a.k.a. "The Oscar Messenger"

Posts tagged ‘Disney’

Oscars 2016 ~ Is Cate Blanchett Turning Into Meryl Streep?

Stepmother 1At first when I saw “Cinderella,” which I just loved, btw, I wondered whether the superb performances by the two leading ladies, Lily James(“Downton Abbey”s Rose) and Cate Blanchett as the not-so-Wicked-but-merely-troubled-and-lonely Stepmother, would even be considered for this year’s Oscar race. I now think that two-time Oscar Winner Blanchett for Best Supporting Actress is definitely a possibilty for a nomination. I think she’s becoming the New Meryl Streep, and will get nominated for her usually outstanding work in almost anything she does, even Disney fairy tale extravaganzas. So the precedent has been set. At least in the Supporting Actress category.

I mean, look, if Meryl Streep can get nominated for playing a Witch in “Into the Woods”, her astounding 19th nomination! Then Blanchett certainly could for another fairy tale character.

Sasha Stone of http://www.awardsdaily.com says her most-looked-forward-to film of 2016 is the upcoming Todd Haynes “Carol” which is the lesbian love drama based on Patricia Highsmith’s “The Price of Salt.” And yes, Blanchett is the lead in “Carol.” So theoretically, she could get TWO nominations this year. Bringing her net total so far to six, with two wins.

And considering, as Sasha points out, this is another bleak year ahead for roles for actresses, Cate Blanchett very well pull off this double-nominated hat-trick.

And on the male side, I personally think it’s Eddie Redmayne by a mile for Tom Hopper’s “The Danish Girl” opening now Nov.26, right in the heat and heart of the Oscar season.

Eddie LiliCould Eddie Redmayne do a Tom Hanks(as they say) and pull off two Best Actor wins in a row? He sure could.

Could he beat out Leonardo DiCaprio in “The Revenant”? And get two Oscars while Leo wasn’t won one yet? Yup.

As Oscar Grand-daddy Tom O’Neil is always pointing out in his Slugfests “They sometimes like to give you two.” O’Neill, of course, is at http://www.goldderby.com

Witness Luise Rainer, Spencer Tracy, Olivia de Havilland, Hanks, Kevin Spacey and Sally Fields…and more. Streep has three. Jack Nicholson has three…

Sometimes what is going to happen at the Oscars is SOOO clear. Even at this distance…

 

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Oscar Apple Cart Upset by Late-Breaking “Into The Woods?

Into the Woods 1Stephen Sondheim and movies of his work have never really clicked with the public. See Elizabeth Taylor in “A Little Night Music”, and of course, more recently “Sweeney Todd” with Johnny Depp. But Musicals are catnip to the Academy.

Depp is back again as the Big Bad Wolf whose  nemesis is Little Red Riding Hood, a very lethal Little Red Riding Hood. But the word from the screenings yesterday is that Meryl Streep is once again going to be back at the Dolby Pavillion for something like her 20th nomination. But which category will she be in? Could she win? She’s got three Oscars already.

The always excellent Emily Blunt has the Baker’s Wife role in the film and that’s the part that has historically won awards. Joanna Gleeson on Broadway won a Tony for Best Actress.  And pert, pretty Anna Kendrick is getting good  W.O.M.(word of mouth) as Cinderella. A former Oscar nominee for Best Supporting Actress for “Up In The Air” could she also be up again of her sparkling Cinderella?

And where does that put Meryl’s Wicked Witch? The Academy put her in lead last year for “August:Osage County” when many thought she’d be Supporting and Julia Roberts would be lead, but the categories were reversed.

That could happen to Emily Blunt, too. And she and Anna Kendrick could be up against the here-to-fore unstoppable Patricia Arquette in “Boyhood.” Would they knock her out of the leading contender spot? In Supporting.

Meryl’s Witch certainly could. The plot sickens.

 

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“Aladdin” Worst Disney Cartoon-to-Stage Transfer Ever!

I thought I’d never live to see a bus-and-truck (lowest denomination road company) musical production on Broadway, but I just saw “Aladdin” and yes, ladies and gentle-persons, it ALREADY looks like it’s touring the sticks. Ugh.

I can’t believe I’m saying this but it’s Disney who has set its’own bar very, very high. You can’t just put a dud like “Aladdin” on Broadway and put the word Disney on it and expect the multitudes to throng in. Or maybe you can.

I kept thinking “Oh No! They’re NOT going to do that??” and then by gum they did it.

And I LOVED the movie. It was one of Disney’s sweetest cartoons, and Robin Williams’ voicing the genie, is sorely missed. It was the most original of creations. The magic carpet was a character. Jafar the Evil Brassiere, I mean, Vizer, had a monkey not a retard for a pet. And the monkey was voiced by the annoying Gilbert Gottfried. I even missed him! This is so bad and no, you just CAN NOT replicate the magic on stage, easily.

Easy, or rather cheesy, is the word for this production. The sets, the over-bedangled costumes. The over-choreographed choreography, if there is such a thing.

Director Casey Nicholaw, who wowed us with “Book of Mormon,” seems here to have lost all his talent, or left it with the Mormons. He’s done serious damage to his reputation with “Aladdin”, and no, you can’t make a wish and take all this back, and do it over. But he should. He’s let the genie out of the lamp and you can’t put him back in.

Especially the large-and-in-charge James Monroe Iglehart as the Genie, who huffs and puffs his way through his big number(And I mean, BIG) “A Friend Like Me” to such an extent I feared for his health. He looked like he was in cardiac arrest. He was having to a heart attack to get a standing ovation in the middle of the first act. Which he got, by about six or seven scattered people, who seem to have THOUGHT they should do it, because they’ve read that it happened before. I wanted to call an ambulance. if not for him, then for me. Yes, I said it was a painful experience to sit through. As in chest pain.

I mean, girls were squealing. Little kids were, too. Just like they did at “Newsies” a show which “Aladdin” resembles in tone and format. OLD FASHIONED. But “Newsies” had a better choreographer, so the dances were always innovative and snappy. NOT SAPPY, like they are here.

A LOT of dancing, isn’t necessarily GOOD dancing. It aspired to Bollywood. But Bollywood does this way better every time.

Adam Jacobs as Aladdin is almost the only saving grace of this painful experience. And they HAVE kept the original voice of the Evil Jafar, Jonathan Freeman, thank goodness! He’s reveling in his misdoings so much, I thought it was the great Peter Bartlett. But no, fear. It’s Disney, so this show is guaranteed to run at least long enough for Bartlett to replace him, when HE has a cardiac. Freeman, I mean, not Bartlett.I feared for his health too. It’s THAT kind of musical. It’s so over-done the cast seems literally to be killing themselves, because they have to work double over-time to hide the fact that THERE’S NOTHING THERE!

This show was so bad, so lacking in imagination I felt for the late lyricist Howard Ashman, who created the magical, moving movie cartoon “Aladdin” in the first place, and wrote the lyrics to the songs that have wisely been retained for this cartoon of a stage version. I felt like he was turning over in his grave.

And I felt sorry to for Alan Menken,too, the composer, who is still very much in the land of the living. Although “Aladdin” is just D.O.A. Dead. Dead. Dead.

Disney better be tuning up “Frozen”, and I’m sure they are.

I say Bring On Adele Dazeem!

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Jonathan Groff of “Glee” in Disney’s “Frozen”

The delightful Jonathan Groff of “Glee” is now voicing and singing one of the leads in Disney’s new animated holiday film “Frozen.” He plays the Norwegian Ice Man, Kristoff and also his reindeer Sven.
Jonathan is also starring in a new HBO series “Looking” debuting in January.

Editing ~ Kevin Teller

Oscars ~ After the NYFF, Where Did Everyone Land?

As the 51st Edition of the New York Film Festival, wound up tonight, where did all the Oscar seekers land? Who was helped? Who was hurt? Well, one thing is still sure. “12 Years a Slave” is STILL the front-runner and the one to beat emerging from this festival, where it also received its’ lion’s share of raves to match its’ tumultuous receptions at Telluride and Toronto. And it opens this coming Friday in theaters and expect the lion (NOT M.G.M.s) to keep on roaring.

“12 Years a Slave” depicts the horrors of slavery more completely and compellingly than any other film on the subject has been able to do. Oscar bound director Steve McQueen said “It is a film about a holocaust.” And it is. The moniker “The Black ‘Schindler’s List’” still aptly describes it, glib though that may be. And remember how many Oscars that dark, frightening, monumental film won!

But other things emerged at the NYFF, but not I think any other film that could topple “12 Years” from its’ front-runner status.

But Chiwetel Ejiafor saw competition to his Best Actor Oscar chances emerge from veterans Robert Redford and Bruce Dern, both 77. For “All Is Lost” and “Nebraska” respectively. Also Tom Hanks as well for “Captain Phillips” which opened the Festival. It’s clear now that ALL FOUR of these men are really seriously vying for the five slots. They may all get in. But so intense was the competition trying to take down Ejiafor (but assuredly not the Picture) that the rival film companies had all THREE of these films competing for red carpet time and media and audience attention by all playing on the same night! Tuesday!

I think that shows that Redford and Dern’s parties are especially scared. But this is particularly surprising in Redford’s case. He got a standing O and cheers galore from the audience at the NYFF, but I sense flop sweat. Ejiafor’s portrait of kidnapped slave Solomon Northrup is going to go down in history and is going  to be hard to beat. But clearly Redford’s crew has thrown down the gauntlet with this Tuesday night manuvering.

Some thought Hanks may not even squeeze into the top five, but Redford evidently is a sure-thing. But will he win?

Some say he’s giving the performance of his career, but if “All Is Lost,” a film with virtually no dialogue, tanks at the box-office that will be a different story. A sparse, intense drama at sea, which is well, exactly what “Captain Phillips” is, too. Uh-oh…

But “Phillips” killed at the box-office this past weekend. It was evidently smart to get it out immediately after its’ NYFF Opening Night stint. Where, like Redford, Hanks got a standing ovation. But who is in the better film?  It’s clearly Ejiafor.

And where does that leave Bruce Dern? Maybe in Supporting, if he’s smart. But I don’t think he’s smart. And the film is in Black and White, another hard sell.

These tiny, little gradations mean MUCH MORE than they’d usually mean in an ULTRA-tight Oscar race. Hanks was rumored to maybe even not get in!

But then again the box-office just spoke up on his behalf. And loudly.

Meanwhile, outside the NYFF, in the real world, “Gravity” was still breaking box office records and was even satirized on SNL on Sat. night. I can’t think of when a MOVIE, an Oscar-seeking movie was on SNL BEFORE the opening titles, this quickly! it’s become a pop cultural event and at barely 90 mins. running time, millions more people can see it and more quickly than any of the other film.

Who came a cropper at the NYFF? Ben Stiller’s “The Secret Life of Walter Mitty” which I quite enjoyed, but it’s slot as the prestigious Centerpiece film raised expectations and garnered the genial, funny film lots of negative reviews that its’ Oscar chances certainly didn’t deserve or need. I think it will make a lot of money and  family audiences will to it respond, too. It opens Christmas Day, which sounds perfect.

And “Inside Llewyn Davis” the latest from the much beloved Coen Bros? It seems to have gotten lost in the shuffle. So many films. SO little time

Meanwhile, waiting in the wings are “Saving Mr. Banks” about the making of Disney’s classic “Mary Poppins” which Jeff Wells of http://www.hollywood-elsewhere.com has announced that he’s going to fly over and see its’ London opening,, so he can scoop every one over here. Jeff, who’s been crazy about it, since he read the script, has been a big champion of it sight unseen and it co-stars Emma Thompson(who already has a two Oscars) and oh, him again, Tom Hanks (he’s also got two). Hanks could see himself in Supporting playing Walt Disney, which sounds like an Academy slam dunk, if ever there was one. But it could also diminish his “Captain Williams” shot at lead. Yes. It’s THAT competitive this year. Which is great, because it means that there are a lot of excellent films in the mix.

We shall see. I can’t wait for Jeff’s postings from London! But meanwhile, my (seemingly) endless journey of festivals is done. For the greater moment anyway. And I’ve seen a lot of good films this year. But nothing, NOTHING beats “12 Years a Slave.”

Oscar to Spread the Wealth! Final Predictions in All Categories!

I think Oscar is going to spread his love all over many movies on Sunday night at the Dolby pavillion, and there’s going to be at least one major upset. Read below.

This is NOT who I WANT to win, but who I think will win. Never did ALLLLL the categories before, but FINALLY this year, I think I can.

Best Picture ~  Argo ~ Slam Dunk. It even just won Best Foreign Film at the Cesars, France’s Oscars. Does any one else even have a chance? Would be the ultimate shock if that happened.

Best Actor – Daniel Day Lewis. Does anyone else have a chance? No. Wish it was Hugh Jackman, but…

Best Actress- Jennifer Lewis ~ She’s Hollywood’s future. Young, beautiful, shapely, funny. She’s got it all. A last-minute surge of Emmanuelle Riva for “Amour” is not gonna be enough. I think not enough people saw it. Believe it or not. But they ALLLL saw “Silver Linings Playbook.”

Best Supporting Actress ~Anne Hathaway. “Les Miz” Slam dunk. See Daniel Day-Lewis.

Best Supporting Actor ~ Robert De Niro “Silver Linings Playbook” He’s got the Weinstein Co. behind him full force. If for some unforseeable upset in Best Actress, meaning Riva OR Qu’venzhane Wallis(my pick. I would vote for her. I WOULD!) getting R. De Niro his third Oscar is where “Silver Linings Playbook” will prevail. It just went of $100 million just this past week.
But if ALAN ARKIN wins here for “Argo” you KNOW that “Argo” is going to win everything it’s nominated for, which it might. It’s not just gonna win Best Picture.

<p>Best Director ~ Ang Li “Life of Pi” Beautiful film, best use ever of 3D, and degree of difficulty make this a second Best Director win for the much loved director of “Brokeback Mountain”. That terrible night when “Brokeback” lost to “Crash” may make Ang Li winning again, a KIND of Karmic pay-back. Same thing happened to the late Heath Ledger, but he was gone, tragically, when he won for “The Dark Knight.” I just feel Heath steering Ang’s boat to shore here.

Best Original Screenplay ~ Michael Hanke “Amour” I think this is the big win for “Amour” like it was for Pedro Almodovar for “Talk to Her” a few years back.

Best Adapted Screenplay -Chris Terrio for “Argo”.Again. It’s going to be an “Argo” kind of night.

Best Cinematography – Claudio Mirando for his beautiful work in “Life of Pi”

Best Visual Effects- Again, “Life of Pi”

Best Costumes -Jacqueline Duran “Anna Karenina” Wish it was going to win more. Another beautiful, beautiful film that wasn’t appreciated as much as it should’ve been.

Best Production Design ~ “Les Miserables” ANOTHER Beautiful film that didn’t get its’ due. I’ve seen it FOUR times! It’s nominated for Best Picture, so I think it will win this category, which used to be called Best Art Direction. They like them big and dressy and period in this category.

Best Film Editing ~ William Goldenberger  for “Argo”. He also edited much of “Zero Dark Thirty” which I don’t think it going to get anything, unfortunately. Too much controversy.

Best Song ~ “Skyfalll” and Adele will blow the roof off the play. Especially if this loses to “Suddenly” from “Les Miz.

Best Score – Alexandre Desplat “Argo” AGAIN.

Best Sound Editing ~ “Argo” AGAIN.

Best Sound Mixing-“Les Miserables” No contest. The live singing was brilliantly mixed!That’s Sound Editing at its best. And how it was blended, later with a 60 piece orchestra! Incredible!

Best Animated Short – “Paperman” Disney’s first black-and-white cartoon since when? “Steamboat Willy”?

Best Live Action Short – “Buzkahshi Boys” The actual Afghan locations and child actors are breathtaking and heartbreaking. Revelatory. And director Sam French is a director/Rock-Star in the making. Alternately, it could be the only film in English, “Curfew” set in New York City. Which is the light-er funny one here. Sometimes that wins this. But who has heard the Afghan language actually as spoken dialogue in a film?

Best Documentary – SHOULD be “Invisible War” but probably will be the very popular “Searching for Sugar Man.”

Best Doc Short “Open Heart”

Best Animated Feature ~ “Wreck It Raplph”

And the biggest surprise upset? Could be if “Amour” does NOT win Best Foreign Film, yes! It could happen! And it goes instead to the feel-good high-seas adventure, Norway’s “Kon-Tiki>” How can that happen when “Amour” seems so locked and so acclaimed and awarded? It’s,as they say, a difficult sit. For “Amour” details in stark, sterile clarity the step-by-step deterioration of a Parisian married woman, Emmanuelle Riva’s acclaimed Ann, after a series of strokes. It’s NOT for the faint-of-heart, which the small, the VERY small and elderly group of Academy voters, who vote on Best Foreign Film, are noted to be.
Anyone who’s a member can vote, but they have to sign in at the screenings of ALL FIVE FOREIGN FILMS, to make sure they’ve seen them all. This also applies to Doc Shorts.

It used to be applicable to Animated and Live Action Shorts and Feature Docs, too, but for the first time this year, they’ve opened up the voting to all 6,000 Academy members and deluged them with screeners. So now, a new rule must be applied. The most popular film like “Searching for Sugar Man” is the likely win over the VERY serious “Invisible War.” Unfortunately.

That’s at least four or is it five for “Argo”? Four for “Les Miserables”,Three for “Life of Pi”,Two for “Silver Linings Playbook”,One for “Amour” and One for “Lincoln” 

 

Check back on Monday and see how right, or WRONG, I was! Have fun watching the Oscars!With “Les Miserables”, “Argo”, “Lincoln”, “Silver Linings Playbook”, “Django Unchained And “Life of Pi” alllll having past the $100 million mark at the box-office, this may be the most-watched Oscars in a very, very long time.

“Lincoln” is Boring Tweet Clarification

So, is it a Tempest-in-a-Teapot that was? Or was it the real deal? Super Critic Thelma Adams picked up my Tweet Delete story and confronted Lou Lumenick of the NYPost about it. on Facebook. Thelma, full disclosure, used to be one of the New York Posts film critics herself.

This is all regarding an article in the NY Post about a New Jersey viewer stumbling into a sneak peek preview of Steven Spielberg’s Oscar-seeking “Lincoln” which doesn’t open for another 7 weeks or so.

The viewer was incensed that it was so BOR-ING.

And Lou told Thelma, on Facebook, that yes, the story was up, and yes, the story went down, along with the rest of the New York Post yesterday, eividently and now, this morning his story, tweet and all are back up and readable at www.nypost.com  And no, DreamworksDisney did not make him do it. He has heard nothing from them he claimed.

Technical glitches do happen of course, even to major newspapers.

Jeffrey Wells was suspicious, nonetheless, and you can read his version of things at http://www.hollywood-elsewhere.com

I believe the film goer. A congressional procedural movie on the passing of a bill, however important, can be VERY dull to watch as politicians drone on and on…I get it. That IS dull. And if that is what the film is mainly about…well, it sounds like a history LECTURE, rather than a film. A MOVIE. It should MOVE.

According to this disgruntled film-goer it’s just dull, dull, dull.

Well, the trailer is dull, too.

The positive note that this viewer struck was the appreciation of Daniel Day-Lewis’s Lincoln, and Tommy Lee Jones and Hal Holbrook’s performances, too. Sally Field, as I reported, was roundly dissed as “mis-cast.”

And there you have it. That’s the story, folks. Read Jeff Wells. Read Thelma Adams. Read Lou Lumenick of the NYPost and you can make up your own minds about this.

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