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Posts tagged ‘Dame Maggie Smith’

Best Supporting Actress, Wide Open or Not?

sarah PaulsonRoonwy MARA 2Is this year’s Supporting Actress race wide open or not? I think the HFPA(Hollywood Foreign Press Association) who give out the Golden Globs, er, I mean, GLOBES, dynamited both the Best Actress race and the Best Supporting Actress races, by insisting that Rooney Mara for “Carol” and Swedish actress Alicia Vikander of “The Danish Girl” MUST be considered in lead.aLICIA vIKANDER1

And they are 100% right! Both are leading roles. However, after seeing how dismal Rooney Mara’s “Carol” turn is, and how GREAT Cate (the Great) Blanchett’s is in the title role, I think voters are going to have no trouble nominating Blanchett, and overlooking the sub-par Mara for “Carol.”

I would never have thought that yesterday. I had to see it to believe it. I mean, Mara did win Best Actress in Cannes, which I guess in this day and race really means nothing.

And since Best Actress is incredibly jammed already, there just may not be room for Mara AND Blanchett, and/or for Mara and Vikander, who gives a truly transcendent performance as the conflicted wife of a transitioning transgender man-to-woman in “The Danish Girl,” played brilliantly by probable nominee for Best Actor, and last year’s winner, Eddie Redmayne.

Brie Larson in “Room” and Saorise Ronan in “Brooklyn” SEEM locked and loaded as they say. And then there’s Blanchett in “Carol” and Vikander. With only one slot left for Carey Mulligan in “Suffragette” with Lily Tomlin’s “Grandma” and Charlotte Rampling’s “45 years” nipping at her heels. Never mind Dame Maggie Smith coming up fast on the outside for her glorious, smelly, homeless woman “Lady in the Van.”

So who is going to fill up the now empty Best Supporting Actress race?

Well, as I said before, I would love it if Sarah Paulson (above top picture) got nominated for “Carol.” Since the HFPA’s Edict of Nantes, they CAN’T nominate Rooney,in Supporting, they might just go far Paulson’s steely Best Friend and ex-lover of Carol. That would be great and people WILL get to see “Carol”. And see Paulson in it and how good she is.

Paulson was pretty stellar in “Twelve Years a Slave” wherein she horrified voters as the vicious slave-owners wife, who throws a glass decanter in future Oscar winner Lupita N’yongo’s face, scarring her for life.

And then there’s room for probable nominee screen legend Jane Fonda getting in for a five minute scene in “Youth.” I bet they are going to nominate her sight unseen because she is well, Jane Fonda.Jane Fonda Youth 1

I keep banging the drums for Parker Posey in Woody Allen’s “Irrational Man,” but no one seems to be listening to me. Posey has another juicy role coming up next year in Woody’s next opus. Maybe the Academy will wait for that role before they get on the Parker-Posey-is-now-legit(to us)-train.Itrational Man 2

I’ve mentioned before two look-alike blondes Elizabeth Banks and Rachel McAdams in, respectively, “Love and Mercy” and “Spotlight,” the front-runner at the moment for Best Picture. Both blonde beauties may have been pushed further inside the race than they ever might have been otherwise by the HFPA’s ruling on Mara and Vikander.Elizabeth Banks1Rachel McAdams1And let’s not overlook the wonderful Oscar perennial Laura Linney, who really holds Ian McKellan’s house and home(and picture) together as the put-upon drudge of a housekeeper in “Mr. Holmes.” If the voters view “Mr. H.” to see Sir Ian’s great nonogenarian detective, they’ll see how beautiful Linney’s work is opposite him. I thought people would forget this charming film and McKellan’s and Linney’s lovely work in it, but it seems they’re not.Laura Holmes 1And last but not least, you can never count out Dame Helen Mirren’s campier-than-thou take on the late real life gossip columnist Hedda Hopper in “Trumbo,.” who underneath her elaborate headgear was a ruthless red=baiter.Helen Mirren Trumbo

There’s nothing like a Dame as the ole saying goes. A rubric that AMPAS lives by. They’ve always have got to get a “sir” or a “dame” in there somewhere to give the evening class.

Have I left anyone out? Probably. But I’ll catch you up on these magnificent ladies on the flip side.

Is “Downton Abbey” Winding Down? Say It Isn’t So!

Downtown 1Oh no! Say it isn’t so! But could “Downton Abbey” one of the most beloved television series of all time be running out of…..steam? Time is marching on, all over the Crawley family, and well, when I saw that penultimate scene of SPOILER ALERT!!!!!

Carson proposing marriage to Mrs. Hughes, and her accepting! Oh no! I knew the end must be drawing nigh.

As we head into 1925, I just saw so many storylines being wrapped up by screenwriter/genius Julien Fellowes that…well, it was all just too much, and too obvious. Lord Grantham and his Lady wife, Cora, have accepted poor sorrowful Edith(whose always been crying heretofore)’s love child, Marigold, as one of their own. Tom, the Irish chaffeuur-turned-son-in-law is heading off to America with his daughter Sybbie. Rose has gotten married, to a Jew, who doesn’t look Jewish at all, and THEY are also headed off to the US.

Mrs. Patmore has bought her own Bed and Breakfast. And Lady Grantham has also accepted her new ladies’ maid, Baxter’s criminal past.

The Dowager (Dame Maggie Smith), grander and wittier than ever, spurned her Russian suitor’s request that they run away together. And Dear Cousin Isabel(Penelope Wilton) was also proposed to by Lord Merton, and she ALSO turned him down. And that as they say is that.

Beautiful executed costumed and performed by all concerned. Don’t get me wrong. And with a terrific gay story line this year for the loveless Thomas(the excellent Rob James-Collier) exposing even further the gay ills of his time, there WERE high-points and I enjoyed every gloriously gowned minute of it.

But then there was the perplexing situation that arose around last year’s rape victim, the stalwart Anna(Joanne Frogatt won a much deserved Golden Globe for it). It seems now SHE was suspected of killing her predator Green, throwing him under a bus in Piccadilly Circus. And in a mirror image of her equally stalwart husband Mr. Bates’s jail term in Season 3, the saintly Anna is now imprisoned(falsely we all know) and I just said “HOLT ON A MINUTE!”

Fellowes was needlessly re-cycling plots for his marvelous characters, and tarnishing them in the process. To have Anna dragged to jail. And then TWO marriage proposals for the two older ladies on the show, it was just too much of a red flag, saying that he’s winding everything up at Downton and/or running out of ideas.

And letting us all down lightly.

All good things must come to an end, and it is said that Fellowes has been offered a lucrative television deal here in the States for a series about the rich in  America at the turn of the last century called “The Gilded Age.” And he like the characters of Tom and Rose all have their sites set on America. Say it isn’t so!

“Downton Abbey” really raised the level of Series Television to new heights of excellence in every single category, but now it, like the British way of life and class system it portrays, is beginning to fall apart. Or at least getting slightly frayed around the edges.

I hope this isn’t true, but…

 

Another Oscar Hopeful Bites(the Dust) at TIFF “Maps to the Stars” Won’t Fly with the Academy

Well, “Maps to the Stars” which I saw yesterday at TIFF was hyped as an Oscar possibility. Best Picture and down the line, but after seeing it yesterday at a P&I screening I have to say, it’s over.

“Maps to the Stars” by the King of Canada, David Cronenberg has gone out of his way to insult Hollywood at every twist and turn of this dark, dark comedy thriller. And who am I to say that Hollywood  doesn’t deserve this harsh satirical treatment? It certainly does. But poor beautiful Julianne Moore, who is degraded in every way imaginable, certainly doesn’t. She’s a great actress, playing a neurotic, aging, delusional one. And she takes into her home a very creepy Mia Wasakowska(sp?) as a personal assistant from hell. Carrie Fisher herself, in a very funny cameo, foists Agatha on Moore,

But the denouement, which I won’t reveal here, is something the Academy just won’t stand for, and may not even nominate poor Moore,even in Supporting… Is the Academy going to nominate a performance by a poor actress who has a scene on the toilet where she has to pee and fart at the same time? I think not.

But Moore is magnetic and ultimately tragic, and she did win the Best Actress Award at Cannes this year for this abortion…but…peeing and farting…? WTF? When there are people to nominate in Supporting, like Patricia Arquette and Dame Maggie Smith, I think not.

There is also a Justin Bieber-like character in this, but really, his character and plot-like are pointless…All I can say is David Cronenberg has done “it” again.

And again, I’m typing this from the unbelievably quiet press room, where the only sound is typing. And the television broadcasting “The Judge”s press conference behind me on a large screen, but I’m not watching it.

More soon, I am so sure.

Live, more or less, from Toronto.

 

 

Oscar Disappointment “Boyhood” WAAAAY tooo long at 3 hours!

After the incredible reviews for “Boyhood”, I had my expectations high. Higher perhaps than they should’ve been. I was expecting to see The Second Coming.

At three hours, it was waaaay toooo long. I couldn’t wait for him to graduate high school and get the hell out of the house!  And then, set in Houston, it seemed we were going to be dragged through college with him (the University of Texas is a backdrop) as well.”Oh no!” I thought.

I was unfortunately feeling that sinking feeling of when is this going to be over???

The non-actor playing the central character Mason was OK in the child hood scenes where all he had to do was be a kid. But he was constantly being upstaged by his precocious and obnoxious older sister,Samantha, who turns out to be director Linklater’s daughter Lorelei! Who btw doesn’t look like either of her biological parents, who are played to the hilt,  and then some, by the more-remarkable-than- she’s=ever-been Patricia Arquette, in the role of her career, as Mason’s patient, loving mom, and Ethan Hawke, who holds his own, too, as Mason’s dead-beat dad.

The thing that astounded me throughout the film, however, was not simply the fact that everyone in it was really aging as they would in real life, but the incredible 12 year long dedication of Arquette and Hawke and all involved to director/writer Richard Linklater. This is his second time-lapse, if you will film. The other also with Hawke was the “Sunrise” trilogy, of which I only saw the last film, and was underwhelmed by that one, also. Of his recent films, I liked “Bernie” better.

I guess you had to see the other two first. I felt when I saw it that it would get no Oscar action. And it didn’t. The Gotham Awards and the Indie Spirits are where this film will clean up. As its’ doing at the box-office.

But Oscar, I don’t think so. It’s not a Best Picture picture. It’s more of simply a film stunt. And Ellar Coltrane as Mason is more of an absence than a presence, but I guess that’s what the director intended. As we SLOOOOWLY procede to Mason’s adolescence and his interest in photography grows and grows, we see something of the young filmmaker Linklater merging with the character. I would’ve liked to have seen more of that. It’s a film of tiny, small moments. I would’ve liked more substance.

Most successful is the painful portrait it paints of a dysfunctional single mother (Arquette) who is constantly drawn to drunken, abusive men. She drags her two children through three horrible marriages, and while accurate, paints a very bleak, bleak picture of American married life today.

As the daughter, Samantha bemoans the fact “that we have to move AGAIN!” every time one of Arquette’s marriages break up.

I found it depressing and disturbing rather than enlightening. And bourgeois beyond belief.

Oh well! On to the next Oscar front-runner that going to sink from over praise.

Linklater might get a Best Director nod, and perhaps win. And Patricia Arquette’s is the best written part. And she plays it wonderfully with warmth and intelligence and makes you realize this talented actress has been underestimated and under-utilized her entire career. Until now. She is so good she could be nominated in either category. Best Actress or Best Supporting Actress. But if she’s in Supporting she’ll be up against the likes of Dame Maggie Smith for “My Old Lady.”

She’s so good and is the performance that really stays with you, as she ages from cute-as-can-be hippie Mom, to a matronly, committed Psychology professor single mom with a degree, who is something like 15 pounds heavier. You  root for her all the way. And she gets the big Summing Up Scene at the end.

So while “Boyhood” like in real life has its joys, it is also something I couldn’t wait to get out of.

And as I was leaving this public showing of the film, I heard people with puzzled expressions on their faces saying “It was three hours!” and “It’s so ordinary.” That about says it all. Don’t believe the reviews. It’s a critics darling, clearly, but Oscar? I don’t think so.BOYHOOD 1But it might get SOMEthing big. Like Arquette winning Best Actress. Or even Linklater winning Best Direcot or Best Original Screenplay. I don’t think he’s ever won an Oscar before, so this clearly is his year. And every body likes him and Arquette, is very popular in Hollywood. They’ll get nominated. But Best Picture? No. It will go to a much bigger studio film. But Linklater could finally win Best Screenplay. He’s been nominated in that category before.

The childhood references  it revels in are going to be lost on the aged Academy members. this childhood wasn’t their childhoods. Harry Potter any one?

TIFF Announces 2014 Slate! Foxcatcher, Maps to the Stars, more

Foxcatcher 1Julianne Moore 1TIFF logo 1Imitation Game 1It’s a starry line-up as always as TIFF today announced its’ upcoming slate of Galas, which always take place at the Roy Thomson Hall, and formal dress is required, and Special Presentations, which almost always happen at the classic Elgin(pronounced “El Gin” with a hard “g”) theatre.

Three of the films I’m most looking forward to seeing are David Cronenberg’s “Maps to the Stars” which netted Julianne Moore the Best Actress award at Cannes,

Bennett Miller’s follow-up to “Moneyball” “Foxcatcher” which is about wrestling, not baseball, and the British WWII spy film “Imitation Game” with Benedict Cumberbatch( PBS’ Sherlock Holmes to many) as the lead character who is a closeted homosexual.

There are many, many films more that were announced today. Go to Sasha Stone’s invaluable Oscar site http://www.awardsdaily.com for more info. Toronto always has soooo many films, you can’t see them all.

One movie I’ve already seen, today as a matter of fact, was the Dame Maggie Smith, Kristen Scott Thomas & Kevin Kline starrer “Me and My Old Lady” with Dame Maggic pulling out all the stops in yet ANOTHER tour-de-force performance that is soooo good I’m glad they are including it at TIFF. She deserves it.

And so now, the Oscar Race officially begins! Could Dame Maggie surprise and make it into the Best Actress race? She certainly deserves it. She’s plays a 92-year-old English woman living in France.  And I’m SOOOO glad I saw it today!

 

 

 

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Downton Finale Tomorrow~Over So Quickly!

Downton Finale Tomorrow~Over So Quickly!

I guess it speaks to the excellence of its’ continued supremacy, ratings-wise and otherwise-wise. In every respect, “Downton Abbey” has continued its’ amazing level of suspenseful perfection all through its’ sublime Season Four. Yes! It’s almost over! It just flew by! It can’t be! Say it isn’t so! But tomorrow we experience a luscious, super-duper, two-hour(probably) finale! Centering around Lady Rose’s Coming Out as a debutante Ball and accompanying festivities.

What’s going to happen? What’s next? Well, for someone who watches every episode at least four times over, there are some hidden spoilers.

The finale will jump ahead a year. We know this because that’s what Lady Grantham revealed about her brassy American mother (Shirley MacLaine) and neer-do-well brother (Paul Giamatti)s returning to Downton for Rose’s Coming Out Ball, which also seems to be taking place at Buckingham Palace!

So a year from where we left off feeling awful about poor Edith’s pregnancy, she and Aunt Rosamund will have been long back from Switzerland, and presumably Edith’s sad unwanted unwed mother crisis will be long over. Aunt Rosamond( Samantha Bond) and the Dowager Countess of Grantham(Maggie Smith)’s scheme will have been successful in hiding poor Edith(the excellent Laura Carmichael)s shame. And I predict poor Edith will be sadder than ever.How much more bad luck can one person take?

The main question being will the vanished Mr.Michael Gregson ever turn up? He just may. But at the very last second and we’ll all have to wait til SEASON FIVE to see how this cliff-hanger turns out.

Bravo to Samantha Bond’s continuing development of Lady Rosamund Painsswick. Maybe next year she’ll even be listed in the show’s opening credit! And in her previous film life, in her youth, she used to be a James Bond girl!

It’ll be a year, too, that has gone by for the beleaguered Bates and Anna. And though the villainous valet Green will be long gone, the mystery of how he fell into the traffic on Picadilly, may be revealed. Or maybe that will be left til next season, too.

But be sure about it, Julian Fellowes will see that SOMEthing major happens to Anna and Bates, who now have replaced Matthew and Mary as the series unlikely but main love interest.

Penelope Wilton’s Cousin Isobel instead of being shunted aside and neglected after her only son Matthew’s tragic death seems to have become a more important character than ever. And in her own right. And she seems to have two prospective suitors in the good village Doctor Clarkson and also Mary’s godfather, Lord Whathisname, who sent her flowers on the last episode.

Wilton is a marvelous foil for the ever brilliant Maggie Smith. Watching the two of them constantly duel with each other, verbally, is a delicious delight of this and all the other seasons.

My fave Thomas (Rob James-Collier) has not had a lot to do this season so far. He’s not had another gay love interest, at least not yet. Jimmy(Ed Speelers) is still there, but nothing at all has happened between them and since the dastardly O’Brien’s abrupt departure, he’s not really had an ally downstairs. The new ladies maid Baxter seems taken up with Mr. Mosely now, of all people. It’s a touching twosome that Thomas doesn’t like for one second. He’ll be sure they don’t last.

If anybody seems poised to stir up more trouble for Bates and Anna, it’s him. With his insatiable curiosity about what’s happening in Downton, he won’t stop til he gets to the bottom of, well, everything. And ANYthing. He knows something has happened, but he doesn’t know what. But dollars to donuts he’ll find out in this episode.

And the great Shirley MacLaine’s proclamation that she now has no ladies maid may usher in Baxter’s quick exit a la O’Brien last season. Julian Fellowes doesn’t drop these juicy plot hints for nothing. And is Lady Susan, Rose’s hated mother going to return for her Coming Out? And O’Brien with her? Will Shrimpy, her father attend? I think that some of them might turn up. My money’s on Shrimpy.

And what will happen to Mary and her many beaux? My prediction. Nothing. Love Mary’s ascendance to be a take- charge, no-nonsense business woman in the running of the estate.It totally fits with her bossy personality. I don’t see either Lord Gillingham or either for the other two making any impact on Mary’s now-frozen assets. She’s turning into an Ice Queen, but it suits her.

It’s funny to note how Dan Stevens’ departure(and Matthew Crawley’s violent sudden death in a car crash at the end of Season Three) has not really slowed down Downton’s plot or appeal whatsoever. There are, after all, nearly 20 other characters to pick up the slack, and they are all excellent actors.

Bates and Anna, I feel, and their rather incredibly dark storyline this season, involving Anna’s rape, has certainly carried and dominated and propelled the season and provided Anna (Joanne Frogett) and Mrs. Hughes(Phyllis Logan) with many tremendously juicy scenes to play. And of course, Brendan Coyle as Bates is marvelous suggesting menace of all sorts. He’s almost turning in to a kind of Bill Sykes figure.

Bill Sykes was the terrifying villain in Dickens “Oliver Twist”. But we love Bates, er, don’t we?

Stay tuned. To be continued FOR SURE. I think they’ve already started shooting Season Five in London!

“Downton” goes dark. As in Serious.

Dear Cineastes, dear readers,and fans of great television everywhere, I must put up a sort of spoiler warning in that Episode 2 of Season 4 is going to take the whole series in a serious direction and that none of you will have seen coming.

Episode One is all tea cakes and roses compared to what’s happened now that we’ve seen Episode Two.

If you thought the sadness of Lady Mary and her mother-in-law Isobel Crawley and sad-sack Mosely’s reactions to their grief over Matthew’s death was tough stuff, you ain’t seen nothin’ yet, folks.

Ladies and gents my hat is once again off to the great writer Julian Fellowes for throwing us a curve ball of well, WRECKING ball proportions.

I’m not going to say what happened tonight. It spoils it if you know it’s coming. I knew SOMEthing was coming and it was soooo big and sooo bad that no one who’s seen the show (in England) would reveal it. So I will continue on in that silence.

But let me just say it was ANOTHER masterfully written scene, or series of scenes, where there is a great house-party, the likes and size of which we’ve not yet seen on “Downton.” Sumptuous. And it’s because Dame Nellie Melba has come to Downton Abbey to give a recital. I’m not quite sure why she came, but embodied beautifully by Dame Kiri Te Kanawa, it’s an episode that will never be forgotten.
Because, well, it’s not Dame Kiri’s fault…but no. I’ll say no more.

However EW did let something slip in its Downton Abbey Special Issue, about Episode 2, so I knew SOMEthing BIG was about to explode. And they let slip WHO it was happening to. But I won’t even go that far. You’ll just have to watch it online or on your PBS local station that may not yet have aired it.

Like for instance, in NYC, WLIW is not airing til tomorrow night. And I won’t be home in time to watch it AGAIN.

It’s something abrupt and unexpected. Coming completely out of the blue. And well, it’s shattering and VERY disturbing and beautifully played by all involved.

I guess you COULD say if you think that the excellent actress who plays Mrs. Hughes has not been sufficiently challenged so far, trust me, from now on, SHE IS. Oh god! What is her name???

Holt on a minute! I’ll go look it up!

Phyllis Logan! It’s PHYLLIS LOGAN! And it doesn’t happen to HER, but she becomes dreadfully involved in the event, and this is going to play out FOR THE WHOLE REST OF THE SEASON. Mark my words. THIS is now the main story line. It will overwhelm everything else.

Until of course, the wild mind of Julian Fellowes comes up with something equally amazing. Which I’m sure he will.

Well, done! Kudos to all! And it just means you CAN’T MISS AN EPISODE!!!

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