a.k.a. "The Oscar Messenger"

Posts tagged ‘Bryce Pinkham’

Bryce Pinkham Returns to “Gentleman’s Guide…” on Bway and Stops the Show!

Bryce Pinkham 1What a thrill to report that “A Gentleman’s Guide to Love and Murder” last year’s quadruple TONY winner has leading man Bryce Pinkham back on board as the dastardly(not really) Monte Novarro! And the show itself is as fresh as a daisy, and Bryce stopped the show cold with the infamous “Trio” number! No! Really! The audience which was packing the Walter Kerr that night couldn’t stop cheering and clapping! Talk about the Roar of the Crowd! He and his two delicious, new leading ladies joined him in mirth, slamming doors, and song and the crowd went wild! How exciting was that! And the show is nearing the two-year-old point in October, AND it’s recouped all its’ investment! No mean feat on Broadway these days!

Scarlett Strallen is the all-too-pink, absolutely delightful Sibella, and as Pinkham sang the magnificent love song to her with superlatives hitting the High C’s “You’re deceitful! You’re delectable!” Ms. Strallen seemed to justify and personify every trilled adjective.

Catherine Walker was right up there vocally and humourously as a more mature Phoebe D’yasquith, all in blue, and decorous as well as decorative as she and Stallen BOTH presue Pinkham in that slammingly funny “Trio.”

They were a delight to watch and applaud and cheer and the  howling audience surely did!

And of course, Jefferson Mays playing something like 8 or 9 D’yquiths, all of whom, but one, or is it two? I’m losing count as the body count of despicable D’ysquiths soars, as does Mays’ legendary, unbelievable performance(s) in ALLLLL those roles  It’s still a  dizzying comic tour-de-force as he, Pinkham, Stallen and Walker keep you laughing even though I’ve seen the show THREE times now, and have worn out the Original Cast CD playing it over and over and over.

Under the equally legendary Darko Tresnjak’s STILL perfectly pitched direction, not a moment of hilarity is missed. My sides literally ached from laughing!

Just when you think you’ve seen the ultimate D’ysquith slaughter( by our hero Monty Navarro/Pinkham) there’s another hysterical murder. The bees persuing Henry D’Ysquith (yes, Mays AGAIN!) this time around are all depicted as a golden-yellow swarm on the upstage back projection by the excellent Aaron Rhyne. They seem to be eating  Mays alive as he writhes in bee-stung agony upside down!

Then of course there the hilarious, plus-sized, busomy Lady Hyacinth D’Ysquith, the most despicable, globe-trotting do-gooder that makes you never want to donate to a charity again.

I guess my favorite D’Ysqithian death is when in the course of about five minutes, or less, Lady Salome D’Ysquith Pumphrey is despatched as she plays Hedda Gabler’s famous climax, Monty having put a real bullet in her stage gun. I couldn’t stop laughing! Or was it screaming at this point?

And one had to wonder all over again at the stamina, nuance, and mischief that Bryce Pinkham displays throughout. A master comedian as well as a nearly operatic singer with a tenor voice that can only be described as plangent as his magnificent voice soars above the mayhem and murder in Steven Lutvak’s and Robert L. Freeman’s wonderfully apt songs.

My favorite being Bryce’s “I Am Standing Here With Poison in My Pocket”. It’s an ice-skating murder.

Don’t try to figure it out! Just go and enjoy the incredible “A Gentleman’s Guide to Love and Murder” again and again. As Darko Tresnjak prepares a National Tour and I can easily see it being done all over the world! And running forever and ever. Congratulations once again to all concerned!

 

 

Elizabeth Williamson, new Associate Artistic Director, Hartford Stage

It is my great pleasure, dear readers, dear cineastes, dear lovers of theatre to introduce you to the very exciting and dynamic Elizabeth Williamson, the newly appointed associate artistic director of the Hartford Stage. Elizabeth has studied in London under Mark Wing-Davey, who is now the Head of NYU’s great Grad Acting program, and also at L’Ecole Jacques le Coq theatre in Paris, as well as being the Dramaturg at the Hartford Stage under the direction of Darko Tresnjak.

Elizabeth was the dramaturg and very involved with the development of Matthew Lopez’ new play “Reverberation” which I liked so much when I saw it in Hartford earlier this year. Her parents were both poets and she has a very bright future in the American Theater in front of her.

“Heidi Chronicles” Closing Sunday is a Crime!

Heidi 1“The Heidi Chronicles” closing on Broadway on Sunday is a crime! I just saw it for the SECOND time last night, and enjoyed it all over again. I RARELY, as you know, dear readers, RETURN to revisit a show, especially in this high Drama Desk season, but I’m so glad I did.

The cast was very relaxed and giving and warm, warm, warm and funny, too, as the late Pulitzer winning playwright Wendy Wasserstein was in real life.

Insightful, witty, observant, and yes, timely, too, I do feel that Wasserstein’s “Heidi” is not dated at all and is as relevant today as it was then when it opened to great critical acclaim in 1989. It won the Pulitzer and also the Tony.

And I saw the original production, but I liked this one much better. The performances of Elizabeth Moss in the title role and the redoubtable Bryce Pinkham as her gay best friend were both awards-worthy, and thankfully Moss has been nominated for a Tony for Best Actress. Pinkham however was not, although he did get an Outer Critics nomination for Best Featured Actor in a Play. The Drama Desk ignored it completely.

I wonder if the shows’ unexpected, premature closing had something to do with the unjust lack of awards consideration “Heidi” has gotten.

Elizabeth Moss was simply magnificent last night, shining like a golden  sun and immensely relatable as the hapless heroine Heidi. Moss’ monologue ending with the famous line “I feel stranded” was a bravura tour-de-force of the highest order.

And Pinkham held his own in a 360 degree turn from his usual villainous musical rogues (“A Gentleman’s Guide to Love and Murder” and “Ghost”.) as a very warm, relatable doctor. His Dr. Peter Patrone goes from campy to bitchy to saintly in an arc than every gay man was experienced since the ’60s, ending with yes, a penultimate scene dealing with AIDS in the late ’80s. The  hyper-versatile Pinkham captures every nuance, pulse and throb of pain and joy that Peter undergoes.

The house was packed last night. The audience applauded every scene. That’s something that rarely happens with a straight play.

I urge you to try to see “Heidi” before it closes on Sunday. Maybe there will be enough of a demand to see its’ beautiful life extended.

Video

Bryce Pinkham, the Gentleman of ” A Gentleman’s Guide…”

The super-hot new leading man/matinee idol on Broadway this season is Bryce Pinkham, the titular gentleman of “A Gentleman Guide to Love and Murder”, which just won 7 Drama Desk Awards drops by “The Stephen Holt Show” at the Drama Desk Awards themselves. Bryce is nice. No really, he is not anything like the villainous characters he has played on Broadway in “Ghost” and now the kinder, gentler semi-villain, semi-hero of “A Gentleman’s Guide…” which has earned him a Tony nomination for Best Actor in a Musical. He talks about this and his background as a graduate of the Yale School of Drama.

Videography ~ Jack Siberine

Image

Gentleman’s Guide Sweeps Drama Desk Awards with 7!!!

Gentlemen's 1Gentlemen's Guide 2Gentleman's Guide Sweeps Drama Desk Awards with 7!!!

It was quite a big night for wit and brilliance on Broadway as the super-smart “A Gentleman’s Guide to Love and Murder” swept the Drama Desk Awards tonight with seven wins at a gala awards presentation at Town Hall. The glamourous packed audience roared its’ approval.

It won Best Musical, Best Actor in a Musical Jefferson Mays, Best Featured Actress in a Musical, Lauren Worsham, Best Director of a Musical Darko Tresnjak, Best Book of a Musical Robert L. Freedman, Best Lyrics Steven Lutvak and Robert L. Freedman, Best Projection Design in a Musical Aaron Rhyne.

I only wish it could’ve been a three way tie, and the stupendous Bryce Pinkham, who was also nominated for Best Actor in a Musical, could’ve won, too. And Lisa O’Hare should’ve been nominated, too, for her super-slinky Sibella.And may I say, Steven Lutvak should’ve won for his glittering score. And so should the set and costumes, too! I’m such a fan! I hope it sweeps the Tonys, also! I think it will.

The unusual,odd occurance of a double tie, something that has never happened before in my memory as a Voting Member of the Drama Desk, happened tonight as Best Actor in a Musical, the most hotly contended of all the categories, except perhaps Best Musical, got BOTH Neil Patrick Harris of “Hedwig and the Angry Inch” AND Jefferson Mays, as I said, Best Actor in a Musical Awards.

And in Best Featured Actress in a Musical, Lauren Gorsham, as the colortura soprana ingenue Phoebe in “A Gentleman’s Guide…” tied with Anika Larsen, of “Beautiful” who plays Carole King’s wise-cracking best friend and rival composer. Interestingly both actresses were profiled together in a New York Times article that combined the two lovely young performers and strangely predicted the tie in their category.

Audra McDonald won Best Actress in a Play for “Lady Day at Emerson’s Bar and Grille” for her searing, elegiac performance of the late Billie Holliday in the last days of her life. Many thought she was in the wrong category since she sings over a dozen of Holiday’s greatest hits in the show that is presented as if it were in a supper club as the audience is grouped in small cocktail tables on what is usually the floor of the orchestra of the Circle in the Square theater.

But it mattered not what category she was in to the Drama Deskers, who voted her Best Actress in a Play anyway! Didn’t think they would, but they did! Damn the semantics! Full speed ahead to the Tonys! Where she might become the very first performer to ever win SIX!?! If she wins there, too. If she won this big award, from the persnickety Drama Desk voters, (she already won the Outer Critics Circle), she’ll win the Tony, too, I think. DONE!

How many Drama Desk Awards has she won? More than Tonys even, I bet!

Best Actress in a Musical was Jessie Mueller as Carole King in “Beautiful,” a juke box musical consisting of Carole King’s many many hit songs.

Best Actor in a play went to Bryan Cranston in “All the Way” which also won Best Play.

All these performers in the major categories, Audra McDonald, Brian Cranston and Jessie Mueller could very well repeat at the Tonys NEXT Sunday night June 8. But who will win Best Actor in a Musical? Will both Jefferson Mays and Neil Patrick Harris tie again? This is something that has never happened at the Tonys. Stay tuned!!!

A complete list of the winners, as well as the nominees, is below. The winner are highlighted in bold.

http://www.DramaDeskAwards.com
DRAMA DESK AWARD NOMINEES FOR THE 2013-2014 SEASON
(WINNERS IN BOLD)

Outstanding Play
Nell Benjamin, The Explorers Club
Steven Levenson, Core Values
Conor McPherson, The Night Alive
Richard Nelson, Regular Singing
Bruce Norris, Domesticated
Robert Schenkkan, All the Way
John Patrick Shanley, Outside Mullingar

Outstanding Musical
A Gentleman’s Guide to Love & Murder
Aladdin
Beautiful: The Carole King Musical
Fun Home
Love’s Labour’s Lost
Rocky
The Bridges of Madison County

Outstanding Revival of a Play
I Remember Mama
London Wall
No Man’s Land
Of Mice and Men
The Cripple of Inishmaan
The Model Apartment
Twelfth Night*

*Shakespeare’s Globe Production

Outstanding Revival of a Musical
Hedwig and the Angry Inch
Les Misérables
Violet

Outstanding Actor in a Play
Bryan Cranston, All the Way
Hamish Linklater, The Comedy of Errors
Ian McKellen, No Man’s Land
David Morse, The Unavoidable Disappearance of Tom Durnin
Chris O’Dowd, Of Mice and Men
Daniel Radcliffe, The Cripple of Inishmaan
Denzel Washington, A Raisin in the Sun

Outstanding Actress in a Play
Barbara Andres, I Remember Mama
Tyne Daly, Mothers and Sons
Audra McDonald, Lady Day at Emerson’s Bar & Grill
Laurie Metcalf, Domesticated
J. Smith-Cameron, Juno and the Paycock
Harriet Walter, Julius Caesar

Outstanding Actor in a Musical
Neil Patrick Harris, Hedwig and the Angry Inch TIE!
Adam Jacobs, Aladdin
Andy Karl, Rocky
Jefferson Mays, A Gentleman’s Guide to Love & Murder TIE!
Steven Pasquale, The Bridges of Madison County
Bryce Pinkham, A Gentleman’s Guide to Love & Murder

Outstanding Actress in a Musical
Sutton Foster, Violet
Idina Menzel, If/Then
Jessie Mueller, Beautiful: The Carole King Musical
Kelli O’Hara, The Bridges of Madison County
Margo Seibert, Tamar of the River
Barrett Wilbert Weed, Heathers: The Musical

Outstanding Featured Actor in a Play
Reed Birney, Casa Valentina
Chuck Cooper, Choir Boy
Peter Maloney, Outside Mullingar
Bobby Moreno, Year of the Rooster
Bill Pullman, The Jacksonian
Brian J. Smith, The Glass Menagerie

Outstanding Featured Actress in a Play
Betty Buckley, The Old Friends
Julia Coffey, London Wall
Diane Davis, The Model Apartment
Celia Keenan-Bolger, The Glass Menagerie
Jan Maxwell, The Castle
Sophie Okonedo, A Raisin in the Sun

Outstanding Featured Actor in a Musical
Danny Burstein, Cabaret
Nick Cordero, Bullets Over Broadway: The Musical
Joshua Henry, Violet
James Monroe Iglehart, Aladdin
Rory O’Malley, Nobody Loves You
Bobby Steggert, Big Fish

Outstanding Featured Actress in a Musical
Stephanie J. Block, Little Miss Sunshine
Anika Larsen, Beautiful: The Carole King Musical (tie)
Adriane Lenox, After Midnight
Sydney Lucas, Fun Home
Laura Osnes, The Threepenny Opera
Jennifer Simard, Disaster!
Lauren Worsham, A Gentleman’s Guide to Love & Murder (tie)

Outstanding Director of a Play
Joe Calarco, A Christmas Carol
Tim Carroll, Twelfth Night
Thomas Kail, Family Furniture
Bill Rauch, All the Way
Anna D. Shapiro, Domesticated
Julie Taymor, A Midsummer Night’s Dream

Outstanding Director of a Musical
Sam Gold, Fun Home
Michael Mayer, Hedwig and the Angry Inch
Bartlett Sher, The Bridges of Madison County
Susan Stroman, Bullets Over Broadway: The Musical
Alex Timbers, Rocky
Darko Tresnjak, A Gentleman’s Guide to Love & Murder

Outstanding Choreography
Warren Carlyle, After Midnight
Steven Hoggett, Kelly Devine, Rocky
Danny Mefford, Love’s Labour’s Lost
Casey Nicholaw, Aladdin
Susan Stroman, Bullets Over Broadway: The Musical
Sonya Tayeh, Kung Fu

Outstanding Music
Jason Robert Brown, The Bridges of Madison County
Andrew Lippa, Big Fish
Steven Lutvak, A Gentleman’s Guide to Love & Murder
Alan Menken, Aladdin
Kevin Murphy and Laurence O’Keefe, Heathers: The Musical
Jeanine Tesori, Fun Home

Outstanding Lyrics
Howard Ashman, Tim Rice, and Chad Beguelin, Aladdin
Jason Robert Brown, The Bridges of Madison County
Robert L. Freedman and Steven Lutvak, A Gentleman’s Guide to Love & Murder
Michael Friedman, Love’s Labour’s Lost
Michael Korie, Far from Heaven
Lisa Kron, Fun Home

Outstanding Book of a Musical
Chad Beguelin, Aladdin
Robert L. Freedman, A Gentleman’s Guide to Love & Murder
Joe Kinosian and Kellen Blair, Murder for Two
Lisa Kron, Fun Home
Douglas McGrath, Beautiful: The Carole King Musical
Marsha Norman, The Bridges of Madison County

Outstanding Orchestrations
Jason Robert Brown, The Bridges of Madison County
John Clancy, Fun Home
Larry Hochman, Big Fish
Steve Sidwell, Beautiful: The Carole King Musical
Michael Starobin, If/Then
Jonathan Tunick, A Gentleman’s Guide to Love & Murder

Outstanding Music in a Play
Lewis Flinn, The Tribute Artist
Elliot Goldenthal, A Midsummer Night’s Dream
Rob Kearns, The Life and Sort of Death of Eric Argyle
Tom Kochan, Almost, Maine
Nico Muhly, The Glass Menagerie
Duncan Sheik, A Man’s a Man

Outstanding Revue
After Midnight
I’m a Stranger Here Myself: Musik from the Weimar and Beyond
Le Jazz Hot: How the French Saved Jazz
Til Divorce Do Us Part
What’s It All About? Bacharach Reimagined

Outstanding Set Design
Christopher Barreca, Rocky
Alexander Dodge, A Gentleman’s Guide to Love & Murder
Richard Hoover, Small Engine Repair
Santo Loquasto, Bullets Over Broadway: The Musical
Ian MacNeil, A Doll’s House
Donyale Werle, The Explorers Club

Outstanding Costume Design
Constance Hoffman, A Midsummer Night’s Dream
William Ivey Long, Bullets Over Broadway: The Musical
Zane Pihlstrom, Nutcracker Rouge
Loren Shaw, The Mysteries
Jenny Tiramani, Twelfth Night
David C. Woolard, The Heir Apparent

Outstanding Lighting Design
Christopher Akerlind, Rocky
Jane Cox, Machinal
David Lander, The Civil War
Peter Mumford, King Lear
Brian Tovar, Tamar of the River
Japhy Weideman, Macbeth

Outstanding Projection Design
Robert Massicotte and Alexis Laurence, Cirkopolis
Sven Ortel, A Midsummer Night’s Dream
Aaron Rhyne, A Gentleman’s Guide to Love & Murder
Shawn Sagady, All the Way
Austin Switser, Sontag: Reborn
Ben Rubin, Arguendo

Outstanding Sound Design in a Musical
Kai Harada, Fun Home
Peter Hylenski, Bullets Over Broadway: The Musical
Peter Hylenski, Rocky
Brian Ronan, Beautiful: The Carole King Musical
Dan Moses Schreier, A Gentleman’s Guide to Love & Murder
Jon Weston, The Bridges of Madison County

Outstanding Sound Design in a Play
M.L. Dogg, The Open House
Katie Down, The Golden Dragon
Paul James Prendergast, All the Way
Dan Moses Schreier, Act One
Christopher Shutt, Love and Information
Matt Tierney, Machinal

Outstanding Solo Performance
David Barlow, This is My Office
Jim Brochu, Character Man
Hannah Cabell, Grounded
Debra Jo Rupp, Becoming Dr. Ruth
Ruben Santiago-Hudson, August Wilson’s How I Learned What I Learned
John Douglas Thompson, Satchmo at the Waldorf

Unique Theatrical Experience
Charlatan
Cirkopolis
Mother Africa
Nothing to Hide
Nutcracker Rouge
The Complete & Condensed Stage Directions of Eugene O’Neill Vol.

Special Awards Each year, the Drama Desk votes special awards to recognize excellence and significant contributions to the theater. For 2013-2014, these awards are:

To Soho Rep.: For nearly four decades of artistic distinction, innovative production, and provocative play selection.

To Veanne Cox: For her ability to express the eccentricities, strengths, and vulnerabilities of a range of characters, and notably for her comedic flair as evidenced in this season’s The Old Friends and The Most Deserving.

To Ed Sylvanus Iskandar, the Sam Norkin Off-Broadway Award: For his visionary directorial excellence. This season’s The Golden Dragon and The Mysteries exemplify his bold and strikingly original imagination.

To the ensembles of Off-Broadway’s The Open House and Broadway’s The Realistic Joneses and to the creator of both plays, Will Eno: For two extraordinary casts and one impressively inventive playwright.

The Open House: Hannah Bos, Michael Countryman, Peter Friedman, Danny McCarthy, and Carolyn McCormick

The Realistic Joneses:Toni Collette, Michael C. Hall, Tracy Letts, and Marisa Tomei

Individual artists and productions singled out for these special awards are not eligible in their competitive categories.

PRODUCTIONS WITH MULTIPLE AWARDS

7 A Gentleman’s Guide to Love & Murder

3 Beautiful: The Carole King Musical

2 Twelfth Night*

2 After Midnight

2 All The Way

2 The Bridges of Madison County

2 The Glass Menagerie

2 Hedwig and the Angry Inch

2 Rocky

*Shakespeare’s Globe Production

Image

How I Adore “A Gentleman’s Guide to Love & Murder”!

Seeing “A Gentleman’s Guide to Love and Murder” for the SECOND time, I couldn’t believe how much I loved it ~ more! I saw it when it first opened this past winter, and I adored how tuneful, how witty and how inventive it was and how ingeniously staged and performed it was by all hands on deck. I thought it was too rich, too lushly melodic, too good, too period perfect(It’s 1908), or too perfect. Period. For Broadway in this loud, flat day & age, but guess what?

It survived the long, horrid winter we’ve had and has come up this Spring blooming with Award nominations! So the SECOND time I saw it, “A Gentleman’s …” was even more delightful, if that’s actually possible, because you just relax and luxuriate in its’ glorious excesses of gorgeousness. malevolence,melody & wit!

WIT! How many musicals on Broadway have this, my most prized delectation! And how I miss it!

Not since Lerner & Lowe have we heard this wealth of sharp lyrics, luxuriant melodies and the rebirth of patter songs. I kept thinking of Rex Harrison’s immortal Henry Higgins all through this juggernaut of tongue-twisting fun. It harks back to the best of George Bernard Shaw, too, in its spot-on depiction of life high and low in Edwardian England. And it’s also thoroughly British, which I love, Anglo-phile that I am.

The opening tableau of a grim, gleeful, rain-soaked chorus all in black sets the tone with “A Warning to the Audience” that “you’d best depart!” at once, if they don’t like murder and mayhem. They re-unite merrily in Act Two’s Opening asking “Why Are All the D’Ysquiths Dying?”

You see, our redoubtable hero, Monty Navarro (the stupendous Bryce Pinkham) is impoverished and grief-stricken at the outset. He is reeling, coming from his beloved mother’s funeral. A strange old woman named Miss Shingle,(pictured above^) whom he doesn’t know from Adam, turns up to comfort him in his Dickensian, down-at-heels bed-sit in a grimy, smoke-stack spewing part of London (kudos to scenic designer Alexander Dodge) to tell him that “You’re a D’Ysquith!” And consequently the heir to a vast fortune, but unfortunately there are eight other D’Ysquiths in the way to his ascendancy to the Earldom of Chislehurst.

The marvelous Jane Carr (the apple of Maggie Smith’s eye in “The Prime of Miss Jean Brodie”) turns up here as Miss Shingle, evincing a perfect Cockney accent, and a twinkle in her mischievous eye, to set the plot a-rolling and the pots a-boiling.

She quickly transfers that deadly twinkle to the bereft down-and-outer Monty’s big baby blues and hence a dastardly, dashing, handsome devil of a villain is born.

I.E. The plot is to bump off the eight people standing in his determined way. I don’t think I’ve ever loved a social-climber quite so much!

Monty sings: I am standing here with poison in my pocket,
One eye on the target, one eye on the clock. It
Better happen soon before I lose my nerve and run.
If I had a knife I could have grabbed him,
Then discreetly knocked him on
The head and stabbed him,
Not to mention what I would have done,
If I had had a gun.

And one after the other, in one hilarious set piece after the next, each one a knock-out, literally. (Kudos again to the inventive Mr. Dodge. His back-projections are as hilariously apt as his front-projections) The D’Ysquiths all begin to fall like nine (or rather eight) pins in an East End bowling alley. That they all are played by the incredible Jefferson Mays is simply beyond astounding. And each one of the doomed D’Ysquiths are meticulously differentiated from the other. He’s a one-man cast of thousands ~ of dead people.

In case all of this is sounding a tick familiar, “A Gentleman’s Guide…” is based on the book “Kind Hearts and Coronets” that the famous movie starring Alec Guinness is also based upon. And Jefferson Mays fills the bill quite, quite well.

Mr. Jefferson Mays is, of course, the esteemed Tony recipient of “I Am My Own Wife,” where once again he showed his chameleon versatility playing multiple roles in a one-man show. Though sweating and spitting up a storm in Act One, he nevertheless engages the audience’s affection and admiration as the bodies pile one upon the other in seemingly endless succession, all them bodies his. And who knew he could sing and dance like that?

D’Ysquithian highlights abound as we await the next deliciously daffy dispatch of one dastardly aristocrat after the other. Without spoiling just how hilariously they all go to meet their maker, there’s one patriotic, and also homo-erotic, number called “It’s Better With a Man” that both Mr. Pinkham and the inevitable Mr. Mays seem to take particular purple relish in.

Bryce Pinkham, Broadway’s newest, hottest leading man, has a lilting tenor, arched eye-brows and chiseled cheekbones. Plus he has the difficult job of making all the many murders of Mr. Mays, be sympathetic, and also empathetic, as well as sexy, as he slashes, and stabs and poisons his way to the top. You root for him to be the sociopath that he becomes. Pinkham has been seen before buried in the chorus of “Bloody, Bloody Andrew Jackson” and also playing the third lover in the musical “Love’s Labour’s Lost”in the park this past summer. You’ll remember him as the hot guy in silver lame hot pants, and on roller-skates. An agile triple-threat, he.

Keeping the sex count as high as the body count are the beauties battling for his affections, the pink-obsessed blonde Sibella (Lisa O’ Hare) and the brunette soubrette Phoebe(Lauren Worsham). The brilliant director of all this madness is the meticulous Darko Tresnjak and the bloody good music & lyrics are by the two and only Steven Lutvak and Robert L.Freedman(who also penned the tart, smart book). All of these are the gentleman, who will guide you through love and murder, and all are astonishingly making their auspicious Broadway debuts!

And they’ve all been nominated for Tonys! And Drama Desks! And the Outer Critics Circle Awards, too! Ten or eleven! Almost as high as the count of murders! And surely on the way to topping and copping all the awards for “Best Musical of the Year”! Sometimes quality is rewarded on Broadway! T</em>hank the Theater Gods! YAY!

Outer Critics Circle Announce Nominees!

Dear readers, dear cineastes the Outer Critics Circle has announced its’ list of nominations, the first of the season, with “A Gentleman’s Guide to Love and Murder” leading the pack with 11 nominations. I’m shocked, shocked! At Disney’s sub-par(to put it mildly)”Aladdin” getting as many nods as it got. And Audra McDonald’s splendifrous “Lady Day at Emerson’s Bar and Grille” is in the Best Actress in a Musical category. Not Best Actress in a Play which she could’ve easily gotten, as there is as much play in “Lady Day” as their is singing.

Both Bryce Pinkham AND Jefferson Mays’ were both nominated for Best Actor in a Musical category, pitting them against each other and against Neil Patrick Harris for “Hedwig” which I’m seeing Friday. Surprisingly now Best Musical nomination for “Bridges of Madison County,” but it got nominated for Best Music.

And “Bullets Over Broadway” did not score in the Best Musical category, nor Best Director of a Musical,but it did get Best Featured Actress for Marrin (Mugsalot)Mazzie, and Best Choreography (Susan Stroman) and Best Costumes (William Ivey Long). The Outer Critics Circle is voted on byy critics whose outlets are outside the metropolitan area. Some call them the Bridge and Tunnel Awards.

64th Annual Awards

Outer Critics Circle Announce

2013-14 Season Nominees

“A Gentleman’s Guide to Love & Murder”

Heads the List with 11 Nominations!

Followed by

8 for “Aladdin,” 7 for “Fun Home” & 6 for “Rocky”

The First Broadway/Off-Broadway Award Nominees of the Season!

Outer Critics Circle, the organization of writers and commentators covering New York theater for out-of-town newspapers, national publications and other media beyond Broadway, announced today (April 22, 2014) its nominees for the 2013-14 season in 24 categories. Stage and screen stars Cecily Tyson and Vanessa Williams presided over the (11AM) announcement ceremony at Manhattan’s Friars Club.

Celebrating its 64th season of bestowing awards of excellence in the field of theater, the Outer Critics Circle is an association with members affiliated with more than ninety newspapers, magazines, websites, radio and television stations, and theatre publications in America and abroad. The winners of the following categories will be announced on Monday, May 12th and the annual awards ceremony will be held on Thursday, May 22nd (4PM) at the legendary Sardi’s Restaurant.

– Nominations follow-

Outer Critics Circle

2013-2014 Award Nominations

OUTSTANDING NEW BROADWAY PLAY

Act One

All the Way

Casa Valentina

Outside Mullingar

The Realistic Joneses

OUTSTANDING NEW BROADWAY MUSICAL

After Midnight

Aladdin

Beautiful The Carole King Musical

A Gentleman’s Guide to Love & Murder

Rocky

OUTSTANDING NEW OFF-BROADWAY PLAY

Appropriate

Choir Boy

The Explorer’s Club

The Heir Apparent

Stage Kiss

OUTSTANDING NEW OFF-BROADWAY MUSICAL

Far From Heaven

Fun Home

Murder For Two

Storyville

What’s It All About? Bacharach Reimagined

OUTSTANDING BOOK OF A MUSICAL

(Broadway or Off-Broadway)

Aladdin

Beautiful The Carole King Musical

Fun Home

A Gentleman’s Guide to Love & Murder

Rocky

OUTSTANDING NEW SCORE

(Broadway or Off-Broadway)

Aladdin

The Bridges of Madison County

Fun Home

A Gentleman’s Guide to Love & Murder

If / Then

OUTSTANDING REVIVAL OF A PLAY

(Broadway or Off-Broadway)

The Cripple of Inishmaan

The Glass Menagerie

Machinal

Twelfth Night

The Winslow Boy

OUTSTANDING REVIVAL OF A MUSICAL

(Broadway or Off-Broadway)

Cabaret

Hedwig and the Angry Inch

Lady Day at Emerson’s Bar & Grill

Les Misérables

Violet

OUTSTANDING DIRECTOR OF A PLAY

Tim Carroll Twelfth Night

Michael Grandage The Cripple of Inishmaan

Lindsay Posner The Winslow Boy

Bill Rauch All the Way

Lyndsey Turner Machinal

OUTSTANDING DIRECTOR OF A MUSICAL

Warren Carlyle After Midnight

Laurence Connor & James Powell Les Misérables

Sam Gold Fun Home

Alex Timbers Rocky

Darko Tresnjak A Gentleman’s Guide to Love & Murder

OUTSTANDING CHOREOGRAPHER

Warren Carlyle After Midnight

Peggy Hickey A Gentleman’s Guide to Love & Murder

Steven Hoggett & Kelly Devine Rocky

Casey Nicholaw Aladdin

Susan Stroman Bullets Over Broadway

OUTSTANDING SET DESIGN

(Play or Musical)

Christopher Barreca Rocky

Beowulf Boritt Act One

Bob Crowley Aladdin

Es Devlin Machinal

Alexander Dodge A Gentleman’s Guide to Love & Murder

OUTSTANDING COSTUME DESIGN

(Play or Musical)

Gregg Barnes Aladdin

Linda Cho A Gentleman’s Guide to Love & Murder

William Ivey Long Bullets Over Broadway

Jenny Tiramani Twelfth Night

Isabel Toledo After Midnight

OUTSTANDING LIGHTING DESIGN

(Play or Musical)
Kevin Adams Hedwig and the Angry Inch

Howell Binkley After Midnight

Paule Constable Les Misérables

Natasha Katz Aladdin

Philip S. Rosenberg A Gentleman’s Guide to Love & Murder

OUTSTANDING ACTOR IN A PLAY

Bryan Cranston All the Way

Ian McKellen No Man’s Land

Brían F. O’Byrne Outside Mullingar

Mark Rylance Twelfth Night

Tony Shaloub Act One

OUTSTANDING ACTRESS IN A PLAY

Tyne Daly Mothers and Sons

Rebecca Hall Machinal

Jessica Hecht Stage Kiss

Cherry Jones The Glass Menagerie

Estelle Parsons The Velocity of Autumn

OUTSTANDING ACTOR IN A MUSICAL

Michael Cerveris Fun Home

Neil Patrick Harris Hedwig and the Angry Inch

Andy Karl Rocky

Jefferson Mays A Gentleman’s Guide to Love & Murder

Bryce Pinkham A Gentleman’s Guide to Love & Murder

OUTSTANDING ACTRESS IN A MUSICAL

Sutton Foster Violet

Audra McDonald Lady Day at Emerson’s Bar & Grill

Jessie Mueller Beautiful The Carole King Musical

Kelli O’Hara The Bridges of Madison County

Michelle Williams Cabaret

OUTSTANDING FEATURED ACTOR IN A PLAY

Paul Chahidi Twelfth Night

Michael Cyril Creighton Stage Kiss

John McMartin All the Way

Alessandro Nivola The Winslow Boy

Brian J. Smith The Glass Menagerie

OUTSTANDING FEATURED ACTRESS IN A PLAY

Barbara Barrie I Remember Mama

Andrea Martin Act One

Sophie Okonedo A Raisin in the Sun

Anika Noni Rose A Raisin in the Sun

Mare Winningham Casa Valentina

OUTSTANDING FEATURED ACTOR IN A MUSICAL

Danny Burstein Cabaret

Nick Cordero Bullets Over Broadway

Joshua Henry Violet

James Monroe Iglehart Aladdin

Jarrod Specter Beautiful The Carole King Musical

OUTSTANDING FEATURED ACTRESS IN A MUSICAL

Judy Kuhn Fun Home

Anika Larsen Beautiful The Carole King Musical

Sydney Lucas Fun Home

Marin Mazzie Bullets Over Broadway

Lisa O’Hare A Gentleman’s Guide to Love & Murder

OUTSTANDING SOLO PERFORMANCE

Jim Brochu Character Man

Debra Jo Rupp Becoming Dr. Ruth

Ruben Santiago-Hudson How I Learned What I Learned

Alexandra Silber Arlington

John Douglas Thompson Satchmo at the Waldorf

JOHN GASSNER AWARD

(Presented for an American play, preferably by a new playwright)

Scott Z. Burns The Library

Eric Dufault Year of the Rooster

Madeleine George The (Curious Case of the) Watson Intelligence

Steven Levenson The Unavoidable Disappearance of Tom Durnin

Lauren Yee The Hatmaker’s Wife

Nominations Talley for 3 or more:

A Gentleman’s Guide to Love & Murder 11; Aladdin 8; Fun Home 7; Rocky 6; After Midnight 5; Beautiful 5;

Twelfth Night 5; Act One 4; All the Way 4; Bullets Over Broadway 4; Machinal 4; Cabaret 3; The Glass Menagerie 3; Hedwig and the Angry Inch 3; Les Miserables 3; Stage Kiss 3; Violet 3; The Winslow Boy 3

2013-14 Outer Critics Circle Executive / Nominating Committee

Simon Saltzman (President)

Mario Fratti (Vice-President) Patrick Hoffman (Corresponding Secretary)

Stanley L. Cohen (Treasurer) Glenn Loney (Historian & Member-at-Large)

Rosalind Friedman (Recording Secretary) and

Aubrey Reuben & Harry Haun (Members-at-Large)

Tag Cloud