a.k.a. "The Oscar Messenger"

Posts tagged ‘Drive’

Video

Oscar Isaac ~ Golden Globe Nominee for Best Actor Comedy/Musical for “Inside Llewyn Davis”

Meet Oscar Isaac, the breakthrough performance of the year in the Coen Bros. unique, haunting “Inside Llewyn Davis” which is also nominated for Best Film Comedy or Musical and Best Music by T-Bone Burnett. A Juilliard Graduate, he’s had a considerable stage and film career before he got this Big Break  as Llewyn Davis, the loser folksinger who just can’t catch a break.

A.O.Scott of the New York Times named it “The Best Picture of the Year.”

Oscar was named Best Actor by the Toronto Film Critics and “Inside Llewyn Davis” was named Best Picture. Also the Village Voice and Film Comment magazine named “Llewyn” Best Picture. And it won Best Picture at the Gotham Awards and Oscar accepted the Award in a very thrilling acceptance speech on behalf of the Coens who weren’t there.

As Oscar Gets Nearer & Nearer, Supporting gets more Cloudy, Not Clearer

With the Oscar Nominations getting nearer and hearer, next Tues, less than a week now, some things are getting more and more cloudy, not clearer. We seem to THINK we know who the winners are going to be(and maybe except for Best Actress) everybody may be right. Or ARE they?

Christopher Plummer is going to win Best Supporting Actor. We’ve know this since May. But who is going to be nominated alongside him? And does it really matter? Well, it matters to those of us who are Oscar-obsessed, which means YOU since you’re reading this. And moi, aussi, of course.

Yes, to Kenneth Branagh as Sir Laurence Olivier in “My Week With Marilyn.” BUT everybody else in that category is a maybe, and this is one of the several main categories where there are going to be surprises. In the nominations. Not the winners. Or maybe the nominations will REALLY shake things up!

The suspense is killing me!

Will Jonah Hill of “Moneyball” get nominated for a mediocre performance at best? Is THAT an Academy Nomination?An “Academy Performance” No, it’s just a very big part( who is standing next to Brad Pitt) and played by an actor who we thought couldn’t do that. Even as meagerly as he did it…

Mark Harris of www.grantland.com has done a marvelous job of parsing all this as of course the great Stu Vanairsdale at www.movieline.com They both are essential reading at this point.

Mark Harris brings up the interesting “Norbit” plot-line. Arguably it was the release of “Norbit” a critically reviled low comedy right in the middle of Oscar voting that killed Eddie Murphy’s win for Supp. Actor for “Dreamgirls”. But HE was already nominated when this happened. Jonah Hill has not even been nominated YET and “Norbit”-like bomb “The Sitter” in which he stars, is playing at a theater near YOU.

Could that knock him out of contention? It could.

So could the lack of interest in “Warrior” knock Nick Nolte out in the prize-fight movie that critics raved about but no one went to see. Will the Academy Voters, so busy at this time of year, have the time to watch “Warrior” ONLY for a Supp. Male Performance possibility? Nobody’s claiming he will win this.

They’ll PROBABLY watch “Drive”. But with no SAG nomination for Albert Brooks, another comedian-turned-actor this season, and now, SHOCKINGLY no BAFTA nomination, will Brooks get left out too? Are Brooks and Jonah Hill too “samey” as they used to say in England.

WHO could replace them? Well, Armie Hammer who DID get a SAG nod for his moving turnas Leonard DiCaprio long-term lover in “J.Edgar” They will have watched “J.Edgar” Whether they like it or not is another question. ME? I LOVED it. It was on my Ten Best List.  As was “Drive” come to think of it.

Armie could benefit from “J.Edgar”s seeming lack of support in other major categories, though I do think “J.Edgar” COULD surprise,too. It’s Clint after all. Clint Eastwood. And they LOVE Clint.

So surely could Corey Stoll as Ernest Hemingway in “Midnight in Paris” Stoll’s beautiful, nuanced, scary performance in a film that is very likely going to be nominated for Best Picture, Best Original Screenplay (it’s been winning that award all over the place, BFCA, Golden Globes, etc) AND Best Director, so surely could not this momentum sweep in at least ONE actor in “Midnight in Paris” gigantic, superb ensemble?

Jeff Wells, whose site www.hollywood-elsewhere.com is essential reading, too, has been going on and on about Stoll’s excellence, and how he wasn’t even AT the Golden Globes. Woody was a guaranteed no-show. They had room for Corey. But no. They didn’t.

I’m thinking that they Academy might, however. Knowing Stoll’s work for YEARS on the NY stage, I know what  a powerful, deep acting talent he has. Maybe the Academy will sense that, too. And the NEW YORK-based Academy Members who attend the theater regularly(and they all do) will know Stoll’s work too.

SOME member of the cast of “Midnight in Paris” should be honored. And if it’s anyone it’s him.

Then there’s the problem of “Extremely Loud, etc. etc.” ELAIC and the mute Max Von Sydow. He could sneak in here, too. I was at an Academy screening and he got a terrific amount of applause at the end credits when his name came up. The NY  audience I saw it with also, seemed to like it. Or liked some of it. The subject, 9/11, was not something most of these people wanted to see re-visited.

But who got the most thunderous applause for that film? Thomas Horn, the young boy who plays the lead. Now THAT would be a big surprise. And the Academy has a history of honoring children in leads in Supporting. See Hailee Steinfeld last year…And Horn surprised by winning “Best Young Actor” at the Critics Choice Awards(the BFCA) just last week.

And then there’s the always nominatable Sir Ben Kingsley in the much-liked “Hugo.”

THREE surprises in the Supp. Acting category nominations? Impossible you say. But this has been a very difficult year to predict. In some categories, and this is one of them.

And the Supporting Actress category would be blown wide open by the entrance of Vanessa Redgrave for “Coriolanus” and also, incredible as it may sound, Dame Judi Dench as Dame Sybil Thorndike in “My Week with Marilyn.” Yes, and Dame Judi got a BAFTA nod. Vanessa did not. But the PERFORMANCE!!! TOWERING!!! And Degree of Difficulty ~ Shakespeare.

Vanessa has been nominated for NO precursor awards so far.NO-thing. Nada.Zilda. But if she did she would land like a bomb exploding all expectations so far. And if BOTH she and Dame Judi made it in. Impossible, you say? But both Redgrave and Dench are in WEINSTEIN CO. movies.

I rest my case.

More about the other categories soon

Top Ten Films of 2011

Dear Readers, dear cineastes, here it is! At long last! Just what the world has been waiting for! ANOTHER top ten film list! Soon also to be seen on my YouTube Channel www.youtube.com/StephenHoltShow

Where suddenly “The Artist” has surged to take the #1 spot on my Channel’s Top Ten List.

Not to be confused with my Year’s Ten Best list, which starts here –

1. MY WEEK WITH MARILYN

2.MIDNIGHT IN PARIS

3. THE ARTIST

4. MACHINE GUN PREACHER

5. J. EDGAR

6. THE GIRL WITH THE DRAGON TATTOO

7. ALBERT NOBBS

8. DEVIL’S DOUBLE

9. DRIVE

10. WAR HORSE

TIFF ’11 Lists, Best, Worst, Couldn’t Get In To See, etc.

So, in short form,(I hope) some TIFF lists ~

Best Film – Machine Gun Preacher

Runner-Up- The Artist, Drive, The Skin I Live In, Coriolanus

Best Actor – Gerard Butler in “Machine Gun Preacher”

Runner-ups- Ryan Gosling “Drive,” Ralph Fiennes in “Coriolanus”, Jean Dujardin “The Artist”

Best Actress – Elena Anaya “The Skin I Live In” (Pedro Almodovar’s hot new film)

Runner-Up- Tilda Swinton “We’ve Got to Talk About Kevin,; Rachel Weisz “The Deep Blue Sea”

Best Supporting Actor- Gerard Butler “Coriolanus”

Runner-Up – Tom Hiddleston & Simon Russell Beale in “Deep Blue Sea”, that adorable  little dog in “The Artist”

Best Supporting Actress- Vanessa Redgrave “Coriolanus”

Runner-Ups – Marisa Peredes in “The Skin I Live In”, Tammy Blanchard in “Union Square,” Berenice Bejos “The Artist”

Worst TIFF “Rendition”-like Bomb (It died in one TIFF screening) – “A Dangerous Method”

Films I Tried to See, But Couldn’t – “Shame”, “Descendants”, “Albert Nobbs”

Hoping to See Soon – “The Ides of March”

Couldn’t Care Less About Seeing – “Moneyball”

Trips Begin Before They Start

John Steinbeck wrote in his last book “My Travels With Charlie” which was about abandoning life as he knew it and just randomly driving across country in a mobile home with his beloved dog Charlie.

Steinbeck wrote “Trips Begin Before They Start and End Before They’re Over.” The capitalizations are mine. And I have found this to really hold true.

Today, as I was taking a bus, a very nice commuter bus,  that went over the Verrazano Bridge to Staten Island. That view from the bridge is just spectacular of New York Harbor which was busier today and looking more beautiful than I had ever remembered it, and I realized that I had already left mentally for my Great Annual Trek North to the great Canadian Film Festivals. Montreal and Toronto. And yes, they don’t start for a while yet, but mentally I’m already there. Though my body is still in New York.

Trips, or planning to go on them, takes a tremendous amount of  detailing, scheduling, planning, no matter whether you’re filming a television and web series as I am, or just going on vacation. And though this is the thirteenth year I’ll be doing this great global cinematic trek, it still surprises me.

You get to a point where you realize that yes, the trip is taking over your life and you just have to give yourself up to it and enjoy.

And true, I was just traveling to Staten Island, but yes, I was already in motion. Or wanting to be in motion, constantly.

I love trains. I love buses. Planes less so…

But I just realized this afternoon with still more than a real-time week to go, that actually there is nothing left of my life now, except PLANNING EVERYTHING TO GO.

And I always forget something.

I’m sure every one does.

You’ve got to cross all the “i”s and dot all the “t”s. No wait. That’s backwards. You see, it’s happening already.

You’re mind going to ~ What about this? Did I take care of that? What am I forgetting? What is it that I have to do TODAY? Before I go…Did I make all the phone calls I had to? Did I send all the emails?

And it was almost exactly a year ago, while not quite yet, but soon, that I wrote my first ever blog entry! And look! A year later and I’m still doing it!

Oh and there many, many things, and many days to do them in but like, for instance, I’m stopping seeing any plays or movies before I go. I have to keep my head clear to think of the mind-numbing numbers of films I’m going to have to see starting very, very soon, and really they ARE the most important films of the year.

Last year, at Toronto, for all of you who read my blog and watch my television show, you know how important Toronto was for me, and how crucially right it was for me to get up at 6AM that first Friday and get to the 9AM “King’s Speech” first press screening and then run up town in the VERY hot TO. heat to make it to the un-air-conditioned hallways outside the rooms where Colin Firth, Geoffrey Rush and Tom Hooper were giving their FIRST press interviews and colliding with me, who Tom Hooper named “The Oscar messenger.” And how that began to change everything for me.

I ONLY do films now that I think are Oscar worthy. Doesn’t mean that they’ll be nominated, but they’re being BUZZED. Which means they MIGHT be. Which means they’ll be part of the Oscar Conversation that is going to go on for the next nearly six months straight. And Toronto REALLY started it last year.

For those who follow my dear Sasha’s great site www.awardsdaily.com (and if you don’t, you should!) will know that this year the drums starting beating extra early in Cannes, where Sasha went with her little daughter Emma Stone(no. Not THAT one.) with the Opening of Cannes with Woody Allen’s masterpiece “Midnight in Paris” which I have now seen SEVEN times!

And yes, that film is gonna be around when the nominations come out. It’s made more money than any film of Woody’s EVAH! And I NEVER see a film THAT many times! GLACK! What kind of hold does this film have on me? And others, too, obviously, by the box-office we know this to be true and people are going back and back and back to see it more than once.

The film is dense with cultural references, and it’s like a subplot trying to unravel all of them. Or ANOTHER movie in and of itself. It exists in two worlds as does its’ hapless hero Gil Pender….Owen Wilson becomes the new Cary Grant in this movie. No. I’m not kidding….

And oh yes, there were other films that unspooled at Cannes that Sasha wrote about so marvelously at Awardsdaily. “The Tree of Life” being another that has opened and has played well, despite its’ esoterica, and is still playing. Like “Midnight in Paris.”

And many Cannes faves are coming up at Toronto. TIFF is just loaded with them.

The first one that I’m going to be seeing is “Drive” starring Ryan Gosling, who I like, I really like, and whose director won the Best Director Award and well, Ryan’s performance is being buzzed, as he always is, when he’s got something that looks even remotely bait-y.

We shall see…

And then there’s Madonna, the new reborn directutrix of “W.E.” which I hear is “beautiful” and has Harvey Weinstein producing it! AND it’s about Wallis Simpson! The woman who set the plot of “The King’s Speech” in motion, lest me forget, last year. And you know where that ended up! AT THE KODAK! “Best Picture of the Year” “Best Actor” “Best Director” “Best Screenplay”!!!

And no, Harvey would NOT be risking the comparison of having “W.E.” be an also-ran to his last year’s Toronto Filly. So I’m betting that HW knows EXACTLY how good this film must be.

If he DIDN’T think it was THAT good, Oscar good, you can bet he wouldn’t be bringing a hot tamale like Madonna’s directing debut up to TIFF, NOR BTW would TIFF have ACCEPTED IT. They have very, very good taste, too, in these things. They are known as an Oscar launch pad, and they have a reputation to live up to,too.

Maybe this is HW’s strongest Oscar bet this year. He is certainly leading with his trump card. He’s got Meryl’s “Iron Lady” and Michelle Williams “My Week with Marilyn” coming up to. That’s Meryl as Margaret Thatcher, and Michelle as MM…those two films already scream BEST ACTRESS PERFORMANCES at me, and not BEST FILM. So with the “W.E.” placement at TIFF as a GALA…Well…

As John Steinbeck said “Trips Being Before They Start.”

And I can’t WAIT!

Tag Cloud

%d bloggers like this: