a.k.a. "The Oscar Messenger"

Posts tagged ‘Dame Judi Dench’

Dame Judi Dench to Play Queen Victoria ~ AGAIN!

Judi Dench as Elizaberth 1This is very exciting news! Academy Award Winner Dame Judi Dench is set to play Britain’s Queen Victoria in a new film produced by Focus Features, directed by Oscar Nominee Stephen Frears. It’s called “Victoria and Abdul.”This is the news from Kristin Carag, the publicist of the film, who just sent me this exciting press release. I thought I’d print all of it for you.

Judi won an Oscar for playing Queen Elizabeth 1(pictured above) in “Shakespeare in Love.” And the last time she played Queen Victoria in “Mrs. Brown”, she got Oscar nominated, but didn’t win. I think in all she’s received something like six nominations as detailed below.

Like Audra McDonald with the Tonys, and Meryl Streep with the Oscars, every time she does something of this magnitude, she gets a nomniation. Sasha Stone has a saying “Never underestimate Judi Dench.”Judi Dench in Mrs. Brown 1

DAME JUDI DENCH TO STAR FOR DIRECTOR STEPHEN FREARS

IN VICTORIA AND ABDUL

 

FOR IMMEDIATE RELEASE

 

LONDON, June 17th, 2016 – Academy Award winner Judi Dench will star as Queen Victoria and Academy Award nominee Stephen Frears (The Queen) will direct Working Title Films’ Victoria and Abdul, to which Focus Features will hold worldwide rights as part of the company’s renewed global initiative. The movie is slated to go into production this year for a 2017 release. Focus will release the movie domestically and Universal Pictures International will distribute the film around the world. Victoria and Abdul is being co-financed by Focus in association with BBC Films.

 

The screenplay of Victoria and Abdul is by Lee Hall, an Academy Award nominee and Tony Award winner for Working Title’s Billy Elliot; and is based on Shrabani Basu’s book Victoria & Abdul: The True Story of the Queen’s Closest Confidant.

 

Victoria and Abdul was developed by Beeban Kidron and Lee Hall at Cross Street Films with BBC Films, and is being produced by Ms. Kidron, Academy Award nominee Tracey Seaward (The Queen), and Working Title’s co-chairs Tim Bevan and Eric Fellner. Mr. Bevan and Mr. Fellner have produced several Working Title movies for Focus release, including the Best Picture Oscar nominees Atonement and The Theory of Everything.

 

The film tells the extraordinary true story of an unexpected friendship in the later years of Queen Victoria’s remarkable rule. When Abdul Karim, a young clerk, travels from India to participate in the Queen’s Golden Jubilee, he is surprised to find favor with the Queen herself. As the Queen questions the constrictions of her long-held position, the two forge an unlikely and devoted alliance with a loyalty to one another that her household and inner circle all attempt to destroy. As the friendship deepens, the Queen begins to see a changing world through new eyes and joyfully reclaims her humanity.

 

Ms. Dench will be playing Queen Victoria for a second time in Victoria and Abdul, having been Oscar-nominated for her previous portrayal in Mrs. Brown. She won her Academy Award for portraying Queen Elizabeth I in Shakespeare in Love; and later received Best Actress Oscar nominations for her performances in Mr. Frears’ Philomena, also a Best Picture Oscar nominee, and Mrs. Henderson Presents.

 

Victoria and Abdul reunites Working Title with Ms. Kidron, Mr. Frears, and Mr. Hall. Working Title has made five previous projects with Mr. Frears; and has made multiple films with Ms. Kidron and Mr. Hall, including Bridget Jones: The Edge of Reason and the global hit Billy Elliot, respectively.

 

Christine Langan, head of BBC Films and executive producer of Victoria and Abdul, said, “BBC Films is delighted to have supported Lee Hall’s terrific script and extremely excited to be back in business with the winning combination that is Stephen Frears and Judi Dench.”

 

Focus chairman Peter Kujawski commented, “It is a true privilege to collaborate with the great Stephen Frears and the legendary Judi Dench to tell this story of discovery, and it is always an event when Tim and Eric make a film that promises to move and delight audiences around the world.”

 

Tim Bevan and Eric Fellner have been co-chairs of Working Title Films, one of the world’s leading film production companies, since 1992. Working Title has made more than 100 films that have grossed over $6 billion worldwide. Its films have won 12 Academy Awards (for Tom Hooper’s Les Misérables and The Danish Girl; James Marsh’s The Theory of Everything; Tim Robbins’ Dead Man Walking; Joel and Ethan Coen’s Fargo; Shekhar Kapur’sElizabeth and Elizabeth: The Golden Age; and Joe Wright’s Atonement and Anna Karenina), 39 British Academy of Film and Television Arts (BAFTA) Awards, and prizes at the Cannes and Berlin International Film Festivals.

 

Mr. Bevan and Mr. Fellner have been honored with the Producers Guild of America’s David O. Selznick Achievement Award in Theatrical Motion Pictures, the PGA’s highest honor for motion picture producers. They have been accorded two of the highest film awards given to British filmmakers: the Outstanding British Contribution to Cinema award at the BAFTA Awards, and the Alexander Walker Film Award at the Evening Standard British Film Awards.  They have also both been honored with CBEs (Commanders of the Order of the British Empire).

 

The company’s commercial and critical hits include The Interpreter, About a Boy, Notting Hill, Elizabeth, Fargo,Dead Man Walking, Bean, High Fidelity, Johnny English, Billy Elliot, Four Weddings and a Funeral, Bridget Jones’s Diary, Bridget Jones: The Edge of Reason, O Brother, Where Art Thou?, Love Actually, Shaun of the Dead, Pride & Prejudice, Nanny McPhee, United 93, Mr. Bean’s Holiday, Hot Fuzz, Elizabeth: The Golden Age, Burn After Reading,Frost/Nixon, Atonement, Senna, Tinker Tailor Soldier Spy, Anna Karenina, Les Misérables, I Give It A Year, About Time, Rush, The Two Faces of January, Trash, The Theory of Everything, Legend, Everest, The Programme, The Danish Girl, Grimsby, and Hail, Caesar!

 

Working Title’s upcoming slate includes Bridget Jones’s Baby, directed by Sharon Maguire and starring Renée Zellwegger, Colin Firth, and Patrick Dempsey; The Snowman, directed by Tomas Alfredson and starring Michael Fassbender, Rebecca Ferguson, and Val Kilmer; and Baby Driver, directed by Edgar Wright and starring Lily James, Ansel Elgort, Kevin Spacey, and Jamie Foxx.

 

Focus Features (www.focusfeatures.com) acquires and produces specialty films for the global market, and holds a library of iconic movies from fearless filmmakers. In addition to Victoria and Abdul, upcoming domestic releases from Focus include Kubo and the Two Strings, the new family event movie from animation studio LAIKA, directed by Travis Knight with a voice cast that includes Charlize Theron, Art Parkinson, Ralph Fiennes, Rooney Mara, George Takei, Cary-Hiroyuki Tagawa, Brenda Vaccaro, and Matthew McConaughey; Colin Trevorrow’s The Book of Henry, starring Naomi Watts, Jaeden Lieberher, and Jacob Tremblay; Tom Ford’s drama Nocturnal Animals, starring Amy Adams and Jake Gyllenhaal; the real-life story of heroism The Zookeeper’s Wife, directed by Niki Caro and starring Jessica Chastain; the action spy thriller The

Coldest City, directed by David Leitch and starring Charlize Theron and James McAvoy; J.A. Bayona’s visually spectacular drama A Monster Calls, starring Sigourney Weaver, Felicity Jones, Lewis MacDougall, and Liam Neeson; and Jeff Nichols’ Loving, based on the love story of Richard and Mildred Loving, portrayed by Joel Edgerton and Ruth Negga, which world-premiered at the 2016 Cannes International Film Festival.

 

Focus Features and Universal Pictures International are part of NBCUniversal, one of the world’s leading media and entertainment companies in the development, production, and marketing of entertainment, news, and information to a global audience. NBCUniversal owns and operates a valuable portfolio of news and entertainment television networks, a premier motion picture company, significant television production operations, a leading television stations group, and world-renowned theme parks. NBCUniversal is a subsidiary of Comcast Corporation.

#        Judi Dench                                                                    #      Dame Judi Dench #Shakespeare in Love, #Oscar, #Queen Victoria, #Victoria and Abdul, #Focus Features                                                                #

 

 

Contacts:             Adriene Bowles/FOCUS FEATURES                          Cathy Dunkley

adriene.bowles@focusfeatures.com                                      cathy.dunkley@freuds.com

 

 

 

 

 

 

 

 

Kirstin Carag

Director of Digital PR

Focus Features

1540 Second Street, Suite 200

Santa Monica, CA 90401

424-832-5573

 

 

 

Advertisements

Cate Blanchett’s Oscar Suddenly in Trouble?

No sooner had I typed the words “There’s nothing that can stop Cate Blanchett’s March to the Oscar” when there appeared in The Hollywood Reporter http://www.hollywoodreporter.com that indeed there WAS something. Something awful. And there’s been volley’s and cross-fires on http://www.awardsdaily.com and also http://www.hollywood-elsewhere.com All are now essential reading. 

But the definitive piece, I think is http://www.showbiz411.com/2014/02/01/mia-farrow-uses-close-pal-journalist-in-woody-allen-war-writer-of-latest-piece-is-close-friend

By Roger Friedman.

You, dear readers, dear cineastes, can make up your own minds. I am more with Roger Friedman on this.

First the timing of the piece, right in the supposedly “Quiet period”, the two week before the AMPAS voters get there ballots. And the attaching of Cate Blanchett to this horrible story. The NBC news last night ran it with 20-year-old footage of Allen with the police, etc. etc. He had red hair in all the shots of him, that’s how old it was. But they didn’t link the story, with Cate Blanchett and “Blue Jasmine.”

While if you believe Dylan Farrow’s detailed account of her molestation by Allen, did she wait all these years to release this new salvo, and come out of the shadows, just now, when Cate Blanchett is poised to win yet another Oscar as one of Woody’s Great Roles of Women. “Midnight in Paris” won him ANOTHER Oscar last year for Best Original Screenplay and nothing was said. But now to attack and involve Cate Blanchett in this??? Smacks of another actress’jealousy, an actress who DOESN’T have an Oscar, and is probably never going to get one, and I’m looking at you, Mia Farrow.

Will this affect,, however Cate Blanchett’s Oscar win? Well it might and it might not. Look, the Academy awarded Roman Polanski Best Director for “The Pianist” and also it got Best Actor for Adrien Brody, in an unexpected (but not by me, who predicted it) on my TV show)win for Best Actor. But then again, it might. 

As I said in my previous post here on this blog, the BAFTAS are really going to tell the tale. And who would be the primary recipient of this really sad situation? I think it’s not Amy Adams, who gave one of the worst performances of her career in “American Hustle”, but 77-year-old Dame Judi Dench, who is also nominated in that category for “Philomena”. AND she’s got Harvey Weinstein behind her, and the Weinstein Co.behind her.AND she’s going blind.

But I don’t think this will have any impact at all on the innocent party in this Cate Blanchett. If the Academy Awarded Roman Polanski, who really was at the center of HIS scandal from the ’70s, they’ll award Cate Blanchett who has nothing to do with this.

 

Image

And the Oscar Goes to…

And the Oscar Goes to...

Well, it’s a little premature to say that but that indeed is the name of the marvelous documentary by Jeffrey Friedman and Rob Epstein that was commissioned by TCM, Turner Classic Movie, for this marvelous month they have every year entitled ’30 days of Oscar.”

It started airing tonight and its essential viewing for all you Oscarologists out there. glamorous, gorgeous, sumptuous, moving, extremely well-costumed and all the adjectives in between “And the Oscar Goes to…” delights for its’ nearly two-hour length.

New to me, the fact that the Academy used to hand out its’ list of winners to the press BEFOREHAND until in 1940, the L.A. Times really jumped the gun and published that year’s information WAY too soon. Henceforth, AMPAS turned its’ tabulations over to Price, Waterhouse, now Price, Waterhouse, Cooper, the accounting firm that has kept the Oscars honest(and top secret) to this day.

Having an awards show without suspense is a rather dreary prospect, and since those days suspense has been an important ingredient in the Oscar season. VERY important. Who’s going to win? Is the big question that is on my mind and Sasha Stone’s mind, and Tom O’Neill’s mind, and David Poland’s mind all year long. And on Harvey Weinstein’s, too, I daresay.

So as we await the Writer’s Guild winners tonight, I can breathlessly say that yes, even mighty http://www.goldderby.com has changed its’ collective mind over what’s going to win Best Picture. Tom O’Neil agrees with Tariq Khan in one of their entertaining podcasts that they both think that “12 Years a Slave” is now going to win Best Picture. Which is what I’ve been saying ever since I saw it in Toronto.

Nothing is going to upset Cate Blanchett’s continuing March of Triumph to Best Actress. UNLESS something shocking happens at the BAFTAS in two weeks. Dame Judi Dench could upset there as the incredibly sympathetic “Philomena”. In fact, the BAFTAS could throw a monkey wrench into a LOT of Oscar campaigns. Like for instance, if Chiwetel Ejiafor wins there, and as a highly regarded British actor, he probably will for his historic portrayal of Solomon Northup, the black man who was kidnapped and spent “12 Years a Slave” prior to the Civil War.

Mathew McConaughey, and also front-runner in Best Supporting Actor Jared Leto, both Oscar nominated for their tremendous work in “Dallas Buyers’ Club” are not even nominated AT ALL for the BAFTAS, so neither can win. And if Ejiofor makes the Speech of Speeches which I think he will…look out, Matthew McConaughey!…

And Michael Fassbender could do the same thing, since he’s nominated,for Best Supporting Actor, and Jared Leto isn’t. Fassbender, of course, plays the evil slave owner Epps. And I’m just betting that the BAFTAS could turn the Oscar race upside own.

And Britisher Steve McQueen will probably win there as Best Director and not Alphonso Cuaron, who won the DGA award for directing “Gravity.” All three of these astoundingly talented men could win and probably will win at the BAFTAS.

So Oscar LOOK OUT!

And as everyone seems to be picking up on Lupita Nyong’O’s star continues to rise and rise in Best Supporting Actress.There’s nothing that can stop her. And I predict she’s a slam dunk for the BAFTAS, too.

So in this quiet period before the BAFTAS happen in London, treat yourself to “30 Days of Oscar” on TCM and don’t miss “And the Oscar Goes to…” Check out the full schedule at http://www.tcm.com

Video

Oscar Nominees! Steve Coogan & Jeff Pope for Best Adapted Screenplay for “Philomena”!

Here’s the uber-talented Steve Coogan, who I just spoke to not three weeks ago, nominated this morning for “Philomena” for Best Picture (he’s one of the producers) and also Best Adapted Screenplay (with Jeff Pope), bright and early Oscar morning via Satellite from Hollywood.

Editing ~ Kevin Teller

Oscar Shocker! PGA nominates no Weinstein films nor “Llewyn Davis”!!!

Color me shocked! The PGA, probably the most powerful Hollywood Guild these days, in terms of being an Oscar precursor nominated ten films but NONE of them from the Weinstein Co. Harvey’s head must be exploding this morning. No “Philomena”, no “Butler”, no “Long Walk to Freedom”, no “August:Osage County.” Also no “Inside Llewyn Davis” which really bums me out, having just seen it again last night and found it exhilarating.

This means none of those films will be nominated for Best Picture, most likely. But Harvey being Harvey won’t allow this situation to remain status quo. Watch “Philomena” his strongest film kicks out “Her” my guess. And for all the possible acting nominees from all these films, this is not good news either. Forest Whitaker, Oprah,Idris Elba, Meryl Streep, Julia Roberts, but probably not the great Judi Dench are all now officially on the ropes, vulnerable.

Harvey will just work harder. Which is what he does best. I can’t remember him having such a bunch o’ bad news.But nothing stops him. NOTHING. ONE of his films will get into the Academy’s top ten.

And “Llewyn”s being left out makes me very sad…

Below are the ten nominees. Thankfully “12 Years a Slave” is right where it should be. But surprisingly they nominated “The Wolf of Wall Street”!!! And the disliked “Saving Mr. Banks”!!! The power of Disney…And the super tech-y “Her” which I didn’t think would be to their taste. The Director’s Guild nominations are coming up too on Tuesday. Stay tuned.

Thanks to http://www.hitfix.com for this list ~~~And check out Kris Tapley’s EXCELLENT analysis on what all this means. Can’t wait for him and Anne Thompson to do their Oscar Talk podcast, but I’m guessing they’ll wait until after the DGA on Tuesday and BAFTA on Thursday. They’ll have one up next Friday I bet.

Kris, who like myself, is a big “Llewyn”/Oscar Isaac fan (as are Sasha Stone http://www.awardsdaily.com and Jeff Wells at http://www.hollywood-elsewhere.com) thinks there’s still hope for ILD with a lot of Coen Bros. fans in the Academy. If they nominated the less relatable “A Serious Man”, they’ll nominate “Llewyn Davis.”

Here’s the list below~

“American Hustle (Columbia Pictures)
Producers: Megan Ellison, Jon Gordon, Charles Roven, Richard Suckle

Blue Jasmine (Sony Pictures Classics)
Producers: Letty Aronson, Stephen Tenenbaum

Captain Phillips (Columbia Pictures)
Producers: Dana Brunetti, Michael De Luca, Scott Rudin

Dallas Buyers Club (Focus Features)
Producers: Robbie Brenner, Rachel Winter

Gravity (Warner Bros. Pictures)
Producers: Alfonso Cuarón, David Heyman

Her (Warner Bros. Pictures)
Producers: Megan Ellison, Spike Jonze, Vincent Landay

Nebraska (Paramount Pictures)
Producers: Albert Berger, Ron Yerxa

Saving Mr. Banks (Walt Disney Studios Motion Pictures)
Producers: Ian Collie, Alison Owen, Philip Steuer

12 Years a Slave (Fox Searchlight Pictures)
Producers:  Anthony Katagas, Jeremy Kleiner, Steve McQueen, Brad Pitt & Dede Gardner

“The Wolf of Wall Street (Paramount Pictures)
Producers: Riza Aziz, Emma Koskoff, Joey McFarland

 

“12 Years a Slave” wins the People’s Choice Award at TIFF’13!

“12 Years a Slave” has just won the People’s Choice Award as final act of TIFF’13. It begins now it’s long, or maybe not so long, march “Slumdog Millionaire”-like march to the Oscars, which this year are now in yes, March.

I can’t seeing any other film toppling this lacerating, traumatic masterpiece. Critics groups will fall in line and award it left, right and center in the coming months. Nothing can stop it. It’s like finally the truth is being told about this awful topic, slavery. Even with a black president, Americans feel they have put slavery behind them, and this great film is so revelatory, so shocking, it clearly shows that it hasn’t.

The depths of horror,inhumanity and mutilation this film reveals are the only things standing in the way of its’ being showered with Oscars. Will audiences stay away or flock to it? How often does a genuine masterpiece come along at TIFF? The last time I experienced this at TIFF was when “Brokeback Mountain” broke there and changed the world.

“12 Years a Slave” had that impact that set Toronto reeling, too. And Brad Pitt, who produced this, comes on at the end as a Canadian(!?) and sets the abolitionist wheels in motion in the final act of the film. Solomon Northup is so beaten down at the end when he meets Pitt, that he is almost afraid to mention that he knows where Canada is and has been there, too. And Pitt’s character is astonished to find “a no-account, illiterate darkie” can speak, read and write. And travel. And Pitt will win his first Academy Award as the Producer of this stupendous film.

Chiwetal Ejiofer should win Best Actor for the hell he makes real in this movie. And Steve McQueen should be the first Black man (no, he’s not an African-American. He’s British!) to win an Oscar for Best Director and it’s about time, too!

There will be many, many awards in this great films’ future. The most difficult thing will be convincing audiences to endure the brutality of it’s two and half hour plus length. There is a happy ending as the title implies. And there will be a really happy ending for all involved with this film.

Coming in second is “Philomena” which is great good news for The Weinstein Co., showing them which really of their many, many movies this Oscar season is the real crowd-pleaser. I saw it, too, at TIFF, and loved it. Dame Judi Dench as the immensely sympathetic title character will no doubt garner another Best Actress nomination. Could she win? Well, Harvey had her over here to the Oscar rodeo before with “Mrs. Henderson Presents” and “Iris” but his magic got her a nomination but not a win. She won previously for her 12 minutes as Queen(Elizabeth I) in “Shakespeare in Love.”

And “Prisoners” which I am seeing Tuesday night back here in NYC came in third. I always wish I could stay at TIFF til this moment when they have a luncheon that announces this. but as usual I am back now in NYC. Oh! And the New York Film Festival starts TOMORROW!

Oscars at TIFF~ “12 Years a Slave” & “Gravity” Both will win major awards!

Overwhelmed by all the great movies I saw at TIFF’13 this week, but two stood out as already dominating the Oscar conversation. “12 Years a Slave” and “Gravity.” Is it too early to say the race for Best Picture and Best Director is over? No. It’s not. The Academy can not deny “12 Years a Slave” one of the best films I’ve ever seen, or will ever see, one of the greatest films of all time, will win Best Picture and its’ director Steve McQueen, will become the first ever black man to win an Oscar in that category. Thus breaking the age-old tradition of awarding only white men(Exceptions – Kathryn Bigelow & Ang Lee {twice}).

It will be given a run for its’ money by “Gravity” Alphonse Cuaron’s dazzling 3D epic of Sandra Bullock and George Clooney lost in Space. It will win every technical award it’s nominated for but I think the real surprise here is Sandra Bullock, who is basically the ONLY character in the entire movie. It’s a one-woman show, and she’s giving the performance of her life, and will certainly be nominated for this breath-taking solo achievement that no one, including myself, ever thought she was capable of. She will definitely be nominated for Best Actress and I will go one step further. If ANYONE can upset Cate Blanchett’s Oscar chances in that category, it’s Sandra Bullock.

Are they really going to give an Oscar to an actress playing RUTH MADOFF?!? Blanchett’s triumph is that she makes this extremely unlikable, maybe even vile, woman sympathetic, but is she THAT sympathetic? I mean, you’re left at the end with an utterly unpleasant taste in your mouth.

Whereas when Sandra Bullock(SPOILER ALERT!) kisses the earth in “Gravity” and stands up and proudly walks on that beach, I thought “OMG! She’s going to win another Oscar!” And in a year that is shaping up as having ONLY former winners nominated(Blanchett, maybe Streep, maybe Julia Roberts, maybe Judi Dench and maybe Kate Winslet), Bullock STILL America’s sweetheart pulls off a cinematic achievement in that except for the very brief George Clooney, she’s the ONLY  PERSON IN THE ENTIRE PICTURE. SHE HAS TO CARRY THE WHOLE THING, and YOU LOVE HER! She’s utterly sympathetic and Cate Blanchett’s triumph is that she’s NOT, but Bullock’s Dr. Ryan, you just love and want to get back to earth, and I think the actors branch as well as the below-the-line voting members are going to acknowledge that unique one-woman achievement.

Angelina Jolie and Natalie Portman passed on this role. And I think they are going to regret it when Sandra Bullock wins her SECOND (unbelievable!) Best Actress Oscar, a sentence I never thought I’d be typing!

Tag Cloud

%d bloggers like this: