a.k.a. "The Oscar Messenger"

Posts tagged ‘Concentration Camps’

Oscar, Oscar, Who’s Got the Oscar(Buzz)? Geza Rohrig, anyone? Don’t laugh! It could happen!

son of saulArmy of OscarsI can’t remember a year when Oscar was so upside down and backwards. And maybe that’s a good thing. Since when has Best Actor been skimpy and Best Actress so jammed?!? I can’t remember when, if ever, this hMatt Damon 1as not happened before. Simply. Something new under the Hollywood sun and how rare is that?

What the Tom Toms are beating is that Michael Fassbender and “Steve Jobs” are currently dying the Oscar death, being yanked mid-run from so many theaters across the country that it’s almost uncountable. Just go and and try to find that movie tonight at a theater near you. Nobody’s going. Where are they? They’re all having a grand ole time at “The Martian” which even in Imax and 3-D is still playing everywhere, and Matt Damon is going to be nominated for Best Actor and director Ridley Scott could win Best Director.

Matt has never won Best Actor, although he did win way back when he was a mere slip of a lad for co-writing the Best Screenplay with best bud Ben Affleck for “Good Will Hunting.”

But Matt has some stiff competition from Eddie Redmayne in “The Danish Girl” which is just about to explode into cinemas as “Steve Jobs” hastily departs. Also Michael Fassbender will NOT campaign. And Matt Damon and Eddie Redmayne are EVERYWHERE. Or soon will be. At every Hwood party and gathering that they can possibly get into, charming everyone, everywhere.Eddieandlilli

And then there’s the darkest of dark horses in one of the Best Films of All Time, never mind this year.It’s Geza Rohrig, the unknown Hungarian actor. who is playing the title role in the just-about-to-be-released masterpiece “The Son of Saul.” Don’t laugh! It COULD happen!

The Academy has a thing about nominating unknown foreigners. Hell, they even sometimes WIN, like Jean DuJardin in “The Artist.” Or Luise Rainer in “The Great Ziegfeld” way back when. It’s an Academy tradition.

I’ve heard that Sony Pictures Classics, who has the magnificent, smart honor of releasing “Son of Saul,” is going to throw everything including the kitchen sink at it, Rohrig, Best Picture and Best Director, too for Laszlo Nemes. It’s his first feature. He’s got a great story to tell, and so do his cinematographer Matyas Erdely and particularly his sound editor and sound mixing team. It was in post-production for something like five years!.

And this is also Rohrig’s first film. He’s a 39-year-old poet, of all things, who lives in Manhattan.

Did I say it’s set in the middle of the Halocaust at the Auschwitz-Birkenau concentration camp? Since this incredibly tight close-up is ALWAYS (or almost always) focused on Rohrig’s desperate face, he’s front and center EVERY second of this darkest of dark films. It may be considered the best film ever made on the Holocaust.And Rohrig carries it.

Rohrig’s painful, gut-wrenching performance will be hard for Academy members to ignore. His ravaged. savaged face IS the whole fllm. And since we never see much outside of his peripheral vision, we HEAR it! And it’s blood-curdling. As he, Saul, a Sodocammadant, a Jew, who has to do all the dirty work that no one else will do. He has to herd the Jewish victims to their deaths, slamming the gas chambers doors on them,listening to their screams, then quickly taking all “the pieces” as they call the bodies out, and scrubbing the floors clean so the next group won’t see any of their blood.

It’s going to score in soooo many categories its’ going to make pundits heads spin, who’ve left him, and it, off most of their current lists. It won the Grand Jury Prize at Cannes, the Vulcan award for sound design, the Francois Chalais prize, and the Fipresci. How can the Academy ignore these distinctions?

Watch out of “Son of Saul” is all I can say. To ignore it’s profound achievement is to ignore what is going to soon be considered an un-disputed masterpiece.

I’m the Oscar Messenger. I’m telling you the Oscar Message. I’ve read it already and this year it was written in Hungarian and said “Son of Saul”

“Becoming Dr. Ruth” A surprise & a triumph!

Who knew that behind the facade of one of the most unlikely Pop Culture/TV icons of the last century lay such a tragic back story? “Becoming Dr. Ruth” lays all that bare to chilling, enlightening, suspenseful effect. It’s a one hour 40 min. show, with no intermission but it flew by at 100 mph. Powered by an unforgettable performance by Debra Jo Rupp as the eponymous title character. And oh yes, it’s one woman show.

At the always charming Westside Theater on W.43rd St., it’s pint-sized house and stage is just the right size for this tiny titan’s staggering story.

She is simply packing up her Washington Heights apartment that she shared with her late third husband. The stage is full of brown packing boxes, which trigger, doing the most mundane of casts, in the plainest of settings, but with the most gorgeous views of the Hudson River and the George Washington Bridges, Dr. Ruth Westheimer’s many memories of her childhood destroyed by Hitler and the holocaust come flooding back .Each item she packs invariably reminds of childhood moments. memories, both devastating and sweet.

As a child, she was sent out of her Frankfurt Orthodox Jewish home on the Kindertransport that got her safely to Switzerland for the remainder of the war, but she never say her father, mother and grandmother again. These memories are told plainly and without sentimental effect as Dr. Ruth, formerly Karola Sigel, lays them out in stark detail. You think “Great! She escaped to Switzerland!” but the loss of her family, and later in life, her  seeking to rebuild her own, as  first on a kibbutz in Israel and then later in Paris and finally New York, haunts her. And us.

The loss of her parents, about whom she was never able to find any information, is an ineffable tragedy that powers her drive to succeed, and succeed she does! As America’s Go-To guru of sexual advice in the ’70s. She clearly helps rebuild Americans’ damaged libidos and spirits with her always jovial, infectious optimism, which is the note on which the play ends, as she finally says proudly displaying a picture of her four grandchildren, “You see, Hitler, you lost.”

“Becoming Dr. Ruth” is the best new play I’ve seen so far this season, and although there is only one woman on stage, Debra Jo Rupp, fills it with Dr. Ruth’s ebullient, indomitable spirit, and a cast of thousands.

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