a.k.a. "The Oscar Messenger"

Posts tagged ‘Catch Me If you Can’

Bobby Cannavale Trimuphs at Drama Desk Awards!

I’m very happy this morning to report that that great underestimated(but not by me) actor Bobby Cannavale won the Drama Desk Award for Best Actor in a Play for “The Motherfucker with a Hat.” It was richly deserved. Congratulations, Bobby!

And now on to the Tonys!

Also winning big was “Book of Mormon” with five wins, but none of them in the acting categories.

And now on to the Tonys!

Are the Drama Desks a bellweather for the Tonys? Sometimes yes, sometimes no.

I think this does help Norbert Leo Butz who won for “Catch Me If You Can” as the beleaguered good guy FBI agent Hanratty. Tom Hanks played him in the movie. This was the only award that “Catch Me” got…

Will the Tonys follow suit? Perhaps. But the fabulous Butz already has WON a Tony and recently for “Dirty Rotten Scoundrels.” Do the Tony voters take that into consideration? I think they do. But this does help him.

Another head-scratcher was the lovely Laura Benanti who won in the VERY competitive Best Featured Actress in a Musical category for the long-closed “Woman on the Verge of a Nervous Breakdown.”

I saw it and reviewed it, not favorably. It was a mess. But Laura was very, very good as the MOST nervous of all the Nervous women. The Drama Desk notably does not care if a show is closed or not. Laura is nominated for a Tony, too. Along the Patti LuPone from “Nervous.”

The Tonys DON’T usually give one of their most-prized awards(since they are seen on National television) to a show that’s closed. And Laura has also won, and recently, for “Gypsy.”  Tammy Blanchard, who was not nominated for a Drama Desk (for “How to Succeed…”) and Nikki M. James(“Book of Mormon”) was nominated for BOTH are all competing in that red hot category.

The patchy “Anything Goes” got five Drama Desk Awards including Best Revival of a Musical and Best Choreography for director Kathleen Marshall.

More on all hoopla this later. I have to dash to the Waldorf to interview Christopher Plummer for HIS new movie “Beginners” which Focus is going to push hard for to get Plummer another nomination, and maybe his long-over due Oscar. We’ll see what category they put him in. A beautiful performance as a man coming out of the closet at 75, he could win in Supporting. We’ll see…

“Catch Me If You Can” A Waste of a Lot of Terrific Talent

“Catch Me If You Can” was a terrific Stephen Spielberg-directed, entertaining, sexy movie. It had speed, style, wry humor, Leonardo DiCaprio at his charming best, Tom Hanks as his frazzled, funny pursuer, Christopher Walken’s best before-0r-since performance as Di Caprio’s complex, concerned dad and French film legend Natalie Baye as Walken’s wayward wife and Di Caprio’s dazzlingly young French mother. RENT IT IMMEDIATELY.

Because if you drop a bundle of cash on Broadway’s over-priced tickets to the new musical version of “Catch Me if You Can”, you are going to feel gypped. Really, really gypped.

First let me say that I LOVED Aaron Tveit. He was memorable, haunting and engaging as the ghost of the manic-depressive Mom of the brilliant Alice Ripley in the far superior “Next to Normal.” He egregiously didn’t get a Tony Nomination, when everything else in the musical, including the rug, got nominated a few years back.

And I really did look forward to seeing him emerge as a musical comedy star, in a musical specifically written for him by the same team that successfully brought us the musical of “Hairspray” but alas ~ no. He has to carry this HUGE, WEIGHTED DOWN, dull, dull show almost entirely on his own.

His pursuer, Hanratty, played with great gusto, but disfiguring horn-rimmed glasses and a fat suit by the great Norbert Leo Butz, is a supporting player here. Whereas Tom Hanks in the movie, was the superbly slick Leonardo DiCaprio’s co-star. When he got frustrated chasing this ace con man around the world, Hanks was always funny in his frazzeledness. But Butz, in this awful outfit, seems simply sad and middle-aged. Not great qualities to buoy up a sinking Broadway musical. Ditto the defeated-edness of Tom Wopat as our hero’s father.

Chirstopher Walken was so complex and moving as the Dad in the movie, you couldn’t take your eyes off him. That 2002 performance has stayed in my mind and reminds me of just how terrific an actor Walken can be when he is not doing schtick.

But mostly I worried about the handsome, young Tveit. And how he seemed endlessly flat, but bright and spritely, as this lumpen musical wore on and on. Wearing out its’ questionable welcome hours before it was over.

One kept hoping it would pick up and become like “Hairspray” i.e. tuneful and funny. But it doesn’t. It certainly doesn’t. And the music is flat, too. What a shame.

Will the promising Tveit’s career overcome what surely is going to be seen as HIS great failure. But then, “Catch Me If You Can” may not be able to outrun its’ critics pans. Like this one. The sooner this show closes, the better for Aaron Tveit’s  budding career.

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