a.k.a. "The Oscar Messenger"

Posts tagged ‘Disney’

Oscar Goddess Sasha Stone Parses the Oscars! In June!

Well, Tom O’Neil’s Oscar throw-down at http://www.goldderby.com has certainly stirred the waters! Oscar Goddess Sasha Stone at http://www.awardsdaily.com parses even further with “Is It Too Early To Predict the Oscars?” And yes, it is. The Silly Season, as it was so named by David Kehr of the NY Times when he pounded the Red Carpet beat with his historic Carpetbagger column, IS far away.

But it’s NOT for those behind-the-scenes folks, the industry peeps who are assembling all this for our delectation. This is stuff is planned YEARS sometimes in advance. And carefully planned, too. Yes, there are people called Oscar Consultants, who are a whole breed of PR people unique unto themselves. And behind the scenes they are working like dogs chasing a bone. Already. Yes, already.

Sasha and others like her have revealed how much it is the Oscar campaigns behind the actual voting that really does sway, yes, the actual voting.

At this time last year, who woulda thunk “The Artist” was gonna win Best Picture? And Jean Dujardin Best Actor? And certainly, Meryl Streep winning her THIRD Oscar was unexpected and a shock to all Oscarologists. Who could’ve predicted it? Well, actually, Tom O’Neill sorta did.

That’s why one has to give credence to his prognostications. If you followed closely at Gold Derby, VERY closely, who could feel the tide shifting at the last minute AWAY from George Clooney and towards Jean Dujardin. A lot of people saw that coming. But Streep? Only O’Neil. But not his staff of Ditto-heads(I refuse to call them Butt-heads, though my spell check changed it to that…lol…) all kept saying Viola Davis.

That’s why, for instance, I give Tom more credence than say, Anne Thompson at Indiewire and Thompson on Hollywood last year. She stubbornly clung on to George Clooney ~ AND Viola Davis til the very last.  And she was wrong.

Just to show that the Oscars still have some life in them.

I knew the Weinstein wizards were working like crazy last year behind the scenes and subtlety as is their wont. But I read the tea-leaves wrong and thought it was Michelle Williams, not Meryl, who would reap the rewards.

Viola Davis, ably abetted by that egregrious Entertianment Weekly issue and cover which pictured her and George Clooney, dressed to the nines,  getting out of a limo, like they had actually won already!. That proved to be BOTH their ondoings. An Academy Voter upon seeing that cover and then reading the embarassing self-congratulatory interviews with BOTH of them “WELL! The Nerve! They haven’t won YET! “would be an Academy members thinking, I thought at the time and still do. Or “Don’t tell US who to vote for!?!“…Viola Davis was doing herself NO GOOD, but the obvious heavy-handedness of all her talk show appearances. I mean, she was on “The View” FOUR TIMES!?!? If that wasn’t overkill…I don’t know what is…

I know. I know. Disney owns ABC, which “The View” is on, and Disney had “The Help.” But in the end as I said at the time, Disney does not know how to run an Oscar campaign.

Whereas Harvey Weinstein does. Of course. But he has to have the goods. I don’t know if “Django Unchained” ANOTHER bloody shoot’em by Quentin Tarantino, is gonna fly all the way with Oscar voters, who historically have avoided blood-shed. IF THEY CAN HELP IT. You can of course point to “The Departed” winning recently and also “No Country For Old Men” But as Sasha has pointed out there were other stories going on in those years i.e. Marty Scorcese never won & ditto, the Coens for “NCFOM”.

I wonder if Universal who has “Les Misearables” is going to be able to do the trick this year.

Paraphrasing Sasha, she feels that Tom O’Neil in listing “War Horse”. oops! I mean “Lincoln,” as the Frontrunner NOW, is putting an albatross, around “Lincoln”s neck.  Or as I’m calling it handing Spielberg “The Golden Albatross” award, this far ahead. Sasha is saying basically that Frontrunners never win. Which is a very interesting observation. Especially lately.

Some people feel that that “Les Miz” trailer with Anne Hathaway is “pre-mature” but I don’t think so. It’s established Hathaway as the one to beat in Best Supporting Actress, and the Best Supporting Actress race is run by a whole different set of rules. I mean, look. That’s where “The Help” won. And the year before that that’s where Melissa Leo, totally off her own bat, won. So different rules apply.All of Disney’s heaving breathing and heavy lifting on “The Help” reaped them ONLY a Best Supporting Actress win. Personally that’s my own favorite category, but still…

Also, Universal is trying to establish a fan-base with a genre that the fanboys of today just don’t flock to. Musicals.  Just from that point alone, I think “Les Miz” has an uphill battle. But the general public is not the Academy.

I mean, just look at this year’s big grossers “Hunger Games” and “Avengers” both of which are films I just can’t bring myself to see….at least not yet…will the Academy award box-office over quality? They certainly haven’t been looking at the bottom line with films like “The Artist” or “The King’s Speech”….Who do they listen to? Well, Harvey Weinstein. But “Django Unchained”? Quentin Tarantino??? I don’t know about that. This sounds like it’s gonna be “Inglorious Basterds” all over again with that film.

And in conclusion, no it’s never to early to predict the Oscars. That’s what we do.

Oscar Index at Movieline Keeps the Quality(& Enjoyment) Level at 100%!

All season long, Oscar season, I mean, of COURSE, I look forward every Wednesday evening to Stu Van Airsdale’s erudite, witty analysis of the preceding weeks Oscar madness on his unfailingly fun Oscar Index at www.movieline.com  It’s ACCURATE, too. Even if he doesn’t agree with MY thoughts on The Race. But that’s OK, because he is always persuasive, showing me the error of my Oscar-y ways.

And yes, he’s right on the money again with the idea that it’s “The Artist” but also, “The Help” that is on everyone’s minds. Whether I like to admit it or not.

Me? Moi? You KNOW I love “The Artist” and its’ nominated stars. And I TOLD Jean Dujardin that he was going to win The Oscar and he laughed and smiled and CHARMED his way into the 38,000 (and counting) You Tube viewers who’s enjoyed me, the Oscar Messenger, giving Jean and Berenice Bejo and Michel Hazanaviscius the Oscar News here at ~ www.youtube.com/StephenHoltShow

I haven’t been able to top that highpoint yet all season, so I’m leaving it in the main frame. The two of them, Jean and Berenice were an utterly winning couple, just as they are in the film, and no, not in real life. The beautiful Berenice is married to Michel Hazanaviscius. So her real name is Berenice Hazanaviscius. Glad she kept the Bejo. And yes, she, too was nominated for an Oscar for Best Supporting Actress, as I foretold her she would be.

So, non, it’s not “The Artist” I have issues with I just love it to pieces. And so I agree with Stu V.A. who has “The Artist”, Jean, and Michel all in their number one slots in their respective categories. It’s that I just couldn’t wrap my head around all this “Help” love.

To give Oscars to African-American women for playing MAIDS, I just think is the highest form of racial ineptitude. I think  with a black President, it’s just downright insulting, but Stu V.A. has had Octavia Spencer in his #1 position as Best Supporting Actress all season long. And I just couldn’t buy it. But now with Spencer’s wins at the BFCA, the Globes AND SAG, she seems almost a DONE deal.

I just don’t think she was THAT good in the movie. That it was not an “Academy performance” but evidently everybody except Kris Tapley, disagrees with me.

I mean, give the “Help” ONE SAG award, but not ALL THREE!!! However, that’s what’s going down.

And Viola Davis, who IS a great actress, certainly gives great speeches, too. And if there ever was one single article that may win an actress a Best Actress Oscar, it’s the poetic, persuasive, insightful, almost panegyric piece that Mark Harris just wrote in www.grantland.com this week, in his Oscarmetric section.

Viola Davis should thank HIM, because he makes the case that there was no SUBTEXT in this year’s Oscar race and that “The Help” and especially, the performance of Viola Davis COUPLED with her great speechs have created a narrative that the Academy, guilt-ridden white people all, may just indeed buy.

And it’s NOT a great picture. It’s good, at best. And yes, “The Artist” is much better…

But TWO Best Actress (lead and supporting) wins for “The Help”??? I was not convinced, but now I’m beginning to think so.

Though I still hope Michelle Williams upsets this at the BAFTAs….

Viola Davis is a great actress and she deserves all the acclaim she’s getting. But I still think it’s a Supporting performance and that Michelle Williams is better in a more difficult role in a better movie.

We’ll see what the BAFTAS have to say…

P.S. I turned on my television set this AM and who should be onscreen at “The View” but Viola Davis!!?! I thought I was seeing things. I think she’s been on “The View” AT LEAST three times previously this season! Or maybe FOUR! Somebody’s pushing this to the max. That would be Disney/Dreamworks. Also means they are REALLY sweating Harvey Weinstein’s campaigns for Meryl Streep for “The Iron Lady” and Michelle Williams for “My Week with Marilyn.”

Does this mean V. Davis is being OVER-exposed? And god forbid, pushy? I am the first to say that she’s a great American actress and deserves her time in the sun, and she certainly seemed to be enjoying it. What did she have to say? Well, I just caught my major role model Barbara Walters saying “It’s always great to have you here on the ‘The View’, Viola.” And then they signed out!

I think this cuts both ways. It’s good to keep her in the public(and the Academy’s) eye. And yes, I’m sure they watch “The View” or at least the female members do. Which means that Disney/Dreamworks is targeting the female Academy voters. Of whom, as you all know, there aren’t very many! So they are fighting over the Streep-aged demographic. But this shows they are really sweating a Streep win? But who are THE MEN, the bulk of the Academy membership voting for?? That’s what I’d like to know. And again, my guess is the beauteous Michelle Williams as Marilyn Monroe. The Babe Factor still rules Hollywood, I’m so sure. Will the Academy’s left-y social conscience trump the Beautiful Young Nude Girl syndrome. We shall see.

Only the Actor’s Branch overlaps with the SAGS. And that by not much. It’s two different groups of people. SAG and AMPAS. One is female-filled. That would be SAG and one is male dominated and that would be AMPAS.

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