a.k.a. "The Oscar Messenger"

Posts tagged ‘Christian Bale’

And now, here come the BAFTAS! What will they tell us?

BAFTAS 2016 1And now, this Sunday night in London, here comes what I feel is the most predictive awards show of all the BAFTAs. The British Oscars. And what do they have to do with OUR own Oscars, coming up on Feb.28? Well, I think they are the most influential accolade of all. Especially in the Acting Races. Where, if there’s a five way, undecided sort-of year, which this isn’t really, in the Acting Awards, they can tip the scales in one actor’s or actress’s favor.

As they did famously in the year that Tilda Swinton won for “Michael Clayton”, surprising many, but not me. Tilda won the BAFTA then she went right on to win her first Oscar. Interesting piece of Oscar trivia, Tilda, who could just not bear to have all these awards around her house, gave her British Oscar, her BAFTA to her British agent and her American Oscar to her American agent Brian Swardstrom. I bet they were glad to get them. NOTHING like that ever happens to actors’ agents, No wonder Tilda has never stopped working since!

You win the Oscar and you never stop working, so the story goes…True or not, it’s a nice thing to look forward to. For a moment. Tilda Swinton Oscar 2That year marked another BAFTA/Oscar milestone when the unknown French actress Marion Cotillard who was playing Edith Piaf to beat the band in “La Vie En Rose” went on to trounce Brit Julie Christie for Best Actress.Marion Oscar 1Mlle. Marion was acting in her own language, you see, and it was considered IMPOSSIBLE for a foreign actress to win. But I knew she would, her perfomance as Edith Piaf at all different ages was so incredible.

And so did Daniel Day-Lewis, who got up and made a speech when he won  at the BAFTAs extolling Marion’s superlative performance. He  won the BAFTA that year, too,  for “There Will Be Blood.”. People, or rather Oscar voters, listened. I think the word he used was” transcendant.”

And this year? Well it seems almost all the Acting categories are locked. But wait a tic! There could be surprises. Leonardo Di Caprio in “The Revenant” has been winning EVERYTHING in sight this year and could win the Oscar. But will he win the BAFTA for Best Actor?Danish Eddie 1

Don’t be surprised, Leo, if BAFTA does what it usually does and award a deserving, beloved Brit, Eddie Redmayne in “The Danish Girl.” And also watch out Brie Larson! She, who likewise is winning everything imaginable for “Room”.At BAFTA, she’s up against the It Girl of the Hour, Alicia Vikander for “The Danish Girl” who is  up for Best Actress. Whereas at the Oscars, Alicia’s up for Best Supporting Actress for “The Danish Girl.” Her role as Gerde Vegener, who is a Danish painter married to a man who is going through the first known transgender transition is indelible, powerful.

Alicia 8

Alicia could win the Best Actress BAFTA  as “The Danish Girl” is a British Film and also Alicia, though Swedish, speaks English with a British accent. OR it could be Saoirse Ronan, who is Irish as Irish can be in “Brooklyn” an Irish film. And Brie Larson’s “Room” isn’t as popular over there as it has been here. It only has only other nomination Best Adapted Screenplay.Danish Girl Duo

And the astonishing Alicia Vikander is having such a big year, that she’s nominated also in BAFTA in Supporting Actress for “Ex Machina.” Yes, Alicia winning either of these awards, would almost certainly assure her an Oscar win over Rooney Mara, the girl who wasn’t there, in “Carol”, her nearest competitor for Supporting Actress at the Oscars. Rooney is running as a Supporting Actress at BAFTA, as she is at the Oscars, but this time, she’s up against Alicia as the sexiest robot of all time in “Ex Machina.”  Could Rooney win here and split the Vikander vote? “Carol” got a slew of nominations here, including Best Picture, although it didn’t in the US.Alicia Vikander 3Alicia could win in both categories. That’s right! She could win TWO BAFTAs! OR of course, she could lose twice, too.Roonwy MARA 2

As far as Best Supporting Actor at BAFTA, it will most likely go to one of the nominated Brits. Idris Elba, yeah, him again, for “Beasts of No Nation,” I think he has this over fellow Brit and UK stage legend Mark Rylance for “Bridge of Spies.” He hasn’t been campaigning and has even skipped the BFCC and the SAG. Christian Bale is British, too, although he hardly ever mentions it. And he’s nominated for “The Big Short.” Watch this early-announced award. Who it goes to will tell us pretty clearly what will win Best Picture.Christian Bale 1

,And finally there’s the Best Picture race itself which pits people think “Spotlight” v. “The Revenant” v. “The Big Short”. And many, including myself, think that whatever film wins Best Film here could also go on to win the Oscar, too. Although wait another tic! Last year, the Brits picked “Boyhood” and Richard Linklater, and not “Birdman” and Alexander Gonzalez Inarittu who won the Oscars.

So there is a divide. What do I think is going to win Best Picture? Bet on the Brits voting for Brits, which could lead to “Carol” or “The Bridge of Spies”  being a surprise win here, although “Spotlight” set in Boston and involving Irish Catholic pedophile priests might be something they could relate to over the Wall St. story “The Big Short” or the Western “The Revenant”. Have the EVER given a BAFTA  to a Western? I think not. (more…)

Live-Blogging SAG(Screen Actors Guild) Awards tonite.

SAG 1The Screen Actors Guild Awards are tonight, and I’m going to be live-blogging them, dear readers, dear cineastes.  In NYC, they are on the TBS or TNT channels at 8pm EST. Check your local listings.

There should be MANY surprises tonight. We’ll see if the #Oscarssowhite controversy is going to impact the awards.

Black British Actor Idris Elba is the man of the hour tonight. He’s nominated for Best Supporting Actor on the film side for “Beasts of No Nation.” And on the TV side he’s nominated for “Luther”. He’s against Mark Rylance in both categories and I feel he is going to take home at least ONE “actor” as they call their awards. If “Beasts of No Nation” wins Best Ensemble, then Elba might be taking home three!

Mark Rylance 1
Rylance, a stage legend in Britain and multiple Tony winner on Broadway, is his main competition tonight for “Bridge of Spies” for Best Supporting Actor Film, and for “Wolf Hall” TV series.

Unfortunately, Elba was NOT nominated for an Oscar. (He’s a magnificent actor. He should have been.) None of this awful Oscarssowhite scandal would’ve happened if he had been nomminated. It’s rumored that he may be the first Black James Bond.

Here’s an interview I did with Idris a few years back at the Toronto Film Festival.

As for Best Picture Film, it’s back and forth and forth and back between “Spotlight” and late riser “The Big Short.” Which is what it was like last year with “Birdman” and “Boyhood.” Up til the last second. And then “Birdman” won by a beak at the Oscars. I still can’t believe that happened.

Me? I’d vote for “Spotlight” if I was a voting member of SAG. But I’m not, so we’ll see. Unlike the Academy, SAG voters DO have a sense of humor. So “The Big Short”s cutting edge wit would not be held against it tonight. We’ll see.

And if Leonardo wins Best Actor here tonight, he’ll win the Oscar, too. Ditto Brie Larson.

But if it’s Bryan Cranston for “Trumbo” LOOK OUT! All bets are off. And Leo could kiss his Oscar good-bye. At least for “The Revenant”Revenant 3

And I think Alicia Vikander will triumph here in Supporting Actress for “The Danish Girl.”Alicia 6

 

 

 

 

 

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Golden Globe Nominations Full List

Danish Eddie 1Here’s the complete list of Golden Globe nominations that were announced today. Above is Best Actor Nominee Eddie Redmayne in “The Danish Girl.”

Best Picture (Drama)

  • Carol
  • Mad Max: Fury Road
  • The Revenant
  • Room
  • Spotlight

Best Picture (Musical or Comedy)

  • The Big Short
  • Joy
  • The Martian
  • Spy
  • Trainwreck

Best Director – Motion Picture

  • Todd Haynes – Carol
  • Alejandro G. Inarritu – The Revenant
  • George Miller – Mad Max: Fury Road
  • Ridley Scott – The Martian
  • Tom McCarthy – Spotlight

Best Actor (Drama)

  • Bryan Cranston – Trumbo
  • Leonardo DiCaprio – The Revenant
  • Michael Fassbender – Steve Jobs
  • Eddie Redmayne – The Danish Girl
  • Will Smith – Concussion

Best Actress (Drama)

  • Cate Blanchett – Carol
  • Brie Larson – Room
  • Rooney Mara – Carol
  • Saoirse Ronan – Brooklyn
  • Alicia Vikander – The Danish Girl

Best Actor (Musical or Comedy)

  • Christian Bale – The Big Short
  • Steve Carell – The Big Short
  • Matt Damon – The Martian
  • Al Pacino – Danny Collins
  • Mark Ruffalo – Infinitely Polar Bear

Best Actress (Musical or Comedy)

  • Jennifer Lawrence – Joy
  • Amy Schumer – Trainwreck
  • Melissa McCarthy – Spy
  • Maggie Smith – The Lady in the Van
  • Lily Tomlin – Grandma

Best Supporting Actor in a Motion Picture

  • Paul Dano – Love & Mercy
  • Idris Elba – Beasts of No Nation
  • Mark Rylance – Bridge of Spies
  • Michael Shannon – 99 Homes
  • Sylvester Stallone – Creed

Best Supporting Actress in a Motion Picture

  • Jane Fonda – Youth
  • Jennifer Jason Leigh – The Hateful Eight
  • Helen Mirren – Trumbo
  • Alicia Vikander – Ex Machina
  • Kate Winslet – Steve Jobs

Best Screenplay

  • Room – Emma Donaghue
  • Spotlight – Tom McCarthy, Josh Singer
  • The Big Short – Adam McKay
  • Steve Jobs – Aaron Sorkin
  • The Hateful Eight – Quentin Tarantino

Best Original Score

  • The Revenant – Bryce Dessner, Carsten Nicolai, Ryuichi Sakamoto
  • The Hateful Eight  – Ennio Morricone
  • Steve Jobs – Daniel Pemberton
  • Carol  – Carter Burwell
  • The Danish Girl – Alexandre Desplat

 

Best Original Song

  • Fifty Shades of Grey – “Love Me Like You Do”
  • Love & Mercy – “One Kind of Love”
  • Furious 7 – “See You Again”
  • Youth – “Simple Song #3”
  • Spectre – “Writings on the Wall”

Best Foreign Language Film

  • The Brand New Testament (Belgium)
  • The Club (Chile)
  • The Fencer (Finland)
  • Mustang (France)
  • Son of Saul (Hungary)

Best Animated Feature

  • Anomalisa
  • The Good Dinosaur
  • Inside Out
  • The Peanuts Movie
  • Shaun the Sheep

 

Oscar Ballots Go Out~ So where are we now?

The 2013 Oscar ballots went out in the mail and became available online yesterday. So RIGHT AT THIS EXACT MOMENT, they provide a snapshot, if you will, of the Academy’s deepest(or most superficial) feelings.

That a silly little film like “American Hustle” could be at the top of everyone’s minds right now is really irksome to me. But I would be re-miss if I didn’t say that I think that’s the case. That’s awful, but I think that’s what’s really happening.

“12 Years a Slave”, the masterpiece that’s out there, that I’ve seen THREE times now, is on everyone’s minds, too. I just hope they (the Academy) are watching it. And appreciating it the way I and Oscar Goddess Sasha Stone do. Check out her latest readings of the Oscar tea leaves at http://www.Awardsdaily.com. It’s horrid that this maybe happening, but I’m protecting myself from getting another “Brokeback” heart on Oscar night, by getting ready for the worst.

The water cooler movie that everyone is talking about right now is “Wolf of Wall Street,” but I don’t think the Academy is going to dig it. I don’t think either M. Scorsese or Leonardo DiCaprio and especially Jonah Hill are going to get nominated for what is in essence a three-hour orgy supporting and glamorizing what it purports to condemn. Which is the excessive greed on Wall St.in the 1980s and early ’90s. They could’ve called it “Crack Hoes on Parade,” but then they would be admitting it to be the porn film it almost is.

I think Cate Blanchett is sitting pretty, VERY pretty and very high up in everyone’s esteem right now, to get her Second Oscar for her unforgettable turn as a socialite in free-fall in “Blue Jasmine.” Actually, “Blue Jasmine” is also about what “The Wolf of Wall Street” is about economics crashing and burning, but “Blue Jasmine” and Woody Allen who wrote it, SHOW you the downside and what the victims of this powerful abuse of  money, one of whom is Jasmine herself, suffered.

Allen pointedly depicts the people who got hurt, as WOWS never does. Those who invested their money and lost everything by trusting Jasmine and her Bernie Madoff-esque husband (Alec Baldwin in one of the best performances of his career)

One after other after the other, the visible victims  unload on the now pathetic Jasmine, whose son won’t even speak to her. The most memorable scene being between her and her brother-in-law(Andrew Dice Clay) who lets her know just exactly how many lives she and her husband have ruined.

It’s devastating.

Woody Allen got it right. Which may be why you might find him turning up nominated for Best Director and Best Original Screenplay. And don’t be surprised if Blanchett’s centrifugal force pulls her sunny sister Sally Hawkins into the Supporting Actress category, too. Hawkins is wonderful as the only person left on earth who is on Jasmine’s side.

And don’t be shocked if Robert Redford is going to find out that REALLY All IS Lost when he or his film doesn’t end up anywhere on Nomination Morning, Tuesday, Jan. 14. He was not nominated for a SAG Best Actor award and NOBODY has ever won Best Actor without a SAG nomination. NOBODY.

And we all know that Oscar stalwart Harvey Weinstein is campaigning heavily behind the scenes for all FOUR of his Oscar hopefuls, “Philomena”, “Lee Daniels’ The Butler” and ” August: Osage County.” And finally, “Long Walk to Freedom.”

He could be making sure that  AT LEAST ONE of his Best Actors candidates, Forest Whitaker, the Butler himself or Idris Elba(Nelson Mandella)could take the slot that Redford was supposed to.

I think Tom Hanks is also in danger of splitting his vote. He’s got “Saving Mr. Banks” in Supporting as Walt Disney and also he’s got his leading performance of “Captain Phillips.” His Disney so far has garnered no precursor awards. And “Banks” seems to be stumbling everywhere except for leading lady Emma Thompson who seems destined to get a Best Actress nomination for her prickly pair of a performance as “Mary Poppins” author P.L. Travers.

If I had to pick one, I’d say his “Captain Phillips” turn is the more likely of the two.

And now to Harvey and his other “fillies” as Tom O’Neil http://www.goldderby.com would dub them. Meryl Streep just got the worst reviews of her career for “August:Osage County” and they all came out YESTERDAY, and the NYTimes’ A.O.Scott was particularly,unusually brutal. But I agreed with him.

Julia Roberts in Supporting(at the moment) is getting universally better reviews that Streep, if you can believe it. Streep described it in a Q&A this week in Hwood as “Streep Fatigue”. And she herself even admitted that the Academy’s Actors Branch might be suffering from that. It looked as though she was too. It seems like she doesn’t like the role of Violet she was playing, quite frankly. So why did she do it???

So who takes her place? Julia Roberts? Or is it Amy Adams who has been nominated FOUR times in Supporting in the past eight years, but never won. This would be part of the “American Hustle” effect. Which could also see Christian Bale pop up in Best Actor and Bradley Cooper in Supporting. Don’t gasp. It could happen.

Though Adams is the LEAST effective performance in “AH.” Weak is the word. She’s just not believable as the Whore of Babylon. Opposite Jennifer Lawrence, who certainly IS playing that part. But as a housewife in Queens. Or is it New Jersey? And Lawrence will FOR SURE get nominated.

How much do people like this already over-awarded very minor comedy?

I’m unfortunately guessing a lot right now. And Bale, Cooper and ugh, even Adams could get pulled along by “AH”s coat-tail effect. I HATE to even type this. But all four of them have been nominated for a Golden Globe, but in the Musical/Comedy category. Or rather Bale and Adams have for their leading performances.

It could happen.

And what of the wonderful actors of “12 Years a Slave”? I think they all will be nominated. Chiwetel Ejiofor in lead, and Michael Fassbender in Supporting Actor and Lupita Nyong’O in Supp. actress. They all could win, too.

Out of the three Nyong’O has the least competition in her category. And there’s a healthy history of Black Actresses winning in Supporting. And the part! I mean, her character “Queen of the Fields” Patsie gets raped, whipped, and a glass decanter is thrown in her face. She wants Solomon Northrup to kill her. She even offers him money to drown her….From the part ALONE, I would think this is Lupita’s to lose. How can anyone else compare? And this is ALL TRUE!!! Patsie was a real slave who actually lived, too.

And there’s thoughts being floated that “12 Years a Slave” might not win Best Picture, losing to either “American Hustle” or “Gravity.” But that Chiwetel Ejiofor will win Best Actor. I certainly hope they all do. And that Right, and a masterpiece, will triumph.

And as for the landslide of precursor awards that is consuming Jared Leto for his portrayal of a sweet transvestite named Rayon in “Dallas Buyer’s Club”…well, the Academy has been historically quirky about awarding cross-dressing performances, though Hilary Swank in “Boys Don’t Cry” and William Hurt in “Kiss of the Spider Woman” would belie that rule. Maybe the ground has been broken, but I do feel Michael Fassbender’s horrifying villain of a slave owner Master Epps is the greater performance.

You can’t just put on a dress and expect them to give you an Oscar. Just ask Jaye What-his-came from “The Crying Game.”

“American Hustle” by David O. Russel~Hustle & Bustle without much Muscle

As Shakespeare said, “Full of sound and fury signifying nothing.” That about sums up my reaction to the late-opening “American Hustle” by  David O. Russell, which hustles and bustles without much muscle. It’s ANOTHER Mob movie. ANOTHER one that is trying to out-Scorsese Scorsese, and THANK GOD they’ve got Jennifer Lawrence in this!

In a spectacularly showy Supporting role as one of the dumbest blondes of all time, she absolutely steals the picture. THANK GOODNESS! Or otherwise it would be a very dull sit indeed. It would have been unwatchable, but Jennifer Lawrence makes it a very, funny charming experience. She very much reminded me of that other great dumb blonde Oscar winner Judy Holliday in this.

Lawrence is so appealing as Christian Bale‘s old-fashioned housewife- with-a-kid, who is obsessed with her finger-nail polish. She lights up the screen like a bonfire, never missing one laugh line, or funny moment, and every time she’s absent, you can’t wait for her to come back on again. And writer/director O.Russell uses her sparingly, so you never get tired of her. But you do get tired of the other characters, I’m sorry to say. Real tired.

Having just suffered through “Out of the Furnace” with Bale again in the lead, I was expecting the worst. But at least in this one, he was playing a comic character, a Jewish con-man with pretensions. He owns dry cleaning stores but he wants to own the world. And Lawrence is his trophy wife, who blows up microwaves and enacts her comic role like a poodle in heat.

I didn’t buy Bale’s Yiddish-ness. And he’s pitted against Bradley Cooper who has his hair tightly curled here. Why? To look more Jewish? And  he is seen in curlers A LOT, as are all the leading characters, as a matter of fact, except Bale, who has an elaborate comb-over and who put on quite a bit of  weight of this role. We see a close-up of his bulging stomach, shirtless, just to prove that yes, he’s not in a fat suit. We see him painstakingly creating his comb-over, which takes up the entire first scene of the movie, finishing it off with hair-spray, like he was a super-model…

But to what avail? Con man movies. Mob movies. I just am kind sick of that done-to-death genre, and this involves ABSCAM and a faux-Arab. A FBI plant played stoically by Michael Pena. Robert De Niro pops up, too, as what else? A Mafia chieftain. And Amy Adams, poor thing, who has the female lead, Bale’s con partner and “whore” except next to Jennifer Lawrence, who is just blooming with youth(22) and vital sexuality here, Adams looks old and cold. Worn out. And she should look and seem more alluring than Lawrence. And she doesn’t. She the most miscast she’s ever been. I kept seeing her as the young nun in “Doubt” in my mind.

Mothers or nuns or even intrepid girl reporters like Lois Lane. She was better in the recent  “Superman” re-boot, than she is in this. Sad to say. She deserved better.

But this is what O.Russell hands her.

And I can’t understand the New York Film Critics giving this Best Picture over “12 Years a Slave” It’s criminal. Yes, they did. Unbelievably,. It’s a funny little movie. But Best Picture? New York Film Critics seriously disgraced themselves this year. And Best Screenplay, too??? Seriously??? They gave Best Supporting Actress to Jennifer Lawrence, and I would nominate her for an Oscar, were I voting, but I wouldn’t nominate this semi-funny movie for anything else. Except maybe the zippy ’70s hairstyles. You can skip it and live.

Give me the real thing. Give me Scorsese. Or better yet, “Born Yesterday” with Lawrence as Billie Dawn. Directed by Scorsese.

I can’t wait to see the last opening film of the year “Wolf of Wall Street” by Martin Scorsese.

Golden Globes Shockers! No OPRAH! No Forest Whittaker! No “August:Osage”! No “Mr.Banks”!

Well, color me shocked, but this mornings Golden Globe nominations contains more shocking snubs than even the SAG Award nominations did yesterday!

NO OPRAH WINFREY! For Supporting Actress for “The Butler”! No Forest Whitaker for “The Butler”! In fact, NOthing for “The Butler”! At All! And Harvey Weinstein has another morning shocker on his plate this morning! No “August:Osage County” nomination for Best Picture -Comedy of Musical! However, Meryl Streep did turn up in Best Actress:Comedy or Musical and Julia Roberts was simply nominated for Best Supporting Actress, as she was yesterday for “August:Osage County!”

That pretty much seals the deal for Roberts in that category, which is not split into TWO groups, allowing for as many as ten nominees. The other Best Supporting Actresses were, as expected, Lupita Nyong’O for “12 Years a Slave”, June Squibb for “Nebraska”, and Jennifer Lawrence for “American Hustle”.Sally Hawkins, the British actress who was truly excellent as Cate Blanchett’s put-upon, plain, working class sister in “Blue Jasmine” is the lady who replaced Oprah. I love Sally Hawkins and I’m happy for her.

But who says “No” to Lady O? The Hollywood Foreign Press Association(HFPA) that’s who!

The biggest winner was “12 Years a Slave” nominated for 7 Globes, Best Picture, Best Director(Steve McQueen), Best Actor Drama- Chiwetal Ejiafor, Best Supporting Actor ~ Michael Fassbender, Best Supporting Actress- Lupita Nyong’0, Best Screenplay and Best Score.

It tied with “American Hustle” with 7 also for Best Picture Comedy or Musical, Best Director (David O. Russell), Best Actor~Comedy or Musical (Christian Bale), Best Actress ~ Comedy or Musical ~ Amy Adams, Best Supporting Actor (Bradley Cooper) and Best Supporting Actress (Jennifer Lawrence).

My upcoming guest Oscar Isaac was nominated for Best Actor in a Musical/Comedy for his indelible leading role as a doomed folk singer in”Inside Llewyn Davis” and “Llewyn Davis” was also nominated for Best Picture Comedy/Musical. As well as Best Song “Please Mr Kennedy” which Oscar Isaac sang with Justin Timberlake in the Coen Bros. movie. It was not however nominated for either direction or writing.

My recent guest Berenice Bejo’s lovely French film “The Past” was nominated for Best Foreign Film but she was not nominated for her beautiful portrayal of a distracted Parisian housewife.

Bradley Cooper of “American Hustle” replaced yesterday’s posthumous Supporting Actor James Gandolfini for “Enough Said” although Gandolfini’s co-star Julia Louis-Dreyfuss scored as Best Actress in a Comedy/Musical.

The other big surprise was that Tom Hanks was AGAIN nominated for “Capt. Phillips” as Best Actor Drama, but that again, like with yesterday’s SAG awards his Walt Disney was ignored in Supp. Actor. Long shots Barkhad Abdi for Supporting for “Capt. Phillips” and Daniel Bruhl for “Rush” were again included in Supp. Actor. With stalwarts Fassbender and Jared Leto for “Dallas Buyers Club”. The surprise addition was Bradley Cooper for “American Hustle” who was not nominated for SAG.

And oh yes, the biggest Snub-ee of yesterday’s Screen Actor’s Guild Awards Robert Redford is back in it again as Best Actor Drama for “All is Lost”.

Complete list below (thx to http://www.Awardsdaily.com)

Here’s the complete list !

Best Picture, Drama
12 Years a Slave
Captain Phillips
Gravity
Philomena
Rush

Best Picture, Comedy
American Hustle
Her
Inside Llewyn Davis
Nebraska
Wolf of Wall Street

Best Director
Alfonso Cuaron, Gravity
Paul Greengrass, Captain Phillips
Steve McQueen, 12 Years a Slave
Alexander Payne, Nebraska
David O. Russell, American Hustle

Best Actress
Cate Blanchett
Sandra Bullock
Judi Dench
Emma Thompson
Kate Winslet

Best Actor
Chiwetel Ejiofor
Idris Elba
Tom Hanks
Matthew McConaghey
Robert Redford

Best Actor Comedy
Christian Bale
Bruce Dern
Leonardo DiCaprio
Oscar Isaac
Joaquin Phoenix

Best Actress Comedy
Amy Adams
Julie Delpy
Greta Gerwig
Julia Louis Dreyfuss
Meryl Streep

Best Sup Actor
Barkhad Abdi
Daniel Bruhl
Bradley Cooper
Michael Fassbender
Jared Leto

Best Sup Actress
Sally Hawkins
Jennifer Lawrence
Lupita Nyong’o
Julia Roberts
June Squibb

Best Score
All is Lost
Mandela
Gravity,
Book Thief
12 Years a Slave

Best Original Song:
Atlas (Hunger Games)
Let it Go (Frozen)
Ordinary Love (Mandela)
Please Mr. Kennedy (Inside Llewyn Davis)
Sweeter Fiction (One Chance)

Best Screenplay
Her
Nebraska
Philomena
12 Years a Slave
American Hustle

Best Foreign Language Film
Blue is the Warmest
The Great Beauty
The Hunt
The Past
The Wind Rises

Best Animated Feature:
The Croods
Despicable Me 2
Frozen

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L. A.Film Critics also ignore “12 Years” but Award Lupita Nyong’O Best Supp.Actress

Once again. “12 Years A Slave” has been dealt a body blow in this awards’ season. The VERY influential Los Angeles Film Critics only awarded the brilliant Lupita Nyong’O, which is great news for Hollywood’s newest star, but bad news for “12 Years a Slave.” I am shocked, SHOCKED that the usually cutting-edge LA Film Crix went for “Gravity” and “Her”! In a tie! Yes! A tie!. In fact, there were three ties!

Best Picture – “Gravity” tied with “Her”.

Best Actress – Cate Blanchett tied with Adele Exarchopoulos of “Blue is the Warmest Color”

And Best Supporting actor tied :Jared Leto and James Franco for “Spring Breakers”!!!

A motley crew.

But this is a very important win for Lupita Nyong’O and congratulations to her.

But very bad news for “12 Years A Slave.” It is now officially NOT the front-runner for Best Picture anymore. I’d say “Gravity” is, if anything.

The Boston Film Critics and the New York Online Film Critics both awarded “12 Years” heavily in many categories…

Though strangely Michael Fassbender is ending up NOwhere. That’s not a good sign. And though the NYFCO and the BFC are nice to have and all that, it’s the LA Film Critics that are a one-two punch of “12 Years”, I’m sorry to say.

But looking at the all these critics awards you can see that this year’s Oscars are all over the place. Literally.

Also not turning up is Martin Scorcese’s just finished three hour “Wolf of Wall Street”. It’s still so new Jeff Wells is reporting at http://www.hollywood-elsewhere.com that many in Boston did not get a screener in time. Or couldn’t make a very last minute screening.

I feel just awful for “12 Years…” It’s a masterpiece and I can’t believe that it’s anything but racism animating its” exclusion. If that’s the case and even CRITICS are shying away from advocating for it. Then the award it’s likely to win is indeed Best Supporting Actress for Lupito Nyong’O. As I’ve said before, it’s the Booby Prize of the Oscars. They look at the Best Supporting Actress award rightly or wrongly as a throw away. As a less than important category and if they are not giving “12YAS” anything else, they KNOW they have to give it something and Best Supp. Actress is a place where they will feel most comfortable awarding it.

An equivalent situation occured two years, when African-American-themed box-office winner “The Help” won ONLY Best Supporting Actress for Octavia Spenser.

So I do think the LA Film Critics is indicative in that case.

They also importantly gave Best Director to Alphonso Cuaron for “Gravity.” Steve McQueen, thank god, won the New York Film Critics Award for Best Director, but that was it.

Also notably absent from all of this was Tom Hanks and “Captain Phillips”. Nowhere to be seen. Sunk without a trace. Leaving that fifth Best Actor slot now open for maybe Oscar Isaac in “Inside Llewyn Davis” or Michael B. Jordan in “Fruitvale Station” or most likely Leonard DiCaprio for “Wolf of Wall Street.” I can’t believe I’m typing these words, but I am. “Llewyn Davis” has opened this week to doing tremendous box-office and Leo has never won an Oscar, unbelivably.

If you read Jeff Wells and Tom O’Neil over at http://www.goldderby.com , they BOTH LOVED “Wolf of Wall Street”to the max.

Cate Blanchett seems to be storming across all awards-giving bodies in Best Actress for “Blue Jasmine.” And also not registering anywhere is “Saving Mr. Banks” which I’m seeing tomorrow night.

I suffered through “Out of the Furnace” because it SEEMED Christian Bale might turn in a possibly nominatable perforrmance. But he didn’t. I didn’t see much hope for any awards for this hard-scrabble violent film.

But Emma Thompson WAS nominated for Best Actress for “Saving Mr. Banks” by the National Board of Review.

Both the NBOR AND the LA film critics gave Best Actor to Bruce Dern! For “Nebraska” And the NYFCC gave that other spry 77-year-old in the race, Robert Redford Best Actor for “All Is Lost.”

The only across the board unity seems to be Cate Blanchett in Best Actress and also, surprisingly Jared Leto in “Dallas Buyers Club” for Best Supporting Transvestite.

And Sandra Bullock has floated into outer space with nary a mention.

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