a.k.a. "The Oscar Messenger"

Posts tagged ‘Coen Brothers’

“Llewyn Davis” SWEEPS Nat’l Soc.of Film Critics! Oscar Isaac Best Actor!

After feeling really terrible for the past two days about “Inside Llewyn Davis”s being shut out of the PGA and the DGA, things have suddenly perked up with ILD winning FOUR count’em FOUR National Society of Film Critics Awards! Best Film, Oscar Isaac Best Actor, and the Coens Bros. for  directing. Also M Bruno.Delbonnel the super superb cinematographer won  for making Greenwich Village looked like I remembered it as a kid. New and clean and dreamy.

This is a wonderful honor for Oscar who, if you haven’t listened to my interview with him which is posted below, has FOUR films opening next year. Imean, this year.Maybe more.

And part of me wonders if this was just in reaction to the shut-outs of the WGA and PGA.  Like “Argo” last year. But the ballots would all have had to be in before the WGA and the PGA announced, right?

In any case, Cate Blanchett AGAIN won Best Actress for “Blue Jasmine”so there’s now no stopping her and of all people, James Franco won Best Supporting Actor for his role as Alien in “Spring Breakers” and Jennifer Lawrence pops up again in Best Supporting Actress for “American Hustle.” They are soooo lucky she was in that movie! I found it unwatchable except for her.

The bad news is that “12 Years a Slave” placed third in Best Picture. Behind “Llewyn” and “American Hustle:(ugh) and the same for Chiwetel Ejiofor for Best Actor and Lupita Nyong’O for Best Supp. Actress. They just missed out and both came in second. This makes me sad.

But the good news is that the National Society of Film Critics is NOT a well-known predictor for the Oscars. NOT.AT.ALL. Considered the most intellectual of all the critics’ groups that vote on the Oscars, we have to keep repeating “There are no film critics in the Academy”. At least 200 times.

Anne Thompson of http://www.indiewire.com calls it “A Last Ditch Effort to Save the Coens”! You can read the complete list of winners and where they placed, including their voting tallies there.

So take it for what you will. But it’s not the end of the story and this race is CLOSE!

I think this helps “Llewyn” get into Best Picture and Dulbonnel, too. He also won the New York Film Critics for Best Cinematography. Could help the Coens into the Best Director race. And for sure the Best Original Screenplay category. But THE FIVE are so locked for Best Actor, I don’t know if this means that Oscar has a chance. I hope he does.

Go Oscar! Isaac, I mean…

More Oscar Upsom Downs. WGA announces & AGAIN no “Llewyn Davis”!!!

Yes, it’s more Oscar Ups ‘n’Downs or Upsom Downs, as I like to call it.

Let’s see the Writer’s Guild just announced and it’s up for “American Hustle” and “Lone Survivor”(which almost made my Top Ten List) and Harvey Weinstein even succeeded in getting back in this(after being out of it for only a day. Yesterday. Toldja there’s no stopping Harvery!) with an Adapted Screenplay nomination for “August:Osage County”. Which saw Pulitzer and Tony winning playwright Tracey Letts butcher his own script IMHO.

“After Midnight” which put me to sleep got a Best Original Screenplay nod. ZZZZZZ…

But AGAIN “Blue Jasmine” turns up in Original Screenplay for Woody Allen. “Blue Jasmine” is just getting stronger and stronger, and will garner Woody his upteenth Original Screenplay nomination if he lands the Oscar nod. And as I said, expect Sally Hawkins to get in, too. In Supporting Actress.

And “Dallas Buyer’s Club” is showing surprising strength, too. It’s turning up right where it should be.

And the controversial “Wolf of Wall Street” scores, too! Unbelivable.

However, the down of DOWNS is no love for “Inside Llewyn Davis” which after two down days is RRRRREALLY bad news.

And no screenplay nomination for “Gravity” YAY!

Of course, there’s the caveat that several of the main contenders this year of years including “12 Years a Slave” and “Philomena” weren’t even eligible.

Once again, Kris Tapley is first out of the gate at http://www.hitfix.com

And herrrrrrrrrrrrrrrrrrre they are, FWIW. They mean SOMEthing but not EVERYthing, because of the “ineligibles” as Kris calls them.

ORIGINAL SCREENPLAY

“American Hustle,” Written by Eric Warren Singer and David O. Russell; Columbia Pictures
Blue Jasmine,” Written by Woody Allen; Sony Pictures Classics
“Dallas Buyers Club,” Written by Craig Borten & Melisa Wallack; Focus Features
Her,” Written by Spike Jonze; Warner Bros.
Nebraska,” Written by Bob Nelson; Paramount Pictures

ADAPTED SCREENPLAY

August: Osage County,” Screenplay by Tracy Letts; Based on his play; The Weinstein Company
Before Midnight,” Written by Richard Linklater & Julie Delpy & Ethan Hawke; Based on characters created by Richard Linklater & Kim Krizan; Sony Classics
Captain Phillips,” Screenplay by Billy Ray; Based on the book A Captain’s Duty: Somali Pirates, Navy SEALS, and Dangerous Days at Sea by Richard Phillips with Stephan Talty; Columbia Pictures
“Lone Survivor,” Written by Peter Berg; Based on the book by Marcus Lutrell with Patrick Robinson; Universal Pictures
“The Wolf of Wall Street,” Screenplay by Terence Winter; Based on the book by Jordan Belfort; Paramount Pictures

Read more at http://www.hitfix.com/in-contention/dallas-buyers-club-lone-survivor-wolf-of-wall-street-land-wga-nominations#f35iUgtZvdEYKIV8.99

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Super Smart Peter Knegt Predicts the Oscars Early at TIFF!

The incredibly telegenic and incredibly smart Peter Knegt, the go-to Oscar guy at Indiewire.com calls the Oscar shots at TIFF’13. And he’s always right!

Has much changed since TIFF? It’s like my life gets frozen in these two big Canadian film festivals for MONTHS as they play and re-play on my You Tube Channel http://www.youtube.com/StephenHoltShow and also my TV show in NYC!

This segment with Peter aired tonight and I have to say even though I’m plunged into the best-in-years NEW YORK Film Festival, I don’t think much really has changed. Even though I missed both “Captain Phillips” Tom Hanks’ shot at the Oscar and also the Coen Brothers’ “Inside Llewyn Davis”, the buzz on them, in a very crowded field for Best Actor, is not the greatest. Both played to capacity crowds. “Inside” turned away 20 or 30 people. And with “Captain Phillips” it was hundreds(seemingly).

Both films could get into the ten slots of the Best Picture race, possibly. The Coens have very loyal support within the Academy. Even their unlikely “A Serious Man” got nominated for Best Picture. It didn’t win, but it got nominated.

And box-office will play a big role in whether “Captain Phillip” makes it. But the Best Actor race for their leads, the unknown Oscar Issac and the very well-known Tom Hanks, is no sure thing. Only five slots. Even Hanks could get left out. Which I’m hearing which is shocking. That’s how crowded the Best Actor race is this year.

Meanwhile on the distaff side, Sandra Bullock is now firmly entrenched as a VERY strong competitor to the front-runner Cate Blanchett of “Blue Jasmine”. “Gravity” which I hadn’t seen at the time of this taping above * at TIFF, is now breaking box-office records and as it ascends to the top of the charts Sandra Bullock is, too. She’s PHENOMENAL in “Gravity!” Color me shocked. But congratulations to Sandy, as they call her, for confounding expectations! Including mine!

Sasha Stone’s Latest Oscar Piece. A Real PickMeUp on this Election Night.

Sasha Stone, the reigning Oscar goddess of the Internet, NOBODY CAN TOUCH HER! Does it yet again with a penetrating, insightful “State of the Race” article, in which she lays out the HISTORICAL perspective, with dates and winners and runners-up and graphs(well sort of) of how, now that the Academy is allowing Ten Nominees for Best Picture yet again, as they did last year, and did also in the ’20s and ’30s how there’s a very real possibility that there will be a split between the Best Picture winner and the winner of Best Director.

She does SUCH a great job of it. At www.awardsdaily.com.

I wouldn’t be typing this here today, if it wasn’t for her support and inspiration and influence. She’s soooo insightful and for me, AwardsDaily is simply MUCH MORE EXCITING, inevitably, than the actual awards show itself!

How she keeps doing it and doing it, writing so well, and so interestingly and refreshingly and with NEW insights on what is basically the same story over and over again.

Especially this year.

In Toronto it was “The King’s Speech” vs. “The Social Network” and that hasn’t changed. “The Social Network” hadn’t opened yet, but we Oscarologists knew it was coming.

And I notoriously HATED it, and Sasha loves it, as do most of my critical brethren and sisteren. But the Academy doesn’t. Or won’t, IMHO.

And now at the last minute comes the Coen Brothers “True Grit” as a possible spoiler. The trailer(and I saw it in the theater where I nearly SLEPT through “Hereafter”….zzzzz…….) did NOT impress me as it seems to do others.

It looks like Jeff Bridges is doing his Bad Blake character from “Crazy Heart” all over again as Rooster Cogburn, the part that won John Wayne his Oscar late in his career. And the trailer looks like the Coen’s are doing a more mainstream “No Country for Old Men.” THEY just won the Oscar for Best Picture a couple of years back and Jeff Bridges just won LAST YEAR!

I don’t see this film repeating that success UNLESS—well, UNLESS it’s a real crowd-pleaser and makes a gagillion dollars and that young girl in the braids seems irritating to me…

But trailers can be decieving.

And Paramount just upped the opening day by three days! I guess they like it. They really like it. I’m not impressed. It remains to be seen…

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