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Posts tagged ‘Equus’

A Star is Born! Ross Destiche Burns Up the Stage in DC “Equus”!

Ross Destiche 2As an avid theater-goer and critic, you hope that lightening strikes the stage you’re watching, and it certainly did in Wash.D.C.’s U Street area where Ross Destiche is burning up the stage in “Equus”. He is simply astounding in the oft-revived Tony -winning play by Peter Shaffer, Destiche is so incendiary as well as powerful as the disturbed (un)stable boy who blinds six horses, that I’m going to say that Ross Destiche, who is being valentin-ed by the local press, is the best Alan Strang I’ve ever seen. And yes, that includes Daniel Radcliffe’s recent Broadway star turn that the Drama Desk nominated for Best Actor, but the Tonys did not. But the production co-starring the late Richard Griffiths sold out anyway.

If Ross Destiche’s performance was on Broadway in this role, he’d WIN a Tony!

He is not only movie-star handsome with a chiseled cheekbones and a body like a  Greek god carved in blinding white marble, he’s got the blue-est eyes imaginable. His eyes magnetize the audience. You see, the Constellation Theatre Company’s stage is teeny-tiny and the set by A.J. Guban is a huge triangular thrust. And director Amber McGinnis Jackson (yes, a woman directed this most homo-erotic of plays), places Destiche’s tormented Alan on-stage for almost the whole proceedings. Perched on the tip of the triangle, curled up into a teenage ball of pain, Destiche is in a position where he can scrutinize every member of the audience.

He gave me such a look of blinding hostility as I took my seat, that was absolutely chilling and disturbing and absolutely right for the character. He immediately scared the living daylights out of me. A classically trained actor from Minnesota, where he graduated with a BFA from the University of Minnesota/Guthrie Theater Program, Ross Destiche just has the word “Star” stamped all over him. Every inch.

His Act Two extended nude mad scene was unforgettable. When I got to interview him after the show, he wanted to make sure I gave full credit to Emily Kester, who he plays opposite, who is also completely nude, as is Destiche for that astounding Second Act. She was effortless and utterly comfortable in what could have been a very uncomfortable situation, being that the audience was “THIS close.”

“I couldn’t have done what I do in that scene without her,” Destiche told me. Sounding kind of astounded at just how powerful that scene between them is.

Kester plays the part of the cocky stable girl who coaxes him out of his clothes as she takes off hers.

He caught my eye in a small part in Ethan McSweeney’s “The Tempest” last year at the Harmon Shakespeare Theatre, sort of a DC equivalent to Lincoln Center. He stood out even then in a nearly wordless emsemble part.

And so when I received the news that he was garnering raves in “Equus.” I made sure I made my way down-there post-haste. And Destiche didn’t disappoint. He was thrilling.

He made sense out of the psyche of a role that always seemed inexplicable to me, no small feat.Ross Destiche 2 Ross Destiche 1

I told him that I felt he was one of America’s best young actors.

And the only thing wrong with this production of “Equus” is that it’s in DC, and it’s closing on Sunday and the Broadway & Hollywood Theater Godz will likely not get to see it.

But they’ll remember the name of Ross Destiche. He’s going to be very, very famous. And soon.

 

Daniel Radcliffe Delights Bway! In “How To Succeed…”

Daniel Radcliffe is absolutely a delight and a revelation in the latest revival of Bway vintage musical “How to Succeed in Business Without Really Trying.” He is so successful from his Harry Potter decade of family film franchise stardom that he never has to do anything for the rest of his professional life. Unless he wants to. And he certainly didn’t have to take on the singing and dancing challenge that J. Pierpont Finch represents in “How To…” But he did! And he triumphs!

Surprisingly. When the tiny Radcliffe busts a movie(or rather) move in the “Groundhog” football dance number the teenage girls in the audience (yes! teenage girls in a Bway audience!) started squeeeeealing with delight. That’s just the first act! And by the “Brotherhood of Man” finale number that concludes this rousing revival,the diminutive Radcliffe has utterly proven himself as a bona fide Broadway singing and dancing sensation!

And his “I Believe In You” the famous Men’s Washroom song sung to an invisible mirror — Fawgeddabowit!

 “How To…”, a creaky curio at best, really needs that star power and charisma in the central role that Radcliffe dazzlingly provides, or it really is pretty much a bunch of nothing. And very sexist too boot. Its’ heroine Rosemary’s singing of the delights of “I’ll be happy to keep his dinner warm. Waiting for him to wearily come home from Downtown” as the other girls in the steno pool sing ” Don’t Cinderella! Don’t give up the Prince!” and the glories of the “New Rochelle PTA!”

Feminists in the audience will be cringing. But not so the teenage girls who were SCREAMING their way through one Radcliffe number after the other after the other. They were in Harry Potter cult heaven! I’ve never seen anything like this reaction on Ole Broadway before…It reminded me of what it must have been like when Frank Sinatra sang to the swooning bobby-soxers at the Paramount. Not that I was there, mind you. But I’m just saying…it’s VERY unlike OLDE Broadway to have this much young blood pumping wildy through its’ veins. But why not? It works! In spades!

“How to…” harks back, way back,  to the days when stars were expected to sing seven or eight numbers (at least!) all night long. And dance, too! And Radcliffe does all that to a fare-thee-well.

He has a very nice, serviceable singing voice, too, and an undeniable charm that makes his supposedly Machiavellian rise to the top be be absolutely and utterly believable. His character,  J. Pierpont Finch simply by reading this “How to Succeed in Business Without Really Trying” book rises to the top of the World Wide Wicket Corporation by simply following the book’s simply laid out rules. Unctously read as an off-stage voice by narrator Anderson Cooper. Yes, THAT Anderson Cooper! It seems every body wants in on this successful boy’s new next act. Singing, and dancing and with a perfect American accent, too! I loved it!

This plot strangely mirrors Radcliffe’s charmed life in a marvelous way. The boy is so utterly disarming, as the book says, “without really trying”, he succeeds and succeeds again, as Radcliffe as Harry Potter has done in the decades-long franchise now about to reach its’ cinematic conclusion this summer. It’s been the most financially successful franchise series in cinema history.

 And when the last movie “Harry Potter and the Deathly Hollows, Pt.2” is released and Daniel Radcliffe will  still be singing and dancing his way into America’s hearts in this charming revival which will run and run as long as Radcliffe wants it to be in it.

 With, I’m predicting a “Best Actor in a Musical” Tony Award to boot!

Having seen Radcliffe naked and acting his heart out to the tune of a Drama Desk Award Nomination for Best Actor in a Play for “Equus” couple of seasons back, one knew he had the dramatic chops to sustain this startling career transition to serious stage actor and now morphing even further into a singing and dancing Bway phenom.

Justin Bieber, Look Out!

Daniel Radcliffe is now crooning and swooning in a Big Phat Bway Musical Hit!

I’m beginning to think that Radcliffe can do just about anything! Of course, he is fully supported by one great show tune from the pen of the late great Frank Loesser after the other.

This show won the Pulitzer Prize it was considered so timely, so edgy, when it first came out 50 years ago, but without the spiffy stealth updating by director Rob Ashford and an able supporting cast, including TV Vet John(“Night Court”) Larroquette in the Rudy Vallee part of J. B. Biggley, the boss of World Wide Wickets and the beauteous, ample heaving bosoms of the headiest of  Hedy La Rue’s of Tammy Blanchard, one wonders just how pertinent this dated story could possibly be today. In a post-Enron world, a mild satire of corporate shenanigans could go over like the lead balloon it proved to be when Matthew Broderick and Megan Mullaly (pre-“Will and Grace”) essayed it back in the ’90s. He and it were so boring and she was so grating, I walked out at intermission. But he won a Tony anyway.

But the rise and surprise of Daniel Radcliffe made me stay and stand and applaud! Aren’t we lucky to have him on Broadway delightfully re-inventing this war-horse and his own career at the same time! As far as I’m concerned Broadway has a new star! Daniel Radcliffe! Long may he shine!

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