry eye in the house. My eyeglasses were salted up with tears. But I was happy. The Greeks has a word for this effect. They called it “Catharsis.” I call it Oscar.

Oscar Audience Applauds, Cries & Cheers for “Les Miz”!

Ok. It’s my SECOND time seeing the masterpiece of masterpieces that is “Les Miserables.” I was soooo overwhelmed the first time I saw it, I couldn’t write anything about it, but now on my SECOND viewing more than a week later, I’m able to pull myself together and focus enough to tell you, yes, it’s THAT good! It’s my Best Film Of the Year! Maybe one of the Best Films Ever Made! Certainly the Best Movie Musical Ever Made!

My hero, Tom Hooper, has once again done the impossible! He’s topped his Oscar-winning “The King’s Speech” with an even more moving movie movie! Astonishing, but true! “Les Miserables” is a rapture.

“Les Miz” is what a great movie should be. Rousing, enthralling, epic, unbelievably effecting. And the cast! AND THE MUSIC! Song after song after unforgettably classic song! I never wanted it to end!

I’ve always LOVED Hugh Jackman, but after seeing his heart-breaking, grounding-breaking achievement as Jean Valjean, I admire him deeply as an artist. And a singing one at that. With a voice I’ve never heard him use before, especially in the upper registers of “Bring Him Home” which has high notes that not many male singers can hit.

“Bring Him Home” got applause. Anne Hathaway’s heart-rending “I Dreamed a Dream” got applause and she just got nominated today for a Golden Globe Award, as did Hugh Jackman. They also doubled that in the SAG award nominations and tripled it in the Broadcast Film Critics earlier this week. If they three-peat, than an Oscar nom is probably certain, too.

But back to tonight’s audience. They applauded Anne’s ” I Dreamed a Dream,” then “One Day More,” then “Bring Him Home,” then Eddie Redmayne’s “Empty Chairs and Empty Tables”. Interestingly they didn’t applaud at the end of “On My Own.” Maybe all that rain that newcomer Samantha Barks as Eponine has to sing in THROUGH THE ENTIRE SONG, was just too much. It was for me. And then at the end in her penultimate moment on the barricades, she is also suddenly inexplicably rain-dappled. When everyone else is dry.Did director Hooper feel she NEEDED All.That.Rain.? IDK.

But why find fault when there is soooo much wonderfulness to be recommended?

I Loved It! I Loved It! I LOVED IT!

It’s just relentless as it builds to the climax, which is shattering beyond belief. The academy audience, mixed with press, that I saw it with, applauded Tom Hooper’s name when it came up on the credits. And also Hugh Jackman. The applause sustained through Russell Crowe’s name, then erupted in cheers when Anne Hathaway’s name appeared. Died down again until Eddie Redmayne’s name appeared, when there again were cheers. And at the end bravos as the audience was standing. I’ve never seen such an ecstatic reception of a movie IN MY LIFE! How can it not win Best Picture?

When does this happen? NEVER! Not at the movies. It was like they were all on Broadway watching the best show ever. There is a moment as it ends, where the audience is literally crying en masse during the last number. I’m not exaggerating. And I was crying too.

I was crying MORE the first time I saw it.I never cried so much at a movie in all my life, and I kept crying until the end, but the second time, I started crying, too. When Enjolras(a tremendous Aaron Tveit) is singing “Red, the blood of angry men, Black, the dark of ages past….” .

It was all such a glorious surprise the first time.I left in a state of absolute wonder. Utter cinematic euphoria. A dream was coming true.

And the Dream Lives, as the ad says, this Christmas.

Best Supporting Actress- Pre-Festivals, Pre-TIFF

BEST SUPPORTING ACTRESS 2012 -Pre-TIFF

This category was ceded by many, months ago, to Anne Hathaway’s heartbreaking, shattering performance in the trailer of “Les Miserables.” I have never seen a trailer to have such an impact on the Oscar Race, and so EARLY! Back in June. Or May even…And the film doesn’t come out til Christmas!

“The Dream Lives,” the trailer ends with these titles “This Christmas.” Well, I for one can hardly wait!

Why was Universal releasing this so early?

Well, it was superbly done, brilliantly edited, and plaintively sung by Hathaway. It contains the song “I Dreamed A Dream,” which is arguably one of the most famous songs from “Les Miz” that always pulls heart-strings, if it’s done right.

This is the song that made Susan Boyle an over-night sensation on “Britain’s Got Talent” a few years back. And Musical Comedys are NOT at all a sure-fire, can’t-miss genre these days. No matter how well they may be done. They released this that early to build buzz. And it has succeeded in that respect. And Anne Hathaway also scored as Catwoman in TDKR, too, this year.

Oscar Winner for Best Director for “The King’s Speech” is back again with “Les Miz” and he directs period pieces soooo well…just check out the Multi-Emmy-Award Winning TV series “John Adams.” That was one of the greatest TV series I’ve ever seen, and it could have been as dry as dust, instead it was riveting. And it won its two leads Paul Giamatti and Laura Linney Best Actor and Best Actress Emmys, too. As John and Abigail Adams respectively.

And Laura is back in the Best Actress hunt again this year. Her FOURTH nomination, if she gets one for “Hyde Park on the Hudson” which I already discussed in the previous post just below this one.

Which is to say that Hooper’s actors win awards, see Colin Firth in “The King’s Speech.”

Anne Hathaway’s part in “Les Miz” is the doomed prostitute Fantine, which also won Patti LuPone an Olivier Award, when she played that part in the original London production. So it’s an awards-magnet role. And Hathaway totally aces it in the trailer’s Oscar-y moment par excellence when she, sobbing and dirty, gets all her real hair cut off.  It’s a horrifying, but award-worthy moment. The song is MUCH longer than that,too And there is much more to her role in “Les Miz” although she does die early on.  But who’s to say if they might run her as Best Actress instead of Supporting?

They might. But then again the Academy’s Actor’s Branch voters are the ones who ultimately decide which category an actress, or an actor, is going to be in. The Studios and distributors can campaign all they want…but it’s Hathaway’s peers who will decide where to put her.

The many For Your Consideration ads are run by the Studios as a means of clue-ing the Actor’s Branch especially for who goes where.  They decided for instance that Kate Winslet should be considered for Best Actress for “The Reader” when no less an Oscar personage than Harvey Weinstein was running her as Supporting for that film. Which she did eventually win a Golden Globe for. And also, for Best Actress that year for “Revolutionary Road.” Her “I got TWO!” picture with a Golden Globe in each hand, flashed around the world.

I think this instance shows that the Academy doesn’t ALWAYS do as Harvey tells them.Or suggests to them, I should say.

Opposite Hathaway, it’s looking like Harvey’s main gal this season is going to be Amy Adams for “The Master”, but evidently some already say the part is too small, only three scenes.

Will Qu’venzhane Wallis the 8 year old in “Beasts of the Southern Wild”  get run in Supporting, instead of lead, where she belongs? However, the Academy is notoriously not partial to putting child actors in the lead category. Look what they did with that girl with the braids from “True Grit.” She ended up in Supporting, though she arguably, also had the lead female role in the Coen Bros. western. What was her name anyway? I’ve completely forgotten! Hallie something? That nomination was the beginning and end of her career.

There’s also the great female Brits in the runaway smash of the Indies this year “Best Exotic Marigold Hotel.” It boasts THREE great performances, Dame Judi Dench, Dame Maggie Smith and Penelope Wilton. Again Dame Judi is the lead here, but again, Fox Searchlight has got her down for Supporting, where she really shouldn’t be. The Academy could put her in lead, if they so deem fit…As I said in the last post, Best Actress is once again Back Up For Grabs this year…

Fox Searchlight has its’ hands full this year! Should Judi Dench go lead? Should Qu’venszhane? Decisions! Decisions!

And then there’s Viola Davis and Maggie Gyllenhaal in “Won’t Back Down”, another Indie. But who is lead and who is Supporting? I don’t think that film is even at Toronto. Which says something.

And though after last year’s debacle with Davis predicted to win all over the place, she lost to Meryl Streep. The Academy was again accused of racism. And it is. Although they did give the Best Supporting Actress Oscar to Octavia Spenser for the controversial “The Help.” Could they try to make it up to her with ANOTHER nomination? If they did, she would then be the first African-American actress to get the most Oscar nominations ever. A total of three.

Or is “Don’t Back Down” even Oscar worthy? We don’t know yet. But its lack of Festival presence says something, I think.

To go back to “Hyde Park on Hudson” there are two British Olivias in Supporting roles. Olivia Williams as Eleanor Rossevelt and Olivia Coleman as the Queen of England, who is visiting the Roosevelts at Hyde Park, with her husband the stuttering King Edward VII.

AND there’s the Oscar perennial Bridesmaid multiple-timed nominee, Annette Bening playing against type as a gambling-obsessed Mom of Kristen Wiig in “Imogene.”  You can never count Bening out.

But judging by the competition she’s up against, IMHO, this category is Anne Hathaway’s to lose.

Gold Derby Kick Starts Oscar Race 2012

Tom O’Neil, the grand-daddy of us all, has tried to kick start this year’s Oscar race by throwing his Gold Derby pundits’ guesses(and it’s all guesses) at this point as no one seen the pictures they are talking about, by saying “Lincoln” loud and clear for Best Picture AND Best Actor, a third win for Daniel Day Lewis.

Now, I don’t know about that. If Steven Spielberg does to Lincoln what he did to “War Horse”, we are gonna be drowning in schmaltz, once again. Shocked, kinda, that this is the Best Picture frontrunner, from Tom and his ditto-heads. I would’ve thought it would be “Les Miserabables.” The long-awaited film version of the musical directed by Academy Award Winner Tom Hooper of “The King’s Speech.”

Me? Give me “The King’s Speech” any day over “War Horse.”

You can’t over-sentimentalize Abraham Lincoln and his tragic struggles to free the slaves.  I mean, look what happened with “The Help” this year. It only won Best Supporting Actress when all is said and done. And that’s ALLLL it got. It made a lot of money for Disney, sure. But it lost to the not-so-successful at the box-office “The Artist.” But “The Artist” was black and white and silent. I guess B.O. comparisons can’t be made anymore when you’re talking about Oscar as he exists today. The Academy is NOT looking at the bottom line.”The Artist” and “The King’s Speech” prove it.

For Best Actress, Gold Derby has anointed Laura Linney, of the also still sight  unseen, “Hyde Park on the Hudson” which is about FDR and his mistress, and Laura’s the mistress. Now that sounds more likely. Laura has been nominated three times, but hasn’t won. It’s a small, character-driven art film, and she’s playing a real person. Not a very well-known real person, but a real person still, and she, like Meryl Streep last year in “The Iron Lady”, gets to age DECADES.

Day Lewis already has two Best Actor Oscars and Spielberg two Best Director Oscars.

So Laura is OVERdue. And DDL and SS aren’t due anything from the Academy,IMHO..

In Supporting, they’ve all agreed that the Best Supporting Actress race has coalesced already around Anne Hathaway’s  astounding rendition of the “I Dreamed a Dream” which has just exploded all over the internet, in the past few days. She is playing the part of the tragic Fantine in “Les Miserables.” And that video which you can see over at Oscar Goddess Sasha Stone’s http://www.awardsdaily.com is stunning.Moving. Unforgettable. Surprising.  One of the best trailers I’ve ever seen.

Anne Thompson over at http://www.indiewire.com actually got her gigantic list of Oscar possibles up first earlier this week, and all I remember from them is that Annie is placed by Anne in the Best Actress category! Category confusion all over the place! I’ll have to look at what St. Anne said, again, now that Tom-O has thrown down his Oscar guantlet, too. Anne, I think, had NOBODY in the frontrunner section for Best Supporting.

Gold Derby seems to think it’s going to be Joaquim Phoenix for the Weinstein Co.’s Christmas offering “The Master” about Scientology. The controversial Phoenix plays the Master’s(Phillip Seymour Hoffman) most ardent pupil. Not so sure about this one. But they seem to think he’s going to go head to head with Leonardo Di Caprio’s villainous slave-master in “Django Unchained.”

“Django Unchained” and “The Master” were both sneaked at Cannes by TWC and perhaps they are right in thinking, over at Gold Derby, that this is where Harvey W. will win this year.

Nobody’s predicted a third in a row for the Weinstein Co. After “King’s Speech” and “The Artist” both winning Best Picture two years in a row, Harvey was on a roll. But now it seems more like a croissant. With Best Supp. Actor, the Weinstein Co.’s best shot.

I think “Les Miz” is going to get more Oscar nominations in more categories across the board than any other film. It’s from Universal. And also this prognostication, early though it is, leads us to believe that it’s going to be a very studio-driven Oscars this year.

We shall see.

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